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Kafka On The Shore Essay
Kafka On The Shore Essay
meaningless (Murakami 324). His struggle with himself is driven by his desire to find meaning Commented [16]: Page number?
Commented [17]: I read it on an ebook which doesn't
and a feeling of belonging in his life, which are things he most definitely hasnt gotten from his really have page numbers, so I plan on finding a pdf
version to do that
father, who was either cruel to him, or never around. This cruelty is evident with the dark,
disturbing future he prophesied for Kafka: Someday you will murder your father and be with
your mother (Murakami 147). Kafkas home was filled with darkness and loneliness, and the Commented [18]: have to find the actual quote
lack of any real, meaningful, relationships, essentially stunted his emotional growth. As a result,
he is unable to move on, both because he doesnt want to, and also because he cant let go of his
painful childhood. Even though Kafka escaped his messed-up home, it was still affecting and Commented [19]: rephrase
Commented [20]: Yeah I'm not quite sure what you're
influencing him because he was unable to let it go. The memories, pain, and suffering stayed at trying to say here...Is unable to leave his home or is he
unable to let go of his past once he has left home?
the forefront of his mind, and so as much as he wanted to evade his fathers dark prophesy for Commented [21]: New paragraph here? Your stated
topic is relatability. If you pause here and argue that
many people share Kafka's feelings, you have argued
him, he ended up fulfilling it. This is simply because he doesnt know what it means to live your idea clearly. Now you're shifting to a different
aspectI think it's going to be about authorial design.
(Murakami 327). If all somebody knows is pain and loneliness, it is very difficult for them to Commented [22]: colloquialism - consider revising
Commented [23]: redundant from earlier
heal from that and find a better way to live, especially if they are still holding on to problems
from the past. In the novel, Crow, Kafkas shadowy alter-ego, tells Kafka, Lift the burden from
your shoulders and live-not caught up in someone else's schemes, but as you. That's what you
want (Murakami 348). Crow is essentially guiding and pushing him towards moving on with
this advice. In the book, Magical Realism: Theory, History, Community, author Zamora argues
that The surreal and absurd world of Murakamis characters is a universal one, suggesting that
the problems of identity for contemporary Japan are ones shared throughout the modern world Commented [24]: Definitely could be more explicit that
this is a category for defining classic novels. Maybe too
much plot analysis and too little "how this makes it a
(473). Kafkas journey of self-discovery to find meaning and purpose in life is a universal one classic".
a journey that everyone takes at some point in their life, making this story relevant and relatable
to all those who read it. This idea of a struggle to come to terms with ones past, and to find
ones identity, meaning, and purpose in life, is a struggle that humanity has faced since the dawn
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of its creation, which makes this book relevant regardless of the time period. Kafka needs to
come to terms with his past and learn to accept his problems, fears, and insecuritiessomething
that everyone struggles with. He needs to learn to forgive himself, as well as those who
abandoned him, like his mother. Lastly, he needs to find his own place in the world. This classic,
relatable, and universal struggle to find oneself amid the influence of outside forces is what Commented [25]: In my opinion, I think it's good that
you have this commentary that ties it back to why this
novel is a classic. I guess what Andrew and Regina are
makes Kafka on the Shore a contender to be a classic. However, the fact that Kafka on the Shore trying to claim is that maybe you could very briefly
remind us what a classic is (tie it back to what you sid
has a message that is relatable, universal, and timeless, does not automatically make it a in the thesis); be a little more clear/elaborate.
Commented [26]: I agree with Camille. I would add a
classicmore is needed. sentence or two more about why a universal theme is
necessary for a classic, and I might include Murakami's
purpose as well
If theres one thing that all classics have, its complexity. This complexity is found in
Commented [27]: The one page mark is a good
barometer for paragraph length in your draft. Think
authorial design through the use of literary elements, which contribute a deeper meaning to the about how you can cut from this if you aren't going to
make it two paragraphs.
novel, and allow for its deeper interpretation. Murakami readily makes use of literary elements in Commented [28]: This was kind of slapped on half-
heartedly in my opinion. Could be better integrated to
better answer "Why is this a classic?"
