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Habitus As Topic and Tool: Reflections On Becoming A Prizefighter
Habitus As Topic and Tool: Reflections On Becoming A Prizefighter
LOÏC WACQUANT
University of California, Berkeley, California
Centre européen de sociologie et de science politique, Paris
This article recounts how I took up the ethnographic craft; stumbled upon the Chicago
boxing gym that is the central scene and character of my field study of prizefighting in
the black American ghetto; and designed the book Body and Soul so as to both deploy
methodologically and elaborate empirically Pierre Bourdieu’s signal concept of habi-
tus. Habitus is the topic of investigation: the book dissects the forging of the corporeal
and mental dispositions that make up the competent pugilist in the crucible of the gym.
It is also the tool of investigation: the practical acquisition of those dispositions by
the analyst serves as technical vehicle for better penetrating their social production
and assembly. The apprenticeship of the sociologist is a methodological mirror of the
apprenticeship undergone by the empirical subjects of the study; the former is mined
to dig deeper into the latter and unearth its inner logic and subterranean properties;
and both in turn test the robustness and fruitfulness of habitus as guide for probing the
springs of social conduct. Properly used, habitus not only illuminates the variegated
logics of social action but also grounds the distinctive virtues of deep immersion in,
and carnal entanglement with, the object of ethnographic inquiry.
In this article, I recount how I took up the ethnographic craft; stumbled upon the Chicago
boxing gym that is the main scene and character of my ethnography of prizefighting in the
black American ghetto; and designed the book Body and Soul that reports on its findings
so as to both deploy methodologically and elaborate empirically Pierre Bourdieu’s signal
concept of habitus (Wacquant 2004a). I draw out some of the biographical, intellectual, and
analytic connections between this research project on a plebeian bodily craft, the theoret-
ical framework that informs it, and the macro-comparative inquiry into urban marginality
of which it is an unplanned offshoot. I sketch how the practicalities of fieldwork led me
from the ghetto as implement of ethnoracial domination to embodiment as a problem and
resource for social inquiry. Through this reflection on becoming a prizefighter, I argue for
the use of fieldwork as an instrument of theoretical construction, the potency of carnal
knowledge, and the imperative of epistemic reflexivity. I also stress the need to expand the
textual genres and styles of ethnography so as to better capture the Strum und Drang of
social action as it is manufactured and lived.
The concept of habitus supplied at once the anchor, the compass, and the course of
the ethnographic journey recapped in Body and Soul. It is the topic of investigation: the
81
82 L. Wacquant
book dissects the forging of the corporeal and mental dispositions that make up the com-
petent boxer in the crucible of the gym. But it is also the tool of investigation: the practical
acquisition of those dispositions by the analyst serves as technical vehicle for better pen-
etrating their social production and assembly. In other words, the apprenticeship of the
sociologist is a methodological mirror of the apprenticeship undergone by the empirical
subjects of the study; the former is mined to dig deeper into the latter and unearth its
inner logic and subterranean properties; and both in turn test the robustness and fruitful-
ness of habitus as guide for probing the springs of social conduct. Contrary to a commonly
held view that it is a vague notion that mechanically replicates social structures, effaces
history, and operates as a “black box” that obviates observation and confounds explana-
tion (see Jenkins 1991 for a standard regurgitation of these nostrums), it emerges that
Bourdieu’s sociological reworking of this classic philosophical concept is a powerful tool
to steer social inquiry and trace out operant social mechanisms. Properly used, habitus
not only illuminates the variegated logics of social action; it also grounds the distinctive
virtues of deep immersion in and carnal entanglement with the object of ethnographic
inquiry.
of this would prove immensely useful later, on the South Side of Chicago, where germane
treatments of African Americans were current. It is in New Caledonia that I read the clas-
sics of ethnology, Mauss, Mead, Malinowski, Radcliffe-Brown, Bateson, etc. (especially
works on the South Pacific: the Trobriand Islands were just nearby) and that I kept my first
field notebooks. The very first was scribbled among the tribe of Luecilla, in the Bay of
Wé, at Christmas 1983, about a year before the independentist uprising (its highlight was
a section on going bat-hunting and having to eat the roasted proceeds of our expedition
at dinner that evening). Field notations found their way into my first publications on edu-
cational inequality, colonial conflict, and the transformation of Melanesian communities
under the press of capitalist expansion and French rule.
