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Within “Africa”, the poet addresses the land as if it is a real person, and this denotes the use of

apostrophe. The poem exhibits assonance which is essential in a free verse poem.
“Africa of proud warriors in ancestral savannahs”
“Africa of whom my grandmother sings”
“On the banks of distant rivers”

These lines refute the “assumption underlying the French policy of ‘assimilation’ that Africa was a
deprived land possessing neither culture nor history” Diop has ‘never known Africa’ and her struggles
firsthand in the way that his predecessors did as he was born in France and lived there for most of his
life. Nonetheless, his father and mother were Africans, their ‘blood flows in his veins’ which is why he
spent a significant time living and teaching in Africa.
“Your beautiful black blood irrigates the fields”
He then goes on to line 7 which utilizes alliteration to add forcefulness to his conviction. It is through
the struggle and hard work of Black people that the encountering nations like France were able to reap
the harvest and build domains. Thus, Mother Africa is represented as a slave that was physically
abused and exploited economically.
This continuity of oppression is exemplified through parallelism with the run-on lines:
“…The blood of your sweat
The sweat of your work
The work of your slavery
The slavery of your children…”

The lines become memorable and emphatic as they give off a sonic effect and signify the buildup of
colonialism in African history.

The poem shifts from a praise and observation of Africa’s situation to a questioning of her decision to
yield to colonialism. The speaker demands that Africa tell him if this is her, ‘…this back that
is bent/ This back that breaks under the weight of humiliation…” These lines utilize alliteration which
conveys the enquirer’s assertiveness.

Diop’s anthropomorphic inclination is greatly expressed when Mother Africa’s back is ‘trembling with
red scars [as she says] yes to the whip under the midday sun’. The personal suffering of the mother is
symbolic of the fear of the African nation, traumatized by colonial experiences.
The lines could even foretell the disastrous and exploitive consequences to come out of the 1958
Referendum where Senegal submitted to neo-colonialism, that is, maintained cultural and economic
ties with France, under the leadership of the nation’s first president, Léopold Senghor.
The poem ends with interlaced rhymes and a rising cadence which gives a pleasing effect, indicating
that the poem has finally arrived at a thoughtful and substantial conclusion. The ending lines are
paradoxical for one would not associate liberty with bitterness, yet, it has a ring of truth to it.
Independence is often a goal achieved through sacrifice, coups, chaos and hardships. Nonetheless,
the poem ultimately communicates that the fight is worth it; the African mind must exercise more
national optimism and turn away from colonial resignation in the walk towards socio-cultural and
economic revival.

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