Sonza v. ABS-CBN Case Digest
Sonza v. ABS-CBN Case Digest
FACTS: In May 1994, ABS-CBN signed an agreement with the Mel and Jay Management and
Development Corporation (MJMDC). ABS-CBN was represented by its corporate officers while MJMDC
was represented by Sonza, as President and general manager, and Tiangco as its EVP and treasurer.
Referred to in the agreement as agent, MJMDC agreed to provide Sonzas services exclusively to ABSCBN as talent for radio and television. ABS-CBN agreed to pay Sonza a monthly talent fee of P310, 000
for the first year and P317,000 for the second and third year.
On April 1996, Sonza wrote a letter to ABS-CBN's President, Eugenio Lopez III, where he irrevocably
resigned in view of the recent events concerning his program and career. The acts of the station are
violative of the Agreement and said letter will serve as notice of rescission of said contract. The letter
also contained the waiver and renunciation for recovery of the remaining amount stipulated but
reserves the right to seek recovery of the other benefits under said Agreement.
After the said letter, Sonza filed with the Department of Labor and Employment a complaint alleging
that ABS-CBN did not pay his salaries, separation pay, service incentive pay,13th month pay, signing
bonus, travel allowance and amounts under the Employees Stock Option Plan (ESOP). ABS-CBN
contended that no employee-employer relationship existed between the parties. However, ABS-CBN
continued to remit Sonzas monthly talent fees but opened another account for the same purpose.
LAs DECISION: The Labor Arbiter dismissed the complaint and found that there is no employeeemployer relationship. The LA ruled that he is not an employee by reason of his peculiar skill and talent
as a TV host and a radio broadcaster. Unlike an ordinary employee, he was free to perform his services
in accordance with his own style.
NLRC and CA affirmed the LA.
ISSUE: Whether or not there was employer-employee relationship between the parties.
Sonza is an
The elements of an employee-employer relationship are: selection and engagement of the employee,
the payment of wages, the power of dismissal and the employers power to control the employee on
the means and methods by which the work is accomplished. The last element, the so-called "control
test", is the most important element.
Selection and Engagement of Employee
ABS-CBN engaged SONZAs services to co-host its television and radio programs because of SONZAs
peculiar skills, talent and celebrity status. SONZA contends that the discretion used by respondent in
specifically selecting and hiring complainant over other broadcasters of possibly similar experience and
qualification as complainant belies respondents claim of independent contractorship.
However, independent contractors often present themselves to possess unique skills, expertise or
talent to distinguish them from ordinary employees.
The specific selection and hiring of SONZA,
because of his unique skills, talent and celebrity status not possessed by ordinary employees, is a
circumstance indicative, but not conclusive, of an independent contractual relationship. If SONZA did
not possess such unique skills, talent and celebrity status, ABS-CBN would not have entered into the
Agreement with SONZA but would have hired him through its personnel department just like any other
employee.
Payment of Wages
ABS-CBN directly paid SONZA his monthly talent fees with no part of his fees going to MJMDC. SONZA
asserts that this mode of fee payment shows that he was an employee of ABS-CBN. SONZA also points
out that ABS-CBN granted him benefits and privileges which he would not have enjoyed if he were
truly the subject of a valid job contract.
All the talent fees and benefits paid to SONZA were the result of negotiations that led to the
Agreement. If SONZA were ABS-CBNs employee, there would be no need for the parties to stipulate on
benefits such as SSS, Medicare, x x x and 13th month pay which the law automatically incorporates
into every employer-employee contract. Whatever benefits SONZA enjoyed arose from contract and not
because of an employer-employee relationship. In addition, SONZAs talent fees are so huge and out of
the ordinary that they indicate more an independent contractual relationship rather than an employeremployee relationship. ABS-CBN agreed to pay SONZA such huge talent fees precisely because of
SONZAs unique skills, talent and celebrity status not possessed by ordinary employees.
Power of Dismissal
For violation of any provision of the Agreement, either party may terminate their relationship. SONZA
failed to show that ABS-CBN could terminate his services on grounds other than breach of contract,
such as retrenchment to prevent losses as provided under labor laws.
During the life of the Agreement, ABS-CBN agreed to pay SONZAs talent fees as long as AGENT and
Jay Sonza shall faithfully and completely perform each condition of this Agreement. Even if it suffered
severe business losses, ABS-CBN could not retrench SONZA because ABS-CBN remained obligated to
pay SONZAs talent fees during the life of the Agreement. This circumstance indicates an independent
contractual relationship between SONZA and ABS-CBN.
SONZA admits that even after ABS-CBN ceased broadcasting his programs, ABS-CBN still paid him his
talent fees. Plainly, ABS-CBN adhered to its undertaking in the Agreement to continue paying SONZAs
talent fees during the remaining life of the Agreement even if ABS-CBN cancelled SONZAs programs
through no fault of SONZA.
