Analysis On Nature in Robert Frost's Poetry
Analysis On Nature in Robert Frost's Poetry
Analysis On Nature in Robert Frost's Poetry
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Received: March 21, 2017; Accepted: April 6, 2017; Published: May 17, 2017
Abstract: Nature is the most distinguished feature in Robert Frost’s poems. Frost possesses deep love and sympathy towards
nature. However, the typical pastoral life is not the central theme in Frost’s poems. Instead, Frost concentrates on the dramatic
conflict happened in the natural world. His poems usually begin with an observation in nature and proceed to the connection to
human psychological situation. According to Frost, nature is not only the source of pleasure, but also an inspiration for human
wisdom. People will get the enlightenment from observation, thus nature becomes a central character in his poetry rather than
merely a background.
values and view of nature are intimately related. [6] Robert inspiration for human wisdom. People will get the
W. French reveals in Robert Frost and the Darkness of enlightenment from observation (as in the “Birches”). Nature
Nature that there is impenetrable barrier between man and becomes a central character in his poetry rather than merely a
nature. [7] background.
Nature is employed as a metaphor in Frost’s poems. He
2. Robert Frost and His View on Nature describes the natural object and leads the reader to a
comparison. Frost’s poems are easy and precise in the literal
Robert Lee Frost (1874-1963) had widely been received in level, since his observation is accurate. However, he is not
American, who received the Pulitzer Prize four times, and was going to record the natural world. He is making an analogy to
the only poet ever invited to read his poem at a presidential some human condition through telling the nature stories.
inauguration. Though he never forces his idea on the reader, he hopes the
Born in San Francisco, Robert Lee Frost was named after reader is close to it. Frost’s poetry is rooted in his
the defeated Confederate general Robert E. Lee. After the psychological concern and expressed through a material
death of his father, the rebellious son of a prudent, embodiment with a natural background. Frost uses to spend
hard-working, successful Massachusetts farmer, he moved time to depict it sensitively and carefully, using skillful poetic
with his mother and sister to eastern Massachusetts near his and figurative language. His poems serve as good examples to
paternal grandparents. study the use of images and poetic skills.
Deeply influenced by his experience in his young, Robert
Frost had a unique position in modern poetry. He has been 2.2. Robert Frost’s View on Nature
widely received by audience while his poetry does not receive Before we come to discuss Frost’s nature poetry, two
careful critical judgment. This neglect is due much to the figures must be mentioned here: Wordsworth and Emerson.
nature of his poetry. His poetry seems to lack the complexity As we know both of them are famous for their view on nature.
one expects to find at the center of the best modern verse. His The reader’s attitude toward nature is well determined by the
verse form is traditional, his sentences are always clear, and lake poets and their English successors. Wordsworth is a
his language is often close to every day speech. His simplicity pantheist who believes that God exists everywhere in nature.
makes many readers’ exploration stop here. Besides, nature is According to him, nature is in harmony with mankind, nature
frequently used in his poetry. Frost denied being a nature poet. and man are in the spiritual union. Emerson highlights his
“I’m not a nature poet,” he once declared, “there is almost view on nature in his book, Nature (1836). Similar to
always a person in my poems.” [3] Wordsworth, he believes in the immanence of God in nature.
2.1. Robert Frost’s Nature Poetry Nature in Emerson’ s eyes is symbolic of spirit.
In many a poem of Frost, we know that Frost shares with
Robert Frost was the leading modern American poet of Wordsworth and Emerson a keen interest in nature. But Frost’s
nature and rural life. Most of his poems are upon natural perception of nature is more complicated than theirs.
element. He was very much interested in natural things; he
found beauty in common place. Although he has a keen 2.2.1. The Bright Side of Nature
understanding of natural world, Frost does not aim at In Frost’s poetry, there exist bright side of nature. In my
presenting natural scenery and charming rural life. His poems poems, we read the poet’s delight in nature----his trees, grass,
are concerned with human psychological condition. Robert and animals are described with such affection; his characters
Once said, “some people call me poet for nature because of the are full of such happiness. His nature is filled with beauty and
natural setting. But I am not a poet for nature, there is also benevolence. We can fully feel the poet’s affection to nature’s
something else in my poems.” [3] Robert Frost uses nature as beauty and grace.
