American & European Paintings & Prints
American & European Paintings & Prints
A
American & European Paintings & Prints
Sale 2493 January 29, 2010 Boston
American & European Paintings & Prints
SPECIALISTS IN CHARGE
AUCTION 2493
63 Park Plaza
Boston, Massachusetts
PREVIEW
Wednesday, January 27, 2010 12 to 5 p.m.
Thursday, January 28, 2010 12 to 7 p.m.
Friday, January 29, 2010 9 to 10:30 a.m.
ABSENTEE BIDDING
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
GENERAL INQUIRIES
617.350.5400
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TABLE OF CONTENTS
4 Provenance
6 Event Announcement
Please Note: All lots sold subject to our Conditions of Sale. Please refer to page 395 of this catalogue for the full
terms and conditions governing your purchase.
Lots: 76, 81, 168, 256, 265, 572, 574, 595, 603, 609, 612, 614-616, 618-620, 624, 626-631, 633, 636, 638, 645, 669, 673
Melvin B. Nessel was a longtime Boston resident and founder of the Fenton Shoe Corporation of Cambridge, Massachusetts. Nessel traveled to
Europe extensively in the 1960s and 1970s, particularly Italy, to develop the company’s import trade. It was during this decade that he acquired
many works by notable Italian modernists such as Arnaldo Pomodoro and Ettore Colla, frequenting galleries in Rome and Florence. In his
lifetime, Nessel was a major supporter of several Boston institutions such as Brandeis University, Massachusetts General Hospital, the Museum of
Fine Arts, Boston, and the Dana Farber Cancer Institute. Nessel also made a substantial gift of eighty-one works from his American modern and
contemporary collection, including a Protractor series work by Frank Stella, to the Norton Museum of Art in Palm Beach, Florida.
Lots: 1-3, 46, 123-126, 130, 165, 177-180, 203, 248, 249
Eleanor Kanegis Levin was the co-owner of the Kanegis Gallery in Boston with her first husband Sidney Kanegis from 1955 to the mid-1970s,
which was influential in representing Boston modernists.1 She also managed Retina Gallery in Cambridge from 1968 to 1971, which specialized
in optical and kinetic works by such artists as Anni and Josef Albers and Victor Vasarely.2 A practicing modernist artist herself, she studied at the
School of the Museum of Fine Arts Boston and in her later years, maintained a studio and art gallery in East Gloucester called “The
Guild/Sacred Cod”.
1. Lafo, Rachel Rosenfield, Painting in Boston, 1950-2000, Amherst: University of Massachusetts Press, 2002, p. 204.
2. Lawrence, J.M., “Eleanor K. Levin, 82, artist, gallery owner” [obituary], Boston Globe, June 10, 2008.
Anna Eleanor Braman was raised on Long Island and Old Chatham in the Hudson River Valley, attended Vassar College in the late 1940s, and in
1951, married Dr. Thomas Arthur McGraw, a graduate of Yale and Cornell Universities. The newlyweds spent their first married year in North
Carolina, but subsequently lived in New York City for over a decade, until Dr. McGraw’s passing in 1966. During this time, the McGraws were
ardent gallery-goers, and Ms. Braman was active in the art scene as a reviewer for a Manhattan publication called “Park East.” Ms. Braman
continued to collect with her second husband Mr. Graham H.R. Jenkins of Connecticut, and her last husband of eighteen years, Dr. Thomas A.
Grasso of Connecticut, the widower of Connecticut’s first woman governor Ella Tambussi Grasso. In her middle to late age, she promoted the
artistic and literary life of her community in Essex, Connecticut as the owner of the Clipper Ship Bookshop and member of the Connecticut River
Museum.
Lots: 101-112, 320, 337, 338, 339, 341, 358, 374, 387, 391, 392, 394, 395, 397, 445, 492, 514, 526, 534-536, 550, 558, 562, 566, 581
N. David (Nino) Scotti was a lifelong antiques collector and enthusiast, as well as a Southern New England history aficionado. Scotti, born and
raised in Providence, first began attending auctions with his mother in his teens. In his twenties, he co-founded a company in downtown
Providence that became Associated Appraisers Inc., an estate auctioneer.1 In the company’s last thirty years, Scotti was the primary owner and
manager as well as principal auctioneer. He was active in Providence’s cultural scene, and was an avid supporter of societies such as the Hope
Club, the Turk’s Head Club, the Providence Art Club, and the Providence Athenaeum.
63 Park Plaza
Boston, MA
R.S.V.P. 617.350.5400
Reservations are Limited
2.
Pierre Alechinsky (Belgian, b. 1927)
3.
Pierre Alechinsky (Belgian, b. 1927)
3
4.
American School, 20th Century
5.
Niels Yde Andersen (Danish/American, 1888-1952)
6.
Niels Yde Andersen (Danish/American, 1888-1952)
6
7
7. 8.
Niels Yde Andersen (Danish/American, 1888-1952) Niels Yde Andersen (Danish/American, 1888-1952)
Lot of Four Genre Scenes: Horse Power and Industry; Sleigh Lot of Three Images of Factory Workers: Charcoal Man, 1936,
Ride; Out of the Barn; and The Stone Breaker. All unsigned. edition of 12; Valve Repair; and Construction According to Plan.
Etchings on paper, plate sizes to 9 7/8 x 7 in. (25.0 x 17.5 cm), The first signed and dated “NYAndersen - 36” in pencil l.r. and titled
unmatted, unframed. and inscribed in pencil l.l., the other two unsigned. Etchings on
Condition: Most edges deckled, unobtrusive soiling, minor handling paper, plate sizes approximately 10 x 12 in. (25.5 x 30.5 cm),
marks and/or creases. unmatted, unframed.
$200-300 Condition: Most edges deckled, unobtrusive soiling, nicks, tears and
creases to some edges, additional handling marks and/or creases.
$250-350
9.
Niels Yde Andersen (Danish/American, 1888-1952)
9
10
11
12
10. 11.
Stanley Anderson (British, 1884-1966) Richard Anuszkiewicz (American, b. 1930)
The National Gallery, edition of 109. Signed “Stanley Anderson” in Triangulated Orange, 1977-78, edition of 50, printed by Editions
ink l.c., signed in the plate, titled in ink l.l., inscribed “Edition 109 Lassiter-Meisel, New York. Signed, numbered, and dated
proofs.” in ink l.r., identified on a label affixed inside the mat. Etching “ANUSZKIEWICZ 32/50 1977” in pencil (within the image) l.r.,
on paper, plate size 8 7/8 x 11 3/8 in. (22.4 x 28.7 cm), matted, stamped “© RICHARD ANUSZKIEWICZ” and “ELM” (the printer’s
unframed. monogram) on the reverse, inscribed “23” on the reverse. Color
Condition: Margins over 2 inches, subtle staining to upper corners. screenprint on paper mounted onto board, image/support size 84 x
$300-500 48 in. (213.4 x 121.3 cm), unframed.
Condition: Surface grime, rubs, and losses.
$500-700
12.
John Taylor Arms (American, 1887-1953)
Saint Paul Alpes Maritimes, 1927, final state of two, edition of 259
(Fletcher, 201). Signed and dated “John Taylor Arms - 1927” in
pencil l.r., titled, signed, and dated in the plate. Etching on paper,
plate size 7 1/2 x 11 1/2 in. (18.9 x 29.2 cm), framed.
Condition: Mat burn, unobtrusive toning, not examined out of frame.
$300-500
13 14
13.
Milton Avery (American, 1885-1965)
Hen, 1954, edition of 25 (Lunn, 57). Signed and dated “Milton Avery
1954” in pencil l.r., numbered “18/25” in pencil l.l. Identified on labels
from The Alpha Gallery, Boston, and the David Barnett Gallery,
Milwaukee, on the reverse. Woodcut on paper, image size 12 x 9 5/8
in. (30.2 x 24.3 cm), framed.
Condition: Rippling, not examined out of frame.
$1,500-2,000
14.
Leonard Baskin (American, 1922-2000)
15.
Leonard Baskin (American, 1922-2000)
The Cry, 1960, edition of 300 issued by the New York Graphics
Society. Signed Leonard Baskin” in pencil l.r., titled and numbered
“...131/300” in pencil l.l. Woodcut on paper, image size 14 3/4 x 12
1/4 in. (37.3 x 31.0 cm), framed.
Condition: Not examined out of frame.
$300-500
15
17
16
16. 17.
Leonard Baskin (American, 1922-2000) Leonard Baskin (American, 1922-2000)
Lot of Three Portraits: William Morris, Camille Corot, and The Moby Dick Suite, 1970, edition of 200 (Fern & O’Sullivan, 569-
Jacques Gamelin, from LAUS PICTORUM, 1969, total edition of 577). Each signed “Baskin” in pencil l.r. and numbered “49/200” in
525 (Fern & O’Sullivan; 416, 538 & 541). Each signed “Baskin” in pencil l.l. Lithographs (some in color) on paper, sheet sizes to 23 x
pencil l.r. and numbered “123/175” in pencil l.l. Woodcuts on paper, 17 in. (58.2 x 43.0 cm), presented in the original portfolio, unmatted,
image sizes to 7 1/4 x 4 5/8 in. (18.3 x 11.7 cm), unmatted, unframed.
unframed. Condition: Good.
Condition: Minor soiling, minor folds to several margins at corners. $500-700
$200-250
18.
Leonard Baskin (American, 1922-2000)
18
19 20
19. 20.
Leonard Baskin (American, 1922-2000) Leonard Baskin (American, 1922-2000)
Pedro Cajete, 1972, edition of 160 (Fern & O’Sullivan, 611). Signed Sharp Nose, 1972, edition of 160 (Fern & O’Sullivan, 612). Signed
“Baskin” in pencil l.r., numbered “146/160” in pencil l.l., titled and “Baskin” in pencil l.r., numbered “29/160” in pencil l.l., titled and
dated in the matrix, dry stamp l.l. Lithograph on paper, image size 30 dated in the matrix, dry stamp l.l. Lithograph on paper, image size 32
1/2 x 22 1/2 in. (77.3 x 57.0 cm), unmatted, unframed. 1/4 x 21 in. (81.8 x 53.2 cm), unmatted, unframed.
Condition: Very minor handling creases. Condition: Minor handling creases.
$500-700 $500-700
21.
Leonard Baskin (American, 1922-2000)
Sitting Bull, 1972, edition of 160 (Fern & O’Sullivan, 613). Signed
“Baskin” in pencil l.r., numbered “69/160” in pencil l.l., dry stamp l.l.
Lithograph on paper, image size 29 1/4 x 21 1/2 in. (74.2 x 54.5 cm),
unmatted, unframed.
Condition: Very minor handling creases.
$500-700
21
22.
Leonard Baskin (American, 1922-2000)
Swift Dog, 1972, edition of 160 (Fern & O’Sullivan, 615). Signed
“Baskin” in pencil l.r., numbered “64/160” in pencil l.l., titled and
dated in the matrix, dry stamp l.l. Lithograph on paper, image size 31
3/4 x 21 in. (80.5 x 53.4 cm), unmatted, unframed.
Condition: Very minor handling creases.
$500-700
23.
George Wesley Bellows (American, 1882-1925)
24.
George Wesley Bellows (American, 1882-1925)
23
24
25 26
25. 26.
Frank Weston Benson (American, 1862-1951) Frank Weston Benson (American, 1862-1951)
Wild Geese, 1917, published state, edition of 152 (Paff, 112). Canoeman, 1919, published state, edition of 150 (Paff, 161). Signed
Signed “FrankWBenson.” in pencil l.l., numbered “44” in pencil l.r. “FrankWBenson.” in pencil l.l. Etching on laid paper, plate size 7 7/8
Etching on laid paper with armorial watermark, plate size 6 3/4 x 10 x 6 in. (20.0 x 15.2 cm), matted, unframed.
3/4 in. (17.3 x 27.3 cm), matted, unframed. Condition: Margins 1 3/4 inches or more with deckled edges,
Condition: Margins 2 1/4 inches or more with deckled edges, toning, annotations to lower edge.
pale foxing, annotations to lower edge. $800-1,200
$400-600
27.
Frank Weston Benson (American, 1862-1951)
Over Sunk Marsh, 1920, published state, edition of 150 (Paff, 188).
Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 6
x 7 3/4 in. (15.1 x 19.5 cm), framed.
Condition: Gentle rippling, not examined out of frame.
$300-500
27
28.
Frank Weston Benson (American, 1862-1951)
28
29.
Frank Weston Benson (American, 1862-1951)
29
30.
Frank Weston Benson (American, 1862-1951)
30
31
31. 33.
Frank Weston Benson (American, 1862-1951) Thomas Hart Benton (American, 1889-1975)
Pointer Dog, 1925, published state, edition of 150 (Paff, 251). Tom Keefer, from the SWAMP WATER Series, 1941, edition of 100
Signed “FrankWBenson.” in pencil l.l., initialed and dated in the plate. (Fath, 51). Dedicated and signed “To Charles E. McCarthy from
Etching on paper, plate size 5 7/8 x 7 3/4 in. (14.8 x 19.5 cm), Thomas H. Benton” in pencil beneath the image, signed in the matrix.
framed. Lithograph on paper, image size 8 1/4 x 6 3/8 in. (20.8 x 16.0 cm),
Condition: Subtle mat burn, gentle rippling, fox mark c.l., not framed.
examined out of frame. Condition: Margins over 1 1/2 inches, not examined out of frame.
$800-1,200 $1,000-1,500
32.
Frank Weston Benson (American, 1862-1951)
32
33
35
34
34. 35.
Thomas Hart Benton (American, 1889-1975) Thomas Hart Benton (American, 1889-1975)
Jessie Wick, from the SWAMP WATER Series, 1941, edition of 100 Island Hay, 1945, edition of 250, published by Associated American
(Fath, 53). Dedicated and signed “To Charles E. McCarthy from Artists (Fath, 68). Signed “Benton” in pencil l.r. and in the matrix.
Thomas H. Benton” in pencil beneath the image, signed in the matrix. Lithograph on paper, image size 10 x 12 1/2 in. (25.3 x 31.8 cm),
Lithograph on paper, image size 9 7/8 x 6 1/2 in. (25.0 x 16.3 cm), matted, unframed.
framed. Condition: Margins approximately 1 inch, toning.
Condition: Margins over 1 1/2 inches, several small pale fox marks, $1,000-1,500
not examined out of frame.
$1,000-1,500
36.
Edouard Alexandre Bernard (French, 1879-1950)
36
37
38
37. 38.
Carroll Thayer Berry (American, 1886-1978) Isabel Bishop (American, 1902-1988)
White and Weatherworn - Maine Coast, 1960, edition possibly of Noon Hour, 1935, published by Associated American Artists 1946,
300 (Dearborn, 121). Signed “Carroll Thayer Berry imp” in pencil l.r., edition of 250 (Teller, 18). Signed “Isabel Bishop” in pencil l.r.,
signed in the block, titled in pencil l.l. Chiaroscuro woodcut in black identified on a label from AAA accompanying the lot. Etching on
and tan on paper, image size 11 x 12 1/2 in. (27.7 x 31.5 cm), paper, plate size 7 x 4 3/4 in. (17.5 x 11.9 cm), matted, unframed.
framed. Condition: Margins 2 inches or more, toning.
Condition: Unobtrusive toning, rippling, not examined out of frame. $400-600
39.
Richard Evett Bishop (American, 1887-1975)
39
40
42
41 42A
40. 42.
Edmund Blampied (British, 1886-1966) After Georges Braque (French, 1882-1963)
The Weary Cart Horse, 1926, edition of 100. Signed “E.Blampied” Lot of Two Still Lifes: Verre et pichet, color lithograph (Maeght,
in pencil l.c., numbered “90/100” in pencil l.l., signed and dated in the 1009); and Pommes, collotype. The former signed in pencil l.r., the
plate. Etching on paper, plate size 7 3/4 x 11 in. (19.8 x 27.9 cm), latter signed in the matrix and numbered “58/300” in pencil l.l. Image
framed. sizes to 8 x 12 in. (20.3 x 30.5 cm), framed.
Condition: Mat burn, several fox marks, subtle rippling, not examined Condition: Toning, fading to former, not examined out of frames.
out of frame. $500-700
$250-350
41. 42A.
Edmund Blampied (British, 1886-1966) After Georges Braque (French, 1882-1963)
Night in the Stable, edition of 100. Signed “E.Blampied” in pencil Le paquet de tabac, 1914, edition of 150 (Maeght, 1048). Color
l.c., numbered “11/100” in pencil l.r. Etching and drypoint on paper, lithograph on paper, image size 13 1/2 17 5/8 in. (34.2 x 44.6 cm),
plate size 10 x 12 1/8 in. (25.4 x 30.5 cm), framed. framed.
Condition: Subtle mat burn and rippling, not examined out of frame. Condition: Laid down, margins 3/8 inch, central vertical crease.
$400-600 $200-250
43
43. 45.
Claude Buckle (British, 1905-c. 1973) Alois Carigiet (Swiss, 1902-1985)
New Brighton & Wallasey. Identified within the matrix. Color Lot of Two Horse Subjects: Beim Gaden, 1969, edition of 300; and
lithographic poster on paper, image size 37 1/8 x 47 1/4 in. (94.4 x Falkner zu Pferd, 1970, edition of 200. Both signed and dated “A.
120.1 cm), framed. Carigiet...” in pencil l.r. and numbered in pencil l.l. Color lithographs
Condition: Laid down or mounted (with areas of on paper, image sizes to 24 x 17 1/2 in. (61.0 x 44.4 cm), framed.
bubbling/disadhesion), margins just over 1 inch, minor nicks and Condition: Subtle rippling and soiling, not examined out of frames.
tears to edges, subtle toning, not examined out of frame. $200-300
$1,000-1,500
44.
David Young Cameron (Scottish, 1865-1945)
44 45
46.
Marc Chagall (Russian/French, 1887-1985)
Elijah and the Widow of Sarepta, from BIBLE, 1956, edition of 275
plus proofs (Cramer, 29). Signed in the plate, identified on a label
from the Retina Gallery, Boston, on the reverse. Etching on paper,
plate size 11 1/4 x 9 1/2 in. (28.4 x 24.0 cm), framed.
Condition: Margins over 1/2 inch, not examined out of frame.
$500-700
47.
Marc Chagall (Russian/French, 1887-1985)
48.
Marc Chagall (Russian/French, 1887-1985)
48
47
50
49.
Edgar Chahine (French, 1874-1947)
50.
Samuel V. Chamberlain (American, 1895-1975)
51.
Samuel V. Chamberlain (American, 1895-1975)
52.
Samuel V. Chamberlain (American, 1895-1975)
54.
Samuel V. Chamberlain (American, 1895-1975)
N.B. The view shows the construction of the Daily News Building in
Chicago.
$300-350
54
55.
Samuel V. Chamberlain (American, 1895-1975)
56.
Samuel V. Chamberlain (American, 1895-1975)
57.
Samuel V. Chamberlain (American, 1895-1975)
57
56
58
59
58. 59.
Samuel V. Chamberlain (American, 1895-1975) Samuel V. Chamberlain (American, 1895-1975)
Faneuil Hall - Boston (Chamberlain & Kingsland, 83). Signed Lot of Two Impressions of Mont-Saint-Michel, c. 1940, edition of
“Samuel Chamberlain” in pencil l.r., numbered “44/100” in pencil l.l. 1500 plus proofs (Chamberlain & Kingsland, 261). Unsigned, one
Etching on laid paper, plate size 6 1/4 x 9 in. (15.8 x 22.8 cm), inscribed “Fourth State I/IV” in pencil l.l., the other inscribed “artist’s
matted, unframed. proof” in pencil l.l. Etchings on paper, plate size 5 3/8 x 4 5/8 in.
Condition: Margins 1/2 inch or more with deckled lower edge, (13.5 x 11.7 cm), matted, unframed.
staining to edges of sheet, foxing, losses and tears to upper corners Condition: Margins approximately 1 inch, subtle toning, annotations
within margins, annotations to lower margin. to lower margins.
Provenance: Through the family of the artist. Provenance: Through the family of the artist.
$150-200 $200-250
60.
Samuel V. Chamberlain (American, 1895-1975)
60
61
61. 63.
Samuel V. Chamberlain (American, 1895-1975) Giorgio de Chirico (Italian, 1888-1978)
Summer Shadows, 1940, edition of 300 plus proofs (Chamberlain & Castore, from I CAVALLI, 1948, edition of 94 (Vastano, 125).
Kingsland, 275). Signed “Samuel Chamberlain” in pencil l.r., inscribed Signed “G. de Chirico” in pencil l.r., numbered “5/94” in pencil l.l.,
“Ed. 300” in pencil l.l. Drypoint on paper, plate size 8 5/8 x 11 1/8 in. signed in the matrix. Lithograph in black and cream on paper with
(21.8 x 28.2 cm), matted, unframed. Fabriano watermarks, image size 19 x 12 1/2 in. (48.2 x 31.6 cm),
Condition: Margins 1 inch or more, annotations to lower margin. framed.
Condition: Margins over 3 inches, subtle toning or staining to edges,
Provenance: Through the family of the artist. unobtrusive handling creases, not examined out of frame.
$800-1,200
N.B. The view depicts Bank Square in Marblehead, Massachusetts.
$200-250
62.
Samuel V. Chamberlain (American, 1895-1975)
62 63
64.
Giorgio de Chirico (Italian, 1888-1978)
64
65.
Giorgio de Chirico (Italian, 1888-1978)
65
66.
Giorgio de Chirico (Italian, 1888-1978)
66
67
68
67.
Roland Clark (American, 1874-1957)
68.
Antoni Clavé (Spanish, 1913-2005)
69.
James Coignard (French, 1925-2008)
69
70
70.
James Coignard (French, 1925-2008)
71
Espace dynamique bleu, 1989, edition of 95. Numbered and
signed “6/95 J. Coignard” in pencil l.r., identified on labels on the
reverse. Color carborundum on paper, image/sheet size 20 1/4 x 25
3/4 in. (51.5 x 65.3 cm), framed.
Condition: Subtle rippling, not examined out of frame.
$300-350
71. 72.
James Coignard (French, 1925-2008) Lovis Corinth (German, 1858-1925)
Architecture, 1991, edition of 85. Signed “J. Coignard” in pencil l.r., Krönung Heinrich V, plate 30 from SHAKESPEARE VISIONEN,
numbered “79/85” in pencil l.l., identified on labels on the reverse. 1917-18, published in GANYMEDE (Schwarz, 390). Unsigned,
Color carborundum on paper, image size 28 x 23 3/4 in. (71.0 x 60.2 Ganymede dry stamp l.l. Drypoint on laid paper with partial
cm), framed. watermark, plate size 6 x 10 1/4 in. (15.3 x 26.0 cm), matted,
Condition: Subtle rippling, creases to edge of lower margin, not unframed.
examined out of frame. Condition: Margins over 1 inch with deckled edges.
$300-500 $250-350
72
73.
Alan Horton Crane (American, 1901-1969)
73
74.
John Steuart Curry (American, 1897-1946)
74
75.
