Made in Tokyo
Made in Tokyo
Made in Tokyo
JUNZO KURODA
YOSHIHARU TSUKAMOTO
MAD E. . I
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CONTENTS
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16 ifi ~ r.o t
INTRODUCTION
018 ;t11'1/l--.:f3-(1)1)i;t
METHOD
040
22 1.lJ71~-~
47
23 li!i!~J~17Jv
49
::J-~
warehouse cour t
t ruck to we r
27
electric passage
I\1QI1TI~-~
highway de p artment store
4 :.-*7 'h:l
28 GST'~:1v ;~ 7~
182 ii!!
(B)
MAP
3o
1 84
* / . . ? ::h ~ t
<1)
t-t g
TALK WITH
TAKASHI HOMMA
'~7-/::J:h7-t:7Jv
pa c h i nk o c athedral
i! ;~ 7~1::Jv
188
~Q.
HISTORY
11 *~!ii::Jv
~~-7onH-7
35
PROFILE
190
BIBLIOGRAPHY
13
H~!ffi!l!!
18
Jlli\;f "'(1) ~7
40
J...:hT'tt~
43
diving tower
44
45 ~/*W/IIIU
shrine building
62
tunnel sh r ine
46
? /:,3;..- llJ~
~;t!ffitl!!i::Jv
63
~;J~it ~1-l5c
pet architecture
001
64 11'.1.</:.-3;...
dam housing
65 :l'l'/7:.-:..;... ?->.:t-Jv
a1rpo rt Junction
66
~)Jt::J;...:t~.-- .;/ 7~
21 ~Ui::Jv
61 TRC ( J[Jli))fti!i!/9- )
ce nt ipe de housing
41 tn.bt::v ;~:J
sp r outing building
42 11'11::/'1?'7-
20 lt'i!f<;... :.-3;...
60
ventilator obelisk
39 (RO)*-.L.
~J7H-~
ho r se apartment house
19 ~fti::Jv
vegetable town
ca r to wer
17
:J l" J...
37 ltl!i~7111'-I::Jv
16 :h-?'7-
38
7J>>.v~ 35?.ill'l
59 ~?'7;...
36 '/1/ 'f*fill~
15 ~::J /J7H-~
58
ra i l museum
bu s housing
14 :::fJt-7?'7:.--t::Jv
v-Jv>.~ -
;t-~7'1~-~
park on park
189 Ill
57
34 i(fif.Siilt
embassies bu ildin g
12
green parking
:h--f71'~
graveyard tunnel
karaoke hotel
10 '!Ull~,~~o-Jvi::Jv
55
33 J7 ;LIJI~<fl~
67
~;f--;Jj'IJ.:J:J
Marika Neustupny
nmp 2000
( Web si te English version )
Momoyo Kaijima
*')
.!lEEil!ll=
~ ~ :1
Junzo Kuroda
~--ti graveyard
70 shooting
Christo ph Char!
l!!lltli1J
correspondents
32
<P '-
33
Jj\)11 - }._
Kazuto Ogawa
Masaomi Yonezu
:tlim!"'l'lil Tomio
Ogiwara
Yoko Taguch i
Go Nakatani
34
*5! jE E2
35
.U M:
~$iili:l!l Naoki Ab e
36
UJ D EE ~ T
37
:SJII*.m
Daisuke Tanigawa
ll
38
32' *t'l't:
Takanorl Kasal
39
Takas hi Ogawa
40
Tamaki Onoda
41
iilill18 - rul
43
*li!G'II'f
nmp 98
( W eb site Japanese versi on )
.I'! .I~ it
Junzo Kuroda
~ !f ~ Akira Yasuno
iii* ii!
Shun Takag i
carwash terrace
7') ~ ~ 7 :,'I' Jv Jv
Ell D IIIJ'f
69 ilt- 7-7~
heli-warehouse
28
~;f--':1?/ ~'
68 -"')
31
Shun Takagi
sports bridge
sportsman zoo
~ !f ~ Aklra Yasuno
i!i* 1i!
Shun Takagi
*') ~ ~ :1 =-
< IJ :h
32 &ilU3
i!Jilijj
Junzo Kuro da
se x bu i lding
9 :h7-f?-*7-Jv
r*::J-~
se wag e courts
31 J:*::J -~
neon building
54 01'\"Jv:::fJv7</ :.-3;...
6 *-t/I::Jv
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<
d is persal terminal
.1'1 .I~ it
.!lEEil!ll=
iii* ji!
~))ft1/:$1-"f-I/:J
Momoyo Kaijima
residential farm
53
29
52 ~!Utl.ll
interchange court
ci ne -b r idg e
5 :li;~ ~::J-~?-1::-Jv
1/:$1-::J-~
::z.-v1Jv 7 J>7 ~ 1 J
50 1!111&</:.-3;...