a background to illustrate people’s psychological struggle “A Winter Eden” can serve as a good example of nature’s
with everyday life. His poems usually begin with an beauty. Look at the following stanzas:
observation in nature and proceed to the connection to human A winter garden in an alder swamp, Where conies now
situation, such as loneliness, helplessness, confusion, and come out to sun and romp, As near a paradise as it can be And
indifferent human relationship. not melt snow or start a dormant tree. It lifts existence on a
Nature is the most distinguished feature in Robert Frost’s plane of snow One level higher than the earth below, One level
poems. Frost possesses deep love and sympathy towards nearer heaven overhead, And last year’s berries shining scarlet
nature which is the source for inspiration. He used to wander red. It lifts a gaunt luxuriating beast Where he can stretch and
in the woods with his kids, and looked into the starry sky hold his highest feat On some wild apple tree’ s young tender
before sleep, from which he got the spiritual meaning out of bark, What well may prove the year’s high girdle mark. So
nature. However, the typical pastoral life is not the central near to paradise all pairing ends: Here loveless birds now flock
theme in Frost’s poems. Instead, Frost concentrates on the as winter friends, Content with bud-inspecting. They presume
dramatic conflict happened in the natural world, such as the To say which buds are leaf and which are bloom. A
confusion and dilemma in life (as in “Mending Wall”), and the feather-hammer gives a double knock This Eden day is done at
danger of nature (as in “Exposed Nest”). According to Frost, two o’clock. An hour of winter day might seem too short To
nature is not only the source of pleasure, but also an make it worth life’s while to wake and sport.
English Language, Literature & Culture 2017; 2(3): 25-30 27
This poem is about the place of winter in the cycle of the they scarcely show the breeze, Were not, as’twere, the merest
seasons, and how winter symbolizes the point in the cycle of mask of gloom, But stretched away unto the edge of doom.
life that marks the transition to rebirth. We may find beauty in Increasingly enough, we see the transition of tree imagery
the snowy woods or have your mood lifted by the song of a run throughout Frost’s poetry. “Dark trees” become “dark
bird. Contrary to popular belief in winter as cold, death and woods” in “The Onset”:
bleakness, in this poem Frost shows us a beautiful, delight and Always the same, when on a fated night At last the gathered
lively scene. The winter garden, although “on a plane of snow lets down as white As may be in dark woods, and with a
snow”, is attractive with “last year’s berries shining scarlet song It shall not make again all winter long...
red”. The animals in the garden are active with their respective Then in “Come In”, the woods become the “pillared dark”
tricks. The birds flock as friends. This is really a lovely and from which a thrush’s bewitching singing is heard:
cheerful scene, a Winter Eden, as Frost suggests by the title. Far in the pillared dark
Nature as a benevolent being is not only capable of pleasing, Thrush music went----
but also comforting man. Let’s look at another Frost’s poem, Almost like a call to come in
“Tree at My Window”: To the dark and lament
Tree at my window, window tree, My sash is lowered when Darkness is usually suggestive of mystery, ill omen and
night comes on; But let there never be curtain drawn Between terror. The poem shows the poet as he stands by the edge of the
you and me. woods, listening to the song of an unknown bird. The song of
Vague dream head lifted out of the ground, And thing next the bird is fascinating and lures the poet step in the dark woods.
most diffuse to cloud, Not all your light tongues talking aloud But he resists the temptation and does not come in. What
Could be profound. keeps him off the woods is their darkness.
But tree, I have seen you taken and tossed, And if you have So is nature in Frost’s poetry, dual-charactered, namely,
seen me when I slept, You have seen me when I was taken and bright and dark. It can be a friend of man, but a hostile friend
swept And all but lost. at times. It can also be an enemy, but a generous one from time
That day she put our heads together, Fate had her to time.
imagination about her, Your head so much concerned with
outer, Mine with inner, weather. 3. Nature as a Source of Human Wisdom
The poet makes a comparison between himself and the tree
out of the window. Although he will draw the curtain at night, “How many times it thundered before Franklin took the hint.