John Steuart Curry (American, 1897-1946)
75
77
77.
Salvador Dalí (Spanish, 1904-1989)
Begonia, from FLORDALI, 1968, total edition of 400 plus proofs 78.
(Löpsinger & Michler, 233). Signed “Dali” in pencil l.r., numbered Adolf Arthur Dehn (American, 1895-1968)
“XXIII/XXV” in pencil l.l., signed within the plate. Etching with drypoint
and pochoir on paper, plate size 22 7/8 x 15 1/4 in. (55.2 x 38.8 cm), Circus, 1942, edition of 30 or more (Lumsdaine & O’Sullivan, 336).
framed. Signed and dated “Adolf Dehn 1942” in pencil l.r., titled in pencil l.c.,
Condition: Not examined out of frame. inscribed “30 prints” in pencil l.l. Lithograph on paper, image size 12
3/4 x 17 1/4 in. (32.0 x 43.5 cm), framed.
Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. Condition: Toning, pale foxing, not examined out of frame.
$500-700 $300-500
78
80
79
79. 80.
Jane Leone Dickson (American, b. 1952) Jim Dine (American, b. 1935)
Lot of Three Works: Globe Hotel Bar, Woman on Stairs, and Plate Four, from RACHEL COHEN’S FLAGS, STATE I, 1979
Burlesque, all 1984, editions of 45. Each signed and dated “Jane (D’Oench & Feinberg, 41) Inscribed, dated, and signed “Trial proof
Dickson ‘84” in pencil l.r. and numbered “10/45” in pencil l.l. Color for Nardo from Jim 1979 Jim Dine” in pencil beneath the image.
aquatints on paper, plate sizes 29 1/2 x 16 7/8 in. (74.8 x 42.8 cm), Drypoint on paper, plate size 15 1/2 x 21 3/4 in. (39.3 x 55.2 cm),
all matted, the last framed. framed.
Condition: Good, the last not examined out of frame. Condition: Margins over 2 3/4 inches with deckled edges, subtle
$1,000-1,500 cockling, not examined out of frame.
$800-1,200
81.
Lazzaro Donati (Italian, b. 1926)
81
82.
Otis Dozier (American, 1904-1987)
82
83.
Otis Dozier (American, 1904-1987)
83
84.
Jean Dubuffet (French, 1901-1985)
84
85
86
85. 86.
Etienne Duperac (French, 1520-1604) Albrecht Dürer (German, 1471-1528)
Hunter in a Landscape. Signed in the plate. Etching on paper, The Last Judgment, from the SMALL PASSION, 1511 (Bartsch 52;
plate size 7 1/2 x 12 3/4 in. (19.0 x 32.3 cm), framed. Meder, 161; Hollstein 161b). Monogrammed in the block, with text
Condition: Trimmed to or just within the plate mark, subtle rippling on the reverse. Woodcut on paper, image size 5 x 3 3/4 in. (12.5 x
and toning, not examined out of frame. 9.5 cm), framed.
$300-350 Condition: Thread margins, rippling, small tear to corner (just
effecting image) l.l., not examined out of frame.
$300-500
87.
Max Ernst (German, 1891-1976)
Sign for a School for Pirates, 1965, edition of 125 (Spies &
Leppien, A12). Signed “max ernst” in pencil l.r., numbered “72/125”
in pencil l.l., titled within the matrix. Color photo-lithograph on BFK
Rives paper with partial watermark, image size 23 3/4 x 19 3/8 in.
(60.3 x 49.0 cm), unmatted, unframed.
Condition: Margins 1 inch or more with two deckled edges, subtle
surface rubs to image, minor creases to margins near corners.
$200-250
87
88
88. 90.
Lyonel Feininger (German/American, 1871-1956) Ernest Fiene (American, 1894-1965)
Off the Coast, 1951, second state of two, edition of 250 plus proofs The Little Church Around the Corner. Signed “Ernest Fiene” in
published for the Cleveland Print Club (Prasse L14). Signed “Lyonel pencil l.r., identified on a label on the reverse. Lithograph on paper,
Feininger” in pencil l.r. Lithograph on paper, image size 9 1/4 x 14 image size 9 1/2 x 12 1/8 in. (24.0 x 30.6 cm), framed.
1/2 in. (23.5 x 36.8 cm), framed. Condition: Subtle rippling, not examined out of frame.
Condition: Not examined out of frame. $300-500
$1,500-2,000
89.
Erna Fenkohl (Belgian, 1882-1975)
Lot of Four Still Lifes with Flowers and Insects. Each signed
“Erna Fenkohl” in pencil l.r. and inscribed “Orig. Handdruck” in pencil
l.l. Color woodcuts on paper, image sizes 5 1/2 x 5 1/2 in. (13.8 x
13.8 cm), framed.
Condition: Subtle toning, not examined out of frames.
$600-800
90
89
91
91.
Sam Francis (American, 1923-1994)
92.
Helen Frankenthaler (American, b. 1928)
93.
French School, 19th/20th Century
94.
French School, 19th/20th Century
95.
French School, 19th/20th Century
96.
French School, 20th Century
97.
French School, 19th/20th Century
97
98.
Wanda Gag (American, 1893-1946)
98
99.
Sears Gallagher (American, 1869-1955)
99
100.
Sears Gallagher (American, 1869-1955)
100
101 102
101. 102.
Eliza Draper Gardiner (American, 1871-1955) Eliza Draper Gardiner (American, 1871-1955)
On the Boat, edition of 30. Signed and numbered “Eliza D. Gardiner Feeding the Geese. Unsigned. Color woodcut on paper, image
1/30” in pencil l.l. (within the image) and l.r., titled in pencil l.c., size 9 1/2 x 7 3/8 in. (24.0 x 18.5 cm), unmatted, unframed.
identified on labels from the Print Club of Philadelphia and The Condition: Margins 1/2 inch or more, foxing (primarily to upper
Wichita Art Association on the reverse. Color woodcut on laid gray margin).
paper, image size 10 1/2 x 12 3/8 in. (26.5 x 31.3 cm), matted,
unframed. Provenance: Estate of N. David Scotti, Providence, Rhode Island.
Condition: Margins 1 inch or more with two deckled edges, subtle $300-500
toning, annotations in the artist’s hand verso.
103.
Eliza Draper Gardiner (American, 1871-1955)
103
104 105
104. 105.
Eliza Draper Gardiner (American, 1871-1955) Eliza Draper Gardiner (American, 1871-1955)
Arrangement in Gray and Black. Unsigned. Woodcut on paper, Boy with Cat, edition of 50. Signed and numbered “Eliza D.
image size 8 1/2 x 7 1/2 in. (21.5 x 19.0 cm), unmatted, unframed. Gardiner 28/50” in pencil u.r. (within the image). Color woodcut on
Condition: Margins 1 inch or more with two deckled edges, subtle laid gray paper, image size 10 x 7 1/2 in. (25.4 x 19.1 cm), matted,
toning, annotations and pinholes to upper margin. unframed.
Condition: Upper and right margins trimmed to image, pale foxing
Provenance: Estate of N. David Scotti, Providence, Rhode Island. (visible almost exclusively in remaining margins).
$200-250
Provenance: Estate of N. David Scotti, Providence, Rhode Island.
$300-500
106.
Eliza Draper Gardiner (American, 1871-1955)
106
108
107
107.
Eliza Draper Gardiner (American, 1871-1955)
108.
Eliza Draper Gardiner (American, 1871-1955)
109.
Eliza Draper Gardiner (American, 1871-1955)
110. 111.
Eliza Draper Gardiner (American, 1871-1955) Eliza Draper Gardiner (American, 1871-1955)
Lot of Eight Scenes: Provincetown, edition of 25; Apponaug, R.I., The Forest Nunns, c. 1939, edition of 50. Signed and numbered
edition of 25; Boy with Goose; Dories at Low Tide; The Garden “Eliza D. Gardiner 1/50” in pencil l.l., titled on the mat, identified on a
Shed; The Toy Boat; A Quiet Corner; and Waiting on the Dock. label from the Armour Gallery, Providence, Rhode Island, on the
The first two signed, titled, and numbered “Eliza D. Gardiner...1/25” in reverse. Lithograph on Rives paper with watermark, image size 8 7/8
pencil beneath the image, the rest unsigned. Etchings on various x 6 1/4 in. (22.4 x 15.6 cm), matted, unframed.
papers, plate sizes to 8 x 5 in. (20.2 x 12.6 cm), unmatted, unframed. Condition: Deckled edges to three sides, several fox marks to
Condition: Unobtrusive toning and/or soiling, some margins with margins.
pinholes to edges, some edges deckled.
Provenance: Estate of N. David Scotti, Providence, Rhode Island.
Provenance: Estate of N. David Scotti, Providence, Rhode Island. $200-250
$800-1,200
112.
Eliza Draper Gardiner (American, 1871-1955)
112
113 114
113. 114.
Eliza Draper Gardiner (American, 1871-1955) Albert Gleizes (French, 1881-1953)
Waiting by the Window, c. 1937. Signed “Eliza D. Gardiner” in Rue animée, 1914. Signed and dated “AGleizes 1914” in pencil l.r.,
pencil l.l., dedicated “To E. Cook with love ‘37” in pencil l.r. signed and dated in the plate, inscribed “épreuve d’artist” in pencil l.l.
Lithograph on paper, image size 7 1/2 x 6 in. (19.0 x 15.2 cm), Etching on paper, plate size 8 7/8 x 6 3/4 in. (22.5 x 17.0 cm),
framed. matted, unframed.
Condition: Subtle toning and rippling, not examined out of frame. Condition: Margins 1 3/4 inches or more, minor soiling.
$300-500 $5,000-7,000
115.
Albert Gold (American, 1916-1972)
The Horse Cart, 1947. Signed and dated “Albert Gold ‘47” in pencil
l.r. Color monotype on paper, image size 12 x 15 3/4 in. (30.5 x 40.0
cm), framed.
Condition: Not examined out of frame.
$200-300
115
116
117
116. 117.
Stephen Gooden (British, 1892-1955) R.C. Gorman (American, 1932-2005)
The Satyrs, 1937. Inscribed, signed, and dated “109 . 81 Stephen Beauty Way, 1990, edition of 225 plus proofs. Signed and dated
Gooden 1937” in pencil beneath the image, identified on label affixed “R.C. Gorman 1990” in pencil (within the image) l.l., inscribed “A.P. 9”
inside the mat. Engraving on paper, circular format, plate diameter 6 in pencil (within the image) l.r., artist’s dry stamp l.l., “HOUSTON” dry
1/4 in. (15.7 cm), matted, unframed. stamp l.r. Color screenprint on paper, image/sheet size 37 x 31 in.
Condition: Margins over 1 1/2 inches with two deckled edges, subtle (94.0 x 78.5 cm), framed.
toning. Condition: Deckled edges, not examined out of frame.
$200-250 $800-1,200
118.
Gordon Hope Grant (American, 1875-1962)
118
119
119. 121.
Frederick Landseer Maur Griggs (British, 1876-1938) Yozo Hamaguchi (Japanese, 1909-2000)
Sellenger, 1917, fourth state of six (Comstock, 18). Signed “F.L. Mud Snails, 1960, edition of 50 (M. Gallery, 73). Signed
Griggs” in pencil l.r., signed and dated in the plate, titled in pencil l.l. “hamaguchi” in pencil l.r., numbered “9 50” in pencil l.l. Color
Etching on paper, plate size 5 x 6 3/4 in. (12.5 x 17.0 cm), framed. mezzotint on paper, plate size 4 x 3 1/8 in. (10.1 x 7.8 cm), framed.
Condition: Unobtrusive toning, not examined out of frame. Condition: Unobtrusive mat burn and toning, not examined out of
$200-250 frame.
$400-600
120.
Yozo Hamaguchi (Japanese, 1909-2000)
120
121
122
122. 124.
Yozo Hamaguchi (Japanese, 1909-2000) Hans Hartung (German, 1904-1989)
Black Cherries, 1964, edition of 50 (M. Gallery, 50). Signed L 100, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered
“hamaguchi” in pencil l.r., numbered “36/50” in pencil l.l. Color “26/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l.,
mezzotint on paper, plate size 7 3/4 x 9 5/8 in. (19.5 x 24.4 cm), annotated on the reverse. Lithograph on BFK Rives paper with
framed. watermark, image size 20 3/4 x 17 in. (52.6 x 43.0 cm), unmatted,
Condition: Subtle toning and rippling, not examined out of frame. unframed.
$400-600 Condition: Margins 2 1/2 inches or more with deckled edges, subtle
staining.
$500-700
123.
Hans Hartung (German, 1904-1989)
123
124
126
125.
Hans Hartung (German, 1904-1989)
125 L 109, 1963, edition of 75. Signed “Hartung” in pencil l.r., numbered
“28/75” in pencil l.l., dry stamp from Erker Presse, St. Gallen, l.l.,
annotated on the reverse. Lithograph in brown on BFK Rives paper
with watermark, image size 22 5/8 x 14 3/4 in. (57.4 x 37.4 cm),
unmatted, unframed.
Condition: Margins over 3 inches with deckled edges, subtle staining
and/or soiling, thinning to corner u.r. on verso, minor nicks/creases to
deckles.
$500-700
126.
Hans Hartung (German, 1904-1989)
127.
Joseph Hecht (Polish/British, 1891-1951)
128.
No lot.
127
129.
Erich Heckel (German, 1883-1970)
Bildnis E. H., 1917 (Dube, 306). Signed and dated “Erich Heckel
17” in pencil l.r. Woodcut on paper, image size 14 1/4 x 11 3/4 in.
(36.2 x 29.8 cm), framed.
Condition: Margins 1 inch or more, horizontal crease into image
(some with very subtle breaks to paper fibers), unobtrusive toning,
pale staining to image.
$1,000-1,500
129
130.
Dame Barbara Hepworth (British, 1903-1975)
130
132
131
133
131. 132.
Irwin D. Hoffman (American, 1901-1989) Lester George Hornby (American, 1882-1956)
Cigarette Underground. Signed “Irwin D. Hoffman Imp.” in pencil Lot of Three European Landscapes: Le rond point, Paris;
l.r., titled and dedicated “...to Maestro Max Jacobs with best wishes” Seicheprey, 1918; and Bezaudun. Each initialed and titled within
in pencil l.l. Etching on paper, plate size 10 7/8 x 7 7/8 in. (27.5 x the plate, and with artist’s stamp l.l. Etchings on paper, plate sizes to
19.8 cm), framed (without glass). 7 x 9 7/8 in. (17.8 x 25.2 cm), matted, unframed.
Condition: Toning, subtle rippling, not examined out of frame. Condition: Margins 2 inches or more, scattered foxing (almost
$400-600 exclusively to margins).
$250-300
133.
Lester George Hornby (American, 1882-1956)
Lot of Three City Views: By the Bridge; Les beaux choux; and
Fishing Along the Seine. The second initialed and titled within the
plate, the last two with artist’s stamp l.l. Etchings on paper, plate
sizes to 7 3/8 x 8 5/8 in. (18.8 x 21.9 cm), matted, unframed.
Condition: Margins 1/2 inch or more, toning to Bridge.
$250-300
134.
Alfred Heber Hutty (American, 1877-1954)
134
135.
Philip Kappel (American, 1901-1981)
135
136.
Philip Kappel (American, 1901-1981)
136
137
137. 139.
Philip Kappel (American, 1901-1981) Luigi Kasimir (Austrian, 1881-1962)
Lot of Three Seafaring Views: Lifting Fog - Down East; Shooting Lot of Two Views: Bad Gastein, Kirche (Main Street), 1943,
the Sun; and Marine Pathway. Each signed “Philip Kappel” in possibly a later printing; and Bad Gastein, Winter (H. Weiss, 92 &
pencil l.r. and titled in pencil l.l. Etchings with drypoint on paper, plate 95). Signed “Luigi Kasimir” in pencil l.c. and l.r., respectively. Color
sizes to 7 1/4 x 9 3/8 in. (18.4 x 23.8 cm), the last two matted, all etchings with aquatint on paper, plate sizes approximately 19 x 13
unframed. 1/2 in. (48.5 x 34.3 cm), framed.
Condition: Margins over 1 inch, staining to edges of Pathway. Condition: Staining (primarily to former), not examined out of frames.
$250-300 $400-600
138.
Luigi Kasimir (Austrian, 1881-1962)
138
139
140
140. 142.
Luigi Kasimir (Austrian, 1881-1962) Lot of Two Dog Prints:
Cortina d’Ampezzo, 1925, edition of 250 (Weiss, 414). Signed Marguerite Kirmse (American, 1885-1954), Stymied; and Charles
“Luigi Kasimir” in pencil l.r., identified and dated in the plate, M. Weissman (American, fl. 1933-1934), When Do We Eat, edition
numbered “220/250” in pencil l.l. Color etching and aquatint on of 50. Both signed in pencil l.r. and titled in pencil l.l., the latter
paper, plate size 15 5/8 x 21 1/8 in. (39.5 x 53.4 cm), framed. identified on a label from the artist’s studio. Etchings on paper, plate
Condition: Subtle toning, gentle rippling, not examined out of frame. sizes to 9 1/4 x 11 3/8 in. (23.4 x 28.8 cm), framed.
$300-500 Condition: Mat burn, scattered foxing (primarily to Stymied), not
examined out of frames.
$400-600
141.
Marguerite Kirmse (American, 1885-1954)
141
142
143 144
143.
Moïse Kisling (French, 1891-1953)
144.
Sacha Kolin (American, 1911-1981)
145.
Kalman Kubinyi (American, 1906-1973)
145
146 147
146. 147.
Gustave Leheutre (French, 1861-1932) Leonard Lehrer (American, b. 1935)
Le pont de Bonnemort à La Rochelle (1re planche), c. 1910, first Lot of Three Garden Views: Formal Garden; Formal Garden,
state of three (Delteil, 85). Signed “G. Leheutre” in pencil l.r., 1966, edition of 15; and Vizcaya, 1969, edition of 50. Each signed,
inscribed “8imp/no 8” and “1v etat” in pencil beneath the image, dry titled, and numbered or inscribed in pencil beneath the images.
stamp from Sagot, Paris, l.r. Drypoint on paper, plate size 7 5/8 x 10 Etchings on paper, plate sizes to 11 3/4 x 8 3/4 in. (29.8 x 22.3 cm),
7/8 in. (19.4 x 27.5 cm), framed. framed.
Condition: Subtle toning, several pinpoint fox marks, not examined Condition: Toning/staining to the first, not examined out of frames.
out of frame. $250-300
$150-200
148.
Leonard Lehrer (American, b. 1935)
148
150
149
149.
Leonard Lehrer (American, b. 1935)
150.
Clare Veronica Hope Leighton (Anglo/American, 1901-1988)
151.
Jack Levine (American, b. 1915)
151
152
153
152.
Jack Levine (American, b. 1915)
153.
Jack Levine (American, b. 1915)
154.
Jack Levine (American, b. 1915)
The Art Lover, 1967, edition of 100 plus proofs (Prescott, 46).
Signed “JLevine” in pencil l.r., numbered “24/100” in pencil l.l. Color
lithograph on Arches cream paper with watermark, image size 22 1/4
x 17 1/2 in. (56.4 x 44.4 cm), unmatted, unframed.
Condition: Margins approximately 1 inch with deckled edges to two
sides, gentle rippling, annotations verso.
$250-300
154
155.
Jack Levine (American, b. 1915)
156.
Jack Levine (American, b. 1915)
157.
Martin Lewis (American, 1881-1962)
155
Which Way?, 1932, edition of 50 plus 3 proof (McCarron, 99).
Signed “Martin Lewis-” in pencil l.r., inscribed “to Mister Edmund B.
from Martin L./Mar 40 With better wishes than I can tell-” in pencil l.l.
Aquatint on paper, plate size 10 3/8 x 15 7/8 in. (26.3 x 40.2 cm),
framed.
Condition: Margins over 1 1/2 inches, toning, staining, glue residue
to margins, very subtle rubs to image u.r., white cloth tape to upper
edge on verso, adhered to facing mat at corner l.l.
$3,000-5,000
157
156
158
158. 160.
Roy Lichtenstein (American, 1923-1997) Elyse Ashe Lord (British, 1900-1971)
As I Opened Fire.../A Triptych, 1966 (Corlett, app. 5). Unsigned, Mother and Daughter Under the Blossoms, edition of 75. Signed
identified in the matrix and on the reverse. Offset color lithographs on “Elyse Ashe Lord” in pencil l.r., numbered “66/75” in pencil l.l.
paper, each sheet measures 25 1/8 x 20 7/8 in. (63.7 x 52.9 cm), Etching with stencil color on paper, plate size 12 7/8 x 11 1/8 in.
unmatted, unframed. (32.5 x 28.2 cm), framed.
Condition: Minor handling marks and creases. Condition: Toning, not examined out of frame.
$700-900 $300-500
159.
Elyse Ashe Lord (British, 1900-1971)
Tiger Lily with Her Fan, edition of 75. Signed “Elyse Ashe Lord.” in
pencil l.r., numbered “18/75” in pencil l.l. Etching with stencil color on
paper, plate size 10 1/4 x 7 in. (25.9 x 17.5 cm), framed.
Condition: Toning, not examined out of frame.
$200-300
160
159
162
161
161.
Elyse Ashe Lord (British, 1900-1971)
162.
Elyse Ashe Lord (British, 1900-1971)
By the Berry Bush. Signed “Elyse Lord” in pencil l.r. Etching with
drypoint and stencil color on paper, plate size 5 5/8 x 5 7/8 in. (14.3 x
14.9 cm), framed.
Condition: Not examined out of frame.
$250-300
163.
Elyse Ashe Lord (British, 1900-1971)
163
164
165
164. 165.
Galerie Maeght, editor (French, 20th Century) Galerie Maeght, editor (French, 20th Century)
Lot of Fifteen Issues of DERRIERE LE MIROIR, featuring Braque, Lot of Seven Issues of DERRIERE LE MIROIR, featuring Calder,
Calder, Chagall, Giacometti, Kandinsky, Kelly, Miró, and others, Kelly, and Miró, spanning 1961 to 1968. Each measures 15 x 11 in.
spanning 1948 to 1965. Each measures 15 x 11 in. (38.1 x 27.9 (38.1 x 27.9 cm).
cm). Condition: Minor wear, soiling and/or handling nicks.
Condition: Very minor wear, soiling and/or handling nicks. $700-900
$1,000-1,500
166.
Boris Margo (American, b. 1902)
166
167 168
167.
Boris Margo (American, b. 1902)
Lot of Four Prints: She, 1962, proof edition; She #2, 1962, edition
of 25; Comet, edition of 25; and Message, 1964, proof edition.
Each signed “Boris Margo...” in pencil l.r., and titled and numbered or
inscribed in pencil l.l. Cellocuts with embossing on paper, sheet sizes
to 22 1/4 x 30 in. (56.0 x 76.2 cm), unmatted, unframed.
Condition: Some with handling marks and/or creases.
$700-900
168.
Marino Marini (Italian, 1901-1980)
169.
