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The Witch of Lime Street by David Jaher - Excerpt
The Witch of Lime Street by David Jaher - Excerpt
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Copyright © 2015 by David Jaher
ISBN 978‑0‑307‑45106‑4
eBook ISBN 978‑0‑307‑45108‑8
10 9 8 7 6 5 4 3 2 1
First Edition
By now it was not enough to seize the day; many were seizing the moment.
“Jazz it up” was the expression. It meant to pick it up. No music was faster.
Even the foxtrot was considered too slow now. The Charleston would soon be
arriving. Flappers were called “quick women.” The battle cry seemed to be:
Get what you can, for we all die tomorrow.
One giant figure embodied the notion that the country was on a spree.
Babe Ruth gorged himself on eighteen hot dogs, blacked out, and woke up in
St. Vincent’s Hospital. the bellyache heard round the world, ran the
headline. Everywhere people lived large. Sports were jazzed. The Yankees did
not have to grind out wins. The Babe decided games with one mighty drive
to the bleachers. Boxing had also changed. Fights used to go twenty rounds,
even thirty. Now before the end of the first round Jack Dempsey had pounded
his man to the canvas. Neither was football immune to brisk sensation. Red
Grange revolutionized what had been a plodding game. There was no longer
a need to advance downfield play by play. In a stadium built in Champaign,
Illinois, to honor the War dead, Grange dashed to the end zone each time he
touched the ball. “The galloping ghost,” the press called him.
if trying to picture the spirit that the medium saw behind her. Resisting the
urge to look back, Mina glanced at her boots. Perhaps the medium caught
that gesture. He said that her brother was reminding her of some trouble
she had with her boots when they once went riding. Mina recalled her pony
mired in a swamp as a child. When she dismounted she too became stuck,
and her brother, always resourceful, had used a knife to cut open her boot
and free her. She suspected that this is what happens with mediums. They
make a hit and you fill in the rest of it. But what the minister told her next
was even more surprising: Mina was being called to “The Work.”
He said that she had rare powers and soon all would know it.
Thinking about the séance on her way home, it made perfect sense to
Mina that her brother should be the one to come through to her, since
they’d had a special bond—growing up together “in relative isolation from
the other children.” When he was a child, Walter was believed to have
psychic gifts. He played at “table turning and spirit rapping”—the occult
arts he had witnessed on his first trip to Boston. That is, until their father,
pious Isaac Stinson, “set his foot down and firmly forbade it.” The séance
had been sacrilege in their home.
Since marrying Roy Crandon she had adopted the agnosticism of his
enlightened circle. But while he considered mediumistic research a science,
it was to her a curious trifle. “Many things were far from my mind, but few
farther than spiritism,” she later said. “I was interested in my home, my boy,
in music and dancing, very much like any normal woman. And when the
doctor my husband—began to read about psychical phenomena and tell
me of it I rather disliked the subject.”
Still bewildered, Mina told the doctor what had happened at the séance.
His dismissive reaction surprised her. Dr. Crandon had been corresponding
with respected professors and scientists. He declared himself “intellectually
convinced” now of an afterlife. Yet he trusted no professional medium. No
Spiritualist church. And no message dispensed by oracular ministers. “It’s
all a fake,” he told her. She too decided that she had been hoodwinked.
It was preposterous to think that the dead could come back, and that she
might produce them. For a time she forgot what the medium told her.
sir arthur conan doyle sees evil in reward of $5,000 for spirit
— New York Times
Even during the Oracle’s reign there was debate, Bird claimed, as to whether
she was “inspired or drunk or merely canny.” So in 1923, with psychics once
again conducting the rites of a religion, the argument resumed: one man’s
quack was another’s Cassandra. “The controversy of today,” he observed,
“is essentially the controversy of 1000 B.C. translated into modern terms
and given a modern setting.” The difference, as the Scientific American
saw it, was that the modern clairvoyant worked in a rational rather than
superstitious world. If she wanted Munn’s purse, she would have to face
twentieth-century music, a score to be composed by some of the top psy-
chic researchers and experts of the time—Prince, McDougall, Comstock,
Carrington, and Houdini.
