Pravesh (Praveshika Purna)

Total Marks : 200 Practical : 150 Oral (Theory) : 50

Allotment of Marks
1. Shuddha Nrut - 100
2. Abhinaya (Expression) - 25
3. Anga Shudhhi - 05
4. Veshbhusha (Costume) - 05
5. Overall presentation - 15
6. Oral (Theory) (with Padhant - 50
and Mudra)
Note : 1. Syllabus from previous years is also included.
2. Accompanied musicians are compulsory.
3. Padhant of all items necessary.

PRACTICAL
TRITAAL :
1. Thaat (including 2 Mukhadas)
2. Paranjudi Amad - 1
3. Tode - 3
4. Chakradaar Tode - 2
5. Paran - 2
6. Chakradaar Paran - 2
7. Kavit / Kavita Toda - 1
8. Gatnikas - Mormukut and Matki
9. Layakari - Adhi (Thaah), Barabar, Dogun, Chogun, Aathgun
including Teehai
10. Bant(Palte) - 4 palte including Teehai
11. Dadra and kaharva Taal - Thaah and Dugun (Numbers, Theka, Tatkar/Nrutya bol)
ABHINAYA :
1. Shlok - Ganesh vandana
2. Gatbhaav - Makhanchori
JHAPTAAL :
1. Layakari - Barabar, Dogun, Chogun including Teehai
2. Amad - 1
3. Tode - 3
4. Paran - 1

4
Kathak Nrutya
ASANYUKTA HASTA MUDRA (According to Abhinaya Darpan) :
Demonstration and 2 uses of each of the following
1. Padamakosh
2. Sarpashirsh
3. Mrugashirsh
4. Sinh Mukh
5. Kangul
6. Alapadma
7. Chatur
8. Bhramar
9. Hansasya
10. Hansapaksh
11. Samdansh
12. Mukul
13. Tamrachud
14. Trishul
15. Ardhasuchi
16. Vyagrah
17. Palli
ORAL (Theory)
1. History of Kathak in short including origin and Changes in Kathak dance form during
Mughal Era.
2. Introduction of Kathak dance in short
= Information about 3 Gharanas of Kathak (in short)
= Presentation of Kathak dance on stage. (Names of items presented
according to sequence)
= Musical instrumet, Music and Language
3. Definitions : Thaath, Paran, Chakradhar Paran, Gatbhav, Hastamudra, Lehra, Theka,
Paranjudi Aamad, Aamad.
4. Name of present Kathak Gurus - any 5
5. Knowledge of past year’s theory.