John Stockton De Martelly (American, 1903-1980)
169
171
170
170.
Henri Matisse (French, 1869-1954)
171.
Naoko Matsubara (Japanese/Canadian, fl. 1960-present)
172.
L. Matthey (French, 19th/20th Century)
Favor. Signed “L. Matthey” and identified within the matrix. Color
lithographic poster on paper, sheet size 61 1/2 x 46 in. (156.2 x
116.6 x 100.8 cm), unmatted, unframed.
Condition: Mounted on paper backed with linen (to stabilize/repair
tears and creases), unobtrusive toning and foxing, surface rubs,
handling creases.
$800-1,200
172
173
173. 175.
James McBey (British, 1883-1959) Peter Winslow Milton (American, b. 1930)
Encampment in the Sinai, 1917-19. Signed “James McBey” in ink Child’s Play, 1966, edition of 75. Signed and dated “PWMilton ‘66”
l.r., numbered “XXXIX” in ink l.l., signed, identified, and dated in the in pencil l.r., titled in pencil l.c., numbered “27/75” in pencil l.l.
plate. Etching on paper, plate size 7 x 13 in. (17.6 x 32.8 cm), Etching with engraving on paper, plate size 23 x 35 3/4 in. (58.3 x
framed. 90.6 cm), framed.
Condition: Subtle toning and staining, gentle rippling, not examine Condition: Subtle toning, not examined out of frame.
out of frame. $300-500
$300-500
174.
Davis Paul Meltzer (American, 20th Century)
Lot of Three Prints: Icarus, edition of 25; Isaiah, edition of 50; and
Jeremiah, edition of 50. Each signed “...Meltzer” in pencil l.r., titled
in pencil l.c. or l.l., and numbered in pencil l.l. Lithographs on paper,
image sizes to 17 3/8 x 12 1/4 in. (44.2 x 31.1 cm), framed.
Condition: Not examined out of frames.
$700-900
175
174
176.
Joan Miró (Spanish, 1893-1983)
Lot of Two Images from CAHIERS D’ART, 1934 (Dupin, 14 & 15).
Unsigned. Color pochoir on paper, image/sheet sizes 12 1/8 x 9 1/2
in. (30.6 x 24.0 cm), framed.
Condition: Not examined out of frames.
$4,000-6,000
177.
Joan Miró (Spanish, 1893-1983)
177
176
178
178. 179.
Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983)
Lot of Four Images from FLUX DE L’AIMANT, 1964, edition of 75 Image from FLUX DE L’AIMANT, 1964, edition of 75. (Dupin 377).
(Dupin 374, 375, 376, and 383). Each initialed “M.” in pencil l.r. and Initialed “M.” in pencil l.r., numbered “41/75” in pencil l.l., identified on
numbered “41/75” in pencil l.l. Drypoints (the last with color aquatint) a label from Retina, Boston, Massachusetts, on the reverse. Drypoint
on BFK Rives paper with watermark, sheet sizes 19 x 23 in. (48.2 x in black with aquatint in yellow on paper, sight size 18 1/2 x 22 3/8
58.3 cm), presented in the original portfolio together with the text and in. (47.0 x 56.7 cm), framed.
colophon. Condition: Subtle rippling, not examined out of frame.
Condition: Minor handling marks and/or creases. $1,500-2,500
$2,000-3,000
179
180.
Joan Miró (Spanish, 1893-1983)
180
181.
After Joan Miró (Spanish, 1893-1983)
181
182.
Joan Miró (Spanish, 1893-1983)
182
184
184.
Thomas Sidney Moran (American, 1837-1926), After Andrew
Fisher Bunner (American, 1841-1897)
185
186
187
186. 187.
John J. A. Murphy (American, 1888-1967) Elizabeth Murray (American, 1940-2007)
Sprinters, 1930. Signed “JohnJAMurphy” in pencil l.r. Woodcut on Blue Body, 1986-87, edition of 70 plus proofs, published by ULAE
cream paper, image size 11 1/8 x 13 1/8 in. (218.2 x 33.2 cm), (Krakow, 16). Numbered, signed, and dated “12/70 Elizabeth Murray
matted, unframed. 86-87” in pencil l.l., publisher’s dry stamp l.c. Color lithograph with
Condition: Margins 2 3/4 inches or more with deckled edges, tear to etching, drypoint, and aquatint on paper, image/sheet size 48 x 31
lower edge. 1/2 in. (121.8 x 79.9 cm), framed.
$800-1,200 Condition: Not examined out of frame.
$1,000-1,500
188.
Elizabeth Murray (American, 1940-2007)
188
190
189
189. 190.
Louise Berliawsky Nevelson (American, 1899-1988) William Nicholson (British, 1872-1949)
Nightleaf, 1969, edition of 150 plus proofs, published by Pace Lot of Eight Images: Lambs, Resting Ewes, and Six Images from
Editions (Baro, 121). Identified and numbered “122/150” on labels AN ALPHABET: C is for Countess; E is for Earl; H for Huntsman;
from The Pace Gallery, New York, and identified on a label from M for Milkmaid; T for Trumpeter; and W for Waitress. Most
Richard L. Eagan Fine Arts, New York, on the reverse. Opaque identified within the matrix. Color lithograph on paper, sight sizes to 9
Plexiglas construction in shadow box, 13 1/4 x 13 1/4 in. (33.5 x 3/4 x 7 1/2 in. (24.6 x 19.2 cm), framed.
33.5 cm). Condition: Toning, not examined out of frames.
Condition: Minor soiling.
$3,000-5,000 Provenance: From the collection of Frank Cook Adams, Boston,
Massachusetts.
$150-200
191.
William Nicholson (British, 1872-1949)
191
192
193
192. 193.
Ann Nooney (American, 1900-c. 1970) Eugène Ogé (French, 1861-1936)
Small Town. Signed “Ann Nooney” in pencil l.r., titled in pencil l.c., L’Astrolin. Signed “Ogé” and identified within the matrix. Color
stamped “FEDERAL ART PROJECT NYC WPA” l.l. Color lithograph lithographic poster on paper, sheet size 59 1/4 x 39 3/4 in. (151.8 x
on paper, image size 11 7/8 x 14 1/4 in. (30.0 x 36.0 cm), framed. 100.8 cm), unmatted, unframed.
Condition: Toning, mat burn, rippling, not examined out of frame. Condition: Mounted on paper backed with linen (to stabilize/repair
$400-600 tears and creases), minor toning, surface rubs, handling creases.
$500-700
194.
Pablo Esteban O’Higgins (Mexican/American, 1904-1983)
194
196
195
195.
Jean de Paléologue, known as Pal (American, 1855-1942)
196.
Max Papart (French, 1911-1994)
197.
Max Papart (French, 1911-1994)
197
198
198. 200.
Max Papart (French, 1911-1994) Judy Pfaff (British, b. 1946)
Japanese Birds, 1990, edition of 125. Numbered and signed Yoyogi II, 1985, edition of 75. Signed “J Pfaff” in pencil l.r., titled and
“13/125 Max Papart-” in pencil (within the image) l.l., identified on a numbered “...75/75” in pencil l.l. Color woodcut on paper, image size
label on the reverse. Color lithograph on paper, image/sheet size 23 30 1/2 x 34 3/4 in. (77.4 x 88.2 cm), framed.
1/2 x 45 in. (59.5 x 114.2 cm), framed. Condition: Rippling, not examined out of frame.
Condition: Subtle rippling, not examined out of frame.
$200-300 Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts,
1988; to a private collector.
$1,200-1,800
199.
Philip Herschel Paradise (American, 1905-1997)
200
199
201
201. 203.
Pablo Picasso (Spanish, 1881-1973) Odilon Redon (French, 1840-1916)
Le Picador II, from A LOS TOROS AVEC PICASSO, 1961 (Bloch, Et partout ce sont des colonnes de basalte...La lumière tombe
1017). Dated (twice) in the matrix. Color lithograph on paper, image des voûtes, from TENTATION DE SAINT-ANTOINE (TROISÈME
size 8 1/8 x 10 1/2 in. (20.5 x 26.5 cm), framed. SERIE), 1896 (Mellerio, 136). Unsigned. Lithograph on paper, image
Condition: Mat burn, not examined out of frame. size 9 1/2 x 7 3/8 in. (24.0 x 18.8 cm), framed.
$300-500 Condition: Several fox marks, areas of staining or foxing around
lower corners (into image, but visible primarily in the margins),
rippling, not examined out of frame.
202. $400-600
Max Pollak (Czech/Austrian, 1886-c. 1970)
203
202
205
204
204.
Rembrandt van Rijn (Dutch, 1606-1669)
205.
Walter Dubois Richards (American, b. 1907)
Lot of Six Views: Old Willow at Mead Park; God’s Acre; New
Canaan, God’s Acre; New Canaan II; Christmas Eve, New
Canaan, edition of 50; Greens Ledge As I Remember It; and
Strawberry Festival. Each signed “Walter Dubois Richards” in pencil
l.r. and titled in pencil l.l. Lithographs on paper, image sizes to 20 x
15 3/4 in. (50.8 x 40.0 cm), framed.
Condition: Subtle mat burn, not examined out of frames.
$600-800
206.
Auguste Rodin (French, 1840-1917)
207. 209.
James Rosenquist (American, b. 1933) Susan Rothenberg (American, b. 1945)
Red Pyramid, 1978, edition of 41 plus proofs (Glenn, 155). Signed Untitled, 1983, edition of 35 plus proofs (Maxwell, 14). Signed and
and dated “James Rosenquist 1978” in pencil l.r., inscribed and titled dated “S. Rothenberg 83” in pencil l.r., numbered “23/35” in pencil l.l.
“presentation proof for Nardo...” in pencil l.l. Color lithograph on Etching and aquatint on paper, plate size 25 1/2 x 21 5/8 in. (64.6 x
paper, image/sheet size 22 3/4 x 44 3/8 in. (57.8 x 112.5 cm), 54.8 cm), framed.
framed. Condition: Not examined out of frame.
Condition: Deckled edges, not examined out of frame. $300-500
$800-1,200
208.
Susan Rothenberg (American, b. 1945)
208 209
210
211
210. 211.
Georges Rouault (French, 1871-1958) Georges Rouault (French, 1871-1958)
Suaire, c. 1925 (cf. Wofsy, 82). Signed in the matrix. Color photo- Pédagogue, from RÉINCARNATIONS DU PÈRE UBU, published
lithograph on paper, image size 23 1/4 x 17 3/4 in. (59.0 x 45.0 cm), 1932 (Wofsy, 294). Initialed within the plate, stamped “VENTE DE
framed. PARAITRE” in red l.l. Etching and aquatint on paper, plate size 12 x 7
Condition: Margins approximately 1 inch, toning, scattered mold 3/8 in. (30.5 x 18.5 cm), framed.
growth. Condition: Rippling, not examined out of frame.
$250-350
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso,
Essex, Connecticut.
$500-700
212.
David Row (American, b. 1949)
Untitled VI, 1992. Numbered, signed, and dated “1/1 David Row
92” in pencil l.r., identified on a label from Betsy Senior Contemporary
Prints, New York, on the reverse. Monotype on paper, image size 6
1/4 x 8 5/8 in. (15.7 x 21.7 cm), framed.
Condition: Margins 3 1/2 inches or more with deckled edges, not
examined out of frame.
$400-600
212
214
213
213. 214.
Bengt Rumert (Scandinavian, 20th Century) Anne Ryan (American, 1889-1954)
Tunneln, 1934. Identified in the matrix. Color lithographic poster on New Bird, edition of 50. Titled, numbered, and signed “...17/50 A
paper, image/sheet size 39 1/4 x 27 1/4 in. (99.5 x 69.0 cm), Ryan” in white chalk or similar beneath the image. Color lithograph
unmatted, unframed. on black paper, image size 4 1/4 x 3 1/8 in. (10.9 x 7.9 cm), framed.
Condition: Mounted on paper backed with linen (to stabilize/repair Condition: Not examined out of frame.
creases and minor tears), minor handling creases. $250-350
$500-700
215.
Kiyoshi Saito (Japanese, 1907-1992)
215
216
217
216. 218.
Kiyoshi Saito (Japanese, 1907-1992) Richard Serra (American, b. 1939)
Village Road in Winter. Signed “Kiyoshi Saito” in pencil (within the Hreppholar IV, 1991, edition of 35 plus proofs, published by Gemini
image) l.l. and with chop mark. Color woodcut on paper, image size G.E.L. (Berswordt-Wallrabe, 77). Numbered, signed, and dated
10 1/8 x 15 5/8 in. (25.5 x 39.5 cm), framed. “16/35 R Serra 91” in pencil u.r., dry stamped with copyright mark,
Condition: Subtle toning, not examined out of frame. artist's initials, date, and Gemini mark u.r. Lift ground and aquatint on
$250-350 paper, image/sheet size 31 1/4 x 39 5/8 in. (79.4 x 100.7 cm),
framed (without glass).
Condition: Minute handling creases to points of the corners.
217. $4,000-5,000
Erhard Schön (German, 1491-1542)
218
219
220
219.
Gino Severini (Italian, 1883-1966)
220.
José María Sicilia (Spanish, b. 1954)
Lot of Two Works: Fleur rouge VI and Fleur rouge VII, both 1988,
editions of 25. Both signed and dated “Sicilia 88” in pencil l.r., titled
in pencil l.c., and numbered in pencil l.l. Color woodcuts on paper,
image size 44 1/2 x 17 in. (112.8 x 43.2 cm), framed.
Condition: Not examined out of frames.
$1,200-1,800
221.
Tavik Frantisek Simon (Czech, 1877-1942)
Lot of Two Views: The Market, 1912; and Rainy Day, Arc de
Triomphe. Both signed “T.F. Simon” (the latter in pencil) l.r. Color
etching with aquatint on paper, sight sizes to 15 1/2 x 11 1/2 in. (39.3
x 29.2 cm), framed.
Condition: Toning, not examined out of frames.
$300-500
221
222 223
222.
David Alfaro Siqueiros (Mexican, 1896-1974)
Portrait Head, 1941, edition of 50. Signed and dated in the matrix,
inscribed “TRIAL PROOF - ED. 50” in pencil l.l. Lithograph on paper,
image size 17 x 14 in. (43.0 x 35.5 cm), matted, unframed.
Condition: Mat burn, masking tape to edges on verso.
$200-250
223.
Pierre Soulages (French, b. 1919)
224.
Raphael Soyer (American, 1899-1987)
224
225 226
225.
Raphael Soyer (American, 1899-1987)
226.
Raphael Soyer (American, 1899-1987)
227.
Raphael Soyer (American, 1899-1987)
228. 229.
Pat Steir (American, b. 1938) Andrew Stevovich (American, b. 1948)
Sunflower, 1986, edition of 100. Numbered, signed, and dated Lot of Three Images: Smokers #1, 1981, edition of 25; Susan,
“24/100 Pat Steir 1986” in pencil l.r., inscribed in pencil l.l., chop 1985, edition of 50; and Ardent Suitor, 1987, edition of 100. Each
mark l.l. Color woodcut on paper, image size 23 1/2 x 36 in. (59.6 x signed and dated “Andrew Stevovich 19...” in pencil l.r., titled in pencil
91.4 cm), framed. l.c., numbered in pencil l.l. Etchings on paper, plate sizes to 8 x 9
Condition: Margins over 3/4 inches, not examined out of frame. 1/2 in. (20.3 x 24.0 cm), unmatted, unframed.
Condition: Margins over 1 3/4 inches with deckled edges.
Provenance: The Harvard Coop Gallery, Cambridge, Massachusetts, $200-250
1988; to a private collector.
$1,500-2,500
230.
Andrew Stevovich (American, b. 1948)
230
231 232
231. 232.
Andrew Stevovich (American, b. 1948) Andrew Stevovich (American, b. 1948)
Zig Zag, 1986, edition of 80. Signed and dated “Andrew. Stevovich Lot of Two Images: Fortune Teller, 1987, edition of 50; and
1986” in pencil l.r., titled in pencil l.c., numbered “39/80” in pencil l.l., Handsome Eddie, 1990, edition of 75. Both signed and dated
dry stamp l.r. Color woodcut on cream paper, image size 11 1/2 x “Andrew Stevovich 19...” in pencil l.r., titled in pencil l.c., numbered in
17 in. (29.2 x 43.0 cm), unmatted, unframed. pencil l.l. Etchings with aquatint on paper (Fortune on chine collé,
Condition: Margins 2 inches or more with deckled edges, Eddie on BFK Rives), plate sizes to 7 x 5 3/8 in. (17.7 x 13.5 cm),
unobtrusive handling creases to margins, nicks/creases to deckling. unmatted, unframed.
$250-300 Condition: Margins 3 inches or more, both with two deckled edges,
stain to upper margin of Eddie.
$200-250
233.
Andrew Stevovich (American, b. 1948)
233
234
234.
Andrew Stevovich (American, b. 1948)
235
Lucky Linda, 1989, edition of 80. Signed and dated “Andrew
Stevovich 1989” in pencil l.r., titled in pencil l.c., numbered “2/80” in
pencil l.l. Aquatint on BFK Rives paper with watermark, plate size 9 x
12 in. (22.8 x 30.2 cm), unmatted, unframed.
Condition: Margins approximately 3 inches with two deckled edges,
minor handling creases to margins (primarily at u.l. corner).
$200-250
235.
Carol Summers (American, b. 1925)
Lot of Four Works: Arab’s Tent, 1963 edition of 200 plus proofs
(Summers, 54); Sonoma, 1977, edition of 100 plus proofs (Summers,
143); Delta, 1982, edition of 150 (Summers, 174); and Summer
Pasture, 1987, edition of 150 (Summers, 199). Each signed “Carol
Summers” in pencil within the image and titled and numbered in
pencil within the image. Color woodcuts on paper, image/sheet sizes
to 29 3/4 x 23 3/4 in. (75.5 x 60.3 cm), unmatted, unframed.
Condition: Minor handling marks and creases, nicks to edges
(primarily to corners), unobtrusive staining to some near corners.
$700-900
236.
Carol Summers (American, b. 1925)
236
237
237. 239.
Carol Summers (American, b. 1925) Carol Summers (American, b. 1925)
Lot of Two Works: High Tatras, 1969, edition of 100 (Summers, 96); Lot of Three Works: Narrows, proof outside of the edition of 75
and Ravenna’s Palace Burning, 1984, edition of 125 (Summers, (Summers, 136); and two impressions of Flowering Landscape,
183). Both signed “Carol Summers” in pencil within the image and 1988, edition of 100. Each signed “Carol Summers” in pencil within
titled and numbered in pencil within the image. Color woodcuts on the image and titled and numbered or inscribed in pencil within the
paper, image/sheet sizes approximately 24 1/2 x 37 1/2 in. (62.0 x image. Color woodcuts on paper, image/sheet sizes approximately
95.0 cm), unmatted, unframed. 37 x 37 in. (94.0 x 94.0 cm), unmatted, unframed.
Condition: Minor handling marks and creases, nicks to edges (all of Condition: Minor handling marks and creases, nicks to edges, subtle
these primarily to corners). staining.
$600-800 $800-1,200
238.
Carol Summers (American, b. 1925)
239
238
240
240. 242.
Carol Summers (American, b. 1925) Chin Sung (Taiwanese, b. 1932)
Sunset at Sea, edition of 75. Signed “Carol Summers” in pencil Lot of Two Images: Les oiseaux #2, 1969, edition of 100; and
within the image u.r., titled and numbered “72/75...” in pencil within Infinity IIe, 1969, edition of 100. Both signed and dated “CHIN
the image u.l. Color woodcut on paper, image/sheet size 36 x 49 in. SUNG ‘69” in pencil l.r., numbered in pencil beneath the image, both
(91.4 x 124.5 cm), unmatted, unframed. titled in pencil. Woodcuts in red and black on paper, image sizes to
Condition: Minor handling marks and creases, nicks and creases to 17 1/2 x 9 1/2 in. (44.3 x 24.0 cm), matted, unframed.
edges (the latter primarily to corners), hinging/residue on the reverse. Condition: Margins 2 inches or more, tape to edge on verso of
$500-700 Infinity.
$400-600
241.
Carol Summers (American, b. 1925)
241
242
243 244
243.
Théo Tobiasse (Israeli/French, b. 1927)
244.
Théo Tobiasse (Israeli/French, b. 1927)
245.
Théo Tobiasse (Israeli/French, b. 1927)
245
247
246
246.
Théo Tobiasse (Israeli/French, b. 1927)
247.
Henri de Toulouse-Lautrec (French, 1864-1901)
248.
Jacques Villon (French, 1875-1963)
248
250
249
249.
Edouard Vuillard (French, 1868-1940)
250.
Lynd Kendall Ward (American, 1905-1985)
251.
Andy Warhol (American, 1928-1987)
251
252.
Stow Wengenroth (American, 1906-1978)
252
253.
Stow Wengenroth (American, 1906-1978)
253
254.
Stow Wengenroth (American, 1906-1978)
254
255.
Stow Wengenroth (American, 1906-1978)
256.
Tom Wesselmann (American, 1931-2004)
255
256
257 258
257.
James Abbott McNeill Whistler (American, 1834-1903)
Fumette, final state of four (Kennedy, 13). Signed and with publisher
in the plate. Etching on chine collé, plate size 6 3/8 x 4 1/4 in. (16.2
x 10.8 cm), matted, unframed.
Condition: Margins 1 inch or more, thin spots to margins (primarily to
the upper margin and all away from the image), subtle toning.
$400-600
258.
James Abbott McNeill Whistler (American, 1834-1903)
259.
James Abbott McNeill Whistler (American, 1834-1903)
259
260
260. 262.
James Abbott McNeill Whistler (American, 1834-1903) James Abbott McNeill Whistler (American, 1834-1903)
The Title to the French Set (Whistler Sketching), 1858 (Kennedy, Reading, 1879 and 1887, the final state of four, probably from the
25). Signed and identified in the plate, collector’s stamp l.l. Etching published edition for NOTES (Chicago, 17). Monogrammed in the
on chine collé, plate size 4 1/2 x 5 3/4 in. (11.4 x 14.5 cm), matted, matrix. Lithograph on gray chine collé, image size 6 1/8 x 5 in. (15.6
unframed. x 12.7 cm), matted, unframed.
Condition: Annotation to supporting sheet along lower edge, chine Condition: Margins over 3 inches, pale stain to image l.l., unobtrusive
disadhering along left edge. soiling to supporting sheet.
$300-500 $500-700
261.
James Abbott McNeill Whistler (American, 1834-1903)
261 262
263.
James Abbott McNeill Whistler (American, 1834-1903)
264.
Robert Wilson (American, b. 1941)
Medea, Plate 20, 1984, edition of 18. Signed and dated “Ro... ‘84”
in pencil l.r., numbered “17/18” in pencil l.l., identified on a label from
the Alpha Gallery, Boston, on the reverse. Lithograph in colors on
paper, image size 25 1/4 x 33 3/4 in. (64.0 x 85.5 cm), framed.
Condition: Not examined out of frame.