At the close of my Caledonian sojourn, I got a four-year fellowship to go do my
doctorate at the University of Chicago, the cradle of U.S. sociology and home of the main
tradition of urban ethnography. When I arrived in Upton Sinclair’s town, my intention
was to work on a historical anthropology of colonial domination in New Caledonia, but I
got unexpectedly derailed and detoured into America’s dark ghetto. On the one side, the
New Caledonian gates were abruptly shut after I filed a complaint against the mediocre
bureaucrat who was my supervisor in Nouméa and had forced his name as co-author of
a monograph on the school system that I had carried out by myself (Wacquant 1985).
The directors of the Institute in Paris hastened to cover up for the cheater and effectively
banned me from the island. On the other side, I found myself confronted day-to-day with
the gruesome reality of Chicago’s ghetto, or what was left of it. I was assigned the last
student-housing unit available on campus, the one nobody had wanted, and so lived I on
61st Street, at the edge of the poor black district of Woodlawn. It was a constant tremor
and puzzlement to have right under my window this quasi-lunar urban landscape, with its
unbelievable decay, misery, and violence, backed by a totally hermetic separation between
the white, prosperous, and privileged world of the university and the abandoned African-
American neighborhoods all around it. Coming from Western Europe where such levels
of urban blight, material destitution, and ethnic segregation are unknown, this questioned
me profoundly on a quotidian level, intellectually and politically. It is at this point that the
second decisive encounter of my intellectual life took place, the one with William Julius
Wilson (the first was with Pierre Bourdieu, five years earlier, when I decided to convert
from economics to sociology after hearing a public lecture by him, see Wacquant 2002a).
Wilson is the most eminent African-American sociologist of the second half of the
20th century and the foremost expert on the nexus of race and class in the United States.
His analysis of “Blacks and American Institutions” in The Declining Significance of Race
(Wilson 1978) set the parameters for that subfield of social research in 1978. He was one of
the faculty who had initially attracted me to Chicago, and so when he offered me a chance
to work with him on the big research project on urban poverty he had just started (roughly,
the agenda marked out by his book The Truly Disadvantaged; Wilson 1987), I jumped at
the opportunity and quickly became his close collaborator and co-author. This allowed me
to get straight to the core of the subject and also to get a close-up look at how this scientific
and policy debate operated at the highest level, especially in the philanthropic foundations
and “think tanks” that shaped the resurgence of the problematic of race, class, and poverty
in the inner city. That is how I started my investigations, first as an acolyte of Wilson and
then by myself, on the transformation of the dark ghetto after the riots of the 1960s, by
striving to break with the pathologizing vision that pervaded and distorted research on the
question.
I owe a huge personal and intellectual debt to Bill Wilson, who was a mentor at
once demanding and generous. He stimulated and supported me, and he also gave me
84 L. Wacquant
the freedom to diverge from his analyses and at times to go in a direction diametrically
opposed to his. By example, he taught me intellectual courage: to pursue the big picture,
to dig deep into the details, to ask the hard questions, even when this entails ruffling a
few social and academic feathers along the way. He also invited Pierre Bourdieu to speak
to his research team on his Algerian research on urbanization and proletarianization from
the early 1960s (Bourdieu et al. 1963). As it turned out, Bourdieu had tried to get The
Declining Significance of Race translated into French a few years earlier. This meeting and
the ensuing discussion solidified my sense that I could make a link between Bourdieu’s
early anthropological inquiries into the lifepaths of Algerians subproletarians and the con-
temporary predicament of the residents Chicago’s black ghetto which preoccupied Wilson.
But I did not know just how yet.