51
' 96 Architecture
of the Year
.1'1 J,i;'t it
2001
ghost ra il factory
taxi building
~7 ;~ 7:$1'7-
crane shelves
26
48 71.---/t.:t.t
delivery spiral
25 ?7:.--t::Jv
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vampire park
ji
if. T
Junko Tachibana
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lio
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Yumiko Yamaguchi
Shlnichiro Urahashi
Yuko Oonari
44
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Survey Beginnings
Da-me Architecture
In fact, they are the sort of building which has been regarded
were visiting a foreign city for the first time . This is the
works, but it did not show the bare Tokyo which we felt. It
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Flatness
The starting hypothesis for the survey is that in any city, the
situation and value system of that city should be directly
reflected through unique buildings. In the case of Tokyo, we
suspect that da-me architecture contains hints to think
about the ci ty and architecture. However, the definition of
da -me arc hitecture was not necessar ily clear from the
beginning. We debated at length over each example as we
collected them. During these debates, we took care to not
think about the ci ty as a conceptual model. In the 1980s
there was a background of chaos affirming theory and
Tokyology, and the spatial expression of architectural works
displayed confusing urban landscape as a metaphor. We
strongly wanted to get away from the attitude that the city
can be summarised by metaphorical expression . Then again,
from the very start, we avoided considering examples which
can be read as stereo-typ ical images such as stylistic
ecclecticism and contrast between pre- and super- modern .
010
observational quality.
Guidebook
The result of the observation also depends on the method of
representation. If the method doesn't su it the observation ,
before us, and an understand ing where even the most subtle
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crea t ed bY cross categorical hybrids,
adjacency of function
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many diverse
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Magnif icent Ar chitecture
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examples and discovering their commonalities. It is a kind of
This collection is a project researching the city of Tokyo. At
the same time, it
IS
Research Method
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our everyday life. We flicked through the city on the back of
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CROS S-CATEGORY
26 June in 1976, there wa s a highly publ icised fighting
match between Muhammad Ali and Anton io lnoki took place.
I was very keen to discover whether boxing or pro-wrestling
would be stronger, but the result was a draw, and the actual
fight was not even interesting as lnoki just made low kicks
from the mat to Ali's legs. However, thi s kind of crosscategory match breaks through the sel f-referentia l structure
of Modern fighting sports. Instead of each type becom ing
more and more clearly defined through comparison with each
of the others, it tries to return to the essence of fighting.
Modern city planning is of course not the same as fight ing
sports, but it also evidences separations and speci alisations.
The strongest separations are between architecture and civil
engineering, or between architectural and urban plann ing,
022
2. electric passage
68. heli-warehouse
architecture,
6 . neon building
architecture,
32 . graveyard tunnel
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AUTOMATIC SCALING
makes possible new urban relations.
Because of inflationary land prices, there is a 'void phobia' in
Tokyo, which instils a reaction of 'what a waste! ' when we
see any unused space. Everywhere, the desire to find and fill
gaps can be seen. What occurs in these openings is not
usually related to the function of the host facility, but rather
answers to a super-rationalism where the filling is matched
to the gap simply according to size and proportion. let's call
the idea of the chance meeting of differing objects, purely
given by measurements, 'automatic scaling'. At this point is
born the kind of building with unexpected practicality of
2. electric passage
5. roller coaster building
024
Examples of auto-width:
only be utilised by cats, are the result. With the high price of
land in Tokyo, eventually these spaces become desirable tor
PET SIZE
They are the kind of size which can exist in the corner of a
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(lege office)
LOGISTICAL URBANITY
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026
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env1ronmen
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urban elements are dragged into the sports scene, the more
l. warehouse court
env~ronmental
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there has been produced a surplus, over and above the raw
requirement s of the ai m. For example , the ai m of the
expressways is to let cars run as fast as possible , but
because the acquisition of land is very difficult in Tokyo,
030
root
7. pachinko cathedral
2 . electric passage
35. ra il museum
Other examples:
4 . cine-bridge
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URBAN DWELLING
Within the extreme density of Tokyo , real estate ideals
clean air, lots of greenery, no noise pollution, big rooms,
plentiful sunlight from large south facing windows, - are like
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home and x' takes effect. Like the absolute beauty seen in
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the rural and urban , and trying to project them into towers or
environment .
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MACHINE AS BU ILDING
The ci ty is our place for living. But if we zoom back, it can
be seen as an organic structure like a machine or a creature
breath ing production and consumption . Although it is an
analogy, if we th ink this way, then the city starts to need
organs for power, transportation , storage , discharge. In the
case of a megalopolis like Tokyo, the load on such organs is
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meaningless.
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humour, pathos.
47 vampire
which can never be obtained by the bird 's eye view. Through
walking around the real ity of everyday life, we can start to
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building
urban delight.
VIRTUAL SITE
park
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lose its aura, then the concept of 'site' must also change. For
each convenience store shop, there is not only the physical
site, but it is also positioned within a site on a network. If we
think of the physical site as 'real ', we can take the second
type of site as 'virtual '. The way that this kind of virtual site
makes a relation with architectural design is an issue
needing full considera tion. The buildings of Made in Tokyo
include different types of networks with which to start this
process.
Examples of virtual sites:
038
039