Kafka on the Shore to add complexity and meaning. The central metaphor of the novel
Commented [29]: Elaborate
established by Murakami is that of a sandstorm, one with both mental and physical effects. Commented [30]: In my opinion, I think it's good that
you have this commentary that ties it back to why this
novel is a classic. I guess what Andrew and Regina are
Building the metaphor at the beginning of the book, Murakami establishes that fate is like a trying to claim is that maybe you could very briefly
remind us what a classic is (tie it back to what you sid
small sandstorm that keeps changing directions. You change direction but the sandstorm chases in the thesis); be a little more clear/elaborate.
Commented [31]: I agree with Camille. I would add a
you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous sentence or two more about why a universal theme is
necessary for a classic, and I might include Murakami's
purpose as well
dance with death just before dawn (2). What makes this metaphor so complex is that it ties the
Commented [32]: Rereading this paragraph, this
portion here starts to get a little repetitive. You don't
meaning of the entire book together. This metaphor both illustrates how people cannot run from need to summarize everything you already said within
the same paragraph, so I would consider just cutting
this portion entirely
their fate, and foreshadows what happens when they do. No matter how much someone wants to
Commented [33]: I would change your claim to relate
specifically to Kafka on the Shore. As it stands now,
evade their fate, no matter how many times they change directions, the most they can do is you're setting up your paragraph to argue why
complexity makes a book a classic rather than why
delay it. Eventually, just like the sandstorm readjusts so it can continue chasing its target, fate Kafka on the Shore is a classic
Commented [34]: ... which makes this a classic?
will catch up to us. Later in the novel, Kafka tries to run from his fatehe tries to escape his Commented [35]: ?
Commented [36]: elaborate
Oedipal prophecy. However, it catches up with him, and he unwittingly ends up fulfilling it,
Commented [37]: combine these sentences?
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regardless of whether or not he wanted to. His other half, Nakata, ends up killing his father, and
he ends up sleeping with his mother and sister. This is because This storm is you. Something
inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and
plugging up your ears so the sand doesnt get in, and walk through it, step by step (Murakami
3). In other words, everyone has their own version of the sandstorm. Kafka, who symbolizes
humanity, cant escape the storm, which symbolizes fate, because its a part of him. The only
thing he can do is hunker down, fight through it and hope to survive, because it will be painful. It
is for precisely this reason that the metaphor of the sandstorm is so complex. Right at the Commented [38]: you've said this more than once, not
sure if you noticed
beginning, Murakami illustrates the entire plot of the book through the metaphorhowever, the Commented [39]: wait where
meaning is not understood until the end of the book. Towards the end of the book, readers begin
to understand the significance of the sandstorm, which is a metaphor for fateor in Kafkas
case, his prophesied destiny. Fate is a violent, metaphysical, symbolic storm that will cut
through flesh like a thousand razor blades. People will bleed there, and you will bleed too. When Commented [40]: Maybe it's just me, but it gets messy
and goes from one idea to another way to quickly at
this point.
you come out of the storm you wont be the same person who walked in. Thats what this
storms all about (Murakami 3). In other words, the storm is the futureeveryone is fated to
endure it, and its not going to be easyit will be painful and difficult. All one has to do is get
through it somehow, and survive. The only thing that matters is how one comes out of the storm-
-either changed for the better and stronger than ever, or weak and damaged, destroyed by the
might of the storm. That is the decision people must make. It is the decision that Kafka makes--
instead of letting himself be destroyed by the storm of his fate, he writes his own ending, a Commented [41]: is this body paragraph too much plot
and not enough prompt analysis?
better, happier ending, by accepting and then letting go of his painful past and moving forward
with his life. Essentially, our world and our life is what we make of it. As Murakami says in the
novel, The world is a metaphor (Murakami). Everyone finds different meanings in a metaphor-
Kudia 5
-similarly, everyone finds a different meaning in their life. The fact that Kafka on the Shore has
such a deep and powerful central metaphor only further supports the argument that it is a classic. Commented [42]: You don't know that this is about
"classics" until the last sentence. Be more direct in the
meat of the paragraph.
However, the fact that book is complex is still not enough to make it a classic.
