Professional Documents
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Colborn Response
Colborn Response
ANDREW L. COLBORN,
Plaintiff
NETFLIX, INC., et al., Case No. 19-CV-484
Defendants.
INTRODUCTION
Plaintiff, Andrew Colborn, respectfully submits this brief in opposition to Netflix, Inc’s
motion to dismiss. Contrary to Netflix’s arguments, Plaintiff has sufficiently alleged malice by
Netflix. Malice, knowledge, and intent may be alleged generally. Therefore, these are not
issues that should generally be resolved on pleadings. Moreover, binding precedent holds that a
Further, Plaintiff has unquestionably pleaded facts that support inferences and findings of
actual malice by Netflix. At this stage, and prior to discovery, Plaintiff does not have access to
additional facts that only Netflix could have that further demonstrate its actual malice, such as
information regarding its internal editing and production process. But the content of the
broadcast itself demonstrates that Netflix acted at least recklessly in publishing the MAM
material that is defamatory to Mr. Colborn, and that objective evidence does not depend on
which of Netflix’s employees shaped that content to convey its defamatory message.
Further, it is ironic for Netflix, an industry giant that touts its content production skills
and has bragged about its role in the Making a Murderer broadcasts that defamed Mr. Colborn,
whose employees have dished publicly about working on MAM and which has accepted awards
attempt to duck responsibility for the broadcasts. Therefore, to the extent that the Court may find
any merit in Netflix’s motion, Plaintiff respectfully requests leave to expressly plead additional
facts that are well known to Netflix, including, among other things, public statements by its
For purposes of preserving the argument, Plaintiff also respectfully submits that this is an
appropriate case in which the United States Supreme Court should, if necessary, entertain Justice
Clarence Thomas’ recent invitation to review and abolish the actual malice standard.
FACTS ALLEGED
Plaintiff, Andrew Colborn, is a former Manitowoc County Sheriff’s Officer. Dkt #1-2
(Amended Complaint), p. 6 (of 61), ¶¶11-12, p. 23, ¶23(a). In December 2015, Mr. Colborn’s
life changed radically when Defendant Netflix published its Making of a Murderer series
the investigation of the murder of a 25-year-old photographer named Teresa Halbach and the
trial and conviction of Steven Avery, a Manitowoc County resident, for the crime. Id., p. 7, ¶15.
The Avery trial was publicized in local media at the time, but it did not gain widespread
notoriety until after the fact, when Netflix broadcast MAM to viewers worldwide. MAM’s
central premise asserts, directly and indirectly throughout the successive episodes, that Mr.
Colborn participated in a police conspiracy to frame Mr. Avery by planting evidence on the
property where Mr. Avery lived and on an adjacent family-owned salvage yard.
Since the MAM broadcast aired, what may amount to tens or hundreds of thousands of
MAM fans have discussed Mr. Colborn’s alleged culpability in the supposed scheme and have
castigated him online. Among other things, Mr. Colborn has received serious and ongoing
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threats to his and his family’s safety; has been subject to recorded telephone threats, the sheer
volume of which fill the capacity of 28 compact discs; and has received numerous late-night
telephone calls in which callers have screamed profanities and threatened to do him physical
harm. Dkt #1-2, p. 27, ¶70. Avery sympathizers have threatened to kill Mr. Colborn and
members of his family, kidnap and sodomize him and gang rape his wife. Id. Photographs of
Mr. Colborn’s children have been posted online by hateful viewers influenced by MAM. Id.
Due to the threats of violence and the hostility against him, Plaintiff is required to
maintain a state of hypervigilance at all times and to constantly be alert to potential danger. Id.
Plaintiff has had to be more cautious and guarded in nearly every aspect of his life, including in
making travel plans and deciding where he and his wife can eat in public. Id. As a result, Mr.
Colborn suffers from severe emotional distress, anxiety, and exhaustion. Id.
To vilify Mr. Colborn to the extent necessary to create such animosity toward him, MAM
relied, among other things, on selective, even fraudulent, edits to Mr. Colborn’s trial testimony
that were presented in the broadcasts as direct, unedited excerpts of trial footage. See Dkt #1-2,
Exs. A, B. Nothing in the broadcasts indicates to viewers that there have been edits to his
testimony. See id. But through heavy and unscrupulous editing, MAM presented what appeared
to be actual trial footage as if it consisted of direct quotations from Mr. Colborn’s own mouth,
when they were not.. In this manner, MAM presents what appear to be admissions of acts in
Among MAM’s many revisions to trial testimony, Mr. Colborn’s answer to one question
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is frequently portrayed as the answer to another. One particularly egregious example palpably
contributes to the mania with which MAM’s fans have asserted throughout the worldwide web
that Mr. Colborn was secretly looking at Teresa Halbach’s vehicle when he made the now-
infamous, but in fact routine, call to dispatch. Dkt #1-2, pp. 11-16, ¶¶28-38. This, in turn, has
been accepted by many as proof that Mr. Colborn participated in a police conspiracy to frame
Avery by, among other things, allegedly planting Ms. Halbach’s vehicle at the Avery salvage
yard prior to its official discovery there. Id., pp. 14-15, ¶36.
At Steve Avery’s trial for the murder of Ms. Halbach, in examination by defense counsel
after a recording of the call was played in court, counsel posed the following question to Mr.
Colborn: “Well, and you can understand how someone listening to that might think that you were
calling in a license plate that you were looking at on the back of a 1999 Toyota, from listening to
that tape, you can understand why someone might think that, can’t you?” Dkt #1-2, p. 13, ¶32.
