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08 Chapter2 PDF
08 Chapter2 PDF
and blesses all his devotees with joy and glory. He is born out of the very
heart of the Lord of the Universal Mother. He is the most auspicious God,
All know well that it was He who took down to the dictation of sage Veda
Vyasa's Mahabharata, the most excellent book ever written in the Universe.
Veda Vyasa himself is revered as Lord Visnu himself. It is for this reason
that Lord Ganesa is known as Lekhakiigrw:zi< 1 > the first and foremost one
among writers.
mathematicians, writers, and the musicians with ardent fervor. Lord Ganesa
the Puranas.
All over the world just before the children are initiated into
1. 'Ganesa, the enchanter of the three world's' Paul Martin Dubost-P. 356
22
till date to chant a mant,;a right before teaching children, it is explained
lamp is kept burning in front of it. Two measures of consisting of rice and
paddy respectively are also placed.each on either side of this vessel. The
boy scarcely three or four years old is seated in front of the vessel and the
maha. He then catches hold of the boy's index finger and makes him write
the same thing on the rice also and now the initiation to learning is complete.
unknown power. One is Hari which denotes nun1ber 82, when that is re-
read conversely we get 28. Thus Hari = 28, ; srf' = 2, 'ga' = 3, 'na' = 5,
'pa' = 1, 'ta' = 6, 'ye' = 1, 'na' = 0, 'ma' = 5, thus totaling 51 < 1 >. The
one with three eyes, the third being wisdom <2 > vertically in the forehead <3>
between the eyebrows <4>. The fact that He has three eyes is clear from the
that the Devi, the matrix of the ent.ire Universe, appears as Kuf!<f,alini in
deities.
sthiina and presided over by Ganapati of the cakras, the seat of the
..
Kundalini ..
Sakti is guarded by Ganesa. Other cakras are Sviidhistiina
(six petals) Manipiira (ten petals), Aniihata (twelve petals). Beyond the
. . within which is
. which is in triangle (trikiina)
within the Miiliidhiira cakra
consciousness (cit-kala). Entwining this linga are three and a half circles.
.. ..
It is the bright Kundalini, the energy. The coiled Kundalini is the power
that creates the world and illuminate the Universe. Ganapati is identified
..
with Kundalini, . tunda)
His curved trunk (vakra . . suggests the coils and
the snake around His belly depicts serpentine nature of the energy.
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One day Lord Siva and Parvati arrived at Citra Ma11t{apam<1>
set in motion, waves of all mant,:as as if they became alive. A sound came
which began increasing. That is the real form of Varada Ganapati ; that
sound is called bindu, that road is called niidam. From that bindu and
nadam there born three glorious letters Akiira, Ukiira and Makara. These
three mingle and merge to form A UM. This establishes that Ganapati is the
embodiment of Aum.
being designed after the auspicious letter; 'Aum '. The side view gives the
resemblance to the basic Aum. The first sound 'Aum' which is the origin
of all niidam, Aum is God himself as well as Lord Ganesa. It is clear that
on all those who depends upon Him, and He gives male progeny as well.
'svastika' mark and the 'pra1!ava'-letter (1> . In the first case it is not only
well - being (sa+as+ti) but also good luck. Spiritual n1essages can be
derived from it. In the second case, the depiction of Ganapati 's trunk is
ubiquitous. It curves towards left before bending abruptly to his right. He,
as a narrator, is present in the letter 'Ga' and is the nectar of Prose and
tradition and all allied auxiliary sciences of the Veda. He is the Music,
. .
Miiliidhiira, and Omkiira Svariipa or Priinaviikiira.
. .
before initiating one into the art of learning, or anything the Sodasanlima,
will come to the ignorant, and peopl'e without children will have offsprings.
.
Ayurveda, . .
Dhanurveda and Kiivyunlitflka. At Udayarpalayam, in the
dedicated to the Lord Siva. There is a small shrine near the entrance, to the
left, which houses a stone image of Vinayaka. This has a very singular,
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unique aspect that of the Master archer(l>. The Udayarpalayam Ganesa of
the Vijayanagar style is that of the Master of archery. Ganesa carries the
.
'Sahasraniima' distinctly shows His deep attachment to music:
. .
Omkiira, Omkiiraviicya, Gadya giinap,:iya, Gftagfrviina
. .. .
Dindimapriyiiyanamaha, .