Ethnography played a pivotal role at that juncture, on two counts. On the one hand, I
took more anthropology than sociology courses because the sociology department at the
University of Chicago was dull intellectually and because I was viscerally committed to
a unitary conception of social science inherited from my French training. The courses,
works, and encouragements of John and Jean Comaroff, Marshall Sahlins, Bernard Cohn,
and Raymond Smith pushed me toward fieldwork. On the other hand, I wanted to quickly
find a direct observation post inside the ghetto because the existing literature on the topic
was the product of a “gaze from afar” that seemed to me fundamentally biased if not blind
(Wacquant 1997). That literature was dominated by the statistical approach, deployed from
on high, by researchers who most often had no first- or even second-hand knowledge of
what makes the ordinary reality of the dispossessed neighborhoods of the Black Belt, and
who fill this gap with stereotypes drawn from common sense, journalistic or academic. I
wanted to reconstruct the question of the ghetto from the ground up based on a precise
observation of the everyday activities and relations of the residents of that terra non grata
and for this very reason incognita (see Wacquant [1992] 1998a for an early effort).
I deemed epistemologically and morally impossible to do research on the ghetto with-
out gaining serious first-hand knowledge of it because it was right there, literally at my
doorstep (in the summertime, you could hear gunfire going off at night on the other side of
the street), and because the established works seemed to me to be full of implausible or per-
nicious academic notions, starting with the scholarly myth of the “underclass” which was
a veritable intellectual cottage industry in those years (see Katz 1993 and Gans 1995 for
critical accounts and Wacquant 1996 for a conceptual dissection). As a white Frenchman,
my formative social and intellectual experiences made me a complete foreigner to this
milieu and intensified the need I felt to acquire some practical familiarity with it. After a
few aborted attempts, by accident I found a boxing gym in Woodlawn, some three blocks
from my apartment, and I signed up saying that I wanted to learn how to box, quite simply
because there was nothing else to do in this context. In reality, I had absolutely no curiosity
about or interest in the pugilistic world in itself (but I did want to get good exercise). The
gym was to be just a platform for observation inside the ghetto, a place to meet potential
informants.
myself attracted by the magnetism of the “Sweet Science” to the point where I spent most
of my time in and around the gym. After about a year, the idea grew on me to dig into
a second research subject, namely, the social logic of a bodily craft. What is it that thrills
boxers? Why do they commit themselves to this harshest and most destructive of all trades?
How do they acquire the desire and the skills necessary to last in it? What is the role of the
gym, the street, the surrounding violence and racial contempt, of self-interest and pleasure,
and of the collective belief in personal transcendence in all this? How does one create a
social competency that is an embodied competency, transmitted through a silent pedagogy
of organisms in action? In short, how is the pugilistic habitus fabricated and deployed? That
is how I found myself working on two connected projects simultaneously—two projects
ostensibly very different from each other but in fact tightly linked: a carnal microsociology
of the apprenticeship of boxing as subproletarian bodily craft in the ghetto, which offers
a particular “slice” of this universe from below and from inside (Wacquant 2004a), and a
historical and theoretical macrosociology of the ghetto as instrument of racial closure and
social domination, providing a generalizing perspective from above and from the outside
(Wacquant 2008).
I had started writing a field diary after every training session from my first afternoon at
the gym, initially to overcome the overpowering sense of being out of place on the pugilis-
tic scene on so many levels and not knowing really what I would do with these notes. Now
I shifted to taking systematic notes and to exploring the various facets of the Sweet sci-
ence. The notion of habitus immediately came to me as a conceptual device to make sense
of my personal experiences as a boxing apprentice and a scaffold to organize my ongoing
observation of pugilistic pedagogy. I had read Bourdieu’s anthropological works front and
back during my Caledonia years. So I was fully familiar with his elaboration of the notion,
intended to overcome the antinomy between an objectivism that reduces practice to the
mechanical precipitate of structural necessities and a subjectivism that confuses the per-
sonal will and intentions of the agent with the spring of her action (Bourdieu [1980] 1990;
see Wacquant 2004b for a genealogy and exegesis of the notion). The author of Outline of
a Theory of Practice had retrieved habitus from a long line of philosophers, stretching from
Aristotle to Aquinas to Husserl, to develop a dispositional theory of action recognizing that
social agents are not passive beings pulled and pushed about by external forces, but skillful
creatures who actively construct social reality through “categories of perception, appre-
ciation and action.” Unlike phenomenology, however, Bourdieu insists that, while being
resilient and shared, these categories are not universal (or transcendental, in the language
of Kantian philosophy) and that the generative matrix they compose is not unchanging.