First, MAM edited the question so that it concluded with the phrase, “1999
Toyota.” Id. MAM then omitted from the broadcast an objection to the question as posed,
which was sustained. Id. After the sustained objection, counsel asked the following very
different question, “This call sounded like hundreds of other license plate or registration checks
you have done through dispatch before?” Id. In response to that question, Mr. Colborn
Next, MAM took Mr. Colborn’s answer – “Yes” – to the question regarding the routine
nature of the call and inserted it so that it appeared to be an affirmative response to the
preceding, no-longer viable question regarding whether the call was readily capable of being
interpreted as evidence that Mr. Colborn was looking at Ms. Halbach’s car at the time of the
call. Id. In other words, MAM’s editing made it appear to viewers that Mr. Colborn
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damagingly admitted that his recorded call to dispatch was a call made while viewing the
Halbach vehicle. Mr. Colborn’s actual testimony carries no such insinuation; but MAM made it
MAM’s distortion of Mr. Colborn’s testimony was needed to make it appear that Mr.
Colborn himself admitted that the call suggested that he was looking at the car, and that he was
likely looking at the car at the time that he made the call – directly reinforcing MAM’s not-very-
subtly imparted theory that Mr. Colborn participated in a conspiracy to frame Mr. Avery.1
In another example of omitted testimony that related to the same line of questioning,
MAM omitted Mr. Colborn’s acknowledgement that he had been mistaken as to whether the
dispatcher first told him that the car was a 1999 Toyota or whether he used those words in his
question to her. Dkt 1-2, pp. 55-56. This change left viewers with the impression that defense
counsel “caught” Mr. Colborn in a false assertion about who referenced the make and model of
the vehicle, without the benefit of Mr. Colborn’s acknowledgment, on rehearing the recording,
that he had first asked about it. As a result, MAM portrayed Mr. Colborn as an evasive and
untruthful witness. The resulting false impression (buoyed by numerous additional examples of
distorted testimony and spliced reaction shots of plaintiff appearing nervous and apprehensive at
trial (Dkt #1-2, p. 14, ¶35)) reinforced viewers’ conspiracy theories. Id., p. 23, ¶54.
C. 1994-95 Call
MAM repeatedly insinuates that Mr. Colborn was motivated to participate in the alleged
conspiracy against Mr. Avery because Mr. Colborn either felt guilty for having failed to realize
1
The conspiracy is articulated and reiterated throughout MAM. See infra, pp. 10-13.
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Mr. Avery’s innocence years earlier or took part in covering it up, after initially fielding a cryptic
telephone inquiry from a caller who identified himself as a police detective from another
jurisdiction and who stated that there was someone in a jail in an adjoining County who may
have actually committed an assault for which another individual was in Manitowoc County’s
custody. In fact, Mr. Colborn maintained then and maintains today that he properly handled the
prior call and had no knowledge that Mr. Avery was innocent of the earlier crime until DNA
MAM again edited testimony to appear to confirm its theory, especially by omitting the
Kratz: Can you tell the jury what you were asked about?
Plaintiff: In 1994 or ’95 I had received a telephone call when I was working
as my capacity as a corrections officer in the Manitowoc County
Jail. Telephone call was from somebody who identified himself as
a detective. [And I answered the phone, Manitowoc County Jail,
Officer Colborn.
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Kratz: That’s it? That’s your connection to Mr. Avery?
Dkt #1-2, pp. 48-49. The above testimony stops at page 140, line 13; the next section below is
Kratz: Let me ask you this, [as you sit here today,] Sergeant Colborn, do
you even know whether that call was about Mr. Steven Avery?
Id., p. 49. The testimony immediately preceding the above question on page 213, in re-
direct, is as follows:
Kratz: Did this person ever identify the individual that they were talking
about?
Id.
When Attorney Kratz revisited the subject on re-direct examination, MAM again
edited the testimony by omitting the underlined portions of the following testimony:
Plaintiff: My response was, no, that I did not write a report about it.
Kratz: As you look back,] back in 1994 or ’95, if you would have written
a report, what would it have been about?
Plaintiff: [That is why I didn’t do one,] I don’t know what it would have
been about, [that I received a call and transferred it to the Detective
Division.] If I wrote a report about every call that came in, I would
spend my whole day writing reports.
[Kratz: Did this person ever identify the individual that they
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were talking about?
Kratz: Let me ask you this, [as you sit here today], Sergeant Colborn, do
you even know whether that call was about Mr. Steven Avery?
● Removed Mr. Colborn’s explanation that the caller had mistakenly assumed that
Mr. Colborn would be the proper person to address the subject of the call (omitting “Apparently,
this person’s assumption was that I as a police officer, not a corrections officer. . . . “);
● Left out altogether Mr. Colborn’s testimony that he transferred the call to the
Detective Division at the Manitowoc County Sheriff’s Department rather than the County Jail,
where Mr. Colborn was working; MAM instead misleadingly left in testimony that Mr. Colborn
then omits Mr. Colborn’s identification of the actual department to which the call was transferred
● Removed references that highlighted the length of time between the call and the
● Removed instances in which the testimony reiterated the point that the caller did
not provide any names prior to Mr. Colborn’s transfer of the call.
The omissions and edits made by MAM remove testimony that describe handling of the
call as routine and therefore, less supportive of MAM’s insinuation that Mr. Colborn knew that
Mr. Avery had been wrongly convicted and covered up his department’s knowledge of that fact.
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MAM also omitted testimony in which Mr. Colborn directly responded at trial to the
question whether he planted evidence to frame Avery. In MAM, Mr. Colborn testified as
Kratz: Have you ever planted any evidence against Mr. Avery?
Kratz: Have you ever planted any evidence against anybody in the
course of your law enforcement career?]
Plaintiff: I have to say that this is the first time my integrity has ever been
questioned and, no, I have not.
underlined words, including, most notably, Mr. Colborn’s response, “That’s ridiculous” in
response to the notion that he would have planted evidence to frame Mr. Avery. Id. By muting
the fervor with which Mr. Colborn denied the accusation, MAM deliberately made Mr.