Bird admitted that it might be too ambitious to hope to solve the psy-
chic riddle once and for all, but he explained that the contest’s mandate was
to answer the question for the present generation—many of whom were
seeking mediumistic guidance as none had since the heyday of the oracle.
Accordingly, the New York– based judges— Carrington, Houdini, and
Prince—and the Scientific American representatives—Bird, Munn, and
Lescarboura—gathered in the magazine’s editorial room. While Houdini
paced the floor or fingered a deck of cards, and Bird smoked Old Golds,
the men exchanged views on psychics and framed the rules for the contest.
Houdini wanted to employ thorough restraint to ensure no possibility of
fraud. To his annoyance, Carrington insisted his control methods were too
extreme, and the other judges agreed. Clairvoyants would be searched and
rope could be used to bind them, it was decided, but not in the draconian
fashion Houdini had in mind. “We do not wish to draw any picture of a
medium trussed up like a roast fowl,” said Bird.
But who and where were the great modern psychics? The first medium
Bird wanted to bring to New York was Ada Bessinet, an Ohio seeress whom
Doyle called the most outstanding physical medium in the States. In a sit-
ting for him, she had produced the spectral face of his mother, wrinkles
and all. Mrs. Bessinet summarily refused to sit with Houdini, however, and
there was no immediate alternative. The contest needed Doyle’s sanction,
all felt, for the worthy psychics in Europe and America to step forward. “I
place the announcement in your hands,” Lescarboura wrote Doyle. “First,
because your challenge has been instrumental in our making it; and second
in the hope that you may influence some of the more prominent British
mediums to come to this country for the good of the psychic cause.”
It was “a square deal” they were offering the psychics. The mediums
could work in complete darkness, Bird announced, and in a sympathetic
circle. “We do not accuse the photographer of chicanery because he shuns
the light, and insists that what light be present be red. We know also, if we
will but admit it, that a hostile atmosphere does make more difficult the
exercise of the mental faculties.” As Bird had hoped, many psychics were
assured by his statements. They were eager to win the endorsement of the
prestigious Scientific American; the problem was that no credible mediums
were in the ranks of those showing up at the Woolworth.
Among the first aspirants was a male medium who asked the magazine
officials to lock the door to the room in which he was to be interviewed.
Only then, in a low voice, did he confide to Bird that a spirit had chan-
neled him the secrets to a marvelous machine for which he wanted Munn
& Co. to pay him $25,000 to develop. He was dismissed without further
questions.
The next candidate, an Italian barber from Williamsburg, Brooklyn,
said that when it came to producing ghosts, turning tables, and talking
with famous dead men—Shakespeare, Caesar, and Ben Franklin—he was
better at the dark sport than any queen of ectoplasm. His offer was also
rejected.
It was a parade, Bird felt, of crackpots, queens of mystery, and charla-
tans. An older female psychic who visited the Scientific American office told
her interviewers that after many years studying the news sheets she had
observed that citizens who got their faces in the papers resembled certain
animals, a phenomenon that she believed Mr. Aristotle of ancient Greece
had discovered about famous persons in general. To exhibit her case, the
medium brought with her a bulging valise containing thousands of cut-out
faces from the newspapers, each with an animal counterpart attached to
it. Unfortunately, as she sat down her suitcase opened, strewing pictures
over the floor and under desks. It took the office staff practically an hour,
Bird reported, to retrieve them all for the distressed psychic. Her bid to
compete for Munn’s prize was, to her great disappointment, declined. One
did not summon men like Comstock and McDougall from Boston or pull
Houdini from whatever skyscraper he was hanging from or movie he was
making to test some quack just off the train from Lily Dale or Cassadega.*
Doyle had warned them this would happen. Responding to the an-
One month later, in early February, Malcolm Bird crossed the Brooklyn
Bridge with two reporters who lived in the outer borough. Their conversa-
tion concerned in large part the preparations for the psychic contest taking
up Bird’s every working hour. Maybe it was the effect of the visit they had
just made to a Broadway speakeasy, but there was something otherworldly
to the twilight view from the bridge promenade. The clusters of yellow
light beneath hazy domes and spires made the city seem a fairyland on
opalescent water.
