The Ethics of Documentary Filmmaking An Empirical Turn
The Ethics of Documentary Filmmaking An Empirical Turn
To cite this article: Willemien Sanders (2012): The ethics of documentary filmmaking: an empirical
turn, New Review of Film and Television Studies, 10:3, 315-317
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New Review of Film and Television Studies
Vol. 10, No. 3, September 2012, 315–317
EDITORIAL
The ethics of documentary filmmaking: an empirical turn
Documentary films have, over the past decades, not only become a more popular
genre on television, in theatres, and at festivals; the genre has also ventured into
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Note
1. See, for example, a recent special issue of Journal of Information Ethics, Vol. 19,
No. 2, 2010.
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References
Anderson, Carolyn, and Thomas W. Benson. 1988. Direct Cinema and the Myth of
Informed Consent: The Case of Titicut Follies. In Image Ethics: The Moral Rights of
Subjects in Photographs, Film, and Television, edited by Larry Gross, John S. Katz,
and Jay Ruby, 58 – 90. New York: Oxford University Press.
Anderson, Carolyn, and Thomas W. Benson. 1991. Documentary Dilemmas. Frederick
Wiseman’s Titicut Follies. Carbondale: Southern Illinois University Press.
Borden, Sandra. Documentary Tradition and the Ethics of Michael Moore’s Sicko. Paper
presented at the annual meeting of the Association for Education in Journalism and
Mass Communication, Chicago, IL, August 6 – 9, 2008.
Marshall, Jack. Fahrenheit 911. ProEthics, 2004. http://www.ethicsscoreboard.com/list/
fahrenheit911.html.
Nichols, Bill. 1991. Representing Reality: Issues and Concepts in Documentary.
Bloomington: Indiana University Press.
Smaill, Belinda. 2009. The Documentaries of Kim Longinotto: Women, Change, and
Painful Modernity. Camera Obscura: Feminism, Culture, and Media Studies 24, no. 2:
43 – 75.
Willemien Sanders
Affiliated Researcher
Utrecht University, Research Institute for History and Culture
Janskerkhof 13, 3512 BL Utrecht the Netherlands
[email protected]