Colborn’s denial seem equivocal – again, fanning the flames of its conspiracy theory by
Republication of Direct Accusations By Avery, His Family, Defense Counsel, and Others
Perhaps most damagingly, MAM also built case against Plaintiff by using the out-of-
court statements of third parties, all of whom are either affiliated with Avery or heavily biased in
his favor, and presenting their theories, musings and speculation as fact and “evidence” of the
supposed conspiracy. Among other things, MAM includes the following defamatory audio and
visual content:
● Avery stating as a fact that police – meaning Plaintiff – had “the evidence” that he
was not responsible for the prior rape charge prior to his release, but that “nobody said
anything.” Dkt 1-2, p. 30. In fact, as noted supra, Plaintiff reported the information he
received by properly directing the caller – who never identified Steven Avery – to the
Manitowoc County Sheriff’s Office Detective Division. Dkt 1-2, pp. 9-10, ¶23.
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● Kim Ducat, a relative of Avery, stating that the Manitowoc County Sheriff’s
Office was not “done with him” after he was exonerated of the prior rape and that “something
was gonna happen” to him, while juxtaposing an image of Plaintiff and other supposed police
conspirators in the background. Id., p. 30.
● Former Avery civil attorney Stephen Glynn asserting (inaccurately) that only after
Avery was released from his sentence for prior rape charges did Plaintiff contact a superior
officer [or, by implication, any other appropriate person] to report the 1995 call, and that the
reason that Plaintiff raised the issue of the call again after Avery’s release was because he and
others in the department realized that Plaintiff “had screwed up, big time.” Id., pp. 31-32.
● A copy of the report prepared by Plaintiff – which had been marked as an exhibit
in depositions in Avery’s civil case – with a voiceover by Avery accusing the officers of
“covering something up” and asserting that they were “still covering something up.” Id., p. 33.
● Attorney Glynn further outlining the alleged motive for Manitowoc County
Sheriff’s Office employees, including, allegedly, Plaintiff, indicating that “[o]f course, it has an
effect on law enforcement” when officers are called liars and accused of hiding evidence and
prosecuting someone they knew was not guilty. He then suggests that there is a link between
the allegedly strong position that Avery had in his civil case against Manitowoc County in
connection with the rape conviction and the investigation of Avery for the disappearance of
Teresa Halbach. A timeline is shown with the dates of depositions of Plaintiff and others in the
civil case and the Halbach disappearance. Statements by Avery then assert that “they’re trying to
railroad” him again and that he would not “put it past the County” to plant evidence. Id., p. 36.
● Unidentified bar patrons asserting, respectively, that a female patron “really does
believe” that Avery was framed, that the Manitowoc County Sheriff’s Office had something to
do with it. Her male companion then adds the comment that Avery was the victim of
“corruption,” “big time.” Amended Complaint, Ex. A, pp. 8-9. A voiceover by Avery
afterward says,“they figure they just got away with it, they can do it again . . . .” Id., pp. 37-38.
● Avery defense lawyer Dean Strang musing how the Manitowoc County Sheriff’s
Department representatives would have been tempted to plant evidence, even though he
personally didn’t see them do it “with [his] own two eyes.” Id., p. 38.
● Avery defense lawyer Jerry Buting asserting as a fact that “you’ve got the
motivation of the officers to want to get [Avery],” followed by his statements that officers were
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“going to make sure he’s convicted” and “they helped it along by planting his blood in the RAV4
and planting that key in his bedroom.” Id. (Lenk and Colborn are the only two officers
expressly identified by MAM as suspects in the “conspiracy.”) Id.
● Buting’s out-of-court statement that two people with the motive to frame Avery
could easily have pulled off the conspiracy, and that they would have no fear of getting caught,
because “who better than a police officer would know how to frame somebody?” The camera
then cuts to footage of Lenk waiting to testify. Again, Lenk and Plaintiff are the only two
officers consistently implicated by MAM as participants in the alleged conspiracy. Id., p. 40.
● Avery’s father asserting that the police “set [Avery] up. Right from the
beginning.” Id.
● Avery asserting that he is in “the same situation” as before – “Just a couple of ‘em
wanting to nail me. And the other ones didn’t. But nobody speaks up.” Again, Lenk and
Colborn are the only officers consistently implicated by MAM as the alleged Sheriff’s Deputies
who supposedly planted evidence. After Avery finishes speaking, the camera immediately cuts
to footage of Plaintiff waiting to testify. Id., p. 41.
● Footage from a press conference in which Buting says that there is evidence of a
conspiracy in which Plaintiff was allegedly involved that would meet a federal prosecutor’s
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burden of proof. Id., p. 42. This is followed by audio of a telephone conversation between
Avery and his mother in which she refers to “suspicious” activity and says “Them people ain’t
gonna get away with everything.” Id.
● Buting’s out-of-court assertion that the case against Avery shows that the
government is trying to bring its “full force” on Avery, and the reason is that the defense has
accused, “and the evidence suspiciously points to – framing by one of them.” He adds, “it’s not
like they think they’re framing an innocent man. But they are.” Id.
The Amended Complaint expressly alleges as a factual matter that all of the Defendants,
including Netflix, “jointly and severally created, produced, distributed, published and broadcast
MAM with actual malice.” Dkt 1-2, p. 20, ¶48. In addition, the Amended Complaint
● Material and significant facts known to the Defendants were omitted and
distorted;, Defendants led viewers to the conclusion that Plaintiff planted evidence to frame
Avery with actual malice. Id., p. 8, ¶18.
● The other Defendants (Netflix and Chrome Media) acted jointly with Defendants
Ricciardi and Demos to give the impression that Plaintiff covered up a phone call years before
Avery’s exoneration for a rape, providing a false motive for Plaintiff’s alleged framing of Avery
for murder. Id., p. 9, ¶21.
● No reasonable person could have concluded that Plaintiff’s taking a phone call
years earlier was nefarious or that his statement was hidden in a safe as part of a cover-up, but
nonetheless, Defendants included those assertions in MAM. Id., p. 11, ¶27.