5
Kathak Nrutya
 3
.
‡d{e
(
‡
d{o
eH$
m
[yU
©)
H
w$
bAßH
$
:-200 o
H
´$m̀
À_
H $
:-150 _
m
°o
IH
$e
mÛ
:-
50

o
H
´$m̀
v À_
H $
:
1. e
w’ Z •Œm
[j -
100
2. A o^
Z̀ [j -
25
3. A ßJ
e wo
’ -
5
4. d{e^yf m -
5
5. ‡ ÒV
woV ‡^m
d -
15
6. _
m
°o
IH$
em
Û -
50 (
[
T>›
VE
dß_
w–
m
go
hV
)
Z
m
|Y
:(
1)
J
Vd
fm
}H
{$
A‰m̀
gH´$
__|g
{^
r
[yN
>m
Om
gH$
Vm
h°$
&
(
2
)V
]b
{E
d
ßb
h
a
{H
$
s
gßJ
o
VAm
dÌH̀
$$
&
(
3
)g
^r
aM
Zm
Am
|H
$
s
[T>›
V
Ao
Zd
m`
©
o
H
v´$m̀
À_H$v
o
vÃVmb
1. R>mQ > -X m{_ wI∂S>{g ohV
2. [ a Z Ow∂S
>rA m _X - 1
3. V m{∂S >{ - 3
4. M H ´$
X ma V m
{∂S >{ - 2
5. [ a Z - 2
6. M H ´$X ma [a Z - 2
7. H$o d Œm/ H$ od Vm - 1
8. J V o Z H $
mg -_ m{a _wHw$
Q>, _ Q
>H $
s
9. b̀ H $
m a
r -oà V mb _ |A mYr -
]am]
a,
X wJ
wZ
, M
m
°J
wZ,Am
R
>J
wZ
o
Vh
mB
©g
o
h
V$&
10. ]m
±Q >/ [ b Q >{ - 4‡ H$m
a o V h m
B©goh
V $
&
11. XmX a mE dßH $h ad
m
Vm
b-b̀
H$m
a
r- R >mh EdßX wJwZ( o
JZVr
,R
>{H$
m
,Z•À
`H{$
]m
{b
)
A
v o
^ Z̀ 1.-õ m {H$- J U{e dßX
Zm,
2. J V ^ md :- _ m
I ZMm
{a
r
P
v [Vmb
1. b̀
H
$
m
ar -
]a
m
]a
,X
wJ
wZ
,
Mm
°J
wZ
o
Vh
mB
©g
o
h
V
2. A m _ X -1
3. V m
{∂S
>{ -3
4. [ a Z -1
A
v gß`
w∫ $ hÒ
V
_w–
m
E
± - ( A
o
^Z̀X[
©U
H
{$AZ
wgm
a
)
og \
$
©H
$
aH
{$
oXI
m
Z m
Am
°aC
ZH{$
2-2
‡ m̀
{J
]V m
Zm
h°$
&
[
X≤_H
$
m
{f
,g[©e
r
f©,
_•J
er
f©,
q
gh
_wI
,
H$
m
±Jwb
,A
b[Ÿ,M
Vwa
,^´_
a
,h
ßgmÒ̀
,
hßg
[
j,gßX
ße
,_wH
w$
b,V
m
_´M
y∂S
>,
o
Ãeyb
,AY
©g
yoM
,
Ï m̀
K´,
[Îb
r&

3
H
$
WH$
Z•À
`
 _
m
°o
IH$
em
Û
1. H
$
WH$
Z•À
`
H{$
Bo
Vh
mg
H$
m
gßo
j·[
n
a
M̀o
ZÂ
Zo
bo
IVo
]›
XwA
m
|H
{$
AmY
m
a[
aX
r
o
OE-
(
1)
C
À[
o
Œm
(2)
_
wJ
b
H$
m
bH{$
Xm°a
m
ZH
$W
H$
Z•À
`
_|h
m
{Z
{d
m
b{[
n
a
dV©Z
$
&
2. H
$
WH$
Z•À
`
H$
m[
na
M̀
o
ZÂ
Zo
bo
IVo
]›
XwA
m
|H
{$
AmY
m
a[
ao
XO
rE
$
&
(
1)
V
rZ
m
{K
a
mZ
m
|H
$
s
gßo
j·O
m
ZH
$
ma
r
$&
(
2)
a
ßJ
_
ßM
[
a
H$
WH$
Z•À
`
H$
s‡
ÒV
wo
VH
´$
_AZ
wg
m
a(
H{$
dbZ
m
_)
(
3)
g
ßJ
o
V_
|o
bEO
m
Z{d
m
b{d
m
⁄Ed
ßg
ßJ
r
V[
’o
VVW
m
^m
fm
$
&
3. [
a
^m
fm
E
±:
R>m
Q
>,
[a
Z
,M
H´$
Xm
a[
aZ
,
J
V^m
d,
hÒ
V_
w–
m
,
bha
m
,
R>{H
$
m
,[a
Z
Ow∂S
>r
Am
_X
,A
m
_X
$&
4. d
V
©_
m
ZH
$W
H$
JwÈ
A
m
|H
{$
Zm
_H
$m
{B
©^
r
[m
m
±M
$
&
5. J
V
df
m
}H
{$
A‰m̀
gH´$
__|g
{^
r
[yN
>m
Om
gH$
Vm
h°$
&

4
H
$
WH$
Z•À
`