The evening’s drinks notwithstanding, Bird’s companions were sober
materialists who gave little credence to the psychic revival. As for Bird,
he liked to claim that he spoke “neither as believer nor as disbeliever” and
would not make up his mind until better acquainted with the spirit me-
dium. This was soon to happen; pursuant to Doyle’s plan, Bird had recently
* The spirit misidentified one of Bird’s friends on the Brooklyn Bridge as a woman
and was off by one day as far as the precise date of the shadowed excursion.
lyn, but neither could solve the mystery. How many blank séances had
Houdini endured in his quest for spiritist proofs? Yet Bird, from the start,
had something eerie to report under the credible masthead of the Scientific
American.
Next, Sir Arthur directed Bird’s European talent search to one of the
most revered psychics in England. It was Gladys Osborne Leonard who first
reunited Sir Oliver Lodge with his dead son Raymond; and Doyle said she
was the best trance medium he knew of. The pleasant Mrs. Leonard would
not be the star, however, of the Scientific American tests. Mr. Bird expected
more for his thirty shillings. When the medium was possessed by the girl-
ish spirit Feda, a number of discarnate voices were introduced to him—a ll
murmuring that they had known him in life while cascading him with
general information. Almost none of these personalities were the least rec-
ognizable to Bird—and a spirit channeled by Mrs. Leonard was way off in
describing him. “I pause here,” noted Bird, “to remark that this picture of
me as a shrinking violet, highly sensitive to all sorts of delicate conditions is
just about as whole-hearted a miss as any spirit ever made.”
Whether wrong or right, these spectral voices were not what the Scien-
tific American was seeking; theirs wasn’t a contest of mental mediumship
or second sight. Evan Powell, the Welsh channel through whom Sir Arthur
first received communications from Kingsley, was more the model for their
tests, as he produced not only messages from the dead but glowing forms
and unambiguous physical effects. During an early-afternoon séance in
London, Powell caused flowers to rise from a vase and caress each sitter’s
hand and face. While Bird suspected that Powell had slipped a hand free
of his bonds, he was nonetheless impressed with the demonstration. “It is
not inconsistent to speak of a given psychic performance as partly genuine
and partly fraudulent,” he explained. Regardless, Powell, whose gifts were
being studied by the sympathetic British College of Psychic Science, would
not commit to coming to America for more stringent tests.
On to the Continent, where Bird sat in Berlin with the mystifying Frau
Vollhard. This dramatic medium, while kept under strict control, instantly
materialized branches and large stones that struck the séance table. In their
post-séance interview, Frau Vollhard’s vivid blue eyes became even brighter
when Bird converted the contest’s prize stakes for her at 20,000 inflated
marks per dollar. “But even for the purpose of winning such a colossal
sum,” he informed the Scientific American reader, “she would not sit in
other than her own clothes and would not submit to more than a perfunc-
tory search.”
Just as he was ready to leave the Berlin apartment, and then Europe
altogether, something else, rather terrifying, occurred when Frau Voll-
hard abruptly shrieked then revealed on the back of her hand spontane-
ous stigmata—deep bleeding punctures, as if she had just been bitten by a
demonic creature. But the Scientific American committee would never ex-
amine such phenomena; the special conditions the medium insisted on—
that her baggy clothing be allowed, her person remain uninspected—had
marked her, like all other candidates presented to Bird, as unsuitable for
further consideration.
During the 1920s, Sigmund Freud advanced the idea that the death drive,
what he called Todestrieb, is intrinsic to our nature. As if to prove it, Houdini
leaped, while others peered, into the abyss. While not one to dabble in the
new psychology, Sir Arthur wondered whether the escape artist had an un-
conscious urge to join his mother in the next life. After their Atlantic City
séance a trusted medium warned the Doyles that their friend’s life was in
danger. And how awful it is when a superhero lies broken on the pavement.