Commented [43]: ok, will do
Every book that has been considered a classic is rich and insightful by design. In the Commented [44]: I think I understand what Andrew is
saying here. You definitely go into detail about the
important lessons and gems of the novel, just make
novel Kafka on the Shore, this rich and insightful nature is clearly evident by the authors style as sure you make it clear (by taking the time to provide
some commentary in between) how it makes the novel
he creates the story and structures the novel. The structure of the book is built so that every a classic
Commented [45]: Too much plot in this paragraph. I
chapter alternatesthe odd and even chapters are split between the two separate but connected agree with Andrew that you get to the prompt specific
stuff only at the end.
storylines of Kafka and his other half, Nakata. The divergent yet parallel development of the two Commented [46]: Consider varying your concluding
sentences
protagonists is a very sophisticated and complex way to order a book, and as previously Commented [47]: You have a lot of really great
examples and analysis in this paragraph, but--call me
crazy--there's too much. You end up sounding a bit
mentioned, complexity only adds to a novels merit as a classic. Furthermore, the book is part of repetitive. I know it's hard to do since you spent a long
time writing, but I would consider cutting a few places.
(Also I totally have the same problem so dw about it)
the postmodern genre, which is typically literature that relies on narrative techniques such as
Commented [48]: i hate my transitions, they're so
choppy and gross
paradoxes, unreliable narrators, and fragmentation. Within this genre, Murakami effectively uses
Commented [49]: Again, I would consider changing
your topic sentence here
magical realism as a device to further enrich the meaning of the bookwhich once again, only
Commented [50]: A little list-y...
adds to its merit as a classic. In the essay "The Question of the Other: Cultural Critiques of Commented [51]: A little list-y...
Commented [52]: I feel like you should introduce this
Magical Realism" the writer argues that a critical aspect of magical realism is the existence of guy earlier in your essay. I didn't even realize that there
was a second protagonist until now--almost the end of
the paper
an irreducible element that is unexplainable according to the laws of the universe as they have
Commented [53]: do you think I should make this the
first bp then?
been formulated by modern, post-enlightenment empiricism, with its heavy reliance on sensory
data, together with a preponderance of realistic event, character, and description that conform to
the conventions of literary realism (Faris). The word unexplainable is a very accurate way to
discuss the happenings of the book, as much of it is quite perplexing, especially when
considering that the book is written in a way that makes readers expect it to be realistic. Of
course, this confusion is no accidentMurakami most definitely intended to make his book
anomalous. The New Yorker describes Kafka on the Shore as being a real page-turner, as well
Kudia 6
Nakata, who can talk to cats and make sardines and leeches rain from the sky, and the
complicated dream versus reality struggle that Kafka undergoes. This conflict between dream
and reality is an important aspect of magical realism, as One of magic realisms crucial
features is its duality, the provocative and unsettling tension between real and unreal. (Zamora
455). In the novel, Kafka struggles to comprehend whats real, and whats not. Murakami
struggle that straddles both the real world and the dreamworld, is a part of the metaphorical
sandstorm of destiny that everyone must face at some point. The New Yorker echoes this idea
when in its Subconscious Tunnels article, it is mentioned that At the center of this particular
novelistic storm is the idea that our behavior in dreams can translate to live action; our dreams
can be conduits back into waking reality (Updike). In a classic book, everything serves a
purpose towards reaching and understanding the greater meaning behind a work. Murakamis
conscious decision to use magical realism in Kafka on the Shore enabled him to create a more
meaningful story, as it opened up many unique ways to explore and develop the character of
Kafka. The lessons and experiences Kafka gains from his extremely vivid and realistic dreams
seep into his real life, establishing that the subconscious has great power over ones conscious. In
the novel, Kafka holds onto his painful past within his subconscious--a past that surfaces in his
present actions. Once he deals with the problems buried in his subconscious by journeying into
the spirit forest, Kafka is finally able to find peace in the real world. The fact that Murakami
chose magical realism to create such a phenomenal struggle between the real and unreal is very
clearly complexity through authorial intent. If theres one thing thats evident, its that this book
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is definitely not simplistic and random. Like a classic, it is very concise and insightful within its
The last piece needed to finalize a books place within the ranks of a classic, is its lasting
influence and impact on the world. Kafka on the Shore, does precisely that--with its unique style
and references to pop culture and other literature, the novel has had a lasting impact on its
readers. Murakamis work has led to the rise of a Haruki culture, in which Haruki has become
the young generations common desire (Baik). Any book that is widely desired and liked by the
public has to be good. However, that is not the only reason why it has become so popular. The
Haruki phenomenon was created through satisfying the publics desire for something not
national but universal (Baik). In other words, having a meaningful, universal message is vital to
the success and popularity of any book. How successful and popular that book turns out to be
however, determines whether or not it is a classic. Kafka on the Shore has been nothing if not
successful--with readers and fans worldwide, from East Asia to the Americas, the novel has seen
All things considered, Kafka on the Shore is undoubtedly a classic--not only because it
fulfills all the requirements: a timeless, universal theme, complexity in its structure and style, and Commented [55]: smiplify
Commented [56]: very list-y...