$300-500
263
264
265.
Jack Youngerman (American, b. 1926)
Untitled, 1966, edition of 30. Initialed and dated “JY 66” in pencil l.r.,
numbered “10/30” in pencil l.l. Embossing on paper, plate size 32
1/4 x 24 in. (82.0 x 61.0 cm), framed.
Condition: Pale staining to image l.r., handling creases, not examined
out of frame.
265
266.
Ossip Zadkine (Russian/French, 1890-1967)
267.-268.
No lots.
266
270
271.
269 Harold Eugene Edgerton (American, 1903-1990)
271 272
274
273
273. 274.
Harold Eugene Edgerton (American, 1903-1990) Harold Eugene Edgerton (American, 1903-1990)
Bullethole. Unsigned, stamped “H.E. EDGERTON APR 18 1963 Portrait of Edward Kennedy and Harold Edgerton. Unsigned.
M.I.T. CAMBRIDGE - MASS” on the reverse. Gelatin silver print, Gelatin silver print, image size 7 1/2 x 9 1/2 in. (19.0 x 24.0 cm),
image/sheet size 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed. unmatted, unframed.
Condition: Good. Condition: Good.
Provenance: From the artist to the family of the present owner. Provenance: From the artist to the family of the present owner.
$1,000-1,500 $800-1,200
275.
Harold Eugene Edgerton (American, 1903-1990)
Lot of Two Images of Golf Balls Hit by Drivers. One signed and
inscribed “HAROLD EDGERTON” and “The golf ball elongates as it
leaves the club.” in pencil on the reverse. Gelatin silver print, image
sizes 7 3/8 x 9 1/2 in. (18.7 x 24.0 cm), unmatted, unframed.
Condition: Good.
275
276
277
276. 277.
Harold Eugene Edgerton (American, 1903-1990) Harold Eugene Edgerton (American, 1903-1990)
Gussie Moran Serves, c. 1939. Titled, inscribed, and signed Golf Ball and Iron. Signed “HAROLD EDGERTON” in pencil on the
“...HAROLD EDGERTON” in ink within the image. Photographic reverse. Gelatin silver print, image size 12 1/8 x 9 5/8 in. (30.6 x 24.4
poster, sheet size 45 x 34 3/4 in. (114.3 x 88.2 cm), unmatted, cm), unmatted, unframed.
unframed. Condition: Good.
Condition: Folded (with some paper losses and/or holes), staining,
Provenance: From the artist to the family of the present owner.
nicks to edges.
$400-600
Provenance: From the artist to the family of the present owner.
$400-600 278.
Harold Eugene Edgerton (American, 1903-1990)
278
280
279
279.
Walker Evans (American, 1903-1975)
280.
Frank Jay Haynes (American, 1853-1921)
281.
Lewis Wickes Hine (American, 1874-1940)
282
283.
John S. Johnston (British/American, born c. 1839-1899)
283
284.
John S. Johnston (British/American, born c. 1839-1899)
284
286
285
285. 286.
George Platt Lynes (American, 1907-1955) Duane Michals (American, b. 1932)
Lot of Two Images of Dance, Probably from Ballet Errante or A Letter From My Father, 1960-75, edition of 25. Inscribed, signed,
Orpheus. Unsigned, both inscribed on the reverse. Gelatin silver and numbered “...Duane Michals 4/25” in ink surrounding the image.
prints, sheet sizes to 10 x 8 in. (25.4 x 20.3 cm), matted, unframed. Gelatin silver print annotated with ink, sheet size 8 x 10 in. (20.3 x
Condition: Minor wear to corners. 25.4 cm), framed.
$800-1,200 Condition: Subtle curling or rippling, not examined out of frame.
$200-300
287.
Nicholas Nixon (American, b. 1947)
287
288.
Aaron Siskind (American, 1903-1991)
288
289.
Aaron Siskind (American, 1903-1991)
289
290.
Aaron Siskind (American, 1903-1991)
290
291.
Aaron Siskind (American, 1903-1991)
291
292.
Bradford Washburn (American, 1900-2007)
292
293.
Bradford Washburn (American, 1900-2007)
293
294.
Bradford Washburn (American, 1900-2007)
294
295
295. 296.
Bradford Washburn (American, 1900-2007) Bradford Washburn (American, 1900-2007)
Snow Drifts. Signed “Bradford Washburn” in pencil on the reverse. Summit of the Matterhorn, 1958. Signed “Bradford Washburn” in
Gelatin silver print, image size 17 1/2 x 22 3/4 in. (44.4 x 57.5 cm), pencil on the reverse. Gelatin silver print, image size 17 5/8 x 22 1/4
unmatted, unframed. in. (44.5 x 56.4 cm), unmatted, unframed.
Condition: Good. Condition: Good.
$1,500-2,000 $1,500-2,000
End of Session I
296
Session II
Paintings & Sculpture
Lots 301-698
300.
Manner of Jan Breughel the Younger (Flemish, 1601-1678)
302.
Italian School, 18th Century
301
302
303
303.
Attributed to Melchior d’Hondecoeter (Dutch, 1636-1695)
304.
Italian School, 18th/19th Century Style
305.
Manner of David Teniers the Younger (Flemish, 1610-1690)
305
306
306.
Dutch School, 17th Century Style
307
308.
German School, 18th Century Style
308
309.
Manner of Francesco Bianchi Bonavita (Italian, 1593-1658)
309
310.
Neopolitan School, 17th Century Style
310
312
311
311. 312.
Continental School, 17th/18th Century Spanish or Spanish Colonial School, 18th Century Style
Ecco Homo
Unsigned.
Oil on panel, 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm), framed.
Condition: Restored vertical split to panel, fine
craquelure.
313
314.
Italian School, 18th/19th Century
314
314A
314A.
Joseph Blackburn (Anglo/American, c. 1700-1780)
1. Oliver Ayer Roberts, History of the Military Company of the Massachusetts, now
called the Ancient and Honorable Artillery Company of Massachusetts: 1637-1888,
(New York: A. Mudge & Son), 1895, p. 424.
$12,000-15,000
315.
British School, 18th/19th Century
Portrait of a Gentleman
Unsigned.
Oil on canvas, 29 1/4 x 22 3/4 in. (74.3 x 57.8 cm), framed.
Condition: Lined, losses, surface grime, varnish inconsistencies, with
possible retouch and craquelure.
$1,200-1,800
315
316.
British School, 18th Century
316
317.
Continental School, 18th Century Style
317
318.
John Watson Gordon (Scottish, 1788-1864)
318
318A
318A.
Attributed to Bernardo Strozzi (Italian, 1581-1644)
318B.
Alex de Andreis (British, 1880-1929)
Portrait of a Cavalier
Signed “A. de Andreis” l.r., identified on a presentation plaque.
Oil on canvas, 28 3/4 x 24 in. (73.0 x 61.0 cm), framed.
Condition: Craquelure, minor surface grime.
$800-1,200
318C.
Continental School, 17th Century Style
319.
Continental School, 18th Century
318C
319
319A.
James Wells Champney (American, 1843-1903)
Dreams of Love
Signed “J Wells Champney” l.r.
Pastel on paper, sight size 23 1/2 x 19 1/2 in. (59.7 x 49.5 cm),
framed.
Condition: Not examined out of frame.
$800-1,200
320.
Sydney Richmond Burleigh (American, 1853-1931)
321.
School of Narcisse Virgile Diaz de la Peña (French, 1807-1876)
319A
Woman with Cupid in a Woodland Clearing
Indistinctly monogrammed l.l., identified on a presentation plaque.
Oil on canvas mounted to paper/board, 10 1/2 x 8 in. (26.7 x 20.3
cm), framed.
Condition: Surface grime, craquelure.
$1,200-1,800
320 321
322
322.
After Mark Matveevich Antokolsky (Russian, 1843-1902)
322A.
Nathaniel Sichel (Germany, 1843-1907)
322A
323
323.
Adolphe Charles Edouard Steinheil (French, 1850-1908)
The Connoisseurs
Signed “A. STEINHEIL” l.l., identified on a presentation plaque.
Oil on canvas, 21 3/4 x 18 in. (55.2 x 45.7 cm), framed.
Condition: Lined, retouch, skinning, subtle varnish inconsistencies,
craquelure.
324.
Franz (Francis H.) Heinrich (Austrian/American, 1802-1890)
325. 325A.
Heinrich Breling (German, 1849-1914) Italian School, 19th Century
325B.
Oreste Cortazzo (Italian, 1836-1889)
326. 327.
Continental School, 17th/18th Century Style Sir Frank Dicksee, P.R.A. (British, 1853-1928)
327
328
328.
Fr. de Leub (Continental, 19th Century)
329. 329A.
Continental School, 19th Century Virgilio Tojetti (Italian/American, 1851-1901)
329
329B
329B.
Attributed to Robert Farrier (British, 1796-1879)
330.
Fabio Cipolla (Italian, 1852-1935)
A Surprise Encounter
Signed “F. Cipolla” l.r.
Oil on canvas, 17 1/4 x 25 1/2 in. (43.8 x 64.8 cm), framed.
Condition: Lined, retouch, abrasions beneath frame liner, craquelure.
Old Rover
Signed “H.J. Johnstone” l.l., titled in a later hand on the reverse,
inscribed “Rover Johnstone” on the back of the window mat, a label
from Thomas Agnew & Sons, London, Manchester, and Liverpool,
affixed to the reverse.
Watercolor on paper mounted onto board, sight size 7 1/2 x 5 1/2 in.
(19.1 x 14.0 cm), framed.
Condition: Subtle rippling/mounting bubbles, supporting board
adhered to window mat at edges.
$1,500-2,000
331
331A.
George Henry Boughton (Anglo/American, 1833-1905)
331A
332
332.
Felix Schlesinger (German, 1833-1910)
The Pets
Signed “F. Schlesinger.” l.l., identified on a presentation plaque.
Oil on panel, 11 1/2 x 12 3/4 in. (29.2 x 32.4 cm), framed (within a
liner).
Condition: Craquelure, subtle varnish inconsistencies.
$8,000-12,000
334
333
333.
Continental School, 19th Century
334.
Attributed to Adolphe Piot (French, 1850-1910)
334A.
Continental School, 19th Century
334A
335.
Jan Walraven (Dutch, 1827-1863)
335
336.
Charles Paul Gruppe (Canadian/American, 1860-1940)
336
337.
Ernest Guillemer (French, 1839-1913)
337A.
Henry Müller (American, fl. 1850-1852)
337
337A
338.
Alexandre Gabriel Decamps (French, 1803-1860)
339.
Attributed to George William Whitaker (American, 1840-1916)
340.
Paulus Adriaan Gildemeester (Dutch, 1858-1930)
340
341
341.
Nicolas Toussaint Charlet (French, 1792-1845)
342.
Italian School, 19th Century
342
343
343. 343A.
Robert Léopold Leprince (French, 1800-1847) Jacques Willem van Blarenberghe (Dutch, 1679-1742)
343A
343B
344
343B. 344.
Michelangelo Meucci (Italian, 1840-1890) William Cruickshank (British, 1848-1922)
Lot of Three Trompe l’Oeil Bird Studies Still Life with Bird and Nest
Each signed and inscribed “-M. Meucci- Firenze-...” and dated Signed “W. Cruickshank” l.r.
“-1875-” or “-1876-” l.c. Watercolor with gouache on paper, sight size 9 x 12 in. (22.9 x 30.5
Oil on panel, oval formats, 8 1/2 x 6 3/4 in. (21.6 x 17.1 cm), two cm), matted, unframed.
framed, one unframed. Condition: Sandwiched between mats, subtle rippling to paper, light
Condition: Surface grime. scattered staining/soiling.
$1,500-2,500 $300-500
345.
Continental School, 19th Century
345
346
346.
Alexis Kreyder (French, 1839-1912)
348.
Attributed to Benjamin Barker (British, 1776-1838)
347
348
349
349. 349A.
John Frederick Herring, Jr. (British, 1815-1907) James Lees Bilbie (British, d. 1945)
349A
350
350. 350A.
William R.C. Watson (British, d. 1921) Alice Blair Thomas (American, 1857-1945)
350A
351
351. 352.
Bryant Chapin (American, 1859-1927) Alfred Fontville de Breanski (British, 1877-1955)
352
353
353.
Robert Salmon (Anglo/American, 1775-1844)
353A
354
353A. 354.
William Trost Richards (American, 1833-1905) Alfred Thompson Bricher (American, 1837-1908)
Coastal View, Possibly a Rhode Island Landscape Sailing off the Maine Coast
Signed “Wm T Richards” l.r. Monogram signature “ATBRICHER:” l.l., a label from the Vose
Watercolor on paper, sight size 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm), Galleries, Boston, on the backing.
framed. Oil on canvas, 12 x 20 in. (30.5 x 50.8 cm), framed.
Condition: Repaired tear c.r., subtle toning, broad rippling, not Condition: Retouch, varnish inconsistencies, craquelure.
examined out of frame.
$3,000-5,000 Provenance: Purchased from Vose Galleries, Boston.
355. 356.
Wesley Elbridge Webber (American, 1841-1914) Addison Thomas Millar (American, 1860-1913)
356
357
357. 357A.
Mauritz Frederik Hendrick De Haas (Dutch, 1832-1895) American School, 19th Century
357A
358.
Charles Henry Gifford (American, 1839-1904)
359.
George Wattles Waters (American, 1832-1912)
Moonlit Harbor
Signed “G. W. Waters” l.r.
Oil on board, 7 1/2 x 10 1/2 in. (19.0 x 26.5 cm), framed.
Condition: Minor abrasions along frame liner, subtle craquelure.
$1,800-2,200
358
359
360
360.
William Edward Norton (American, 1843-1916)
N.B. Noted marine painter William Edward Norton was born in Boston and discovered his love of the sea
and sailing as a young man aboard family-owned ships. He studied at the Lowell Institute and with George
Inness, before establishing a studio in Boston, where he was a member of the Boston Art Club, exhibiting
there from 1873 to 1909. In the early 1870s Norton left for Europe, living in Paris and then in London,
building his reputation on views of the Thames and coastal and marine paintings. Returning to the United
States around 1901, Norton settled in New York City and also spent time painting on Monhegan Island.
“Norton’s Ledge” on the south side of the island is named for him. Norton exhibited at the Royal Academy,
the Paris Salon, the 1893 Chicago Exposition, the Pennsylvania Academy, and the Art Institute of Chicago.1
A label on the stretcher of this nocturnal painting gives the artist’s address as 23 Camden Road NW, No. 4,
suggesting that it may have been painted or exhibited during the artist’s time in London. A similar but smaller
nocturnal view by the artist (possibly a study for the present work) was sold at a Skinner auction on
September 11, 2009, lot 385.
1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. II, p. 2441.
$10,000-15,000
361
361. 362.
Fritz Sigfried Georg Melbye (Danish, 1826-1896) Robert Arthur (American, 1850-1914)
362
363
363. 364.
Earl E. Collins (American, 1925-1992) James Gale Tyler (American, 1855-1931)
364
365
365.
Johann Hendrick van Mastenbroek (Dutch, 1875-1945)
367.
No lot.
368.
Charles Augustus C. Lasar (American, 1856-1936)
Ship at Harbor
Signed “C. LASAR” l.r. and l.l., with a signature pentimento l.l.
Oil on canvas mounted to board, 10 3/4 x 13 3/4 in. (27.3 x 34.9
cm), framed.
Condition: Subtle bowing to board, scattered retouch.
$1,000-1,500
366
368
369
369.
Attributed to Thomas Hewes Hinckley (American, 1813-1896)
370.
John White Allen Scott (American, 1815-1907)
370
371
371. 371A.
Wesley Elbridge Webber (American, 1841-1914) William Ferdinand Macy (American, 1852-1901)
371A
372
372.
Jeremiah Wilson (American, 1824-1899)
373. 374.
Edward B. Gay (Irish/American, 1837-1928) George Henry Smillie (American, 1840-1921)
374
375
375. 376.
George Arthur Hays (American, 1854-1945) Joseph Foxcroft Cole (American, 1837-1892)
Lot of Two Works: Under the Oak and Mt. Tobie Cows by the Pasture Gate
Signed “G A Hays” l.l. and l.r., respectively, titled on labels on the Signed “J. Foxcroft Cole” l.r.
paper backing. Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed.
Watercolor and gouache on paper/board, sight size to 8 3/8 x 10 in. Condition: Retouch, lined, craquelure.
(21.3 x 25.4 cm), framed. $800-1,200
Condition: One with small tear in l.r. corner, toning, not examined out
of frames.
$700-900
376
377
377.
Charles Paul Gruppe (Canadian/American, 1860-1940)
378.
Charles Wilson Knapp (American, 1823-1900)
Cows in a Landscape
Signed “D B Walkley” l.l.
Oil on canvas, 16 x 13 in. (40.6 x 33.0 cm), framed.
Condition: Mounted onto Masonite, scattered retouch, fine
craquelure, surface grime.
$2,500-3,500
379.
John William Casilear (American, 1811-1893)
378A
379
379A
379A. 380.
Samuel Lancaster Gerry (American, 1813-1891) William A. McIlvaine, Jr. (American, 1813-1867)
380
380A
380A.
Albert Thompson (American, b. 1853)
Autumn Landscape
Signed “MELBOURNE H. HARDWICK” l.r.
Oil on canvas, 36 1/2 x 29 in. (92.7 x 73.6 cm), framed.
Condition: Retouch, flaking with losses, scattered craquelure.
$1,200-1,800
381
382.
Benjamin Osro Eggleston (American, 1867-1937)
382
382A
382A.
Ernest Christian Rost (American, 1867-1940)
383.
Richard Pauli (American, 1855-1892)
384.
Julian Walbridge Rix (American, 1850-1903)
Landscape Study
Signed “RIX” l.r., stamped “From the JUL...SALE, MA...1913” on the
reverse.
Oil on board, 3 1/2 x 4 1/2 in. (8.9 x 11.4 cm), framed.
Condition: Scattered retouch, surface grime.
385.
American School, 19th Century
N.B. The subject of this portrait, John Foster Williams Lane (1817-1861), son of
Frederick and Eliza (Bonner) Lane, was born in Boston. He was descended from (and
named for) John Foster Williams (1743-1814), a Boston-born Naval officer in the
Revolutionary War. As a youngster, Lane attended the Boston Latin School. In 1831,
his parents, having thought him too young to enter college at the age of 13, sent him
to Italy and France for further studies. Lane graduated from Harvard University in
1837, where he was elected to the Alpha Chapter of Phi Beta Kappa, and he earned
his medical degree in 1840. He was awarded the Boylston premium in 1841 for his
dissertation on the relationship between the chemical properties of blood and disease.
He became a noted physician, who published on human anatomy and physiology and
also translated medical treatises.1
1. Memorials of The Class of 1837 of Harvard University, prepared for the Fiftieth Anniversary of their
Graduation by the Class Secretary, Henry Williams, pp. 36-37.
$2,500-3,500
386.
Anglo/American School, 19th Century
386
387.
American School, 19th Century
387
387A
387A.
Harry Smith (American, 19th Century)
388.
Charles Alfred Meurer (American, 1865-1955)
N.B. Cincinnati-based artist Charles Meurer painted in the tradition of the American trompe l’oeil masters William
Michael Harnett and John Frederick Peto. The artist traced his fascination with trompe l’oeil painting to seeing
Harnett’s still lifes at the Cincinnati Industrial Exposition of 1886, and other works by Peto in Cincinnati art galleries
in the 1890s. Born in Germany in 1865 to American parents, Meurer was raised in Tennessee. As a young artist
he received a pivotal commission from Adolph Ochs, editor of the Chattanooga Times, to paint a still life
incorporating the front page of the paper along with books and other objects relating to the newspaper industry.
Successful with the commission, Meurer continued to elaborate on this theme. The artist included paper currency
in many of his still lifes.1
1. Frankenstein, Alfred Victor, After the Hunt; William Harnett and other American still life painters, 1870-1900 [by] Alfred Frankenstein, Rev.
ed., Berkeley, University of California Press, 1969.
$12,000-18,000
389
389.
William Preston Phelps (American, 1848-1923)
390.
James Crawford Thom (American, 1835-1898)
391.
Hugo Breul (American, 1854-1910)
Leisure Hour
Signed “Hugo Breul” twice l.l., identified on a label affixed to the
reverse.
Oil on canvas, 47 1/4 x 33 in. (120.0 x 83.8 cm), framed.
Condition: Craquelure, losses/abrasions, skinning l.l., canvas
deformations.
392.
Henry Bacon (American, 1839-1912)
392A.
William Verplanck Birney (American, 1858-1909)
392A
393
393.
American School, 19th Century
393A.
John William Hill (American, 1812–1879)
Lot of Five Bird Studies for Zoology of New York, Part 2, Birds,
including The Magpie (pl. 24, fig. 53), The Barn Swallow (pl. 29, fig.
64), The Great-crested Kingbird (pl. 32, fig. 70), The Hermit Thrush
(pl. 37, fig. 80), and The Green-winged Teal (pl. 112, fig. 249)
Each signed “J.W. Hill” l.l., each numbered u.r., and annotated l.c.
and on supporting boards.
Watercolor and ink on paper laid down onto board, image sizes
approximately 6 3/4 x 4 1/2 in. (17.1 x 11.4 cm), two framed, three
unframed.
Condition: Toning, scattered soiling/staining, two not examined out of
frames.
$1,800-2,200
393A
394
394.
Sydney Richmond Burleigh (American, 1853-1931)
395
396
396. 397.
Frank Henry Shapleigh (American, 1842-1906) Walter J. Sherwood (American, b. 1865)
Old Kitchen in Scituate Mass./A Cottage Interior The Workroom of the Henri Dore Studio, Cheapside Building,
Signed and dated “F. H. Shapleigh 1885” l.r., inscribed “Old Kitchen Providence, Rhode Island, c. 1927
in Scituate Mass. by F H Shapleigh” on the lining canvas and Signed “W. Sherwood” l.l., identified on a note affixed to the reverse.
“SHAPLEIGH, F.H. ‘OLD KITCHEN IN SCITUATE MASS.’...” on the Oil on canvas, 14 1/4 x 16 3/4 in. (36.2 x 42.5 cm), framed.
stretcher. Condition: Surface grime, craquelure, canvas deformations,
Oil on canvas, 10 1/4 x 16 1/8 in. (26.0 x 41.0 cm), framed. abrasions, losses.
Condition: Lined with tape to tacking edge, retouch, varnish
inconsistencies, craquelure (small area of lifting c.r.). Provenance: Estate of N. David Scotti, Providence, Rhode Island.
$3,000-5,000 $400-600
397
397A
397A.
Walter Gay (American, 1856-1937)
397B.
Walter Gay (American, 1856-1937)
398.
Walter Gay (American, 1856-1937)
398A.
Abbott Fuller Graves (American, 1859-1936)
399.
William Merritt Chase (American, 1849-1916)
Exhibitions: Summer’s Lease, Corcoran Gallery of Art, June 13 to August 31, 1972, Ex-collection of Mr. and Mrs.