In New York a daredevil known as the Human Fly lost his grip while
scaling the façade of a skyscraper. With the words safety last—the title
of the Harold Lloyd picture he was promoting—painted on the back of his
iridescent white garment, the superhero seemed to hang lighter than air for
a moment, then plummeted ten stories to the asphalt. The Human Fly died
in front of 20,000 aghast spectators at Greeley Square—among them his
twenty-year-old bob-haired wife, who would receive for her loss the $100
he was supposed to have been paid for the caper. “For goodness sake take
care of those dangerous stunts of yours,” Sir Arthur wrote Houdini. “You
have done enough of them. I speak because I have just read of the death of
the Human Fly. Is it worth it?”
Indeed, it was worth it! All of Houdini’s wealth and notoriety came
from performing dangerous feats; it would be far worse to walk the streets
unrecognized than to fall ten stories. Yet he appreciated Sir Arthur’s pater-
nal concern for his welfare, especially since the relationship between the
two was practically ruptured.
He is “just as nice and sweet as any mortal I have ever been near,” Houdini
said of Sir Arthur shortly after their first encounter at Windlesham. Then
came the marvelous times in New York and the culminating séance in
Atlantic City. Soon, though, there were dark clouds in paradise: a rift had
begun over exactly what had happened that afternoon in the Doyles’ hotel
room.
After returning to England, the novelist insisted that Houdini was
transformed by the reunion with his mother, and that he had finally rec-
ognized his own power as a spirit medium: “Dear Houdini—Is there any
truth in the story of Doyle that you got an evidential message from your
mother through Lady Doyle?” wrote Eric Dingwall. “Also that you have
become an automatic writer?”
The answer from Houdini was no, and he essentially said so publicly.
On the day before the Halloween of 1922, he told the New York Sun that
Spiritualism was nothing more than spook tricks, and mediums either
crooked or hysterical. What prompted his statement was a challenge issued
by psychics to their greatest foes: the magic order. It appeared that medi-
ums foresaw the announcement of the Scientific American contest—for the
General Assembly of Spiritualists made the reverse offer and put up $5,000
to any stage wizard who could produce eight psychic manifestations by
deception.
Houdini accepted the challenge; it was becoming apparent that he con-
sidered the whole cult of spiritism to be his opponents and that he had
never played it straight with the Doyles. His competitive juices flowing, he
made headlines that infuriated Sir Arthur: disappointed investigator
says spiritualism is based on trickery and that all mediums cheat
at times—believers self-deluded. Houdini was now slandering his re-
ligion, Sir Arthur felt, and by imputation his wife.
The press wanted a rejoinder from Doyle. “They sent me the New York
Sun, with your article,” he wrote Houdini, “and no doubt wanted me to an-
swer it, but I have no fancy for sparring with a friend in public.” Sir Arthur
thought it undignified to reveal what had happened in Atlantic City, but
he could not shake the vision of an awestruck Houdini receiving Jean’s gift
to him. He recalled his friend blissfully leaving the hotel room, clutching
in his hand, after a decade of blank séances and disappointing results, the
scrolls of automatic writing. “When you say that you have had no evidence
of survival, you say what I cannot reconcile with my own eyes,” Sir Arthur
However, judging from the reception that Malcolm Bird received, they
were as interested in this “new psychic sleuth” and his international spirit
hunt. “At a time when half of Europe seems to be dabbling in spiritualism
and when there are thousands of converts to the idea in the United States,”
Bird’s reports struck a chord.
He had seen a thing or two in the dark room. “Tables did jump off the
floor, lights did appear, voices did issue from trumpets and mediums, vases
did move through the air, all apparently because of some mysterious force
the source of which has not been discovered. Mr. Bird said he saw every-
thing which Sir Arthur said he would see, except ectoplasm, the strange
substance which issues from the body of a medium.”