Rather, as the embodied sediments of individual and collective history, they are themselves
socially constructed.
Four properties of the concept of habitus suggested its direct relevancy for disclosing the
social making of prizefighters. First, habitus is a set acquired dispositions, and no one
is born a boxer (least of all, me!): the training of fighters consists precisely in physical
drills, ascetic rules of life (concerning the management of food, time, emotions, and sexual
86 L. Wacquant
desire), and social games geared toward instilling in them new abilities, categories, and
desires, those specific to the pugilistic cosmos (Wacquant 1998b). Second, habitus holds
that practical mastery operates beneath the level of consciousness and discourse, and this
matches perfectly with a commanding feature of the experience of pugilistic learning, in
which mental understanding is of little help (and can even be a serious hindrance in the
ring) so long as one has not grasped boxing technique with one’s body (Wacquant 1995a).
Third, habitus indicates that sets of dispositions vary by social location and trajectory:
individuals with different life experiences will have gained varied ways of thinking, feeling,
and acting; their primary dispositions will be more or less distant from those required by
the Sweet Science; and thus they will more or less invested in and adept at picking up the
craft. This certainly accorded with my personal experience and notations on the disparate
behaviors of my gym mates over time, as they tangled with the competing lure of the street
and the gym, adapted to the authority of our coach, and sought to remake their self in
accordance to the exacting demands of the trade. Fourth, the socially constituted conative
and cognitive structures that make up habitus are malleable and transmissible because they
result from pedagogical work. If you want to pry into habitus, then study the organized
practices of inculcation through which it is layered (Wacquant 1995b).
The “magical moment” of fieldwork that crystallized this theoretical hunch and turned
what was initially a side activity into a full-blow inquiry into the social logics of incarnation
was a rather inglorious one: it was getting my nose broken in sparring in May 1989, about
nine months into my novitiate. This injury forced me to take a long “time out” away from
the ring, during which Bourdieu urged me to write a field report on my initiation for a
thematic issue of Actes de la recherche en sciences sociales in preparation on “The Space
of Sports.” The result was a long article that showed me that it was both feasible and fruitful
to convert the theory of action encapsulated by the notion of habitus into an empirical
experiment on the practical production of prizefighters at the Woodlawn gym (Wacquant
1989, 2002a). This article was soon augmented by more direct engagement with habitus
on the theoretical front.
While I was carrying out my investigations on boxing and on the ghetto, I was in
permanent contact with Pierre Bourdieu, who encouraged and guided me. Upon learning
that I had signed up to learn how to box at the Woodlawn Boys Club, he had written me
a note that said essentially, “Stick it out, you will learn more about the ghetto in this gym
than you can from all the surveys in the world.” (Later on, as I got deeper into my immer-
sion, he got a bit scared and tried to get me to pull back. When I signed up to fight in the
Chicago Golden Gloves, he first threatened to disown me as he feared that I would get hurt,
before realizing that there was no need to panick: I was well prepared for this trial by fire.)