● The other Defendants (Netflix and Chrome Media) worked in concert with
Ricciardi and Demos to heavily edit the trial testimony to manipulate viewers to make it appear
that Plaintiff planted Halbach’s car at the Avery salvage yard, based on speculation from a call
placed by Plaintiff to dispatch to confirm information about the vehicle and falsely make it
appear that he must have been looking at the vehicle at the time. Id., pp. 12-13, ¶32.
● Ricciardi and Demos filmed the whole trial, but the Defendants maliciously edited
and spliced the testimony to omit portions that were inconsistent with their theories. Id., p. 14,
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¶36.
● Defendants jointly spliced and edited testimony to lead viewers to the conclusion
that Plaintiff and James Lenk conspired to plant the key to Teresa Halbach’s vehicle in Avery’s
bedroom. Id., p. 16, ¶39.
● Defendants presented defense counsel’s statements, often out of court, as the last,
unrefuted word, when they were far-fetched hypotheses and theories that lacked factual basis.
Id., p. 20, ¶46.
● Defendants selectively edited and spliced testimony and excluded facts that did
not support their theories. Id., p. 21, ¶49(d).
● Defendants knew or had reason to know that the statements were false. Id., p.
22, ¶50.
Motion to Dismiss
Netflix has moved to dismiss the claims against it, arguing that the Amended Complaint
fails to allege facts from which it can be inferred that Netflix acted with actual malice, though
Netflix cannot deny that it published the statements. Plaintiff respectfully submits this brief in
Under federal pleading standards, a complaint need only contain factual allegations
sufficient to raise a right to relief above the speculative level. Bell Atlantic Corp. v. Twombly,
550 U.S. 554, 556-570 (2007). The complaint “need only `give the defendant fair notice of what
the claim is and the grounds upon which it rests.” Mark Line Indus., Inc. v. Murillo Modular
Group, Ltd., 2011 WL 1458496 (N.D. Ind.), *3 (quoting Erickson v. Pardus, 551 U.S. 89, 93
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(2007) and Twombly).
A Court should not dismiss a complaint for failure to state a claim under Rule 12(b)(6)
unless it is clear that no relief could be granted under any set of facts that could be proved
consistent with the allegations. Townsel v. Jamerson, 240 894, 898 (N.D. Ill. 2017). The Court
must accept as true and liberally construe all of the factual allegations contained in the
complaint, Twombly, supra, and draw all reasonable inferences in the Plaintiff’s favor. Carlson
v. CSX Transportation, Inc., 758 F.3d 819, 826 (7th Cir. 2014).
ARGUMENT
Netflix argues that it must be dismissed because the Amended Complaint fails to
sufficiently allege actual malice against it. Netflix contends that it is entitled to a constitutional
privilege under the First Amendment to the United States Constitution, and therefore, Plaintiff
must show “actual malice” to prevail on defamation claims against it. New York Times Co. v.
Sullivan, 376 U.S. 254, 279-80 (1964). “Actual malice” means publication with either 1) actual
knowledge of falsity; or 2) reckless disregard for whether a statement was true or false. Id.
Court Justice Clarence Thomas opined that it is time for the Court to reconsider its jurisprudence
under New York Times v. Sullivan in an appropriate case. As explained below, this is an
appropriate case. Therefore, while this argument is directed to the United States Supreme Court,
The central point of Justice Thomas’ argument is that there was no First or Fourteenth
Amendment basis for the “actual malice” rule adopted in New York Times v. Sullivan, supra, and
that it was instead merely a policy that the Court instituted in response to the facts presented in
the case. McKee v. Cosby, --- U.S. ---, 139 S.Ct. 675, 676 (2019) (Thomas, J., concurring).
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The New York Times case came before the Court by way of a defamation complaint filed by a
southern police official who claimed that his reputation had been injured by a political
advertisement that decried alleged violations of civil rights. Some of the facts stated in the
advertisement were conceded to have been false, and the New York Times admitted that it had
not investigated any of the facts nor even consulted its own articles about the events described,
but instead relied on the reputations of individuals whose names were listed in the advertisement
After surveying writings by James Madison that attacked the Sedition Act of 1798, which
criminalized criticism of government, the Supreme Court declared in New York Times that
Madison’s writings supported the proposition that state libel laws prohibiting false defamation of
government officials violate the First Amendment. 376 U.S. 273-77. But as Justice Thomas
139 S.Ct. at 682. Moreover, as Justice Thomas further explained, Madison’s writings both
supported the view that public officials wronged by false statements should have redress under
the law and opposed the concept of federally-dictated libel laws. Id. Yet, the Supreme Court
has recognized that New York Times v. Sullivan has resulted in the federalization of libel law. Id.
at 676 (citing and quoting Gertz v. Robert Welch, Inc., 418 U.S. 323, 370 (1974)).
In adopting the policy that it embraced in New York Times v. Sullivan, the Supreme Court
purported to seek a balance between the “breathing space” that the Court contended must be
afforded statements critical of public officials and the notion that the press should not be
afforded wholesale license to inflict reputational harm at whim. 376 U.S. at 271-72 (internal
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quotation and citation omitted). This case illustrates precisely the abuses that have proliferated
as a result of the balance that the Court attempted to strike. Netflix asserts in this case that it
may freely distribute defamatory statements that accuse a small-town police officer of
participating in a criminal conspiracy in the course of his work, exposing him to worldwide
opprobrium, without the slightest responsibility or accountability for the truth of those
statements, hiding under the shield of the First Amendment, but all the while reaping riches that
Netflix argues that it has the judicially-sanctioned right to deprive Plaintiff of his good
reputation and to transform it into a commodity that it can distort for its own profit. It is
unlikely that the Supreme Court imagined that its ruling in New York Times v. Sullivan would be
used in such a way. Plaintiff respectfully requests that the United States Supreme Court
reconsider the actual malice standard to the extent that it is asserted to protect this conduct.
II. Malice, Including Actual Malice, May Be Alleged Generally and Is Not
Appropriately Determined at the Pleadings Stage or Before Discovery.
Even under current federal defamation jurisprudence, Netflix’s motion should be denied
as procedurally inappropriate in at least two respects. First, the rules of civil procedure
specifically provide that knowledge, intent, malice, and state of mind may be alleged generally.