Dakkaniniida muditiiya namaha,
KambukalJ<fiiyanamaha Kambudhariiyanamaha,
.
Vidyapradiiyanamaha, .
Saptasvariisrayiiyanamaha,
. .
Sodasasvaranziitrikiiyanamaha. Thus besides being worshipped as the
Chandra and the Ganeas who support Him on the musical instruments like
Mridanga, Cymbals and the Cone/, and Ganesa's joy knew no bounds,
and this is fully shared by his devotees also. Many temples have Ganesa,
in other art forms. For example the recitation of the' Yakshagana' though,
village, performing every night one of the thirty five dance dramas of their
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repertoire, always carry Ganesas image with them. As soon as they arrive
In order to win favours and blessings of the elephant faced God, the puja
to Ganesa is atonce carried out, even before the make-up. The distribution
.
. pravesam
invariably. In the 'Bhagavata Mela Natakam ', Vinayaka patra
is found in Melathur and has a strong Tanjore influence. The actor's debut
Ganapati Patrapravesam.
• I
and enters da�cing while the musicians sing the Daru. Sometimes an elder
Bhiigavatulu accompanies him on the stage. At the end of the Daru the
actor is led to a seat. The Bhagavatar offers flowers and arati. He then
We can find this different and wonderful dance poses in the temples
bent towards the palm of the hand. InBharatanatyam, the dancer indicates
Ganesa by two inverted Kapithas, the right hand upwards and the left
downwards.
the Hoysalas. The Hoysalesvara Temple <2> built between 1120 and 1182
..
Astabhujanatya Vinayaka at Chennakesava temple in Belur.
Parvati. Another sculpture of Ganesa reveals having big stomach and also
is wearing a scared thread (three fold yajnopavita). The nine feet high
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Ganesa in different dance poses
granite icon< 1 > of Ganapati in dance pose seen in Mahabalipuram is very
famous.
.
yaralavasasasaha, . .
Gam Ganapatikive na prtinatulu". It is used in
alankara '. The performance of music and Dance in the temple rituals
1. Sakti Vikatan
33
'Kavuttuvam' is y�t another homage through dance to
Varali and Sri. Usually these are performed during the month of Miirga�i
Tiruviitirai festival.
all cultures consider dance as a prayer. Here it deserves mention that the
Ganapati.
Ganapati' was conceived in Kathakali art form<2 > in 17 111 century B.C. The
Kathakali form and there are no rituals in this temple without Kathakali.
god of dance and the Lord Krishna ·the favorite of dancers. He was carved
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Even the Hindi poet Tulsidas ( 15 32 to 1623) opens his poem
old women even in her childhood<2>. In gratitude she poured out her heart
shows the Lord of the world surrounded by the great deities seated with
Tantric text which contains a chain of secret mant,:iis and reveals them.
century; the preceptor of the great hero Sivaji the founder of the famous
1,3. 'Ganesa, the enchanter of the three world's, Paul Martin Dubost. P. 12
2. 'Tinatanti' {Tamil Newspaper)-dated, 18.09.2004, Page(14)
36
Moreover while playing ldakka accompaniment percussion
Kerala a tala employed in the folk music is called 'Ganapati tala'<2> the
thithaka dhithi dhikka thakka dhi than, ki{a thiku taka thll tham".
This tala cannot be demonstrated like other talas only beatings can be
the presiding deity<4> of the tabala artists is also Ganapati. When Ganapati
lord Siva and Lord Brahma there is a perfect system for Ganapati as well.
and Gajalfla. All percussionists begin the performance with one of these.
recitals.
(Dakkaniniidamudita)O>.
. The expressions - Giinatatva vivekiiya ',
Visodhakiiya ', all these shows that Ganapati can be considered as the
musical instruments like lute (veena), small two sided drum (tf,amaru),
conch held in Ganesa's hands in some of His forms obviously shows his
..
predilection for music. The Veena appears in the hands of Ucchista and
Simhaganapati.
Natyasastra, several deities are sent to protect the theatre, against the
furious demons. It is seen that prayers are addressed to Omkara for the
. .
1. 'Ganesa sahasra nama stotram'.
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success of the play. O,nkara naturally represents Lord Ganesa. In both
being the master of the 'Muraja drum', who should first be worshiped,
followed by the Sky and the Earth, leading finally to the worship of the
Pujiividhamiinayet (Verse-31 ).
