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Hit The Ground Running
Hit The Ground Running
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GORDON GOODWIN
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INSTRUMENTATION
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1st Trombone
2nd Trombone
3rd Trombone
Bass Trombone
Guitar Chords
Guitar
Piano
Bass
Drums
Auxiliary Percussion
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1st E b Alto Saxophone
2nd E b Alto Saxophone
1st Bb Tenor Saxophone
2nd Bb Tenor Saxophone
E b Baritone Saxophone
1st Bb Trumpet
2nd Bb Trumpet
3rd Bb Trumpet
4th Bb Trumpet
a division of Alfred
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Funk music is totally cool. There are some people who dont like this type of groove and think its too frantic, but not me.
If its played right, its tons of fun to play and listen to. This chart was commissioned by the Westlake High School Jazz
Ensemble, directed by Brian Peter, and I knew when I heard them play it that this chart would also be a great vehicle for the
Big Phat Band. So we recorded it and it is track 1 on our new CD, Act Your Age (Immergent Records).
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It begins with the piano (or use a Fender Rhodes if you have access to one) and its really important that the pianist establish the rhythm with authority. Practice that opening lick until it is comfortable because its the bedrock of the groove.
Everybody in the rhythm section has a fairly busy part, so each person must listen closely to one another so that the parts
fit together perfectly but, easier said than done. Spend some time on the groove with a rhythm section sectional. This
accuracy goes for the horns as well. Everybody must agree on the placement of all those sixteenth notes, or else this groove
will start to seem messy.
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When the horn section plays these kinds of sixteenth note licks, the key to getting the figure to really pop is to keep the air
stream flowing from the first note to the last. Push through to the end of the lick. This will give your phrases a good rhythmic
pulse, which is really important in this kind of groove. If you listen to the Big Phat Band play this chart, you will hear how the
horns exaggerate the phrasing throughout. The short notes are really short, lean into the accents, and most importantly,
you will hear everybody listening to each other and working as a unit. Thats the primary goal as an ensemble; on this, or
any chart.
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This chart requires a commitment from everybody and it will require energy. In the rhythm section, this translates into
focusing on a solid and forward-moving groove. Every note you play must fit into the context of that groove. In the horn
section, it translates into playing with accuracy and unity and, once again, focusing on that air stream. Air is the lifeblood
of music and every great horn player moves a ton of air when they play.
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Visit: gordongoodwin.com
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I hop you have a good ol funky time with Hit the Ground Running.
Gordon Goodwin
Gordon
Goodwin
Gordon Goodwin is a three-time
Emmy Award winner and GRAMMY
winner. His bands debut album
Swingin for the Fences (Silverline
Records) received two GRAMMY
nominations and is the best-selling
jazz item in the DVD Audio 5.1
surround-sound format.
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INC. (ASCAP)
(ASCAP)
2009
2009 WINGOOD
WINGOOD MUSIC
MUSIC PRODUCTIONS,
PRODUCTIONS, INC.
AllAdministered
Rights Administered
by ALFRED
MUSIC
All Rights
by ALFRED
PUBLISHING
CO., INC.
All Rights
Rights Reserved
Reserved including Public
All
Public Performance
Performance
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53
54
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b .
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55
C;
A7
E7
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B7
^
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P
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Alto1
{53} Solos
eg
Conductor
A7
E7
^ ^
^
^
G;
G;
b #
^ ^
F;
D7
^
^
F;
D7
^
^
^
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56
57
58
Tbn.1
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BassTbn.
Gtr.
Pno.
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k .
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59
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60
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61
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62
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es
Tpt.4
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Tpt.3
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b
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63
C;
C;
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Tbn.1
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Gtr.
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#
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^
^
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65
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66
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67
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B7
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Alto2
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eg
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^
^
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68
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69
D9
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70
G #9
C9
C9
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71
b
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b
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73
74
75
# .
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A9
es
Tpt.4
w ~~~~~
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ir
Tpt.3
&
##
A9
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R
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Tpt.2
&
###
D9
Tpt.1
# w ~~~~~
~~~~~~
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~~
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v
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# # w ~~~~~~~
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P
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{69}
qu
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76
Tbn.1
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Gtr.
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C9
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77
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78
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80
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81
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E b9
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82
B7
bw
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b - . n -
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##
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D;
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^
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es
Tpt.4
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ir
Tpt.3
A9
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k
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qu
Tpt.2
#
& #
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n ^
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&
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Bari.
###
D9
A7
^
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v
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F
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Tenor1
##
r
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a
Alto2
&
A9
P
L
Alto1
###
eg
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# #
84
Tbn.1
Tbn.2
Tbn.3
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Gtr.
Pno.
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#
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86
#
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87
88
89
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Tpt.3
#
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Tpt.2
^
k
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#
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Tpt.1
&
###
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##
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v
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Bari.
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#
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#
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Tbn.1
Tbn.2
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Gtr.
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Bass
#
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92
93
b > .
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b
Opt.8va
91
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B b9
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b b.
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96
G7
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94
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#
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es
Tpt.4
#
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ir
Tpt.3
r ^
^
n
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G9
qu
Tpt.2
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e
R
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Tpt.1
# A7
& #
# #
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Bari.
n . ^
v
s i
Tenor2
&
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Tenor1
b ^
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a
Alto2
E7
P
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Alto1
###
eg
Conductor
.
F
n n
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F
Bongos
97
Tbn.1
Tbn.2
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Gtr.
Pno.
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98
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99
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k # .
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# n b b n
101
102
>
.
> (Horns)
. . .
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f F (Rhythmin)
>
100
G7
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^
b - n .
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k # .
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k . n . .
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#
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#
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^^
#
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###
es
Tpt.4
ir
Tpt.3
&
##
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Tpt.2
&
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f
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f
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v
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P
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###
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103
>
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104
>
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Tbn.1
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Gtr.
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#
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105
106
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107
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##
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es
Tpt.4
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ir
Tpt.3
~~~
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>
^ ^ ~~~
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Tpt.2
#
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# #
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109
110
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Tpt.4
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n
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Tpt.3
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v
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