Joseph H. Hennage; William Merritt Chase Memorial Exhibition, The Metropolitan Museum of Art, New York,
February 19 to March 18, 1917, No. 30 (lent by Content Johnson); Exhibition of Paintings by William Merritt
Chase, National Arts Club, New York, January 5 to 13, 1910, No. 86 (lent by Content Johnson).
N.B. We wish to thank D. Frederick Baker for confirming the authenticity of the present work, and for his
assistance with cataloguing the lot. The work is included in Ronald G. Pisano’s The Complete Catalogue of
Known and Documented Work by William Merritt Chase (1849-1916), Vol. 4 (Yale University Press, 2010, SL.127).
According to Baker, “the work was either purchased by Content Aline Johnson from Chase, or more likely given by
the artist to Johnson, a student of Chase’s and close friend of the Chase family. Chase’s youngest daughter, Mary
Content Johnson, born 1903, was named after Content Johnson. The painting is one of several by Chase that
were owned by Miss Johnson, whose portrait was painted by Chase, ca. 1902.”
$30,000-50,000
400
400.
Ciro Mazini (Italian, 19th/20th Century)
401.
Adolf Schreyer (German, 1828-1899)
Arab Horsemen
Signed “Ad. Schreyer” l.r.
Oil on canvas, 23 1/2 x 33 in. (59.7 x 83.8 cm), framed.
Condition: Lined, subtle canvas deformations, subtle retouch.
N.B. We wish to thank Dr. Christoph Andreas, who has kindly confirmed the authenticity of the lot.
Noted Orientalist and genre painter Adolf Schreyer (also referred to as Christian Adolf Schreyer) was born in Frankfurt,
Germany, in 1828. After early education at the Institut Staedel in Frankfurt, he studied at the Academy in Düsseldorf,
then settled in Vienna in 1849. During the Crimean War (1853-1856) Schreyer followed the Austrian Army through the
Wallachian frontier as a sketch artist.1 Schreyer went on to study in Paris and North Africa. In 1859 he traveled
extensively in Egypt and Syria, learning Arabic and immersing himself in the culture, and in 1861 he visited Algiers. From
1862 to 1870, Schreyer lived in Paris. He returned to Frankfurt in 1871. He was a member of the Academies in
Amsterdam and Rotterdam. His works were awarded medals in Paris in 1864, 1865 and 1867, and in Munich in 1876.
Schreyer died in Kronberg in 1899.
Schreyer painted the landscape and culture of foreign lands, from Russia to North Africa. His travels brought him
inspiration and also gave his work authenticity. He is regarded as a great painter of horses in all their aspects.2 His
works, well-conceived compositions, brilliantly colored and vigorously painted, were very popular in his time, and were
found in European and American private collections. Schreyer’s paintings are found today in major museums in Europe
and the United States, including museums in Frankfurt, Cologne, Hamburg, Paris, Boston, and San Francisco.
1. E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, Librairie Grund, 1976., Vol. IX, p. 439-440.
402. 403.
Marco Grubas (Italian, 1839-1910) Paul Vernon (French, 1796-1875)
Lot of Two Venetian Views of San Giorgio Maggiore, Saint Mark’s Coastal Scene with Fishing Boats
Square and Palazzo Santa Sofia, c. 1890 Signed “Paul Vernon” l.r., with a partial label from H. L. Ross of
Signed “M. Grubas” l.l., identified on labels and export stamped Philadelphia on the stretcher.
“...zum Ausfuhr freigegeben” on the reverse. Oil on canvas mounted to rigid support, 14 x 24 in. (35.5 x 61.0 cm),
Oil on panel, 5 1/2 x 10 1/4 in. (14.0 x 26.0 cm), framed. framed.
Condition: Surface grime. Condition: Lined support, retouch, craquelure.
$1,500-2,500 $2,000-3,000
403
404
404. 405.
Martin Rico y Ortega (Spanish, 1833-1908) Charles Rowbotham (British, 1856-1921)
405
406
406. 406A.
Arthur J. Hammond (American, 1875-1947) Sheldon Parsons (American, 1866-1943)
406A
407
407.
Charles Furneaux (American, 1835-1913)
Provenance: Purportedly given as a gift from the artist to King David Kalakaua and
displayed at the Iolani Palace; to the collection of Albert Solomon, Jr. and Harriet
Solomon, former owners of the Kamuela Museum, Waimea, Hawaii, by descent in the
Solomon family, and through to the present owners.
N.B. Although Furneaux was born and raised in Greater Boston, he is best known for
his work in Hawaii. In 1880, Furneuax traveled to Hawaii on the advice of, and as a
companion to William T. Bingham. The artist was immediately struck by the grandeur of
the volcanoes, and made numerous sketches on site of lava flows and eruptions, again
encouraged by Bingham who was a gentleman scientist and devoted student of
volcanoes. Furneaux’s success garnered him commissions from King Kalakaua. While
some of these were landscapes, many were portraits. Furneaux spent the rest of his life
in Hawaii as a painter, teacher and coffee farmer.
$25,000-35,000
408 409A
408.
Tim Solliday (American, b. 1952)
N.B. We wish to thank the artist for his assistance with cataloguing
this lot.
$1,000-1,500
409.
Ila Mae McAfee (American, 1897-1995)
409A.
Paul Surber (American, b. 1942)
Indian Encampment
Signed “PAUL SURBER” l.r., with a label from Glacier Gallery,
Kalispell, Montana, on the backing.
Gouache on paper, sight size 7 3/8 x 11 1/2 in. (18.7 x 29.2 cm),
framed (without glass).
Condition: Very minor surface grime and abrasions, not examined
out of the frame.
$800-1,200
409
410
410.
Elling William (Bill) Gollings (American, 1878-1932)
411
412.
Tim Solliday (American, b. 1952)
412
413
413.
Earl Wesley Bascom (American, 1906-1995)
N.B. A certificate from John A. Bascom, son and trustee for the
Estate of Earl W. Bascom, accompanies the lot.
$5,000-7,000
414.
Aiden Lassell Ripley (American, 1896-1969)
Timberdoodles
Unsigned, graphite sketch of a hunting scene on the reverse, artist
identified on a label from The Guild of Boston Artists affixed to the
reverse.
Watercolor with graphite on board, sight size 8 3/8 x 6 3/8 in. (21.3 x
16.2 cm), framed.
Condition: Toning, soiling/staining, mild wear to edges.
$1,000-2,000
415.
Aiden Lassell Ripley (American, 1896-1969)
The Hunt
Unsigned, pencil sketch of hunting scene on the reverse, artist
identified on a label from The Guild of Boston Artists affixed to the
reverse.
Watercolor with gouache and graphite on paper, sight size 5 7/8 x 9
3/4 in. (14.9 x 24.8 cm), framed.
Condition: Extremely subtle toning, pinholes, possibly adhered or
hinged to back mat along the top edge.
$2,000-3,000
414
415
416
416. 417.
Aiden Lassell Ripley (American, 1896-1969) Frank Vining Smith (American, 1879-1967)
View with Ruffled Grouse White Tipped Coots, alternatively titled Sea Fowl
Signed and inscribed “Sketch A. Lassell Ripley” on the reverse, Signed “Frank Vining Smith” l.l. and l.r., titled and inscribed “Property
identified on a label affixed to the backing. of/Mildred L. Justice/June 1963” on the reverse.
Gouache, charcoal, and graphite on paper/board, 12 1/8 x 17 1/8 in. Oil on canvasboard, 18 x 24 in. (45.7 x 61.0 cm), framed.
(30.8 x 43.5 cm), framed. Condition: Surface grime, varnish inconsistencies.
Condition: Brown gum taped to window mat, gridded composition.
$1,000-1,500 Provenance: Ex-collection of Mildred L. Justice, Hingham,
Massachusetts.
$5,000-7,000
417
418
418. 419.
Charles Albert Burlingame (American, 1860-1930) Ferenc Olgyai (Hungarian, 1872-1939)
419
420
420.
Hubert Vos (Dutch/American, 1855-1935)
Wooded Pond
Signed and dated “Hubert/VOS 1913” l.l.
Oil on canvas, sight size 20 7/8 x 28 1/4 in. (53.0 x 72.0 cm), framed.
Condition: Good.
$1,500-2,000
421
421. 422.
Elizabeth Boardman Warren (American, 1886-1980) Wayne Beam Morrell (American, b. 1923)
Lot of Two Landscapes: Landscape with Stream and Beach at Spring Meadows Weathersfield [sic], Conn., alternatively titled
Dusk Marshes in the Spring, 1963
Stream signed and dated “E B Warren 1903” l.l., Beach signed “E.B. Signed and dated “1963 WAYNE MORRELL” l.l., inscribed, titled, and
Warren” l.l. signed “...by Wayne Morrell...” on the backing.
Watercolor and gouache on paper/board, sight sizes to 8 3/4 x 13 Watercolor and pastel on paper, sight size 17 x 23 in. (43.2 x 58.4
1/2 in. (22.2 x 34.3 cm), framed. cm), framed.
Condition: Beach with rippling, toning, foxing, both not examined out Condition: Subtle rippling, not examined out of frame.
of frames.
$1,800-2,200 N.B. A copy of the monograph The Morrell Sketches: Quick...the
Speed of Light is Faster than my Pen! by Wayne and Lisa Morrell,
published by the Wayne Morrell Gallery, Rockport, accompanies the
lot.
$300-500
422
423
423. 424.
Hugh Bolton Jones (American, 1848-1927) Thomas Jefferson Willison (American, 1864-1940)
424
425
425. 426.
Harold Broadfield Warren (American, 1859-1934) Eric L. (Frederic) Pape (American, 1870-1938)
View of the Homestead in Westminster, Possibly Vermont Lot of Three Views of The Plains, Manchester-by-the-Sea, Home
Signed and dated “H.B. WARREN 1903” l.r. of Eric Pape
Watercolor on paper, 9 3/4 x 13 3/4 in. (24.8 x 34.9 cm), framed. Two signed and dated “Eric Pape 1925” and one signed and dated
Condition: Not examined out of frame. “Eric Pape 25” in pencil l.r., each stamped “ESTATE OF Eric Pape
1870-1938” and identified on the backing.
N.B. A handwritten letter dated July 2, 1903, from the artist in Graphite on paper, sight sizes to 17 3/4 x 12 in. (45.1 x 30.5 cm),
Dorset, Vermont, to his cousin Henry, regarding the present work, framed.
accompanies the lot. Condition: Not examined out of frames.
$1,000-1,500 $800-1,200
426 (2 of 3)
427
427.
Attributed to Paul Cornoyer (American, 1864-1923)
428. 429.
Carl Gordon Cutler (American, 1873-1945) Carl Gordon Cutler (American, 1873-1945)
429
430.
Carl Gordon Cutler (American, 1873-1945)
Dead Pines
Signed “Carl G. Cutler” l.l., titled in a later hand on the backing.
Watercolor and graphite on paper, sight size 20 3/4 x 14 in. (52.7 x
35.6 cm), framed.
Condition: Subtle rippling, not examined out of frame.
$600-800
431.
Carl Gordon Cutler (American, 1873-1945)
Quarry Stones, #2
Signed “Carl G. Cutler” in colored pencil l.r., titled in a later hand on
backing.
Watercolor and conté crayon on paper, sight size 16 1/2 x 25 in.
(41.9 x 63.5 cm), framed.
Condition: Subtle rippling, not examined out of frame.
$800-1,200
430
431
432
432. 433.
Wayne Beam Morrell (American, b. 1923) Wayne Beam Morrell (American, b. 1923)
433
434
434. 435.
John Joseph Enneking (American, 1841-1916) Wayne Beam Morrell (American, b. 1923)
435
436
436.
Emile Albert Gruppé (American, 1896-1978)
437.
Aldro Thompson Hibbard (American, 1886-1972)
439.
George Gardner Symons (American, 1863-1930)
View by a Lake
Initialed “G.S.” l.r.
Oil on artist board, 10 x 12 in. (25.4 x 30.5 cm), framed.
Condition: Retouch.
$1,500-2,500
438
439
440
440. 441.
Wayne Beam Morrell (American, b. 1923) Stanley Wingate Woodward (American, 1890-1970)
441
442
442.
Thomas R. Curtin (American, 1899-1977)
Autumn Birches
Signed “Thos. R. Curtin” l.r.
Oil on canvas, 24 x 30 in. (61.0 x 76.2 cm), framed.
Condition: Craquelure, surface grime.
$1,000-1,500
443.
Stanislaw Clastrier (French, 19th/20th Century)
Morning Mist
Signed “S. CLASTRIER·” l.r.
Oil on canvas, 24 x 19 1/2 in. (61.0 x 49.5 cm), framed.
Condition: Lined, retouch, craquelure.
$800-1,200
443
443A
443A.
Paul Strisik (American, 1918-1998)
Autumn Mantle
Signed “P. Strisik” l.r., inscribed and titled “...#0-338” and stamped
“PAUL STRISIK/10 MAIN STREET/ROCKPORT, MASS. 01966” and
“REPRODUCTION RIGHTS RESERVED BY THE ARTIST” on the
reverse.
Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Good.
$1,000-1,500
444
444.
Eric Sloane (American, 1905-1985)
445. 446.
Sydney Richmond Burleigh (American, 1853-1931) Pierre Emmanuel Damoye (French, 1847-1916)
446
447
447.
Aldro Thompson Hibbard (American, 1886-1972)
448.
Aldro Thompson Hibbard (American, 1886-1972)
N.B. Aldro Hibbard was born in Falmouth, Massachusetts, in 1886, and grew up in Dorchester. A gifted artist, he
discovered his love of painting at an early age. He attended the Massachusetts Normal Art School and then the
School of the Museum of Fine Arts where he studied with Edmund Tarbell, Frank Benson, and Joseph DeCamp, and
was awarded the prestigious Paige Traveling Scholarship (1913-15) for study in Europe. With the onset of World
War I, Hibbard returned to the United States, settling for a time in Provincetown. He relocated to Rockport in 1920,
where he became very active in the art community. He and a group of other artists founded The Rockport Art
Association at a meeting in his studio in 1921. Hibbard was also a Founding Member and Director of the Rockport
Art Association (MA) Summer School of Drawing and Painting (1921-1928). Especially well regarded for his snow
scenes, Hibbard spent a great deal of time Vermont, where he painted out-of-doors throughout the winter.
$12,000-18,000
449
449.
John Fabian Carlson (American, 1874-1945)
450.
Aldro Thompson Hibbard (American, 1886-1972)
Winter Stream
Signed “A.T. Hibbard” l.l., inscribed “8X26” in marker and with a label
from the A.T. Hibbard Collection, Ledgendsea Gallery, Rockport,
Massachusetts, on the reverse.
Oil on canvas mounted to Masonite, 16 3/4 x 21 in. (42.5 x 53.3 cm),
framed.
Condition: Very minor surface grime.
$5,000-7,000
451
451.
Carroll Leja Nichols (American, b. 1882)
Stream in Winter
Signed “C.L. NICHOLS” l.l.
Oil on canvas, 30 x 30 in. (76.2 x 76.2 cm), framed.
Condition: Retouch, patch reinforcements.
$3,000-5,000
452
452. 453.
Churchill Ettinger (American, 1903-1984) Frank Townsend Hutchens (American, 1869-1937)
453
454
454. 455.
Robert Shaw Wesson (American, 1902-1967) Paul Starrett Sample (American, 1896-1974)
455
456
456.
Robert Strong Woodward (American, 1885-1957)
N.B. Robert Strong Woodward was born in Northampton, Massachusetts, and lived in the area of
Shelburne Falls and Buckland, where this landscape was painted. Red Barn in Winter is also known by an
alternate title, Under the Hill. Woodward kept a diary of his artwork and a scrapbook of newspaper and
magazine clippings. He described this painting in his diary, “Painted circa 1925. Winter view of the present
Peltier house (next to the ‘Lightning Splitter’) where the S.F.- -Buckland Road crosses the Clessons River
(about halfway between S.F. and Buckland). Little dark red farm house under a tall slender elm, backed by
the rounded mountain dome and shoulder of the hill back of Leon Goodnow’s. This canvas was bought
from one of my early Boston exhibitions by Miss Eugenia B. Frothingham of Marlboro St. Boston.”1 There is
a second, slightly later version of this painting, whereabouts unknown. Dr. Mark L. Purington, Jr., a lifelong
friend of the artist, created a website in 2002 to catalog, document, and preserve information about the life
and work of Robert Strong Woodward.
457.
Carl Frederick Gaertner (American, 1898-1952)
October Snow
Signed and dated “CARL GAERTNER/1945” l.r., inscribed “...104...”
and identified on labels, including one from the Ohio Water Color
Society Twenty-second Annual Circuit Exhibition, on the reverse.
Watercolor and gouache on Masonite, sight size 22 x 30 in. (55.9 x
76.2 cm), framed (under glass).
Condition: Not examined out of frame.
$1,000-1,500
458
458. 459.
Svend Rasmussen Svendsen (Norwegian/American, 1864-1945) Otto Bierhals (American, 1879-1944)
459
460
460. 461.
Wayne Beam Morrell (American, b. 1923) Bernard Corey (American, 1914-2000)
461
462
462.
Emile Albert Gruppé (American, 1896-1978)
463. 464.
Lawrence Nelson Wilbur (American, 1897-1988) Paul Lauritz (Norwegian/American, 1889-1975)
N.B. A brochure about the artist is tacked to the back of the frame.
464
465
465. 466.
John Whorf (American, 1903-1959) Roger William Curtis (American, 1910-2000)
466
467
467. 468.
Harry A. Neyland (American, 1877-1958) Don Stone (American, b. 1929)
The Lone Gate, Appledore Island, Isles of Shoals, New Rocky Coastal View with Sailboats
Hampshire Signed “Don Stone” l.l.
Signed and dated “Harry Neyland. 07” l.r., titled “the loan [sic] gate...” Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.
on the reverse. Condition: Minor surface grime, subtle varnish inconsistencies.
Oil on canvas, 12 x 18 in. (30.5 x 45.7 cm), framed. $1,000-1,500
Condition: Lined, craquelure.
$3,000-5,000
468
469
469.
Edmund Elisha Case (American, 1844-1919)
Coastal View
Signed “EDMUND E. CASE.” l.r.
Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), in a period frame.
Condition: Retouch.
$4,000-6,000
470
470. 471.
Jay Hall Connaway (American, 1893-1970) Charles Herbert Woodbury (American, 1864-1940)
471
472
472.
Lillian Mathilde Genth (American, 1876-1953)
River Torrent
Signed “L Genth” l.r., identified on a label from The New Britain
Museum of American Art on the backing.
Oil on canvas, sight size 8 13/16 x 11 3/4 in. (22.3 x 30.0 cm),
framed.
Condition: Good.
473. 474.
Yong Mun Sen (Malaysian, 1896-1962) Fred Pye (American, 1882-1964)
474
475
475. 476.
Henry Curtis Ahl (American, 1905-1996) Yong Mun Sen (Malaysian, 1896-1962)
476
477
477. 478.
John Whorf (American, 1903-1959) Carlos Vierra (American, 1876-1937)
478
479
479. 480.
John Whorf (American, 1903-1959) Vladimir Pavlosky (American, 1884-1944)
480
481
481. 482.
Ernest Lee Major (American, 1864-1950) Julian Walbridge Rix (American, 1850-1903)
482
483
483. 484.
Kate Leah Cotharin (American, b. 1866) Margaret Baker (American, b. 1899)
484
485
485. 486.
Don Stone (American, b. 1929) Otis Pierce Cook, Jr. (American, 1900-1980)
486
487
487.
Harry Aiken Vincent (American, 1864-1931)
488. 489.
Wayne Beam Morrell (American, b. 1923) Florence Leif (American, 1913-1968)
Rockport Cove Sailboats, alternatively titled Off a Rockport Ma. Still Life with Shells
Cove, 2008 Signed and dated “F. Leif ‘53” l.r.
Signed “WAYNE MORRELL” l.l., titled and signed “...by Wayne Oil on canvas, 30 x 36 in. (76.2 x 91.4 cm), framed.
Morrell...” on the backing. Condition: Mild surface grime.
Oil and graphite on artist board, 18 x 24 in. (45.7 x 61.0 cm), framed. $1,200-1,800
Condition: Good.
$1,000-1,500
489
490
490.
Wayne Beam Morrell (American, b. 1923)
491.
Robert Strong Woodward (American, 1885-1957)
492.
Stacy Tolman (American, 1860-1935)
492
493
493.
Samuel Peter Rolt Triscott (American, 1846-1925)
494. 495.
Henry Martin Gasser (American, 1909-1981) Marshall Woodside Joyce (American, 1912-1998)
View from the Quarry House (Rockport) Motif #1/A Rockport Harbor View
Signed “HGASSER/” in pencil l.r., titled and signed “...HENRY Signed and dated “MARSHALL W. JOYCE 78” in pen l.r.
GASSER/NA.” on the backing. Oil on Masonite, 18 x 24 in. (45.7 x 61.0 cm), framed.
Watercolor, ink, and graphite on paper, sight size 8 3/4 x 11 1/4 in. Condition: Surface grime.
(22.2 x 28.6 cm), framed. $800-1,200
Condition: Not examined out of frame.
$500-700
495
496
496. 497.
William Lester Stevens (American, 1888-1969) Wayne Beam Morrell (American, b. 1923)
497
498
498. 499.
Will Low Bacher (American, 1898-1982) Lionel S. Reiss (American, 1894-1988)
499
500
500. 500A.
Hazel (Mrs. William C.) Finck (American, 1894-1977) Lee M. Loeb (American, 20th Century)
500A
501.
Laurence Philip Sisson (American, b. 1928)
502.
Laurence Philip Sisson (American, b. 1928)
501
502
503
503. 504.
John Cuthbert Hare (American, 1908-1978) Laurence Philip Sisson (American, b. 1928)
New Harbor, Maine Lot of Two Shore Views: Dance with Purple Moon and The Inlet
Signed “John Hare” l.r., titled and inscribed “...John Hare paid July Both signed "L. Sisson" l.l., one signed "L Sisson" c.r., both titled and
1965...” on the stretcher. numbered verso.
Oil on canvas, 26 x 36 in. (66.0 x 91.4 cm), framed. Watercolor on paper, sheet sizes to 30 3/4 x 22 5/8 in. (78.2 x 57.5
Condition: Surface grime, craquelure. cm), unframed.
$1,500-2,000 Condition: Tack holes in corners or along edges, two small tears (to
3/4 inch) l.c. along edge in The Inlet.
$1,200-1,800
504
505
505. 506.
Attributed to Arthur Franklyn Musgrave (American, 1878-1969) Continental School, 20th Century
506
507
507.
Maxime Maufra (French, 1863-1918)
508.
Eastern European School, 20th Century
510.
Attributed to Dawson Dawson-Watson (British/American, 1864-
1939)
Giverny Field
Unsigned, stamped “Toiles et Couleurs F.../L.AUBE.../Rue Brea...” on
the reverse.
Oil on canvas, 15 x 25 in. (38.1 x 63.3 cm), framed.