Even so, Bird was surprised by the attention he received at New York
Harbor. Just a few years earlier he had been a capable but obscure profes-
sor at Columbia University. Presently the reporters, of their own accord,
had promoted him from secretary to “Chairman” of the Scientific American
contest; they failed to realize that, rather than an expert and judge, he was
only the coordinator of the psychic challenge. But having returned on the
Olympic with Doyle, he was perceived as an important new player in the
Quest Eternal. “I suggested to Mr. Bird that he come to me and place him-
self in my hands,” Sir Arthur told the press. Having created one ingenious
detective, he was seemingly molding another.
Bedfellows are rarely stranger than those made in the séance. Part of
Bird’s appeal to Sir Arthur had to do with something the European medi-
ums had sensed: his presence was a boon to the harmonics of the gathering.
One of Mrs. Leonard’s spirits had prophesied that Bird was “eventually to
do much work in the spiritist movement”; other spooks averred that he
himself was a medium.
Malcolm Bird was making a name for himself and acquiring so much
supernatural experience “that if he should criticize our movement, he is a
critic whom we will be obliged to listen to with respect,” said Sir Arthur.
Conversely, Doyle warned that Houdini would “keep away every decent
medium—for they are human beings, not machines, and resent insult . . .
they do not go into an atmosphere which is antagonistic.”
To reassure the psychics, Sir Arthur intended to sit in on the séances
Bird was organizing for May. He also told reporters that he would assist in
the Scientific American search for that still-elusive prize-worthy medium.
Accordingly, Sir Arthur and Bird sat in a dark room in a rustic home
near Lake Erie. The sleeping Ada Bessinet was slumped in the chair next
to them, her breathing heavy and portentous. The room, however, was
alive with her Odic energy. Spirit lights of yellow with a reddish tint darted
over and around the heads of sitters. Then came a steam of grayish and
transparent faces—thirty? forty?—that Sir Arthur strained to recognize
before they faded. “I think that is Oscar [his dead nephew],” he exclaimed;
another face with closed eyes he identified as his mother. Bird himself saw
no familiar form—but then, he had lost no one close to him. This made
him, he felt, a model observer: “I am unemotional in the presence of these
phenomena,” he wrote, “to what I conceive to be an extraordinarily cold-
blooded degree.”
But Secretary Bird did have an impulse for hyperbole. Convinced of
the sincerity of a grandmotherly slate-writing medium Doyle had recom-
mended in Indiana, Bird reported, “If she is a fraud, then there is abso-
lutely no sense in believing anything creditable about any member of the
human race . . . my whole sense of fitness rebels at the idea of this lady
being a swindler.” The committee judges were increasingly put off by such
statements. Sometime earlier Walter Prince had sat with that same Indiana
spook and found her work suspect. By commending psychics before any
were tested, Bird sparked the fear in Prince that the Scientific American en-
deavor was becoming more journalism than science. The official experts in
the contest—Prince, Carrington, Comstock, McDougall, and Houdini—
worried that Bird’s findings might be confused with their own. The editor
was a greenhorn, muttered Houdini, an easy mark for spook fraud.
With each of Bird’s reports, the Scientific American reminded its read-
ers that his informal sittings were not to be confused with the committee’s
scientific examination of mediums. The New York press did not always
grasp the distinction, though, between his preliminary survey and the rig-
orous tests to follow. Bird had sat in England for a spirit photograph with
William Hope, who Prince and Houdini suspected was a faker. To their
chagrin, Bird commented favorably on Hope’s spectral pictures.
“It seems most extraordinary and it casts doubt upon all the forth-
coming proceedings that Mr. Bird should announce himself as already
convinced of the genuineness of spirit photography,” editorialized the Tri-
bune. They called for the truly scientific inquiry the contest had promised.
Walter Prince, who did credit some of Bird’s observations, issued his own
shrewd reproof: “Mr. Bird, if he wishes to achieve the authority in psychical
research which I invoke for him, must hereafter avoid falling in love with
the medium.”
The Crandons gave a party with an unusual purpose that May. The din-
ner guests took their cue from Roy, who behaved more as a sober physician
that night than convivial host. The butler, Noguchi, served but one glass of
wine to each of the Crandons’ friends, yet there was a feeling of anticipa-
tion, of electricity, in the air. For it was a pretty ghoulish activity that the
doctor had planned. The weather, Mrs. Crandon commented, could not
have been more cooperative. It was raining lightly outside.