Bourdieu came to Chicago several times, visited the gym, and met DeeDee and my boxer
friends (I introduced him to them as “the Mike Tyson of sociology”). During one of these
visits, we hatched the project of a book that would explicate the theoretical core of his
work, aimed at the Anglo-American readership, since it was on this front that there were
the strongest distortions and obstacles to a fertile grasp of his models. We devoted three
years to writing this book across the Atlantic (by fax, phone, letters and meetings every
few months), entitled An Invitation to Reflexive Sociology (Bourdieu & Wacquant 1992),
in which we disentangle the nexus of habitus, capital, and field. During those years, I led
a sort of Dr.-Jekyll-and-Mr.-Hyde existence, boxing by day and writing social theory by
night. In the afternoon, I would go to the gym, train, hang out with my buddies, and “con-
versate” on end with our coach DeeDee before driving him home at closing time. And,
later that evening, after having typed my fieldnotes, I would switch to the book manuscript
with Bourdieu. It was in turns intoxicating, invigorating, and exhausting. But the daytime
Habitus as Topic and Tool 87
sessions as a student of pugilism offered both a respite from theoretical cogitation and pow-
erful stimuli for thinking through the abstract issues tackled in the book in very mundane
empirical terms. The sociology of the ghetto (which I had extended to encompass a com-
parison with the postindustrial transformation of the French urban periphery), the carnal
ethnography of the skilled body, and theoretical work with Bourdieu: all of these strands
were elaborated together and at the same time, and they are all woven together.
The boxing project is an ethnography in a classic mold in terms of its parameters, a
sort of village study like the ones British anthropologists conducted in the 1940s, except
that my village is the boxing gym and its extensions, and my tribe the fighters and their
entourage. I retained this structural and functional unity because it encloses the boxers and
carves out a specific temporal, relational, mental, emotional, and aesthetic horizon which
sets the pugilist apart, pushes him to “heroize” his lifeworld, and thereby raises him above
his ordinary environs (Wacquant 1995c). I wanted, first of all, to dissect the cloven relation
of “symbiotic opposition” between the ghetto and the gym, the street and the ring. Next, I
sought to show how the social and symbolic structure of the gym governs the transmission
of the techniques of the Manly art and the production of collective belief in the pugilistic
illusio. And, finally, I wished to penetrate the practical logic of a corporeal practice that
operates at the very limits of practice by means of a long-term apprenticeship in “the first
person.” For three years, I melted into the local landscape and got caught up in the game.
I learned how to box and participated in all phases of the preparation of the pugilist, all
the way to fighting in the big amateur tournament of the Golden Gloves. I followed my
gym buddies in their personal and professional peregrinations. I dealt on a routine basis
with trainers, managers, promoters, etc., who make the planet of boxing turn and share in
the spoils of this “show-business with blood” (Wacquant 1998c). In so doing, I was sucked
into the sensuous and moral coils of pugilism, to the point where I seriously envisaged
interrupting my academic trajectory to turn professional.
However, as the foregoing should have made clear, the object and method of this
inquiry were not of the classic mold. Body and Soul offers an empirical and methodolog-
ical radicalization of Bourdieu’s theory of habitus. On the one hand, I open the “black
box” of the pugilistic habitus by disclosing the production and assembly of the cognitive
categories, bodily skills and desires which together define the competence and appetence
specific to the boxer. On the other hand, I deploy habitus as a methodological device, that
is, I place myself in the local vortex of action in order to acquire through practice, in real
time, the dispositions of the boxer with the aim of elucidating the magnetism proper to the
pugilistic cosmos. This allows me to disclose the powerful allure of the combination of
craft, sensuality, and morality that binds the pugilist to his trade as well as impresses the
embodied notions of risk and redemption that enable him to overcome the turbid sense of
being superexploited (Wacquant 2001). The method thus tests the theory of action which
informs the analysis according to a recursive and reflexive research design.
The idea that guided me here was to push the logic of participant observation to the
point where it becomes inverted and turns into observant participation. In the Anglo-
American tradition, when anthropology students first go into the field, they are cautioned,
“Don’t go native.” In the French tradition, radical immersion is admissible—think of
Jeanne Favret-Saada’s ([1978] 1980) Deadly Words—but only on condition that it be
coupled with a subjectivist epistemology which gets us lost in the inner depths of the
anthropologist-subject. My position on the contrary, is to say, “go native” but “go native
armed,” that is, equipped with your theoretical and methodological tools, with the full
store of problematics inherited from your discipline, with your capacity for reflexivity and
analysis, and guided by a constant effort, once you have passed the ordeal of initiation,
88 L. Wacquant
to objectivize this experience and construct the object, instead of allowing yourself to be
naively embraced and constructed by it. Go ahead, go native, but come back a sociolo-
gist! In my case, the concept of habitus served both as a bridge to enter into the factory
of pugilistic know-how and methodically parse the texture of the work(ing) world of the
pugilist, and as a shield against the lure of the subjectivist rollover of social analysis into
narcissistic story telling.