he hopes that there will always see each other and be intimate How many apples fell on Newton's head before he took the
friends. The branches of the tree look like a “vague” head hint. Nature is always hinting at us. It hints over and over
wavering in the wind. The rustle of the leaves could be again. And suddenly we take the hint.”----Robert Frost
meaningless talks and make no sense to the poets. However, Nature is always a hint to us. It hints all the time until we
the poet has seen the tree tossed in the storms, and the tree has suddenly see the light. Franklin took the hint of thunder and
also witnessed the poet swept by the storm in his dreams. The invented lightening rod. Newton took the hint of a falling
poet’s fate is closely connected with the tree’s, and they share apple and developed the Law of Universal Gravity. Each of us
a deep sympathy with each other who struggle against their benefits from nature. We take hints from nature and strengthen
own troubles. The poet feels that they are companions-- the our knowledge. We may not become giants like Franklin and
tree is standing up in the natural weather, and the poet is Newton, but we can become wiser persons. Nature is a source
standing up in his inner weather. of human wisdom.
By now we have read some poems by which Frost extols
nature at its beat, is the embodiment of both beauty and 3.1. Close Relationship between Man and Nature
benevolence. Yet these only constitute one side of Frost’s view Man and nature are closely related. We can not live
on nature. There is always the other side. without nature, even if we live all our lives in a large city. In a
2.2.2. The Dark Side of Nature sense, human beings are part of nature. We are governed like
Lionel Trilling defined Frost as a “terrifying poet” who the other creatures by the same rules in nature.
depicted a “terrifying universe” [7] at a dinner party In Frost’s poetry man and nature, and nature and man are
celebrating Frost’s eighty-fifth birthday. Trilling’s speech counter-parts of each other. [9] We cannot separate one from
made many critics re-examined Frost’s poetry, which they the other. He makes nature as a medium, describe nature in all
once thought bright and optimistic. In fact, the “dark” quality its beauty, loveliness and even meanness, but ultimately the
in Frost’s poetry is so conspicuous that it will by no means journey of each poem ends in the problems of man and
escape our eyes. [12] solution of this problem in human psychology. The poems of
The “dark” quality brings about the dark side of nature in Frost in which, he takes up, the theme of contraries have a
Frost’s poetry. The word “dark”, in its various forms, often universal import. In these poems, the persona poet is not an
occurs in Frost’s nature poetry. “Into My Own”, the first poem individual but a type of all human beings who are obliged to
in Frost’s first book, A Boy’s Will, begins: live life in the midst of nature to earn their livelihood but
One of my wishes is that those dark trees, So old and firm livelihood is not their only aim. May be, they are farmers but
they are educated farmers, thinking human beings with whom
28 Yuanli Zhang et al.: Analysis on Nature in Robert Frost’s Poetry
finding a solution to their problems is as important as their gradually he turns to meditation on the implication of the
living. Since they think intensively and extensively to find a natural scene; and finally he ends his poem with the “wisdom”
solution of their problems, thinking becomes with them an of an insight into the human situations. Nature, to Frost, is an
infinite process. The more they think, the more they learn until inspiration.
they feel that learning is an endless process. Therefore, so long Frost’s poem, “The Pasture”, which Frost included at the
as man is thinking, and he will think forever, the poetry of beginning of every collection of his poetry, can be a good
Frost will remain expose relationship between man and example of his expressive and commonsense style as well as
nature. the source of delight and wisdom. The village farmer who is
the “persona” of the poem plainly talks about his daily
3.2. Symbolic Quality of Nature activities with a sense on delight narrating at the same time the
Symbolism is the use of one object or action (a symbol) to delightful bucolic atmosphere in the sight of “pasture spring”
represent or suggest something else. [14] It is a prevalent use and a “little calf” tottering beside its mother. But each stanza
for poets to express their ideas through indirect statements, ends with wisdom, which actually means, deep understanding
thus invest the object with an implied meaning. Thus of life, expressing the limitations of human life: “I sha’nt be
symbolism means a veiled mode of communication. A poem gone long”. The farmer enjoys his life with simple activities
may have a surface meaning but it may also have a deeper within the domain of his farm though he cannot go beyond:
meaning which is understood by the reader only by I’m going out to clean the pasture spring;
interpreting the deeper significance of the words and phrases I’ll only stop to rake the leaves away
used. [15] Frost’s poetry always presents the general through a (And wait to watch the water clear, I may):
particular scene. I sha’n’t be gone long.----You come too.