Mina recognized that this evening would see the culmination of
months of preparation by Roy. Before Sir Oliver Lodge had entered his
life, her husband was as staunch an atheist, she felt, as her father had been
a man of faith. He had once relieved her of her own religious baggage and
pointed out to her the folly in worshipping a God conceived by primitive
minds. Lately he’d begun saying there was more superstition in the Bible
than in séance research. And he no longer dismissed what the medium
had told her—that she possessed second sight. The doctor had visited that
same Spiritualist minister, apparently giving no intimation of who he was,
or that his wife had been by for a sitting. Again a spirit claiming to be Mrs.
Crandon’s dead brother had come through. Here, though, was the problem
with mental phenomena—it was not suited to empirical proof. Chance,
intuition, or deceit could explain the hits. Physical displays of medium-
ship were easier to test; they were either demonstrably real, Dr. Crandon
reasoned, or brazenly false.
Of special interest to him were the séance experiments conducted in
Ireland by Dr. William Jackson Crawford—a professor of mechanical en-
gineering with a consuming interest in psychic effects. Dr. Crawford had
sat with Kathleen Goligher, a nonprofessional clairvoyant, for a series of
170 séances in the attic of her family’s Belfast house. Ectoplasmic rods that
shot forth, he believed, from her genitals suspended a table high off the
Dr. Crandon’s objective that May evening was to reproduce the Belfast
experiment. “Contact phenomena are quite common,” Crawford had said.
“Nearly every family contains one member at least who is capable of pro-
ducing them.” Dr. Crawford had left behind a guidebook—to tilting and
turning tables using psychic force—that Roy adhered to while planning his
own venture into the unknown. He constructed a seventeen-pound table
of rough wood according to the Crawford design. It was important that no
nails were used, as the wrought iron was said to somehow interfere with the
psychic magnetism. He had also purchased a red lantern to illuminate his
library, as ectoplasm was most effectively formed in red light.
Dr. Crandon then invited a few close friends for dinner and a séance.
By undertaking the experiment with his trusted circle, he felt that he elimi-
nated the possibility of psychic fraud. Trooping up to the fourth-floor Book
Room—one of two libraries in his spacious home—were guests with vary-
ing degrees of skepticism. Among them were Mina’s friend Kitty and her
The six friends linked hands and rested them lightly on the Crawford table,
just as the late scientist had advised. Crawford had also suggested that the
ritual should begin with a prayer. Dr. Crandon left that part out. Mrs.
Crandon voiced the flippant hope, however, that Crawford or some other
spirit might find their way to the red lantern on Roy’s desk. Clearly she
regarded this activity as spooky fun. Her previous séance experience had
not swayed her. Even Kitty, who had accompanied her to that post-ride
fling with a ghost, doubted that anything extraordinary had happened that
afternoon.
“By this time I was again pretty well unconvinced,” Mrs. Crandon re-
membered. “But my friends, who had unconvinced me, now became very
serious. Perhaps the red light sobered them. But to tell the truth they were
all so solemn about it that I couldn’t help laughing. They reproved me se-
verely, and my husband informed me gravely that ‘this is a serious matter.’ ”
An indefinite period of silence followed, heightened by the ticking of
Roy’s Quare clock. It was mysterious enough, linking hands in the dark
with friends one rarely touched. The red glow gave Aleck’s sanctuary the
aura of an opium den, though nothing illicit was planned. Aleck shifted
his bulk and drew a hard stare from Roy. These probes into the nether-
world were not for the impatient. No ghosts were heard. None were re-
ally expected by the group hunched over the table. Something inexplicable
was happening, though. Breathing and linking as one, the intention of
the sitters had become an imperceptible force as much as a thought, and
as the séance progressed—a quiver. The table gradually became animate.
Dr. Crandon felt it was like putting his hand on the back of a dog. Sud-
denly the table slid slightly, then rose on two legs and crashed to the floor!