Power of Control
SONZA contends that ABS-CBN exercised control over the means and methods of his work. SONZAs
argument is misplaced. ABS-CBN engaged SONZAs services specifically to co-host the Mel & Jay
programs. ABS-CBN did not assign any other work to SONZA. To perform his work, SONZA only needed
his skills and talent. How SONZA delivered his lines, appeared on television, and sounded on radio were
outside ABS-CBNs control. SONZA did not have to render eight hours of work per day. The Agreement
required SONZA to attend only rehearsals and tapings of the shows, as well as pre- and post-production
staff meetings. ABS-CBN could not dictate the contents of SONZAs script. However, the Agreement
prohibited SONZA from criticizing in his shows ABS-CBN or its interests. The clear implication is that
SONZA had a free hand on what to say or discuss in his shows provided he did not attack ABS-CBN or
its interests.
Second, SONZA urges us to rule that he was ABS-CBNs employee because ABS-CBN subjected him to
its rules and standards of performance. SONZA claims that this indicates ABS-CBNs control not only
[over] his manner of work but also the quality of his work." The Agreement stipulates that SONZA shall
abide with the rules and standards of performance covering talents of ABS-CBN. The Agreement does
not require SONZA to comply with the rules and standards of performance prescribed for employees of
ABS-CBN. The code of conduct imposed on SONZA under the Agreement refers to the Television and
Radio Code of the Kapisanan ng mga Broadcaster sa Pilipinas (KBP), which has been adopted by the
COMPANY (ABS-CBN) as its Code of Ethics. The KBP code applies to broadcasters, not to employees of
radio and television stations. Broadcasters are not necessarily employees of radio and television
stations. Clearly, the rules and standards of performance referred to in the Agreement are those
applicable to talents and not to employees of ABS-CBN.
In any event, not all rules imposed by the hiring party on the hired party indicate that the latter is an
employee of the former. In this case, SONZA failed to show that these rules controlled his performance.
We find that these general rules are merely guidelines towards the achievement of the mutually desired
result, which are top-rating television and radio programs that comply with standards of the industry.
Lastly, SONZA insists that the exclusivity clause in the Agreement is the most extreme form of control
which ABS-CBN exercised over him. This argument is futile. Being an exclusive talent does not by itself
mean that SONZA is an employee of ABS-CBN. Even an independent contractor can validly provide his
services exclusively to the hiring party. In the broadcast industry, exclusivity is not necessarily the
same as control. The hiring of exclusive talents is a widespread and accepted practice in the
entertainment industry. This practice is not designed to control the means and methods of work of the
talent, but simply to protect the investment of the broadcast station.
The right of labor to security of tenure as guaranteed in the Constitution arises only if there is an
employer-employee relationship under labor laws. Not every performance of services for a fee creates
an employer-employee relationship.
Individuals with special skills, expertise or talent enjoy the freedom to offer their services as
independent contractors. The right to life and livelihood guarantees this freedom to contract as
independent contractors. The right of labor to security of tenure cannot operate to deprive an
individual, possessed with special skills, expertise and talent, of his right to contract as an independent
contractor. An individual like an artist or talent has a right to render his services without any one
controlling the means and methods by which he performs his art or craft. This Court will not interpret
the right of labor to security of tenure to compel artists and talents to render their services only as
employees. If radio and television program hosts can render their services only as employees, the
station owners and managers can dictate to the radio and television hosts what they say in their
shows. This is not conducive to freedom of the press.
Other issues: (just incase maam will ask)
1. Whether or not MJMDC is a labor-only contractor.
Ruling: NO. In a labor-only contract, there are three parties involved: (1) the labor-only contractor; (2)
the employee who is ostensibly under the employ of the labor-only contractor; and (3) the principal
who is deemed the real employer. Under this scheme, the labor-only contractor is the agent of the
principal. The law makes the principal responsible to the employees of the labor-only contractor as if
the principal itself directly hired or employed the employees.48 These circumstances are not present in
this case.
There are essentially only two parties involved under the Agreement, namely, SONZA and ABS-CBN.
MJMDC merely acted as SONZAs agent. The Agreement expressly states that MJMDC acted as the
AGENT of SONZA. The records do not show that MJMDC acted as ABS-CBNs agent. MJMDC, which
stands for Mel and Jay Management and Development Corporation, is a corporation organized and
owned by SONZA and TIANGCO. The President and General Manager of MJMDC is SONZA himself. It is
absurd to hold that MJMDC, which is owned, controlled, headed and managed by SONZA, acted as
agent of ABS-CBN in entering into the Agreement with SONZA, who himself is represented by MJMDC.
That would make MJMDC the agent of both ABS-CBN and SONZA.
2. Whether or not Policy Instruction No. 40 governs the employment relationship in broadcast
industry.
Ruling: SONZA argues that Policy Instruction No. 40 issued by then Minister of Labor Blas Ople on 8
January 1979 finally settled the status of workers in the broadcast industry. Under this policy, the types
of employees in the broadcast industry are the station and program employees. Policy Instruction No.
40 is a mere executive issuance which does not have the force and effect of law. There is no legal
presumption that Policy Instruction No. 40 determines SONZAs status. A mere executive issuance
cannot exclude independent contractors from the class of service providers to the broadcast industry.
The classification of workers in the broadcast industry into only two groups under Policy Instruction No.
40 is not binding on this Court, especially when the classification has no basis either in law or in fact.