CONCH
typical child Ganesa, with a conch on His mouth next to Ardhajama sundara.
39
He is also called Bala Vinayaka, worshipped by all parents to protect their
air Museum (13 th century) with a conch and a rosary in His upper hand.
THE TINYBELL(GHANTA)
Ganapati. The ring of the bells embellishes His dance. In some places,
for example Garhwall in Uttar Pradesh, a tiny bell hangs from either side of
his belt when He dances. The great Saiva saint Auvaiyar, in her" Vinayagar
sweet-smelling lotus, decorated with minute little spherical bell rings", and
in harmony with these tiny bells, Ganesa dances to the rhythmic sounds of
1. 'A study of Chidambaram and its shrine', as recorded in the Sanskrit' literature by
Ramalinga Dikshitar'. M.A., M.Litt. P. 2 _ 36.
2. Ganesa, the enchanter of the three wordls, P aul Martin Dubost. P. 211
40
FLUTE (VENU)
drum (damaru),
• the lute (Veena) are also depicted. The flute player
• by a Kinnara.
TAMPURA
(Floral inflorescence) in the other five hands. The former has a deep red
Krishna who is beating the drum. The lower left hand of Ganesa is
supporting both a lotus and Tampura, while the fingers of the right hand
we will be blessed with fame, fortune, freedom from disease and fulfillment
as Bfja Ganapati (Original Ganapati). The idol has a big lemon on the
right turned proboscis and He has axe, rope, tusk, and laddu in his hands.
envisaged the Ganesa, fondling child Krishna of Ambadi, and so the icon
is accordingly created.
and 6.45 p.m. again between 8.20 and 8.30. in this temple, Pancha
vadyam consists of 'Chenda ', Elattalam ', Edakka ', 'Kombu' and
'Kuzhal'. The playing begins slowly and then the pace is quickened to
43
..
po rtion pra1s1ng Ganapati is called 'T{tndava nityakari'< 1 >.
tantric and iconic symbolism. We can see that in seven notes, 'dhaivata' has
tatva, 'Ga' as the bfja. The acronymic significance ofGanapa (ti) will be
presently indicated. The seven notes also correspond to animal cries. The
nishada are mutually consonant (Samvadi) notes. It may thus be seen that
In the early sacred text, the Ga - klira Ganapati sahasraniima, there are
the acronym in the name of Ganapati by asserting the 'Ga' stands for
Ganapati Atharva Sz��a UpaniJad, 'G 'a stands for Brahma or manas
and Na denotes voice or sound. 'Na' is also the voice of the elephant
God, if the cerebral 'N' and dental 'N' are taken as synonyms, the acronym
becomes clear.
whole of Indian music, both religious and secular in the ancient, medieval
The Atharva
. sirsa . describes Ganapati as Brahman, as Viik and
. . Upanisad
as Niidarupa.
45
In Tanjavur at Tiruvaiyar there is the temple for Srl
Moolavar deity in granting their wishes and hence the name "Abhishta
varada Maha Ganapati". A visit to- this temple and the recital of the
a custom is that before taking darsan from Siva and Vishnu, a devotee
46
Ceraman Peruman. Suddenly the water level ofCauvery became heightened.
. .
They were in deep sorrow and he began to call the Lord "lyii.rukonda .
lsane" < 1 > on the south banks of Cauvery. Suddenly a voice came from the
north side of the Cauvery. People thought it was Lord Vinayaka who gave
reply to his call. Then Cauvery attained the original ordinary state. Vinayaka
.
. Vinayakar" <2> •
of this temple is called "Olamitta
that sport that Ganesa helped the _ardent devotee Nambiandar Nambi to
..
publish Tevaram. This Ganapati is known as "Pollapillayar"< 3
>· There is
bustand. This Ganapati has no pot belly. The story is that is deferenceJ to
the wish of Lord Brahma, Mahavishnu created this Ganapati out of His
'SappanJ'
Ak�amii.la and Padma in the other hands. The same work also describes,
Chamunda) are shown sculpted in the round, seated with Ganesa and Siva
VTnadhara. The hands of the master of the Veena are seen sliding on the
strings of the Veena he holds. With their legs open or folded, as they wish,
the mothers are immersed in the music and their faces exhibit rare ecstasy.
divine instrument.
48