In order to determine if one of their circle was a medium, each of the sitters
took turns leaving the room. With Mrs. Crandon’s departure the vibrations
died. Her friends applauded when she reentered the study. The medium
had been right about her. It was Mina, of all people, who had the supernor-
mal gift; she who was the powerful instrument of some discarnate mind.
W ith the Scientific American contest just a few weeks away, the New
York press was blowing the spirit trumpet in anticipation. It was to be “the
most thorough, scientific, and far-reaching spook hunt ever undertaken,”
announced the Herald. The Times called it “the Acid Test of Spiritualism.”
The Tribune christened the tests “The Great Spirit Hunt” and observed
that “every open-minded person has been looking forward with interest
to the investigations,” for here at last was the “promise of truly expert and
unbiased testing of the claims put forward in behalf of spirit photographs,
ectoplasm and the rest of the current crop of spiritualistic doings.”
There was still, however, no mention of a candidate. Even with Sir Ar-
thur’s support, “the well-k nown mediums—mediums who are reputed to
possess the kind of powers which we desire to study—have not as yet come
forward to aid us in our quest,” the Scientific American reported in May.
Despite receiving hundreds of applicants, Malcolm Bird worried that psy-
chics were intimidated by the event at 233 Broadway, since shrouded back
parlors were their accustomed stages.
While touring Europe Bird had encountered in Berlin a scientist with
“the finest psychic laboratory in the world—and he can induce no medium
to work in it with him.” Envisioning the sensitive seated in her spirit cabi-
net while strapped to fifty-seven varieties of technical apparatus, Bird could
well understand her absence. By now he wondered if the Scientific American
had a similar predicament.
The committee’s methods were as elaborate as any ever used to verify su-
pernormal power. Aside from the vigilant jury, the candidate would encoun-
ter an array of modern monitors, gauntlets, and detectors. To ensure she was
not concealing any earthly means for producing ectoplasm, the medium was
to be thoroughly searched and then required to wear—rather than the white
alb of her Delphic ancestor—a black bathing suit or potato sack (exactly
which garment hadn’t been decided yet) before entering her cabinet. Jury
members would then tie her with rope to prevent her from using her limbs
to aid the disembodied powers, and if the bonds were insufficient, there
was a mosquito-net cloth to further restrain her. Light was anathema to the
formation of ectoplasm—the Scientific American had conceded that—but
the psychic’s arms and legs would be marked with luminous radium spots
so that the judges could track any suspicious maneuvers in the darkness.
These tests would not be compromised, as Bird felt some European
studies were, by the faulty senses of bereaved sitters and aging research-
ers. If the Scientific American were to affirm the presence of disincarnate
beings, it would be on a body of incontrovertible evidence. Walter Prince
thought it unwise for Bird to reveal all their methods—what Austin Les-
carboura and other technicians had devised would only cool the feet of the
sought-after mediums. But if she were a true clairvoyant, why be afraid
of benign scientific instruments? The induction coils, galvanometers, and
electroscopes were for testing her electric field when the forces were active
and also to determine if these so-called spirits were actually composed of
physical matter. Munn & Co. revered new technology, and Bird seemed to
take pride in describing the gadgetry their investigators employed.
All furnishings, he reported, had electric contacts to monitor any float-
ing vase or levitating table. A phonograph with a directional microphone
would be automatically activated should the phantoms cause a rap or
whisper. And if any apparition formed, a camera with a powerful electric
flash—in lieu of noxious powder—would not fail to capture it. Nothing
was left out as the Scientific American converted its law library into a psy-
chic laboratory. A chronograph was installed to register the readings of the
instruments that were in turn monitoring the medium. Ready for use were
kymographs, a sphygmomanometer, and other tools for measuring the res-
piration, temperature, heart rate, and blood pressure of the psychic—for
the spirits were said to drain the vital forces from her abandoned body.
Such were the instruments when scientists had free rein in the séance.
And with the apparent success of psychic experiments in Europe, it seemed
just a matter of time before an American clairvoyant produced effects that
registered on every dial while spectral orbs were photographed and a table
floated over the upturned heads of five bewildered experts.
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