Body and Soul is not an exercise in reflexive anthropology in the sense intended by
what is called “poststructuralist” or “postmodern” anthropology, for which the return of the
analytic gaze is directed either onto the knowing subject in her personal intimacy or onto
the text that she delivers to her peers and the circuits of power-knowledge in which it trav-
els, in a contradictory and self-destructive embrace of relativism (Hastrup 1995; Marcus
1998). Those forms of reflexivity, narcissistic and discursive, are rather superficial; they
certainly constitute a useful moment in a research undertaking by helping to curb the play
of the crudest biases (rooted in one’s identity and trajectory, affects, rhetorical effects, etc.).
But they stop the movement of critique at the very point where it should start, through the
constant questioning of the categories and techniques of sociological analysis and of the
relationship to the world these presuppose. It is this return onto the instruments of con-
struction of the object, as opposed to the subject of objectivation, which is the hallmark of
what one may call epistemic reflexivity (Bourdieu & Wacquant 1992, pp. 36–46; Bourdieu
2002). And here is another difference with the “egological” or textual reflexivity of the
subjectivist anthropologists: epistemic reflexivity is deployed, not at the end of the project,
ex post, when it comes to drafting the final research report, but durante, at every stage in
the investigation. It targets the totality of the most routine research operations, from the
selection of the site and the recruitment of informants to the choice of questions to pose or
to avoid, as well as the engagement of theoretic schema, methodological tools and display
techniques, at the moment when they are implemented.
So Body and Soul is a reflexive book in the sense that the very design of the inquiry
forced me to constantly reflect on the suitability of the means of investigation to its ends,
on the difference between the practical mastery and the theoretical mastery of a prac-
tice, on the gap between sensorial infatuation and analytic comprehension, on the hiatus
between the visceral and the mental, the ethos and the logos of pugilism as well as of
sociology. Likewise, Urban Outcasts (Wacquant 2008), the companion book of macroso-
ciology which draws up a comparison of the structure and experience of urban relegation
in the black American ghetto and the French urban periphery, is a work of reflexive urban
sociology because it ceaselessly interrogates the very categories it puts into question and
into play—“underclass,” “inner city,” “banlieues,” hyperghetto, anti-ghetto, precariat—to
think the novel configurations of marginality in the city. And because it rests on a clear-cut
demarcation between folk categories and analytic categories, which is for me the plinth of
reflexivity.
Epistemic reflexivity is all the more urgently needed by ethnographers as everything
conspires to invite them to submit to the preconstructions of common sense, lay or schol-
arly. By methodological duty, they must be attentive to the agents they study and take
seriously their “point of view.” If they do their job well, they also find themselves bound to
these agents by affective ties that encourage identification and transference (for an astute
analysis of the methodological use of transference in Body and Soul, see Manning 2005).
Finally, the public image of ethnography (including, regrettably, in the eyes of other social
scientists) likens it to story-telling, diary-writing, if not to epic. So much to say that the
anthropologist or sociologist who relies on fieldwork must double the dose of reflexivity.
This is what I tried to demonstrate in “Scrutinizing the Street” about recent trends and
foibles in U.S. urban ethnography (Wacquant 2002b). The considered target of my critique
is not the three books on race and urban poverty that I subject to a meticulous analytic
dissection (and still less their authors, who are here simply points in academic space, or
their political positions, to which I am completely indifferent), but a certain epistemolog-
ical posture of unreflective surrender to folk apperceptions, to ordinary moralism, to the
seductions of official thought and to the rules of academic decorum. This posture is the
90 L. Wacquant
fount of serious scientific errors, as these errors are systematic and have both ordinary and
scholarly common sense on their side.