Condition: Strip lined, retouch, surface grime.
$2,000-3,000
509
510
511
511. 512.
Frank Cohen Kirk (American, 1889-1963) Stanley Huber Wood (American, 1894-1949)
Desert Hot Springs/A Southern California Landscape View of a Village in Taxco, Mexico
Signed “F.C. KIRK” l.l., titled and inscribed “...Mrs. Kirk” on the Signed, dated, and inscribed “Stanley Wood/38/TAXCO- 723” l.l.
reverse. Watercolor and graphite on paper, sight size 14 1/4 x 20 in. (36.2 x
Oil on canvasboard, 10 x 14 in. (25.4 x 35.6 cm), framed. 50.8 cm), framed.
Condition: Surface grime, craquelure, tack holes. Condition: Not examined out of frame.
$500-700 $800-1,200
512
513
513.
Samuel Colman (American, 1832-1920)
514. 515.
Attributed to Hezekiah Anthony Dyer (American, 1872-1943) Raymond Quence (French/American, b. 1932)
515
516
516. 517.
Louis Gustave Cambier (Belgian, 1874-1949) Wayne Beam Morrell (American, b. 1923)
517
518.
Roger Casse (French, 1880-1944)
Jardin du Luxembourg
Signed and dated “Roger Casse 1911” l.r., identified on a label
on the reverse.
Oil on canvas, 24 x 19 3/4 in. (61.0 x 50.2 cm), framed.
Condition: Craquelure, minor abrasions, retouch, surface grime.
$1,000-1,500
519.
Vladimir Lazarev (Russian/American, b. 1904)
518
519
520
520. 521.
François Gall (French, 1912-1987) Andre Hambourg (French, 1905-1999)
Le Pont St. Michel a Paris Les Petits Anes de Champs Elysee or Les Petits Anes sur le
Signed “F. Gall” l.r., titled and signed “...F. GALL” with stamps from Champs Elysee, Paris
Carel Gallery, Miami Beach, Florida, on the reverse, identified on a Signed “a. hambourg” l.r., titled l.l., inscribed and titled “a. hambourg
presentation plaque. 39 rue Boissonade Paris XIV...7777...,” probably in the artist’s hand,
Oil on canvas, 21 1/4 x 25 1/2 in. (53.9 x 64.8 cm), framed. on the backing, a label from Karnig Gallery, New York, affixed to the
Condition: Minor surface grime. reverse.
$1,000-2,000 Ink and gouache on paper, sight size 17 5/8 x 23 3/4 in. (44.7 x 60.3
cm), framed.
Condition: Rippling, toning, not examined out of frame.
$4,000-6,000
521
522 (2)
522. 523.
French School, 20th Century Marcel Mettenhoven (French, 1891-1979)
Lot of Two Views of the Canal de la Giudecca, Venice Les Régates de l’Ile aux Moines
Signed “Maurice B...z” l.l., inscribed “Venise” l.r., titled on labels on Signed, titled, and dated “...Marcel Mettenhoven- 1910.” l.l.
the reverse. Gouache on laid paper, 21 x 15 in. (53.3 x 38.1 cm), framed.
Oil on panel, 10 1/4 x 13 1/2 in. (26.0 x 34.3 cm), framed. Condition: Not examined out of frame.
Condition: Partial split to panel, surface grime, craquelure. $700-900
$1,000-1,500
523
524
524.
William Lee-Hankey (British, 1869-1950)
526.
Hope Smith (American, b. 1879)
526
527
527.
Reginald Marsh (American, 1898-1954)
Hoboken Pier
Signed, dated, and inscribed “REGINALD MARSH ‘37/HOBOKEN
PIER” in pen l.r.
Watercolor and graphite on paper, sheet size 11 1/2 x 15 5/16 in.
(29.2 x 38.9 cm), framed.
Condition: Laid down to mat board, tape residue to margins.
528. 529.
Jean Lareuse (French, b. 1925) Alfred Conway Peyton (American, 1875-1936)
529
530
530.
Jean Lareuse (French, b. 1925)
Equitation
Signed “Jean Lareuse” l.r., identified on a presentation plaque,
inscribed and titled “...J. laReuse...,” with a label from Wally Findlay
Galleries International, on the reverse.
Oil on canvas, 28 1/2 x 21 in. (72.4 x 53.3 cm), framed.
Condition: Minor surface grime.
$300-500
531 532
531. 532.
Nikolay Evgenyevich Lansere (Russian, 1879-1942) Continental School, 20th Century
Bell Tower of the Church of Vasiliy the Blessed in Moscow Balinese Scene
Signed, dated, and inscribed “N. Lansere/1906/Moscow” in pen and Unsigned.
“Bell tower of Vas. the Bl./June 11, 1906” in pencil, both in Cyrillic l.r., Oil on canvas mounted to Masonite, 22 x 17 1/2 in. (55.9 x 44.4 cm),
titled and inscribed “...Property of the author, E.K. Lansere...Nicholas framed.
Lanceray/Old Church at Moscow.” in Cyrillic and Roman alphabet on Condition: Minor surface grime.
the reverse. $600-800
Watercolor and graphite on paper/board, 17 3/4 x 12 1/8 in. (45.1 x
30.8 cm), framed.
Condition: Toning, acid burn.
$1,000-2,000
533
533.
Jane Peterson (American, 1876-1965)
Market Scene
Signed “JANE PETERSON” l.l.
Oil on canvas, 24 x 18 in. (61.0 x 45.7 cm), framed (under glass).
Condition: Possible pentimento l.l. (in area of signature), varnish
inconsistencies, scattered craquelure, soiling/surface grime.
$5,000-7,000
534
534.
Sydney Richmond Burleigh (American, 1853-1931)
535.
Angela O’Leary (American, 1879-1921)
535
536
536.
Mabel May Woodward (American, 1877-1945)
The Marketplace
Signed “M.M. Woodward” l.r.
Oil on artist board, 9 1/2 x 12 5/8 in. (24.1 x 32.1 cm), framed.
Condition: Sandwiched between beveled mat and backing foamcore.
537.
Kenneth Frazier (French/American, 1867-1949)
Winter Dreams
Unsigned, inscribed “Kenneth Frazier...” in pen and with partial labels
on the backing.
Oil on canvas, 13 3/4 x 15 3/4 in. (34.9 x 40.0 cm), framed.
Condition: Lined, cut down, scattered retouch, craquelure.
$4,000-6,000
538.
Daniel Chester French (American, 1850-1931)
538
539
539.
George Henry (Scottish, 1858-1943)
N.B. George Henry was born in Irvine (North Ayrshire), Scotland, in 1858. He trained at the Glasgow School of Art, and studied life
drawing with William MacGregor, one of the “Glasgow Boys,” a circle of painters with whom Henry would soon join. Working at
roughly the same time as the architect and designer, Charles Rennie Mackintosh, the “Glasgow Boys” revolutionized Scottish
painting from 1880 to about 1895, rebelling against Victorian sentimentality and painting everyday subjects in a fresh, new way,
often working outdoors. Henry’s painting, A Galloway Landscape (1889), now in the collection of the Kelvington Art Gallery and
Museum in Glasgow, has been described as “the nearest to a masterpiece ever painted by any of the Glasgow Boys.”1 While Henry
is known primarily as a landscape painter, he was also an able portraitist and figure painter. Using deft brushwork, he excelled at
creating rich surfaces and sparkling highlights. Henry shared a studio with Edward A. Hornel and together the artists traveled to
Japan, staying 18 months in 1893-94. Many of Henry’s works were unfortunately destroyed on the voyage back to Britain, but the
experience of visiting Japan provided a font for future paintings created in Scotland.
Henry was an associate member of the Royal Scottish Academy. He was elected an associate of the Royal Academy (London) in
1907, and a full member in 1920. He also exhibited with the Royal Scottish Painters of Watercolours in Scotland, the Aberdeen
Artists’ Society, the Royal Society of British Artists, the Royal Institute of Oil Painters, and at the Royal Glasgow Institute of Fine Arts.
1. www.artistsfootsteps.co.uk/artists_a_z.asp
$20,000-30,000
540.
Wilton Robert Lockwood (American, 1861-1914)
540
541.
Philip Leslie Hale (American, 1865-1931)
Fashionable Woman
Signed “Philip L Hale” in pencil l.r., dated “1921” in pencil l.r.,
identified on a presentation plaque, with labels from Pierce Galleries,
Inc., Hingham, Massachusetts, affixed to the reverse.
Graphite, colored pencil, and chalk on paper, sight size 17 x 13 in.
(43.2 x 33.0 cm), framed.
Condition: Toning, foxing, not examined out of frame.
541
542.
Clement Rollins Grant (American, 1848-1893)
542
543.
Claudio Castelucho (American, 1870-1927)
543
544.
Edward Chalmers Leavitt (American, 1842-1904)
544
545.
Attributed to Karl Storch (German, 1864-1954)
Interior
Signed or inscribed and dated “K Storch 1914” l.r., inscribed,
possibly in a later hand, on the reverse.
Oil on panel mounted onto a supporting panel, 24 5/8 x 19 1/2
in. (62.5 x 49.5 cm), framed.
Condition: Retouch (including reinforced signature), varnish
inconsistencies, small splits to panel, surface grime.
$1,500-2,000
545
546
546.
Laura Coombs Hills (American, 1859-1952)
Provenance: Mr. Eliot Wadsworth (Assistant Secretary of the Treasury under President Harding), Boston, Massachusetts; then
by descent within the family.
N.B. Laura Coombs Hills’ favored mediums were watercolor and pastel. Born in Newburyport, Massachusetts, in 1859, Hills
studied at the Art Students League and later established her studio in Boston. Her first solo exhibition featured 16 pastels at
the J. Eastman Chase Gallery in Boston in 1889. After visiting England in 1893, Hills became fascinated with miniature painting
on ivory, which was enjoying a renaissance during the Arts & Crafts movement. Always gifted at working in tiny scale, Hills
entered a successful period of painting miniature portraits on commission that would last almost 30 years. She returned her
focus to rendering flowers in pastel after 1920. Using bouquets picked from the garden of her summer home in Newburyport,
Hills painted floral still life arrangements set against textured backdrops based on scarves and fabrics she had collected on her
travels. These works earned for her the critical distinction of Boston’s leading pastelist of the early 20th century.
Literature: Laura Coombs Hills, A Retrospective, Historical Society of Old Newbury, 1996, with essays by Erica E. Hirshler,
Sandra B. Lapore, and Martha D. Hamilton.
$6,000-8,000
547.
Elmer Wesley Greene (American, 1907-1964)
Provenance: Gift from the sitter to the family of the present owner.
547
548.
George Frederick Kaber (American, 1860-c. 1951)
548
549
549.
Albert Braitou-Sala (French, 1885-1972)
550. 551.
Frank Convers Mathewson (American, 1862-1941) Lynn Nelsen Aylsworth (American, 20th/21st Century)
551
552
552.
Frank Cohen Kirk (American, 1889-1963)
553. 554.
Marguerite Stuber Pearson (American, 1898-1978) Mae Bennett Brown (American, 1887-1973)
554
555
555.
Eric L. (Frederic) Pape (American, 1870-1938)
Portrait of a Clown
Signed and dated “Eric Pape/1930” l.r., estate stamped on the paper
backing.
Oil on canvas mounted to mat board, 20 1/8 x 16 in. (51.1 x 40.6
cm), framed.
Condition: Minor abrasion u.r., wear at corners, surface grime.
Provenance: Sharon Boccelli and Co., March 12, 1995, Lot 198.
$2,500-3,000
556
556.
Adelaide Cole Chase (American, 1868-1944)
557
558.
Marie Louise Chapin (American, 1843-1898)
558
559
559.
Cecilia Beaux (American, 1855-1942)
560.
Cecilia Beaux (American, 1855-1942)
N.B. Francesca Gilder Palmer was the daughter of Richard Watson Gilder, an editor of The Century Magazine,
as well as a friend and patron of Beaux. Francesca is perhaps best known by her portrait with her older sister
Dorothea in The Dancing Lesson, 1898, held in The Art Institute of Chicago permanent collection.
Literature: Tara Leigh Tappert, Cecilia Beaux and the Art of Portraiture, Washington, D.C.: Smithsonian
Institution Press, 1995, pp. 50-51 (illus. pl. 22).
Exhibitions: Cecilia Beaux and the Art of Portraiture, The National Portrait Gallery, Smithsonian Institution,
October 6, 1995 to January 28, 1996, exh. no. 69.
$10,000-15,000
561 562
561. 562.
Charles Allen Winter (American, 1869-1942) Charles Constantine Hoffbauer (American, 1875-1957)
563.
Cecilia Beaux (American, 1855-1942)
N.B. Cecilia Beaux was one of the most admired portrait painters of the turn of the 20th century.
Educated in Philadelphia and in Paris, she was the first full-time female instructor at the Pennsylvania
Academy of Fine Art. She had a very active career and was among the celebrated members of the
national and international artistic community of her time.1 In a letter from Cecilia Beaux that
accompanies this lot (dated Feb. 1914 and written on stationery bearing the address 20 Gramercy
Park), the artist addressed the sitter as “Dear Neighbor.” She wrote that she had signed the drawing
and left it for him to find when he got back. Beaux goes on to say that she may “…sometime bother
you to lend me the drawing to appease the Exhibition Wolf, which is always growling about my door…”
The artist compared the sitter to “the daring son of the Captain of the Bucentaure,” (the French flagship
at the Battle of Trafalgar). The letter is signed, “Your long-winded but true friend and neighbor, C.B.”
1. Who Was Who in American Art, Peter Falk, Editor-in-Chief, Vol. I, p. 252.
$2,000-2,500
564.
Amleto Cataldi (Italian, 1882-1930)
564
565.
Charles Allen Winter (American, 1869-1942)
565
566
566.
Mariano Alonso Pérez (Spanish, 1857-1930)
567.
Vladimir Rozmainski (Russian, 1885-1943)
The Masquerade
Signed, inscribed, and dated “V. Rozmainski/Paris/1925” l.l.
Oil on canvas, 61 x 36 in. (154.9 x 91.4 cm), unframed.
Condition: Surface abrasions, craquelure, surface grime, subtle
varnish inconsistencies, tear to l.r. quadrant.
$8,000-12,000
568
568.
Sir William Russell Flint, RA (British, 1880-1969)
N.B. Noted British watercolorist William Russell Flint was elected a full member of the Royal Academy
in 1933.1 He became President of the Royal Society of Painters in Watercolour in 1936 and was
knighted in 1947 by George VI. A retrospective of his work was held in the Diploma Gallery of the
Royal Academy in 1962 and was attended by more than 21,000 visitors.2 William Russell Flint was
born in Edinburgh, Scotland, and attended the Royal Institution School of Art in Edinburgh. He began
his career as an illustrator and designer, joining the staff of the Illustrated London News in 1903. In
1907 the artist also began illustrating limited editions of classic books, such as Mallory’s Morte D’Arthur
and Chaucer’s Canterbury Tales. After service in World War I, Russell Flint dedicated himself full time
to painting. He is best known for his skills as a watercolorist and as a painter of the female form.
1. www.racollection.org.uk
2. www.sirwilliamrussellflint.co.uk
$22,000-28,000
569
569.
Henri de Toulouse-Lautrec (French, 1864-1901)
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.
570.
Oronzio Maldarelli (American, 1892-1963)
571.
Andre Dunoyer de Segonzac (French, 1884-1974)
Etude pour le Georgiques de “Virgile” Literature: [Collection Daniel Sickles] Bibliothèque d’un Amateur, Très
Signed and inscribed “...A. Dunoyer de Segonzac” l.c. Beaux Livres Illustrés Modernes Dans d’Importantes Reliures dont 53
Ink on paper, sheet size 7 1/4 x 5 in. (18.4 x 12.7 cm), framed. Signées de Pierre Legrain, Exemplaires uniques dont Les Fleurs du
Condition: Acid burn to four corners from tape verso, not examined Mal Illustrées par Rouault, Deuxieme partie, Paris: Musée Galliéra, 21
out of frame. May 1963 (no. 265); Kraus, H.P., The Illustrated Book, Catalogue
108, no. 138, 1964.
Provenance: Daniel Sickles, Paris, France; Hans Peter Kraus, New
York; Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, N.B. The work was one of eight original drawings included in a
Connecticut. presentation copy of Souvenirs d’un marchand de tableaux by
Ambroise Vollard, published by Éditions Albin Michel in 1937, which
was pen inscribed and gifted to his chauffeur Marcel Z. Méraud.
$1,000-1,500
572
572.
George Ehrenfried Grosz (German/American, 1893-1959)
Stille Nacht Heilige Nacht, c. 1922 The present work is a preliminary drawing related to a published work
Signed “Grosz” in pen l.r., inscribed and titled “...ca. 1922...Eltern...” of the same year, which has been reproduced under the titles,
with a stamp from the George Grosz Nachlass on the reverse. “Gottes sichtbarer Segen ist bei mir.,” from Friedrich Schiller, Die
Ink on paper, sheet size 23 1/8 x 15 3/4 in. (58.7 x 40.0 cm), framed. Raüber (Act II, Scene 3), Plate 6, Der Malik-Verlag, Berlin, 1922; “Ein
Condition: Center crease, subtle rippling and foxing, mat burn, subtle trautes Weib, ein herzig Kind, das ist mein Himmel auf der Erde.,”
toning, cloth tape hinged to backing mat, tape residue to the reverse. from George Grosz, Abrechnung folgt!, Der Malik-Verlag, Berlin, 1923,
p. 31; and “Gottes sichtbarer Segen ruht auf uns,” from George
N.B. We wish to thank Ralph Jentsch who kindly confirmed the Grosz, Die Gezeichneten, Der Malik-Verlag, Berlin, 1930, p. 43. A
authenticity of the lot and assisted with its cataloguing. The work is single plate from the portfolio Die Raüber has appeared annotated by
registered as no. 3-10-2 with the George Grosz Estate, and will be Grosz with the same title of the present work.
included in Ralph Jentsch’s forthcoming catalogue raisonné of the
artist. Provenance: Purchased from Galleria dell’Obelisco Rome, Italy;
collection of Melvin B. Nessel, Boston, Massachusetts.
$10,000-15,000
573
573.
François Gall (French, 1912-1987)
Woman in a Cafe
Signed and inscribed “F. Gall/Paris” l.r.
Oil on canvas, 25 5/8 x 32 in. (65.0 x 81.0 cm), framed.
Condition: Minor retouch.
$1,500-2,500
574.
Lazzaro Donati (Italian, 1926-1977)
574
575
575.
Jean Pierre Cassigneul (French, b. 1935)
Au Parc
Signed “CASSIGNEUL.” l.l., identified on a presentation plaque, inscribed and titled “WF-NY 61231...” on the
stretchers, with a label from the Wally Findlay Galleries, Palm Beach, Florida, on the backing.
Oil on canvas, 18 1/4 x 15 in. (46.4 x 38.1 cm), framed.
Condition: Good.
N.B. We wish to thank the artist for kindly confirming the authenticity of the lot.
Jean-Pierre Cassigneul’s favorite subjects are women, often portraying them wearing large hats in garden settings.
He is a painter and a lithographer, and since 1980, his works have also been woven into tapestries. Born in Paris in
1935, Cassigneul began the study of art at the Academie Charpentier in 1954. He had already had his first private
show at Galerie Lucy Krogh at the age of 17. Seeking more thorough training, Cassigneul took and passed the
entrance exam for the Ecole des Beaux Arts de Paris and worked in the studio of Roger Chapelain-Midy from 1955-
60. Cassigneul’s style has also been influenced by the expressionist painter Kees van Dongen.
In the 1960s and 70s, Cassigneul met two dealers who would be central in his career: Kiyoshi Tamenaga, who
would promote his work in Japan, and Wally Findlay, who would become his dealer in the United States. Since that
time the artist has had numerous exhibitions in the United States and Japan, as well as in France. In 2005 a major
show of Cassigneul’s paintings, lithographs, and tapestries celebrated 50 years of work.
$15,000-25,000
576
576. 577.
Charles Haslewood Shannon (British, 1863-1937) Allan Albert Davidson (American, 1908-1988)
Lot of Two Figure Studies of Bathers, Possibly Fan Designs Corps de Ballet-Back Stage
Unsigned. Signed “Allan A. Davidson” l.l., titled and stamped “...ALLAN A.
Watercolor on silk, sight sizes to 5 3/4 x 15 1/2 in. (14.6 x 39.4 cm), DAVIDSON, A.W.S....ROCKPORT, MASS.” on the stretcher.
framed. Oil on canvas, 30 x 24 in. (76.2 x 61.0 cm), framed.
Condition: Subtle rippling, taped to window mat. Condition: Good.
$1,000-1,500
Provenance: By descent within a family collection, New England.
$1,500-2,500
577
578.
Jacques Wely (French, 1873-1910)
The Dancer
Signed twice and dated “J. Wely/05/J. Wely” l.r.
Pastel on paper laid down onto canvas, sight size 21 x 17 in.
(53.3 x 43.2 cm), framed.
Condition: Tear/loss u.r., broad rippling, toning, not examined out
of frame.
$2,500-3,500
578
579.
Joseph Gary Sheahan (American, 1893-1978)
The Soloist
Signed and dated “Gary Sheahan Dec. 1945” in pencil l.r.
Graphite, whiting, and acrylic on paper, sight size 33 x 26 in.
(83.0 x 66.0 cm), framed.
Condition: Tears and restored tears, retouch, not examined out
of frame.
1. New York Times, “Rites Set for Gary Sheahan, 84, Retired Tribune Artist,”
Jan. 17, 1978, p. B8.
$800-1,200
579
580
580. 581.
William Baxter Palmer Closson (American, 1848-1926) Elijah Baxter (American, 1849-1939)
581
582
582.
William Baxter Palmer Closson (American, 1848-1926)
Lafayette Square
Signed “...losson” l.r., identified on a presentation plaque.
Oil on copper sheet, 9 15/16 x 8 in. (25.2 x 20.4 cm), framed.
Condition: Paint losses, one obscuring the “C” in the signature.
$1,000-1,500
583
583.
Allan Rohan Crite (American, 1910-2007)
310
584
584
584.
Donald Carlisle Greason (American, b. 1897)
584
311
585
585.
Harrison Cady (American, 1877-1970)
312
586
586.
Ethel Blanchard Collver (American, 1875-1955)
Central Park
Signed “Ethel Blanchard Collver” l.r.
Oil on canvas, 40 x 50 in. (101.6 x 127.0 cm), framed.
Condition: Scattered flaking and losses, light scattered surface
rubs/abrasions, surface grime.
$2,000-3,000
313
587
587.
Rosebee (American, 20th/21st Century)
314
588
588.
Ralph Eugene Cahoon, Jr. (American, 1910-1982)
315
591
589
589.
Isabel Bishop (American, 1902-1988)
590.
Moses Soyer (American, 1899-1974)
591.
Isabel Bishop (American, 1902-1988)
316
592.
Continental School, 20th/21st Century
Piccadilly Circus
Signed “E. del Arroyo” l.l., inscribed “PICCADILLY CIRCUS” l.r.
Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed.
Condition: Good.
$1,000-1,500
592
593.
David Burliuk (Ukrainian/American, 1882-1967)
593
317
594.
David Aronson (American, b. 1923)
Ishmaelite, 1955
Signed “Aronson” u.l., identified on labels including those from The
American Federation of the Arts, New York, and the Rose Art
Museum, Brandeis University, Waltham, Massachusetts, on the
backing.
Graphite and charcoal on paper, sight size 17 1/4 x 11 3/4 in. (43.8 x
29.8 cm), framed.
Condition: Mat burn, not examined out of frame.
595.
Lazzaro Donati (Italian, b. 1926)
596.
594 Conger A. Metcalf (American, 1914-1998)
Portrait of a Boy
Signed “Metcalf” u.l.
Mixed media on paper, sight size 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm),
framed.
Condition: Not examined out of frame.
$300-500
595 596
318
598
597
597. 598.
Cabot Lyford (American, b. 1925) Pavel Tchelitchew (Russian/American, 1898-1957)
319
599
599.
Henri Matisse (French, 1869-1954)
320
600
600.
Aaron Ashkenazi (Bulgarian/Israeli, 1912-1993)
321
601
601. 602.
Cabot Lyford (American, b. 1925) Irving Petlin (American, b. 1934)
602
322
603
603.
Antonio Bueno (Italian, 1918-1984)
N.B. We wish to thank Isabella Bueno, daughter of the artist, for kindly
confirming the authenticity of the lot; a photo-certificate from Isabella Bueno
accompanies the lot.
$8,000-12,000
323
604
604.
David Burliuk (Ukrainian/American, 1882-1967)
324
605
605.
Bernard Buffet (French, 1928-1999)
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.
N.B. We wish to thank Mr. Maurice Garnier for kindly confirming the authenticity of this lot; a
certificate of authenticity from Mr. Garnier accompanies the lot.
$30,000-50,000
325
606
606.
Sol Wilson (American, 1896-1974)
326
607
607.
Bonnie Whittingham (American, 20th Century)
327
608
328
608.
Georgia O’Keeffe (American, 1887-1986)
Provenance: From the artist to The Downtown Gallery, New York; thence to The Mayo Hill Galleries,
Wellfleet, Massachusetts, thence to Katrina Grullemans, Chatham, Massachusetts; by family descent
to present owners.
Literature: Barbara Buhler Lynes, Georgia O’Keeffe: Catalogue Raisonné, Volume Two, New Haven:
Yale University, 1999, no. 35, pp. 1102 and 1115 (illustrated).
Exhibitions: The Anderson Galleries, 1924; The Downtown Gallery, New York; The Mayo Hill Galleries,
Inc., Wellfleet, Massachusetts, July 1954.
N.B. In the forward to a 1936 exhibit at Alfred Stieglitz’s American Place gallery, Marsden Hartley
described the works of O’Keeffe’s earlier period—specifically her diminutive compositions of flowers
and vegetables—as contending with “the border-line between finity and infinity” and describing “nature
in her simplest appearance.”1 The present work illustrates these qualities recognized by Hartley, which
explores the relationship between the organic and inorganic, as well as the sculptural and two-
dimensional. The white dish is presented as full-bodied in its meticulously-worked modeling and yet
ethereal in its luminosity. The alligator pear, with its thin, reductive surface, is placidly poised both in
and on the dish. Through the illusion of symmetry, the viewer is led to see the objects as ideal forms,
and yet, as subtle irregularities reveal themselves, the materiality of the objects comes forth.
According to the stock book of The Downtown Gallery, as well as a letter from Georgia O’Keeffe to
Edith Halpert dated December 2, 1953, the present work is dated 1921.2 The stock book and sales
invoice also indicates that the work was lent and exhibited at The Mayo Hill Galleries in Wellfleet in July
1954, retained and sold to The Mayo Hill Galleries on September 7, 1954, and paid in full on October
5, 1954.3 The work was purchased by Ms. Grullemans, a resident of Chatham in the 1950s,
presumably around this time.
1. Hartley, Marsden, Georgia O’Keeffe: Exhibition of Recent Paintings, 1935 [January 7-February 27, 1936], New York: An
American Place, 1936.
2. Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4:
Business Records: Gallery Stock. Stock Books, Stock, C-R (6 of 7), 1941-1960s. 4.2: Gallery Stock, 1926-1974, undated
(Box 62, reel 5606, frame 1017-1018). http://www.aaa.si.edu/collectionsonline/downgall/container197812.htm
3. Ibid.; Downtown Gallery records, 1824-1974, bulk 1926-1969. Archives of American Art, Smithsonian Institution. Series 4:
Business Records: Sales Records, Artwork. Sales Slips (2 of 2), 1954, 4.3: Sales Records, Artwork, 1928-1972, undated (Box,
72, reel 5627, frame 970). http://www.aaa.si.edu/collectionsonline/downgall/container198008.htm
$100,000-150,000
329
609
330
609.
Alexander Calder (American, 1898-1976)
Germination, 1962
Signed and dated “Calder 62” l.r., inscribed and titled “331 Germination” in pencil and “coquelicots”
in pen on the reverse.
Gouache on paper, sheet size 29 3/8 x 43 1/8 in. (74.6 x 109.5 cm), framed.
Condition: Tape hinged to linen-backed mat board, minor creases and losses to corners.
Provenance: Acquired from the artist by Nicholas Guppy, London; thence to Obelisk Gallery,
Boston; thence to the collection of Melvin B. Nessel, Boston, Massachusetts.
N.B. This work is registered with the Calder Foundation, application number A14124.
$40,000-60,000
331
610
610.
Alexander Calder (American, 1898-1976)
Untitled, 1950
Signed and dated “Calder 50” l.r.
Ink, gouache, and graphite on BFK Rives paper, sheet size 29 5/8 x 41 1/2 in. (74.9
x 105.4 cm), framed.
Condition: Subtle mat burn, tape hinged to backing mat.
N.B. This work is registered with the Calder Foundation, application number A24737.
$10,000-15,000
332
611
611.
Yves Tanguy (French/American, 1900-1955)
Provenance: Estate of Anna Eleanor Roosevelt (née Braman) Grasso, Essex, Connecticut.
N.B. The work is registered as no. 871-167 by the Yves Tanguy Committee of the Pierre and Tana Matisse
Foundation, and the work will be included in the forthcoming revised edition of the Yves Tanguy catalogue
raisonné.
Paris-born Tanguy immigrated to the United States at the onset of war in 1939 and settled in New England
with his American wife, painter Kay Sage. When Tanguy was asked in 1946 about how his American work
differed from his European work, he pointed to an intensification of his color palette and “a feeling of greater
space here—more ‘room’.”1 Roland Penrose elaborated on Tanguy’s comment, nothing that “his palette
changed in the sense that the earth colors began to give place to more strident reds and blues and the sea
mists cleared in the intense sparkling light of New England.”2 Penrose also noted a change in style from
Tanguy’s animated biomorphism of the 1930s to more rigid and stark forms. The present work is punctuated
with the bold colors noted, as well sharply-outlined, ossified forms which suggest that the viewer is looking at
cast-offs instead of living inhabitants of the space.
1. Sweeney, James Johnson, “Eleven Europeans in America,” The Bulletin of the Museum of Modern Art, Vol. 13, No. 4/5, New York:
The Museum of Modern Art, 1946, p. 23.
2. Penrose, Roland, Yves Tanguy: A Retrospective, New York: The Solomon R. Guggenheim Foundation, 1983, p. 13.
$40,000-60,000
333
612
612.
Frank Stella (American, b. 1936)
Provenance: Purchased from Parker Street 470 Gallery Auction, Boston; collection of Melvin B.
Nessel, Boston, Massachusetts.
$15,000-25,000
334
613
613. 614.
Saul Steinberg (American, 1914-1999) Kenneth Noland (American, b. 1924)
614
335
615
615.
Beverly Stoll Pepper (American, b. 1924 )
336
616
616.
Allan M. D’Arcangelo (American, 1930-1998)
Constellation #7
Signed, inscribed, dated, and titled “© A. D. Arcangelo NYC 1970...”
on the reverse, identified on labels including one from Obelisk Gallery,
Boston, on the reverse.
Acrylic on canvas, 60 x 60 in. (152.4 x 152.4 cm), unframed.
Condition: Surface grime and abrasions.
337
617
617. 618.
Igael Tumarkin (Israeli, b. 1933) Yaacov Agam (Israeli, b. 1928)
N.B. A copy of the exhibition booklet Made in U.S.A.: I. Tumarkin Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.
1974-1976, printed by Peli Printing Works, Ltd. accompanies the lot. $4,000-6,000
$1,500-2,500
618
338
619
619.
Victor Vasarely (French, 1908-1997)
TY-NEU, 1959
Signed “vasarely-” in pen l.c. and r.c.
Tempera on paper/board mounted to wooden panel, 25 x 17 1/4 in.
(63.5 x 43.8 cm), framed.
Condition: Minor losses, retouch, craquelure, mounting separation.
339
620
340
620.
Arnaldo Pomodoro (Italian, b. 1926)
Provenance: Purchased from Marlborough Galleria d’Arte, Rome; collection of Melvin B. Nessel, Boston,
Massachusetts.
Literature: Flaminio Gualdoni and Arnaldo Pomodoro, Arnaldo Pomodoro: Catalogo ragionato della scultura,
Milan: Skira, 2007, p. 524, no. 396 (illustrated); Sam Hunter, Arnaldo Pomodoro, New York: Abbeville Press,
1982, no. 76 (final edition illustrated).
N.B. The present work is one of two artist proofs outside the edition of two, and is registered with the Archivio
Arnaldo Pomodoro, Milan, Italy, as AP 263. We wish to thank the Arnaldo Pomodoro Studio for their
assistance with cataloguing the lot.
Pomodoro began his experiments with “sculpture in the round” in the mid-1950s, moving away from his
carved bas-relief “tablets” toward penetrable, free-standing geometric volumes. This development for
Pomodoro was less a result of technical innovation than it was a search for “a more dialectical process of both
constructing and destroying geometric forms.”1 Pomodoro considered his bas-relief carving to represent a
form of abstract “writing,” and his search into the limit of this kind of symbolic representation resulted in
experiments with depth and surface.
By 1963, Pomodoro created his first sphere, which allowed him to express his “glyphs” in terms of an interior
and exterior dynamic. Inspired by Brancusi’s use of polished surfaces to unify a form, Pomodoro appropriated
the highly polished exterior to underscore the sphere’s built-up and torn-down interior—and thus its
disintegration of form. As in the present work, plaster debris from the casting process left deliberately on the
interior points to its own genesis, and yet, its crumbling texture alludes to its demise. Pomodoro saw his
“surface erosions and irregularities as symbols of the destructive impulse” in a technological age where the
“drama of erosion captures the sense of foreboding, of a certain anxiety about the course of events at that
time in our history.”2
341
621
621. 622.
Ernest Tino Trova (American, 1927-2009) Ernest Tino Trova (American, 1927-2009)
ALL UMANO E IL MIO SOLO RIMOR UNANO E IL MIO SOLO Hinged Falling Man
RIMORSO E’SONO UMANO LUOMO E SOLO UNA MEMORIA Unsigned, monogram stamped, and numbered “...3673” beneath the
Unsigned. bust.
Mixed media (metal, porcelain, glass, linen, and wood) installation, 24 Brass, 3 x 12 x 2 1/8 in. (7.6 x 30.5 x 5.4 cm), on a brass cradle.
1/2 x 23 1/2 x 8 in. (62.2 x 59.7 x 20.3 cm), in a glass case. Condition: Uneven patina, surface imperfections, oxidation.
Condition: Good. $2,000-3,000
$1,500-2,500
622
342
623
623.
Ernest Tino Trova (American, 1927-2009)
343
624
624.
Peter Anthony Chinni (American, b. 1928)
Hortus Naturae
Signed, numbered, and dated “CHINNI 1/8 1969” on the reverse.
Chrome metal, approximately 43 x 14 x 13 1/2 in. (109.2 x 35.6 x
34.3 cm), mounted to a plaster base.
Condition: Chips to the base, minor rust/corrosion.
344
625
625.
Friedel Dzubas (American, 1915-1994)
Untitled, 1981
Unsigned.
Acrylic on canvas, 60 1/8 x 27 5/8 in. (152.7 x 70.2 cm), unframed.
Condition: Very minor surface grime.
Provenance: Gift from the artist to the family of the present owner.
345
626.
Antoine Poncet (Swiss, b. 1928)
Arcturus, 1975
Signed and numbered “1/8 Poncet” l.l.
Carved white Carrara marble bas-relief, 12 1/2 x 6 1/2 x 2 1/4
in. (31.8 x 16.5 x 5.8 cm), mounted to a black marble plaque.
Condition: Minor surface grime.
626
627.
Jack Youngerman (American, b. 1926)
Aug 4 1969
Initialed and dated “JY 69” in pencil l.r., inscribed “...Aug 4
Youngerman” and identified on a label from Obelisk Gallery,
Boston, on the backing.
Acrylic on paper, sheet size 28 7/8 x 23 in. (73.3 x 58.4 cm),
framed.
Condition: Not examined out of frame.
627
346
628
628.
Peter Anthony Chinni (American, b. 1928)
Trio
Signed, numbered, and dated “CHINNI 1/8 1968” in the cast.
Brass, 6 3/4 x 7 1/2 x 12 1/2 in. (17.1 x 19.1 x 31.8 cm), mounted to
a stone plinth.
Condition: Subtle surface impurities.
347
629
348
629.
Jesus Rafael Soto (Venezuelan, 1923-2005)
Struttura, 1968
Signed and dated “Soto 1968” on the reverse, identified on a label from Marlborough
Galleria d’Arte, Rome, affixed to the reverse.
Painted wood, steel, and nylon construction, 30 1/2 x 12 3/4 x 12 5/8 in. (77.5 x 32.4 x
32.1 cm).
Condition: Replaced strings to sixteen rods.
349
630
630.
Ettore Colla (Italian, 1896-1968)
Senza Titolo [Meridiana quadrata], 1968 to be a contradiction in both classicism and “primitive directness.”
Unsigned, inscribed “E. COLLA” in marker beneath the base. His works showed “restraint and discipline” and “dedication to order
Iron, 28 1/2 x 20 x 8 1/2 in. (72.4 x 50.8 x 21.6 cm), on a white and form” but his technique and materials—which consisted of
painted wooden plinth. reclaiming and reconfiguring industrial materials—were handled with
Condition: Good. the “respect a cave artist gave the casual materials of his day.”1
Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts. The raw innovation and balance that Sweeney spoke of can be seen
in the present work, where the surfaces have been exposed to the
Literature: Giorgio De Marchis and Sandra Pinto, Colla, Roma: elements, and the basic geometric forms of circle and square are
Bulzoni, 1972, no. 224 (illustrated). repeated, rotated, and suspended in space. It was completed at the
artist's home and studio at Viale Parioli, and is a larger version based
Exhibitions: 24 Presenze, Artisti romani non figurativi, Roma, Istituto on a prototype created in 1967.2
Italo-Latino-Americano (IILA), March 26 to April 9, 1969.
1. Giorgio De Marchis and Sandra Pinto, Colla, Roma: Bulzoni, 1972, p. 9.
N.B. Colla’s abstract work was considered by James Johnson 2. Ibid., 106.
Sweeney, the late director of the Solomon R. Guggenheim Museum, $30,000-40,000
350
631.
Louise Berliawsky Nevelson (American, 1900-1988)
Provenance: From the artist to Pace Gallery, New York (Pace Inv.
#3084); purchased from Harcus/Krakow Gallery, Boston; collection of
Melvin B. Nessel, Boston, Massachusetts.
631
351
632
632.
William Walton (American, 1909-1994)
Courthouse
Signed “Walton” l.r., also titled, signed, and dated “...-WALTON-1961”
on the stretcher.
Oil on canvas, 33 1/4 x 50 1/4 in. (84.4 x 127.6 cm), framed.
Condition: Surface grime.
$1,000-1,500
633.
Joel Leonard Perlman (American, b. 1943)
633
352
634.
Beverly Stoll Pepper (American, b. 1924)
Untitled
Stamped “BP” on base l.r.
Iron, 35 x 13 7/8 x 11 7/8 in. (88.9 x 35.2 x 30.2 cm), mounted to an
iron base.
Condition: Surface dust.
$6,000-8,000
635.
Max Günther (Swiss, 1934-1974)
634
635
353
636.
Gregory Kavalec (American, b. 1945)
Untitled
Signed “KAVALEC” in pencil l.r.
Acrylic and graphite on paper, sheet size 30 x 22 in. (76.2 x 55.9 cm),
within a Plexiglas frame.
Condition: Not examined out of frame.
636
637.
Christopher Macdonald (American, b. 1957)
Untitled, 1988
Unsigned, identified on a label from David Betzel Gallery, Inc., New
York, on the reverse.
Mixed media with pastel and graphite on paper, 10 x 6 3/8 in. (25.4 x
16.0 cm), framed.
Condition: Not examined out of frame.
$300-500
637
354
638
638.
Robert Arthur Goodnough (American, b. 1917)
K-7
Signed and dated “Goodnough ‘86” l.r., also titled, inscribed, signed,
and dated “...Goodnough 86...” in pen on the reverse.
Oil and acrylic on canvas, 46 x 68 in. (116.8 x 172.7 cm), framed.
Condition: Minor surface grime.
355
639
639. 640.
Hannes Beckmann (German/American, 1909-1976) Michiel Theobald Gloeckner (American, 1915-1989)
640
356
641.
Michiel Theobald Gloeckner (American, 1915-1989)
642.
Alvin Demar Loving, Jr. (African/American, 1935-2005)
Untitled, 1981
Signed and dated “July 11 81 Al Loving” in pencil on the reverse.
Acrylic on canvas, 40 x 40 in. (101.6 x 101.6 cm), framed.
Condition: Good.
$4,000-6,000
641
642
357
643
643. 644.
Cleve Gray (American, 1918-2004) Yutaka Ohashi (Japanese/American, b. 1923)
Untitled Flight #6
Signed and dated “Gray ‘56” l.r. Signed “Ohashi” u.l., also signed, dated, and inscribed “YUTAKA
Oil on canvas, 8 x 13 in. (20.3 x 33.0 cm), framed. OHASHI/1979...” in English and Japanese on the reverse.
Condition: Surface grime, minor losses/abrasions. Oil, gold leaf, and paper collage on canvas, 16 x 20 in. (40.6 x 50.8
$400-600 cm), framed.
Condition: Minor surface grime.
$800-1,200
644
358
645
645. 646.
Peter Busa (American, 1914-1985) Sylvia Miller (Ukrainian/American, 1910-1991)
646
359
647.
Jack Roth (American, 1927-2004)
Untitled [1201]
Signed and dated “Roth 61” l.l.
Oil on linen, 51 1/2 x 40 in. (130.8 x 101.6 cm), framed.
Condition: Surface grime.
$1,000-2,000
647
648.
Ronaldo de Juan (American, 1931-1989)
Untitled, 1985
Signed, dated, and inscribed “R. DE JUAN/ NY. 1985” in pen
l.r., inscribed “RONALDO/DE JUAN/N.Y. 1985...” and
identified on a label affixed to the backing.
Acrylic on paper/board, 60 x 40 in. (152.4 x 101.6 cm),
framed.
Condition: Minor flaking/losses, tack/staple holes to margins.
$2,000-3,000
648
360
649
649.
John G. Walker (British, b. 1939)
Untitled, 1992
Signed, dated, and inscribed “Walker 92 OIL” with labels from
Knoedler & Company, New York, and Nielsen Gallery, Boston, on the
reverse.
Oil on canvas, 24 x 20 in. (61.0 x 50.8 cm), unframed.
Condition: Good.
$3,000-5,000
650.
No lot.
361
651
651.
Anne Ryan (American, 1889-1954)
Untitled
Signed “A Ryan” l.r.
Mixed media (paper and fabric) collage, 6 3/4 x 6 1/2 in. (17.1 x 16.5
cm), framed.
Condition: Not examined out of frame.
$1,500-2,000
362
652.
Robert G. Hamilton (American, 1916-2004)
653.
No lot.
652
654.
Peter Sobin (American, 20th/21st Century)
Untitled, c. 1983
Signed “Sobi...” l.r.
Acrylic and mixed-media collage, sheet size 40 x
25 3/4 in. (101.6 x 65.4 cm), framed.
Condition: Not examined out of frame.
$300-500
654
363
655.
Donald Castell Kelley (American, b. 1928)
Untitled
Signed and dated “D.C. Kelley July 20, 08” in pencil l.l., signature and
date pentimento u.r.
Ink and pastel on paper, sheet size 29 1/2 x 22 in. (74.9 x 55.9 cm),
framed.
Condition: Not examined out of frame.
656.
Faiq Hussain (Iraqi, 20th Century)
657.
No lot.
656
364
658
658.
Sylvia Miller (Ukrainian/American, 1910-1991)
Bantu
Signed “SYLVIA MILLER” l.r., titled on the stretcher.
Oil on canvas, 42 x 33 in. (106.7 x 83.8 cm), framed.
Condition: Patch reinforcement, surface grime, retouch.
$1,500-2,500
365
659.
Reba Stewart (American, 1930-1971)
660.
Elof Wedin (American, 1901-1983)
660
366
661
661.
David Pearce (British, fl. 1987-present)
Plantlife
Signed and dated “David Pearce ‘94” on the reverse.
Acrylic on stitched canvas patches, 48 x 48 in. (121.9 x 121.9 cm),
unframed.
Condition: Very mild wear to edges.
367
662.
Laurence Philip Sisson (American, b. 1928)
663.
Laurence Philip Sisson (American, b. 1928)
662
663
368
664
664.
Leonardo M. Nierman (American, b. 1932)
Prehistoric Fire
Signed “Nierman” l.l., titled on the reverse.
Oil on Masonite, 23 1/2 x 31 1/2 in. (59.7 x 80.0 cm), framed.
Condition: Craquelure, minor surface abrasions.
$800-1,200
369
665
665.
Irene Rice Pereira (American, 1902-1971)
666.
Karl Zerbe (American, 1903-1972)
666
370
667
667.
Romeo Villalva Tabuena (Filipino, b. 1921)
Nocturne
Signed and dated "TABUENA 1961" l.r., titled on the reverse.
Oil on Masonite, 15 3/4 x 12 1/4 in. (40.0 x 31.1 cm), framed.
Condition: Surface grime.
$800-1,200
371
668
668. 669.
Joseph Piccillo (American, b. 1941) Walter (Sidney) Feldman (American, b. 1925)
Lot of Three Portraits: Witness #I, Witness #III, and Witness #IV, Untitled [Heart-Shaped Lock]
1968 Signed and dated “Walter Feldman 1966” in pencil l.l.
Signed, titled, and dated “...FEB 68 joseph piccillo” u.r., l.l., and l.r., Mixed media on paper/board, sight size 10 3/4 x 10 3/4 in. (27.3 x
respectively, one with a signed and dedicated exhibition notice affixed 27.3 cm), framed.
to the reverse. Condition: Not examined out of frame.