Fed. R. Civ. Pro. 9(b). Accordingly, so long as actual malice is expressly alleged, it is not
typically appropriate to decide the issue against the plaintiff at the pleadings stage, and therefore,
courts have permitted defamation claims to proceed based on actual malice alleged generally.
See e.g., World Wrestling Federation Entertainment, Inc. v. Bozell, 142 F.Supp.2d 514, 527-28
(S.D.N.Y. 2001) (refusing to grant motion to dismiss where plaintiff alleged that defendants
knew or should have known that their statements were false and uttered with malice); see also
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Second, to dismiss Plaintiff’s action as insufficiently alleging actual malice before he has
access to discovery regarding the state of mind of media defendants would directly contradict
United States Supreme Court precedent that governs defamation cases. In Herbert v. Lando,
441 U.S. 153 (1979), the United States Supreme Court rejected a media defendant’s argument
that the editorial process should be privileged and therefore beyond the scope of discovery. The
Supreme Court stated that, “Inevitably, unless liability is to be completely foreclosed, the
thoughts and editorial processes of the alleged defamer would be open to examination.” Id. at
160. The Court added that it would be “untenable to conclude from our cases that, although proof
of the necessary state of mind could be in the form of objective circumstances from which the
ultimate fact could be inferred, plaintiffs may not inquire directly from the defendants whether
they knew or had reason to suspect that their damaging publication was in error.” Id.
action would, the Supreme Court explained, improperly contract the rights of defamation plaintiffs
as outlined in the Court’s prior decisions and “substantially enhance the burden of proving actual
malice, contrary to the expectations of New York Times, Butts, and similar cases.” Id. at 169.
We are thus being asked to modify firmly established constitutional doctrine by placing beyond the
plaintiff’s reach a range of direct evidence relevant to proving knowing or reckless
falsehood by the publisher of an alleged libel, elements that are critical to plaintiffs such as
Herbert. The case for making this modification is by no means clear and convincing, and
we decline to accept it.
Id. at 169-70. The Supreme Court further rejected the notion that media defendants can be
immunized from inquiry into the internal communications occurring during the editorial process
and thus place beyond reach what the defendant participants learned or knew as the result of
Federal courts applying Herbert v. Lando have construed it as holding that a plaintiff in a
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defamation suit is entitled to discovery on the issue of actual malice. See, e.g., Price v. Viking
Press, Inc., 625 F. Supp. 641, 649 (D. Minn. 1985) (citing Herbert v. Lando and denying motion
to dismiss defamation action prior to discovery); see also Hutchinson v. Proxmire, 443 U.S. 111,
120, n. 9 (1979) (proof of actual malice “does not readily lend itself to summary disposition.”)
In subsequent decisions, the United States Supreme Court and other federal courts have
again held that actual malice is a factual analysis that cannot be determined on summary
disposition without affording the plaintiff an opportunity or discovery, particularly where many
of the details concerning what the defendant knew at the time of publication are likely to be in
the possession of the defendant. See, e.g., Anderson v. Liberty Lobby, 477 U.S. 242, 257 (1986)
(plaintiff should be afforded “a full opportunity to conduct discovery” regarding actual malice);
Parsi v. Daioleslam, 595 F.Supp.2d 99, 108 (D.D.C.2009) (“Discovery is needed, then, to
determine what defendant knew at the time he made the contested statements.”); Susan B.
Anthony List v. Driehaus, 805 F.Supp.2d 423, 436 (S.D. Ohio 2011) (“Actual malice is a factual
Nothing in Twombly purported to overrule this line of authority, nor is any of this authority
inconsistent with those cases. A Plaintiff must generally allege enough facts to raise “a reasonable
expectation that discovery will reveal evidence of” actionable conduct. Twombly, 550 U.S. at 556.
As is evident from the Supreme Court’s analysis in Herbert v. Lando, participation in the editorial
and it would severely limit the ability of plaintiffs to pursue defamation actions to deny access to
Here, Plaintiff has alleged that Netflix, together with the other Defendants, created,
produced, distributed, published and broadcast MAM with actual malice and that all of the
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Defendants participated in the dubious edits that left supposed courtroom testimony a Frankenstein
version of spliced, edited, and omitted material. Dkt 1-2, Ex. B see also pp. 4-8, supra. Further,
as explained below, the language of the broadcasts alone demonstrates that statements from biased
sources including Avery, his defense counsel and their investigator were included and published
as truthful assertions that defamed Plaintiff by implicating him in a conspiracy. The content itself
therefore objectively demonstrates that Netflix published the statements with actual malice.
Netflix cannot close its eyes to the content of its own broadcast, titled as a documentary,
publish false materials and accusations without qualification of any kind, and then deny
responsibility for its reckless publications. The allegations in the Amended Complaint are
therefore more than sufficient to meet basic pleadings standards and to entitle Plaintiffs to
discovery to obtain additional information about the editorial process known only to Netflix.
The Amended Complaint more than satisfies the “actual malice” standard.
As explained above, the Amended Complaint expressly alleges as a factual matter that
all of the Defendants, including Netflix, “jointly and severally created, produced, distributed,
published and broadcast MAM with actual malice.” Dkt #1-2, ¶48. Even apart from the
evidence of actual malice that is apparent from the broadcast itself, this allegation standing alone
plausibly describes Netflix’s role. Contrary to Netflix’s assertions, there is nothing implausible
or conclusory about the allegations that Netflix in fact participated in creating, producing,
distributing, and publishing a series that it broadcasted on its network, nor is it implausible that
those who created and produced the series with so many manipulative and damaging edits were
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aware that they were doing so. Allegations are not “conclusory” where they allege basic facts.
See, e.g., Bosch v. LaMattina, 901 F.Supp.2d 394, 404-05 (E.D.N.Y. 2012).