deeper meaning, but because it is a good, thought-provoking, and meaningful book. It reiterates
Commented [57]: yeah... I can't think of any other way
to say it tho :/
the classic themes of accepting oneself, finding ones identity, and forgiving and coming to terms
Commented [58]: Through a first read, my main
takeaway is that you're referencing the book too much
with ones past. Furthermore, the novel is groundbreaking as a postmodern book with magical and doing too much analysis on the book and not on
why that makes it a classic. Will read again for more
surrealism, as it is one of the most influential books of its kind. A book with such a deep, specific comments.
Commented [59]: I had this same thought -
meaningful, and relatable message about human nature portrayed in such a beautiful way can be It's good to have supporting evidence but it feels like
it's missing analysis and needs more outside sources.
Works Cited
Baik, Jiwoon. "Murakami Haruki and the Historical Memory of East Asia." Inter-Asia
Cultural Studies, (vol. 11, no. 1), Inha University, Mar. 2010, pp. 64-72. EBSCOhost,
doi:10.1080/14649370903403603.
http://content.ebscohost.com/ContentServer.asp?T=P&P=AN&K=48644225&S=R&D=a
ph&EbscoContent=dGJyMMTo50SeqK44zdnyOLCmr0%2BeprBSrq64Sq6WxWXS&C
ontentCustomer=dGJyMPGtsFCurLRMuePfgeyx44Dt6fIA.
This article written by research professor Jiwoon Baik in the Inter-Asia Cultural
Studies, an academic journal published through the Inha University, discusses the
boundaries and sensitivities. She argues that the overarching theme of Harukis
60s Complex caused by WWII. Baik explains that Haruki created his works to
help the Sixties Kids of Japan--people like himself. The source really
dealing with the past. Baiks article operates under the assumption that her
audience is familiar with the works and style of Haruki, and so any plot-level
descriptions of his books are barely present. The author appears very supportive
of Harukis works, and therefore may be biased towards him. This source is
which is something I have been looking for to prove that Kafka on the Shore is a
Kudia 10
classic. I will use this source to discuss the overall meaning and universal theme
of the work.
Faris, Wendy. "The Question of the Other: Cultural Critiques of Magical Realism."
This source is an article written by Wendy Faris, from the Janus Head, a scholarly
journal. This source explains what exactly constitutes magical realism: something
that cant be explained according to the laws of the universe, as well as the
the Shore. In her article, Faris is trying to explain to audiences the phenomenon of
as well as how its been used in more current works of literature. She does a
pretty good job of balancing the analysis with other sources of information, giving
a balanced viewpoint on the topic. This source was fairly helpful, as it does a
good job with explaining the whole concept and presence of magical realism,
which is a vital part of Kafka on the Shore, and so understanding it will help me
better understand the book. Having more understanding would enable me to more
classic.
https://www.newyorker.com/magazine/2005/01/24/subconscious-tunnels.
Zamora, Lois, and Wendy Faris, editors. Magical Realism: Theory, History, Community.
Duke Press, 1995,
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https://books.google.com/books?hl=en&lr=&id=Zzs_cLhfd9wC&oi=fnd&pg=PR10&ots
=Tj2LnvP1lT&sig=sUzb16tNgnHbymXKIua9ZNjOqGQ#v=snippet&q=murakami&f=fa
lse.