To enable the reader to experience the thrills of the apprentice-boxer and to make
palpable both the logic of the fieldwork and its end-product required adopting a quasi-
theatrical mode of writing. How to go from the guts to the intellect, from the compre-
hension of the flesh to the knowledge of the text? Here is a real problem of concrete
epistemology about which we have not sufficiently reflected, and which for a long time
seemed to me nearly irresolvable (notwithstanding the varied attempts at and discussions
of formal innovation and poetic construction among anthropologists). To restitute the car-
nal dimension of ordinary existence and the bodily anchoring of the practical knowledge
constitutive of pugilism—but also of every practice, even the least “bodily” in appearance,
including sociological analysis—requires indeed a complete overhaul of our way of writ-
ing social science. In the case at hand, I had to find a style breaking with the monological,
monochromatic, linear writing of the classic research account from which the ethnogra-
pher has withdrawn and elaborate a multifaceted writing mixing styles and genres, so
as to capture and convey “the taste and ache of action” to the reader (Wacquant 2004a,
pp. vii–xii).
Body and Soul is written against subjectivism, against the narcissism and irrational-
ism that undergird so-called “postmodern” literary theory, but that does not mean that
we should for that deprive ourselves of the literary techniques and instruments dramatic
exposition that this tradition gives us. That is why the book mixes three types of writing,
intertwined with each other, but each given priority in one of the three parts, so that the
reader slides smoothly from concept to percept, from analysis to experience. The first part
anchors a classic sociological style in an analytic mold that identifies at the outset structures
and mechanisms so as to give the reader the tools necessary for explaining and understand-
ing what is going on. The tone of the second part is set by ethnographic writing in the
strict sense, that is, a dense depiction of the ways of being, thinking, feeling, and acting
proper to the milieu under consideration, where one encounters again these mechanisms
but in action, through the effects they produce. The experiential moment comes in the third
part, in the form of “sociological novella” that delivers felt action, the lived experience of
a subject who also happens to be the analyst.
The weighed combination of these three modalities of writing—the sociological, the
ethnographic, and the literary—according to proportions that become gradually inverted
as the book progresses, aims to enable the reader to feel emotionally and understand ratio-
nally the springs and turns of pugilistic action. For this, the text weaves together an analytic
lattice, stretches of closely edited field notes, counterpoints composed of portraits of key
protagonists and excerpts from interviews, as well as photographs whose role is to foster a
synthetic grasp of the dynamic interplay of the factors and forms inventoried in the analy-
sis, to give the reader a chance to “touch with her own eyes” the beating pulse of pugilism.
Here again, everything hangs together: the theory of habitus, the use of apprenticeship as
technique of investigation, the place accorded to the sentient body as vector of knowledge,
and formal innovation in writing. Indeed, there is no point in carrying out a carnal sociology
backed by practical initiation if what it reveals about the sensorimotor magnetism of the
universe in question ends up disappearing later in the writing, on the pretext that one must
abide by the textual canons dictated by Humean positivism or neo-Kantian cognitivism.
Many social researchers view theory as a set of abstract notions that either float high
up in the pure sky of ideas, disconnected from the nitty-gritty of the conduct of inquiry,
or constitute responses to the empirical questions that the latter raises, to be discovered in
the real world, as in the approach labeled “grounded theory.” This is a misconstrual of the
Habitus as Topic and Tool 91
relationship of theory and research, and ethnography in particular. Whether the investigator
is aware of it or not, theory is always driving field inquiry because, as Gaston Bachelard
(1971) taught us, “the vector of knowledge goes from the rational to the real,” and not the
other way around. And it must of necessity engage observation in order to convert itself
into propositions about an empirically existing entity. This applies to habitus, which like
every concept, is not an answer to a research question but rather an organized manner of
asking questions about the social world—in the case recounted here, a methodical plan to
vivisect the social fabrication of pugilists in their workaday environment.
References
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