Netflix appears to confuse the Twombly pleadings standard with a requirement that all
facts be pleaded with the same degree of particularity as fraud complaints. But as Judge
Easterbrook explained in Doe v. Smith, 429 F.3d 706, 708 (7th Cir. 2005):
. . . .Plaintiffs need not plead facts; they need not plead law; they plead claims for relief.
Usually they need do no more than narrate a grievance simply and directly, so that the
defendant knows what he has been accused of. . . . Any district judge (for that matter, any
defendant) tempted to write “this complaint is deficient because it does not contain...”
should stop and think: What rule of law requires a complaint to contain that allegation?
Rule 9(b) has a short list of things that plaintiffs must plead with particularity, but
“interception” is not on that list.
Id. Likewise, actual malice is not on the Rule 9(b) particularity list.
that Netflix participated in the manipulative editing process that defamed Plaintiff – all of which
would be expected given that this is a series that Netflix created, produced, distributed, and
A plaintiff may prove actual malice using circumstantial evidence, and motive often
bears on the inquiry. See, e.g., Harte–Hanks Comm’ns v. Connaughton, 491 U.S. 657, 667
(1989). Circumstantial evidence can suffice to demonstrate actual malice and may “override
defendants’ protestations of good faith and honest belief that the report was true.” Moore v.
Vislosky, 240 Fed.Appx. 457, 468 (3rd Cir.2007) (quotation and citation omitted).
Most pertinent to the allegations in the Amended Complaint in this case, courts have held
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● Deliberate omission of contrary facts, see, e.g., Hoyne v. The Innocence Project,
2011 WL 198128 at *5; and
The Amended Complaint alleges that MAM was made with actual malice in each of the
foregoing respects. First, the Amended Complaint expressly alleges that through the process of
editing, manipulating, and splicing footage and testimony, MAM fabricated and altered
testimony in a manner that can only be described as brazen for a work that described itself as a
non-fiction documentary, purporting to show actual events. See discussion supra at pp. 4-9; see
also Dkt #1-2, p. 19, ¶45, and Ex. B. As explained above, numerous paragraphs in the Amended
Complaint and the Exhibits incorporated therein expressly allege that the defendants presented
trial testimony as though it happened in the order as presented in MAM when, in fact, the
testimony and footage shown was a collage that consisted of spliced sentences and words and
reaction shots inserted and rearranged to make it more consistent with the editors’ theories. Id.
In a series of opinions issued in a defamation case against Time Magazine, the Seventh
Circuit Court of Appeals described its conclusion that heavy-handed editing and rewording of
. . . . Time took the risk, when it reworded parts of the Commission Report, that it might
go too far * * *.’ We noted that Time had departed from fidelity to the Commission’s
Report in order to make the article more interesting and readable for Smithfield, its
audience. Time’s writers who prepared the article must have known the statements as to
Pape’s conduct were only allegations in a complaint in a civil suit. As we put it (318 F.2d
at page 655)- ‘It is our opinion that a jury could read the Time article as stating that the
Report said Pape and his follow (sic) officers did what the Commission Report merely said
the Monroe complaint alleged they did.’
We hold that a sufficient showing has been made so that a jury could find Time,
Incorporated acted with reckless disregard as to whether or not the reworded statements,
hereinbefore described, were true or false.
Pape v. Time, Inc., 354 F.2d 559, 560-61 (7th Cir. 1965).
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Other courts have likewise held that overly aggressive “editing” of broadcasts
demonstrated evidence of actual malice. Where there were changed facts and false statements in
a broadcast,2 a significant failure to investigate or verify credibility, and a general makeup and
presentation of a story, that, considered as a whole, exhibited hostility to the plaintiff, the Court
held there was ample evidence of actual malice in Kentucky Kingdom Amusement Park Co. v.
Belo Kentucky Inc., 179 S.W.3d 785, 791 (Ky. 2005). See also Mitchell v. Griffin Television
LLC, 60 P.3d 1058, 1063 (Okl. Ct. App. 2002) (difference between quoted material and what
was broadcasted was sufficient evidence of actual malice); Perez v. WEWS, 1986 WL 12966, *7
(Ohio Ct. App.) (omissions that made a stronger case for criminal conduct demonstrated actual
malice). A fabricated quotation may “carry more force than criticism by another,” because it is
“against self-interest to admit one’s own criminal liability, arrogance, or lack of integrity, and so
all the more easy to credit” when allegedly conceded in what appear to be the speaker’s own
words. Masson v. New Yorker Magazine, Inc., 501 U.S. 496, 512 (1991). For those reasons,
“quotations may be a devastating instrument for conveying false meaning.” Id. at 517.
In Perez, similarly to this case, the Court considered a motion alleging an absence of actual
malice as to a broadcast that was manipulated to enhance the appearance of a defamation plaintiff’s
alleged guilt. The Court observed that “the rehearsal and strengthened re-creation” of a
2
When words in a purported direct quotation are fabricated or altered, a plaintiff’s reputation may be
injured either through the fact of the false statement or through the manner of the false
expression. Masson v. New Yorker Magazine, Inc., 501 U.S. 496, 516 (1991). Wisconsin law, which
governs this diversity action to the extent it is not displaced by federal law, Erie R.R. Co. v. Tompkins,
304 U.S. 64, 78 (1938), holds that when a television broadcast is at issue, the Court considers the audio
and video portions in relation to each other. Mach v. Allison, 2003 WI App 11, ¶31 (citing Rodney
Smolla, Law of Defamation § 4:32, pp. 4–50 to 4–51 (2d ed.)). The Court considers the “natural and
reasonable import” of the words and images on the viewer and must consider the broadcast as a whole,
“not in detached fragments.” Id. (citations and quotations omitted). Moreover, communications are not
made nondefamatory merely because they are phrased as opinions, suspicions or beliefs. Converters
Equip. Corp. v. Condes Corp., 80 Wis.2d 257, 263-64 (2012.)