Graphite on paper, sight sizes to 10 x 8 3/4 in. (25.4 x 22.2 cm),
framed. Provenance: Collection of Melvin B. Nessel, Boston, Massachusetts.
Condition: Not examined out of frames. $300-500
$1,200-1,800
669
372
670
670. 671.
Bonnie Whittingham (American, 20th Century) Francisco Toledo (American, b. 1940)
Figures in Profile Lot of Two Works: Abstract Creatures and Interior Scene
Signed “Whittingham” l.l. Both signed “Toledo” l.r.
Oil and tissue collage on canvas, 34 x 72 in. (86.4 x 182.9 cm), Creatures gouache and ink on paper mounted onto board, sheet size
unframed. 8 3/4 x 12 in. (22.2 x 30.5 cm); Interior ink and watercolor on the
Condition: Minor surface grime. back of lithograph portfolio cover sheet, 12 3/4 x 15 7/8 in. (32.4 x
$1,500-2,500 40.3 cm); both unframed.
Condition: Creatures with bowing to support, Interior with deckled
edges, both with soiling/surface grime.
$1,500-2,000
671
373
672.
Peter Busa (American, 1914-1985)
Figure in Profile
Unsigned.
Oil on Masonite, 17 3/4 x 12 in. (45.1 x 30.5 cm), framed.
Condition: Surface grime, craquelure, losses/abrasions, retouch.
$2,000-3,000
673.
June Bellamy (Burmese/Italian, 20th Century)
672
673
374
674
674.
Vito Acconci (American, b. 1940)
375
675.
Gregory Amenoff (American, b. 1948)
675
676.
Carl Sprinchorn (American, 1887-1971)
Red Maple
Signed “CARL SPRINCHORN” l.r., identified on a
label from the New Bertha Schaefer Gallery, New
York, on the backing.
Watercolor on paper, sight size 22 1/2 x 18 in.
(57.1 x 45.7 cm), framed.
Condition: Toning, foxing, not examined out of
frame.
$1,000-1,500
676
376
677
677.
Karl Knaths (American, 1891-1971)
Abstract Garden
Signed “K. Knaths” and with a profile portrait sketch on the reverse,
stamped “B. BEAMSDERFER GALLERY, HIGHLAND PARK, NEW
JERSEY” on the backing.
Oil on canvas, sight size 38 3/4 x 31 1/2 in. (98.4 x 80.0 cm), framed.
Condition: Craquelure with lifting.
$1,500-2,000
377
678
678. 679.
Chen Chi-Kwan (Chinese, 1921-2007) Liu Tian Wei (Chinese, b. 1954)
Provenance: From the collection of Louis Albert McMillen. Provenance: From the collection of Louis Albert McMillen.
$1,500-2,500 $1,500-2,500
679
378
680
680. 681.
Chen Chi-Kwan (Chinese, 1921-2007) John Way [Wei Letang] (Chinese/American, b. 1921)
681
379
682
682.
Walasse Ting (Chinese/American, b. 1929)
683.
Noe Canjura (French, 1925-1973)
Éventaire au marché
Signed “CANJURA” l.l., titled and signed “...CANJURA” on the
reverse, identified on a presentation plaque, with a label from Findlay
Galleries, Inc., Chicago, on the backing.
Oil on canvas, 60 x 50 in. (152.4 x 127.0 cm), framed.
Condition: Craquelure, surface grime, minor losses/abrasions.
$2,000-2,500
683
380
684.
Noe Canjura (French, 1925-1973)
La composition du bouquet
Signed “CANJURA” l.l., titled and signed “...CANJURA” on the
reverse, with a label from Findlay Galleries, Inc., Chicago, on
the backing.
Oil on canvas, 29 x 24 in. (73.7 x 61.0 cm), framed.
Condition: Surface grime.
$1,000-1,500
685.
Walasse Ting (Chinese/American, b. 1929)
684
685
381
686
686.
Walasse Ting (Chinese/American, b. 1929)
382
687
687.
Walasse Ting (Chinese/American, b. 1929)
The present work relates to Ting’s Jolies Dames series of spring 1987
when he spent two months in Amsterdam photographing and
sketching sixty-six female models as the basis for full-scale studio
compositions (replete with cats, parrots, grasshoppers, and melons)
created in New York later that year.
1. Walasse Ting, Jolies Dames, Paris: Yves Riviere Editeur, 1988.
$15,000-25,000
383
688
688.
Lincoln Perry (American, b. 1949)
384
689
689.
Lincoln Perry (American, b. 1949)
385
690
690. 691.
Richard Sheehan (American, 1953-2006) Richard Sheehan (American, 1953-2006)
691
386
692
692.
Richard Sheehan (American, 1953-2006)
Elevated
Unsigned, titled and dated “...198...” on the reverse.
Oil on canvas, 32 x 40 in. (81.3 x 101.6 cm), framed.
Condition: Craquelure, flaking.
387
693
693. 694.
Reed Kay (American, b. 1925) Richard Sheehan (American, 1953-2006)
Provenance: From the collection of Maria Christina Rago. Provenance: From the collection of Maria Christina Rago.
$600-800 $1,000-1,500
694
388
695
695.
Reed Kay (American, b. 1925)
389
696
696. 697.
John Stuart Ingle (American, b. 1933) Lowell Blair Nesbitt (American, 1933-1993)
697
390
698
698.
Raymond Han (American, b. 1931)
END OF SALE
391
Glossary of Terms All items in this catalogue are described according to the following table of
terminology. Please note that all statements in this catalogue as to Authorship,
Period, and Origin, are qualified statements subject to the Conditions of Sale.
Other terms:
Bears Signature. - In our judgment, the signature not of the artist. This term
is generally used separately, or together with a description of the work as
“attributed to,” “school of,” “manner of,” or “after” the artist.
392
Artist Index
393
Dürer, Albrecht ................................................................................86 Hardwick, Melbourne Havelock ....................................................381
Dutch School, 17th Century Style ................................................306 Hare, John Cuthbert ....................................................................503
Dyer, Hezekiah Anthony (Attributed to) ..........................................514 Hartung, Hans........................................................................123-126
Dzubas, Friedel ............................................................................625 Haynes, Frank Jay ........................................................................280
Hays, George Arthur ....................................................................375
Eastern European School, 20th Century........................................508 Hecht, Joseph ..............................................................................127
Edgerton, Harold Eugene ......................................................270-278 Heckel, Erich ................................................................................129
Eggleston, Benjamin Osro ............................................................382 Heinrich, Franz (Francis H.) ..........................................................324
Enneking, John Joseph ................................................................434 Henry, George ..............................................................................539
Ernst, Max ......................................................................................87 Hepworth, Dame Barbara..............................................................130
Ettinger, Churchill ..........................................................................452 Herring Jr., John Frederick ..........................................................349
Evans, Walker................................................................................279 Hibbard, Aldro Thompson ....................................437, 447, 448, 450
Hill, John William ........................................................................393A
Farrier, Robert (Attributed to) ......................................................329B Hills, Laura Coombs ....................................................................546
Feininger, Lyonel..............................................................................88 Hinckley, Thomas Hewes (Attributed to) ........................................369
Feldman, Walter (Sidney) ..............................................................669 Hine, Lewis Wickes ......................................................................281
Fenkohl, Erna ..................................................................................89 Hoffbauer, Charles Constantine ....................................................562
Fiene, Ernest ..................................................................................90 Hoffman, Irwin D. ..........................................................................131
Finck, Hazel (Mrs. William C.) ......................................................500 d’Hondecoeter, Melchior (Attributed to) ........................................303
Flint, RA, Sir William Russell ........................................................568 Hornby, Lester George ..........................................................132, 133
Francis, Sam ..................................................................................91 Hussain, Faiq ..............................................................................656
Frankenthaler, Helen ........................................................................92 Hutchens, Frank Townsend ..........................................................453
Frazier, Kenneth ..........................................................................537 Hutty, Alfred Heber ........................................................................134
French School, 19th/20th Century ......................................93-95, 97
French School, 20th Century ..................................................96, 522 Ingle, John Stuart ........................................................................696
French, Daniel Chester ................................................................538 Italian School, 18th Century ..........................................................302
Furneaux, Charles ........................................................................407 Italian School, 18th/19th Century ..................................304, 307, 314
Italian School, 19th Century ................................................325A, 342
Gaertner, Carl Frederick ................................................................457
Gag, Wanda ....................................................................................98 Johnston, John S...................................................................282-284
Galerie Maeght, editor ..........................................................164, 165 Johnstone, Henry James ..............................................................331
Gall, François ......................................................................520, 573 Jones, Hugh Bolton ....................................................................423
Gallagher, Sears ......................................................................99, 100 Joyce, Marshall Woodside ............................................................495
Gardiner, Eliza Draper ............................................................101-113 de Juan, Ronaldo ........................................................................648
Gasser, Henry Martin ....................................................................494
Gay, Edward B. ............................................................................373 Kaber, George Frederick ..............................................................548
Gay, Walter ........................................................................397A-398 Kappel, Philip ........................................................................135-137
Genth, Lillian Mathilde ..................................................................472 Kasimir, Luigi..........................................................................138-140
German School, 18th Century Style ..............................................308 Kavalec, Gregory ..........................................................................636
Gerry, Samuel Lancaster ............................................................379A Kay, Reed ............................................................................693, 695
Gifford, Charles Henry ..................................................................358 Kelley, Donald Castell ..................................................................655
Gildemeester, Paulus Adriaan ......................................................340 Kirk, Frank Cohen ................................................................511, 552
Gleizes, Albert ..............................................................................114 Kirmse, Marguerite ................................................................141, 142
Gloeckner, Michiel Theobald ................................................640, 641 Kisling, Moïse ................................................................................143
Gold, Albert ..................................................................................115 Knapp, Charles Wilson ................................................................378
Gollings, Elling William (Bill) ..........................................................410 Knaths, Karl ................................................................................677
Gooden, Stephen ..........................................................................116 Kolin, Sacha ..................................................................................144
Goodnough, Robert Arthur ..........................................................638 Kreyder, Alexis ..............................................................................346
Gordon, John Watson ..................................................................318 Kubinyi, Kalman ............................................................................145
Gorman, R.C. ................................................................................117
Grant, Clement Rollins ..................................................................542 Lansere, Nikolay Evgenyevich ......................................................531
Grant, Gordon Hope ....................................................................118 Lareuse, Jean ......................................................................528, 530
Graves, Abbott Fuller ................................................................398A Lasar, Charles Augustus C. ..........................................................368
Gray, Cleve ..................................................................................643 Lauritz, Paul ................................................................................464
Greason, Donald Carlisle ..............................................................584 Lazarev, Vladimir ..........................................................................519
Greene, Elmer Wesley ..................................................................547 Leavitt, Edward Chalmers ............................................................544
Griggs, Frederick Landseer Maur ..................................................119 Lee-Hankey, William ....................................................................524
Grosz, George Ehrenfried ............................................................572 Leheutre, Gustave ........................................................................146
Grubas, Marco ............................................................................402 Lehrer, Leonard ......................................................................147-149
Grün, Maurice ..............................................................................525 Leif, Florence ................................................................................489
Gruppe, Charles Paul ..........................................................336, 377 Leighton, Clare Veronica Hope ......................................................150
Gruppé, Emile Albert ............................................................436, 462 Leprince, Robert Léopold ............................................................343
Guillemer, Ernest ..........................................................................337 de Leub, Fr. ..................................................................................328
Günther, Max ................................................................................635 Levine, Jack ..........................................................................151-156
Lewis, Martin ................................................................................157
De Haas, Mauritz Frederik Hendrick ............................................357 Lichtenstein, Roy ..........................................................................158
Hale, Philip Leslie ........................................................................541 Lockwood, Wilton Robert ............................................................540
Hamaguchi, Yozo ..................................................................120-122 Loeb, Lee M. ............................................................................500A
Hambourg, Andre ........................................................................521 Lord, Elyse Ashe ....................................................................159-163
Hamilton, Robert G. ....................................................................652 Loving, Jr., Alvin Demar ................................................................642
Hammond, Arthur J. ....................................................................406 Lyford, Cabot ......................................................................597, 601
Han, Raymond ............................................................................698 Lynes, George Platt ......................................................................285
394
Macdonald, Christopher ..............................................................637 Perlman, Joel Leonard ................................................................633
Macy, William Ferdinand ............................................................371A Perry, Lincoln ......................................................................688, 689
Major, Ernest Lee ........................................................................481 Peterson, Jane ............................................................................533
Maldarelli, Oronzio ........................................................................570 Petlin, Irving ..................................................................................602
Margo, Boris ........................................................................166, 167 Peyton, Alfred Conway ................................................................529
Marini, Marino................................................................................168 Pfaff, Judy ....................................................................................200
Marsh, Reginald ..........................................................................527 Phelps, William Preston ................................................................389
De Martelly, John Stockton............................................................169 Picasso, Pablo ..............................................................................201
van Mastenbroek, Johann Hendrick ............................................365 Piccillo, Joseph ............................................................................668
Mathewson, Frank Convers ..........................................................550 Piot, Adolphe (Attributed to) ..........................................................334
Matisse, Henri ......................................................................170, 599 Pollak, Max....................................................................................202
Matsubara, Naoko ........................................................................171 Pomodoro, Arnaldo ......................................................................620
Matthey, L. ..................................................................................172 Poncet, Antoine ............................................................................626
Maufra, Maxime ..........................................................................507 Pye, Fred ......................................................................................474
Mazini, Ciro ..................................................................................400
McAfee, Ila Mae ..........................................................................409 Quence, Raymond ......................................................................515
McBey, James ..............................................................................173
McIlvaine, Jr., William A. ..............................................................380 Redon, Odilon ..............................................................................203
Melbye, Fritz Sigfried Georg ........................................................361 Reiss, Lionel S. ............................................................................499
Meltzer, Davis Paul ........................................................................174 Richards, Walter Dubois ................................................................205
Metcalf, Conger A. ......................................................................596 Richards, William Trost ..............................................................353A
Mettenhoven, Marcel ....................................................................523 Rico y Ortega, Martin ..................................................................404
Meucci, Michelangelo ................................................................343B van Rijn, Rembrandt......................................................................204
Meurer, Charles Alfred ..................................................................388 Ripley, Aiden Lassell ..............................................................414-416
Michals, Duane..............................................................................286 Rix, Julian Walbridge ............................................................384, 482
Millar, Addison Thomas ................................................................356 Rodin, Auguste..............................................................................206
Miller, Sylvia ..........................................................................646, 658 Rosebee........................................................................................587
Milton, Peter Winslow....................................................................175 Rosenquist, James........................................................................207
Miró, Joan..............................................................................176-182 Rost, Ernest Christian ................................................................382A
Moore, Henry ................................................................................183 Roth, Jack ....................................................................................647
Morley, Malcolm ............................................................................185 Rothenberg, Susan ..............................................................208, 209
Morrell, Wayne Beam ..................................422, 432, 433, 435, 440 Rouault, Georges ..................................................................210, 211
................................................................460, 488, 490, 497, 517 Row, David....................................................................................212
Müller, Henry ..............................................................................337A Rowbotham, Charles ....................................................................405
Munninger, Ludwig ......................................................................438 Rozmainski, Vladimir ....................................................................567
Murphy, John J. A. ........................................................................186 Rumert, Bengt ..............................................................................213
Murray, Elizabeth ..................................................................187, 188 Ryan, Anne ..........................................................................214, 651
Musgrave, Arthur Franklyn (Attributed to) ......................................505
Saito, Kiyoshi ........................................................................215, 216
Neopolitan School, 17th Century Style ..........................................310 Salmon, Robert ............................................................................353
Nesbitt, Lowell Blair ......................................................................697 Sample, Paul Starrett ..................................................................455
Nevelson, Louise Berliawsky ................................................189, 631 Schlesinger, Felix ..........................................................................332
Neyland, Harry A. ........................................................................467 Schön, Erhard ..............................................................................217
Nicholls, Burr H. ........................................................................395A Schreyer, Adolf ............................................................................401
Nichols, Carroll Leja ......................................................................451 Scott, John White Allen ................................................................370
Nicholson, William ................................................................190, 191 de Segonzac, Andre Dunoyer........................................................571
Nierman, Leonardo M. ..................................................................664 Sen, Yong Mun......................................................................473, 476
Nixon, Nicholas ............................................................................287 Serra, Richard ..............................................................................218
Noland, Kenneth ..........................................................................614 Severini, Gino ................................................................................219
Nooney, Ann..................................................................................192 Shannon, Charles Haslewood ......................................................576
Norton, William Edward ................................................................360 Shapleigh, Frank Henry ................................................................396
Sheahan, Joseph Gary ................................................................579
O’Higgins, Pablo Esteban..............................................................194 Sheehan, Richard ........................................................690-692, 694
O’Keeffe, Georgia ........................................................................608 Sherwood, Walter J. ....................................................................397
O’Leary, Angela ............................................................................535 Sichel, Nathaniel ........................................................................322A
Ogé, Eugène ................................................................................193 Sicilia, José María..........................................................................220
Ohashi, Yutaka ............................................................................644 Sidney, Andrew Fisher Bunner, Thomas (After) ..............................184
Olgyai, Ferenc ..............................................................................419 Simon, Tavik Frantisek ..................................................................221
Siqueiros, David Alfaro ..................................................................222
de Paléologue, Jean, known as Pal ..............................................195 Siskind, Aaron........................................................................288-291
Papart, Max ..........................................................................196-198 Sisson, Laurence Philip ................................501, 502, 504, 662, 663
Pape, Eric L. (Frederic) ........................................................426, 555 Sloane, Eric ..................................................................................444
Paradise, Philip Herschel ..............................................................199 Smillie, George Henry ..................................................................374
Parsons, Sheldon ......................................................................406A Smith, Frank Vining ......................................................................417
Pauli, Richard ..............................................................................383 Smith, Harry ..............................................................................387A
Pavlosky, Vladimir ........................................................................480 Smith, Hope ................................................................................526
Pearce, David ..............................................................................661 Sobin, Peter ................................................................................654
Pearson, Marguerite Stuber ..........................................................553 Solliday, Tim ........................................................................408, 412
de la Peña, Narcisse Virgile Diaz (School of) ..................................321 Soto, Jesus Rafael ......................................................................629
Pepper, Beverly Stoll ............................................................615, 634 Soulages, Pierre ............................................................................223
Pereira, Irene Rice ........................................................................665 Soyer, Moses ..............................................................................590
Pérez, Mariano Alonso ................................................................566 Soyer, Raphael ......................................................................224-227
395
Spanish or Spanish Colonial School, 18th Century Style ..............312 Whorf, John ................................................................465, 477, 479
Spanish School, 16th Century/Style ..............................................313 Wilbur, Lawrence Nelson ..............................................................463
Sprinchorn, Carl ..........................................................................676 Willison, Thomas Jefferson ..........................................................424
Steinberg, Saul ............................................................................613 Wilson, Jeremiah ..........................................................................372
Steinheil, Adolphe Charles Edouard ............................................323 Wilson, Robert ..............................................................................264
Steir, Pat........................................................................................228 Wilson, Sol ..................................................................................606
Stella, Frank ................................................................................612 Winter, Charles Allen ............................................................561, 565
Stevens, William Lester ................................................................496 Wood, Stanley Huber ..................................................................512
Stevovich, Andrew ................................................................229-234 Woodbury, Charles Herbert ..........................................................471
Stewart, Reba ..............................................................................659 Woodward, Mabel May ................................................................536
Stone, Don ..........................................................................468, 485 Woodward, Robert Strong ..................................................456, 491
Storch, Karl (Attributed to) ............................................................545 Woodward, Stanley Wingate ........................................................441
Strisik, Paul ................................................................................443A
Strozzi, Bernardo (Attributed to) ..................................................318A Youngerman, Jack ................................................................265, 627
Summers, Carol ....................................................................235-241
Sung, Chin ....................................................................................242 Zadkine, Ossip ..............................................................................266
Surber, Paul ..............................................................................409A Zerbe, Karl ..................................................................................666
Svendsen, Svend Rasmussen ......................................................458
Swan, Emma Levinia ....................................................................395
Symons, George Gardner ............................................................439
396
Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale.
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purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
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Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
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Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other
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10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
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Expert American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff
Departments American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton
Assistants: LaGina Austin, Karen Langberg, Chris Barber, Susan Zacharias
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - James F. Callahan
Assistant: Tianyue Jiang
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Assistant: Sara C. Wishart
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Kerry Shrives
Discovery Sales - Kerry Shrives
Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Stuart P. Whitehurst, Sara C. Wishart
Fine Wines - Marie Keep
Jewelry - Gloria Lieberman
SKINNER, INC. Assistants: Sheila Barron Smithie, F.G.A., G.G.; John Colasacco
Auctioneers and
Judaica - Kerry Shrives
Appraisers of Antiques
Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -
and Fine Art
Jane D. Prentiss
63 Park Plaza Museum & Collections Services - Martha Hamilton
Boston, MA 02116 Musical Instruments - David Bonsey
617.350.5400 Oriental Rugs & Carpets - Gary Richards
Fax 617.350.5429 Science, Technology & Clocks - Robert C. Cheney
Assistant: Chris Barber
274 Cedar Hill Street Silver - Stuart G. Slavid
Marlborough, MA 01752 Assistant: Sara C. Wishart
508.970.3000 Toys & Dolls - Kerry Shrives
Fax 508.970.3100 Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,
Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,
www.skinnerinc.com Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,
Stuart P. Whitehurst
Exhibitions and Marlborough: Warehouse Manager - Jonathan Dowling, ext. 3280
Property Manager - Samuel Combs, ext. 3262
Property Distribution 508.970.3000
Service Departments Appraisal & Auction Services - Patricia Walker King, Beth Zwicker,
Katharine Holtman, Leah Skowron
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Katharine E. Hampson
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Assistant: Cheryl Freeman
Customer Relations - Carol McCaffrey
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Consignment Services - Deanna Williams, Megan J. Blomgren, Carol Zeigler
Managing Director - Marie C. Keep
Marketing & Public Relations - Catherine Riedel, Anne M. Trodella,
Karen Skinner
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak
Receptionists - Marlborough: Elizabeth H. Wilson, Judy McLeod
Boston: Erica Boccard
Transportation - Eric Jones
Assistants: Mark McCaffrey, John Williams
Absentee Bid Form
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as
a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Directions to Skinner's Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
SKINNER C ATA L O G U E S U B S C R I P T I O N F O R M
PRICES EFFECTIVE JANUARY 1, 2008. Catalogue subscription price includes quarterly brochure. Subscription effective
one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
S U B T O TA L
MA RESIDENTS 6.25% S A L E S TA X
T O TA L
P L E A S E E N C L O S E PAY M E N T W I T H S U B S C R I P T I O N F O R M A N D M A I L O R FA X T O :
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
DOMESTICATED
photographs by AMY STEIN
© Amy Stein
www.hmnh.harvard.edu