“After Apple Picking” is an good example of Frost’s I’m going out to fetch the little calf
symbolic poem. The poem is a description of the speaker That’s standing by the mother. It’s so young,
feeling tired after picking up a large amount of apples from his It totters when she licks it with her tongue.
orchard tree. The act of harvesting apples is a symbol for the I sha’n’t be gone long.----You come too.
daily work in life. Afterwards, the speaker reveals his insight The farmer expresses his delight inviting others; “You come
as: too”. The commonsense simplicity of verse, along with deep
“Essence of winter sleep is on the night, philosophy of life, creates a sense of delight and wisdom for
The scene of apples: I am drowsing off.” readers.
The speaker is aware of the coming winter after the Frost’s wisdom has been well recognized. He is referred to
harvesting autumn. On the literal level, it is a natural circle for as a farmer sage, a shrewd poet, a man of insight, and a
the change of the seasons, and sleep is what one must get powerful seer who sees what others don’t see. It is obvious
during the night. On the deeper meaning, winter is a symbol that Frost’s wisdom comes largely from his communication
for death. The speaker knows that he is getting old, and death with nature. If he denies being “a nature poet”, as we have
is a natural ending for him. After accomplishing the task in life, seen him declare earlier in his paper, he would not possibly
the speaker feels that he is drowsing off, which indicates that deny being a poet who is constantly inspired by nature.
he is ready for death.
Frost’s poetic language is simple and the natural world in 4. The Implications of Robert Frost’s
his poems are as true as he sees it. However, the meaning he
expressed is significant, which can only be achieved through a View on Nature
symbolic reading. People love Robert Frost’s poems because they can always
3.3. “From Delight to Wisdom”: Nature’s Inspiration to learn something about life by reading them. Specifically, the
Frost implications of Robert Frost’s view on nature can be shown
from the reading of his poems. In this part, I shall take a step
“It (a poem) begins in delight, it inclines to the impulse, it further to explore the implications of Frost’s view on nature.
assumes direction with the first line laid down, it runs a course
of lucky events, and ends in a clarification of life----not 4.1. Dialectical Mind to View Nature
necessarily a great clarification, such as sects and cults are The first implication I study here is that nature demands
founded on, but in a momentary stay against confusion.” man a dialectical mind towards itself. In other words, we
----Robert Frost should hold a dialectical mind if we are to treat nature properly.
This quotation is Frost’s famous dictum on how a poem This is decided by nature’s dual character.
works. It is well known that Robert Frost, in a foreword to his In 2.2, we have discussed about Frost’s view on nature,
Collected Poems (1939), wrote: a poem “begins in delight and namely, nature has two sides----the bright side and the dark
ends in wisdom.” [8] Here the word “delight” does not side. These two sides are opposed to each other, but they can
necessarily take its literal meaning of joy, but the wonder at not be separated from each other. To hold a dialectical mind to
some unexpected sight. Often Frost is seen to begin a poem view nature, we must enumerate both sides. We should know
with the “delight” of observing a particular natural scene; but that there is no clear dividing line for good and evil in nature.
English Language, Literature & Culture 2017; 2(3): 25-30 29
[8] Robert Frost. Collected Poems. Henry Holt & Company, Inc, Frost, Bishop, and Ashbery: The House Abandoned",
1939. Bakingstoke: Palgrave Macmillan, 2008.
[9] Gerber, Philip l. (ed.). Critical Essays on Robert Frost. Boston: [13] Muldoon, Paul. The End of the Poem: "The Mountain" by
G. K. Hall & Company, 1982. Robert Frost. American Poetry Review, 2001, 30(1):41-46.
[10] Richardson, Robert D. (ed.). Ralph Waldo Emerson: Selected [14] Richard Nordquist. Symbolism - Glossary of Grammatical and
Essays, Lectures, and Poems. New York: Bantam Books, 1990. Rhetorical Terms, Available:
https://www.thoughtco.com/symbolism-definition-1692169,
[11] Moore, Marianne. "Book Review: The Poetry of Robert Frost: Oct 27, 2016.
Constellations of Intention Reuben A. Brower", Modern
Philology, 1964. [15] Symbols in Robert Frost’s poems. Available: http://
http://www.josbd.com/symbols-in-robert-frosts-poems, March
[12] Marit J. MacArthur. "The American Landscape in the Poetry of 22, 2017.