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conversation that was isolated and taken out of context appeared, “with convincing clarity, to have
been maliciously planned to cast large upon the television screen a shadow of the appearance of
guilt caused solely by hiding from view the actual figure of innocence, and reasonable jurors could
so conclude.” Id. at *7. The Court refused to decide the matter on summary judgment, noting
that the judicial task is not to decide what the actual truth is, but merely whether reasonable jurors,
exercising their exclusive power to judge credibility, reasonably could find the evidence showed
Actual malice may also be supported where, as here, innuendoes are added to quoted
statements and quoted statements are presented out of context. Goldwater v. Ginzburg, 414
F.2d 324, 336-37 (2d Cir. 1969). In addition, “melding” and “distillation” of the contents of
the author of an article incorporated materials written by others in an article while omitting
portions that “might tend to qualify or contradict the part quoted.” Id. The author also included
“distillations” of source material without any indication; blended multiple sources’ statements as
if they were one statement; and changed and rewrote others’ words. Id. The Court held that
these facts supported the conclusion that the statements were made with actual malice – i.e., with
These kinds of modifications are particularly indicative of actual malice when calculated
337. Likewise, a “pattern of biased and inaccurate reporting” and a failure “to adequately
investigate” also support the conclusion that statements were made with actual
malice. DeRoburt v. Gannett Co., Inc., 83 F.R.D. 574, 583-84 (D. Hawaii 1979); see discussion
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Second, as part of its extensive editing, MAM was carefully scripted to exclude evidence,
information, testimony, and words that were inconsistent with its central premise, reinforced in
each episode, that Plaintiff participated in a conspiracy to frame Steven Avery. See discussion
supra at pp. 10-12; Dkt # 1-2, p. 18, ¶44. A showing of an intent to avoid the truth also meets the
actual malice standard. Stokes v. CBS, Inc., 25 F.Supp.2d 992, 1004 (D. Minn. 1998).
Third, the Amended Complaint and the attached and incorporated exhibits explain in
detail how MAM repeated defense counsel’s, Steven Avery’s, his family’s, and others’
improbable conspiracy theories as truth. Steven Avery and his defense attorneys are the epitome
of biased and therefore, unreliable sources. MAM elevated the attorneys’ theories, presenting the
defense attorneys as unbiased authorities. See, e.g., Dkt #1-2, p. 16, ¶38. They also presented
Avery’s assertions as the truthful statements of a man who found himself the unwitting victim of
a vast conspiracy.
In so doing, MAM presented numerous out-of-court statements by Avery and his defense
attorneys that, without any basis other than Avery’s and defense counsel’s musing, accused
Plaintiff and his colleagues of participating in a conspiracy to convict Avery. While this kind of
strategy may be expected of the author of a novel, when Netflix took out-of-court accusations
against Plaintiff and broadcast them to its entire viewing universe as a supposed non-fiction work
and without any caution or disclaimer, Netflix adopted those statements as its own, with reckless
Specifically, MAM includes, among other defamatory statements and images, the
numerous accusations by third parties described supra at pp. 10-12. All of the statements
described above were made by sources who were obviously heavily biased in favor of Avery.
Repeating their allegations without any balance therefore severely slanted the broadcasts as a
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whole and repeatedly reinforced the not-at-all subtle accusation, made more pointedly and
emphatically by MAM through its presentation than by any individual whose statements it
statement may be expose a defendant to liability for defamation. See, e.g., Hucko v. Joseph
Schlitz Brewing Co., 100 Wis. 2d 372, 377 (Ct. App. 1981). Here, in addition to secondary
publication, actual malice is established through the MAM’s extreme use of others’ accusations
to promote its pre-conceived notion that Plaintiff participated in a conspiracy to frame Avery.
By stringing together the statements, insinuations and innuendoes of heavily biased individuals,
together with strategically-placed graphics, images and video of Plaintiff at times that identify
him as the culprit for the misdeeds described by the speakers, and heavy-handed editing of
testimony, the MAM narrative accused Plaintiff of participating in a conspiracy to frame Avery
and planting evidence. As the threats and invective directed at Plaintiff demonstrate, viewers
understood the Netflix broadcast as plainly making those accusations. Dkt #1-2, , p. 27, ¶70.
A federal court held that similar tactics met the standards for actual malice in Stokes v.
CBS, supra, where the broadcaster defendants “largely adopt[ed]” a sheriff’s deputy’s “view of
the case as their own” and took each source’s emotional assertions at face value. 25 F.Supp.2d at
1003-04. The Court also noted compelling reasons to doubt the deputy’s credibility, explaining
that “When a media defendant repeats the allegations of a third party, `recklessness may be found
where there are obvious reasons to doubt the veracity of the informant or the accuracy of the
report.’” Id. (quoting St. Amant v. Thompson, 390 U.S. 727 (1968)).
The Court in Stokes further opined that the broadcasters “knew or should have known that
the extremity of [the deputy’s] assertions far outpaced his evidentiary foundation,” adding:
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[the] highly slanted perspective of each report would further support a finding of actual
malice. See Gertz v. Robert Welch, Inc., 680 F.2d 527, 539 (7th Cir.1982) (a preconceived
story line may evidence reckless disregard of truth); Westmoreland v. CBS, Inc., 596
F.Supp. 1170 (S.D.N.Y.1984) (bias in the editing of a story); Jenoff v. Hearst Corp., 453
F.Supp. 541, 549 (D.Md.1978), aff’d, 644 F.2d 1004 (4th Cir.1981) (hostile reporting). In
fact, as the court has already discussed, the broadcasts’ one-sidedness goes beyond merely
favoring one party’s version of events over another. Through the use of ambush tactics and
distorting visual and editorial techniques, both reports actively contributed to the
impression that [the Plaintiff] committed the crime.
....
Chief Justice Warren’s admonition in Curtis Publishing Co. v. Butts seems especially apt
in this case: “Freedom of the press under the First Amendment does not include
absolute license to destroy lives or careers.”
Id. at 1004-05 (emphasis added). Certainly, in this case, a sophisticated broadcaster like Netflix
should know better than to quote, without any contradiction, heavily biased sources and the
defendant. If publishing this kind of content is not reckless, then it is difficult to know what is.
Moreover, this conduct by Netflix – even assuming, arguendo, that it did nothing more
than distribute the MAM series – sets it apart from the facts of New York Times v. Sullivan. In
that case, the New York Times representatives who accepted the advertisement for publishing did
so based on the strength of the good reputations of those who were cited in the advertisement as
vouching for the truth of its statement. 376 U.S. at 287-88. Therefore, the United States Supreme
Court held that their decision to publish the advertisement was objectively reasonable, particularly
as it did not appear to include any personal attacks. Id. Contrary to Netflix’s argument, New York
Times did not authorize even mere distributors (which Netflix is not) to publish obviously biased
material as fact.
In publishing MAM, Netflix relied on the assertions of a convicted murderer who claims
to have been wrongly convicted, his family members, his defense attorneys, and random bar
patrons. MAM consists of an extended personal attack on Plaintiff and his colleague, James Lenk
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that was not objectively reasonable.
Plaintiff’s allegations are also supported by facts of which Netflix is well aware, and
which are publicly known and available. Prior to receiving Netflix’s motion, Plaintiff did not
anticipate that Netflix would deny its prominent role in MAM, but since it has, the proposed
additional facts are now pertinent to this dispute. These facts can be considered in response to a
motion to dismiss. A plaintiff opposing a motion to dismiss may submit additional facts
consistent with the complaint. Geinosky v. City of Chicago, 675 F.3d 743, 746 n.1 (7th Cir.
2012). Further, Plaintiff moves to amend to add these facts as well as additional facts concerning
defamatory statements in the Defendants’ sequel to MAM, MAM2, which was published just a
few months ago. See Motion to Amend, Ex. 1 (proposed Second Amended Complaint,
identifying proposed additions). A complaint should not be dismissed when facts can be added
by amendment to support the claims asserted. Bausch v. Stryker Corp., 630 F.3d 546, 562 (7th
Cir.2010) (reversing dismissal with prejudice); Foster v. DeLuca, 545 F.3d 582, 584–85 (7th
Among other facts that Plaintiff proposes to add to the pleadings, Netflix’s employees
were producers of several episodes of MAM. See Declaration of George Burnett, Ex. 1. Two of
these employees were named in Plaintiff’s original complaint. Dkt #1-1, ¶7.
Moreover, Netflix employees who were involved in MAM have made numerous
statements to the press regarding their involvement, and Defendants Demos and Ricciardi have
publicly discussed Netflix representatives’ collaboration with them. Burnett Decl, Ex. 2. One
of the producers of several MAM episodes, who is also the Netflix representative to whom
Demos and Ricciardi apparently pitched the series, described her collaboration with Demos and
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Ricciardi in aligning their vision for the broadcasts as a “mind meld.” Id. at Ex. 3.
Netflix also received awards for writing and editing MAM, Burnett Decl., Ex. 4, further
demonstrating that it is more than plausible that Netflix played a significant role in the editing
processes that resulted in the highly defamatory broadcasts. Netflix did not decline the awards,
to Plaintiff’s knowledge. In addition, Netflix’s participation in creating and producing the series
is buttressed by the fact that Demos and Ricciardi have said they only had three episodes in
“rough cut” when they pitched it to Netflix. Burnett Decl., Ex. 5. The series as produced and
distributed contains 10 episodes, and they are not in “rough cut” status.
More generally, Netflix maintains an entire job site on which it advertises for employees
whose tasks are to assist in content development for shows that debut on its service. Burnett
Decl., Ex. 6. Among other positions, Netflix maintains a position that includes legal review of
content to be broadcast on its service. Id. at 7. There is no reason to assume that a potentially
Ultimately, it is common sense that two admittedly novice filmmakers would not be able
to produce such a slick, scripted work without the aid of Netflix’s sophisticated writers, editors
and producers. See Burnett Decl., Exs. 8 (Netflix blog post with flow chart describing processes
for production and post-production of Netflix series, including documentaries). Applying the
plausibility standard under Twombly, it is not plausible that Netflix was not involved in the
writing and editing that made a case against Plaintiff that, although built on pure conjecture, was
actual malice of its editorial employees. Cantrell v. Forest City Pub. Co., 419 U.S. 245, 253-54,
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plausible grounds for asserting that Netflix bears joint responsibility for the actual malice toward
Plaintiff that pervades MAM. It was the storyline that Plaintiff and James Lenk participated in
an alleged conspiracy to frame Avery that attracted Netflix to the fledgling “documentary.”
Netflix should not now be heard to feign ignorance of the premise that piqued its interest.
For the same reasons explained at length above, Plaintiff’s claim for intentional infliction
of emotional distress is supported by the facts alleged in the Amended Complaint. Netflix
published content that is so heavily biased and slanted against Plaintiff that it is difficult to
imagine a more obvious case in which a media defendant either deliberately or recklessly
defamed an individual without regard for the truth. Plaintiff’s claim for intentional infliction of
emotional distress incorporates all of the prior factual allegations in the Amended Complaint and
also expressly alleges Defendants’ knowledge and state of mind. Dkt #1-2, p. 27, ¶69
(Defendants should have known that statements were extreme and outrageous).
Finally, in the event that the United States Supreme Court agrees that the actual malice
standard should be reconsidered and abolished or that it should not apply in this case, Plaintiff’s
argument, the claim is sufficiently alleged. As explained at length above, the Amended
Complaint alleges facts that support the assertion in the negligence count that Netflix failed to
exercise reasonable care in making and publishing the statements that implicated Plaintiff in the
alleged conspiracy to frame Avery. Dkt #1-2, pp. 25-26, ¶¶59-66. Among other facts, the
publication of the statements by unidentified bar patrons allegedly supporting the conspiracy
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CONCLUSION
For the reasons set forth above, Plaintiff Andrew Colborn respectfully requests that the
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