Fascinating Woman of Rev. 12
Fascinating Woman of Rev. 12
Fascinating Woman of Rev. 12
1999
Recommended Citation
Buby, Bertrand (1999) "The Fascinating Woman of Revelation 12," Marian Studies: Vol. 50, Article 9.
Available at: https://ecommons.udayton.edu/marian_studies/vol50/iss1/9
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Buby: Fascinating Woman of Rev. 12
The Context
Revelation 11:19-12:17
Exegetes believe that the unit, Revelation 11:19 through
12:17, is central to the Book of Revelation. Relating the ap-
pearance of the ark of the covenant in the heavenly temple of
God with the sign of the woman unites the flfst part of the Book
of Revelation with the second, but also points to the unity of
God's revelation from the first to the second covenant. This ark
indicates the unity of God's revelation: the covenant of Exo-
dus for the flfst testament, the woman as church for the second
testament. In a secondary application, the ark is a parallel
symbol relating to the woman who, in the Catholic tradition, is
Mary, theMotheroftheMessiah. Thereisnodoubtthat,in 12:1,
the sign is explained by the "woman." Grammatically, "woman"
is in apposition to the word semeion (sign).
The Book of Revelation uses over 400 allusions to the He-
brew Scriptures (Old Testament) in its 404lines. In chapter 12,
two texts are certainly intended, Isaiah 66:7 and Psalm 2:9. The
latter citation is to a messianic psalm and is cited or recalled
from the Septuagint rather than the Hebrew text.
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Buby: Fascinating Woman of Rev. 12
The first section of our study (Rev. 11: 19-12:6) is a unified peri-
cope. ThesceneabruptlychangeswithRevelation 12:7-12, which
is a second stage in the conflict-a battle in the heavens between
Michael and the dragon. In the third stage of the conflict (Rev. 12:
13-17), the dragon pursues the woman and her offspring.
The text of Revelation 11:19-12:17 is one of three sub-texts
(also including 12:18-13:18 and 14:1-20) which are framed by
the narrative of the seventh trumpet (11:15-18) and the seven
bowls (15:1-16:21). It is within the central section of the Book
of Revelation and within the context of the war scroll which
follows the scroll to the churches (chapters 2-3) and the wor-
ship scroll (chapters 4-11). We are not in the heavens nor to-
tally in the present situation of the seven churches. Rather the
visionary author takes us back to the beginning of the conflict
between God's people and the power of the dragon (Satan).
Throughout this section, the historical present tense is used,
giving a flashback to the origin of the conflict between the
woman and the dragon (12:1-6) and that between Michael and
the dragon (12:7-21). Even though this section is easily seen as
distinct from the woman and dragon and the ensuing con-
cluding section of 12:13-17, it has an important role in narrat-
ing the original status and fall of the devil. Only upon his being
driven down to the earth does he continue in the conflict be-
tween the woman and her offspring. In a sense, this scene
(12:7-12) precedes the scene of the serpent and the woman in
the Genesis account (Gen. 3:1-16).
Revelation 11:19 serves as an introduction to the three sec-
tions within chapter twelve. (In the liturgy for the Feast of the
Assumption, the reading commences at 11:19, leading the
reader to compare the woman with the ark of the covenant, and
indicating a relation between the flrst covenant with that of the
second covenant.) Both the literary and theological reflection
support the importance of 11:19 as an introduction. The latter
theological insight is also presented in Isaiah 66:6-7, which is
one of the abundant allusions to the Hebrew Scriptures:
Nashville, TN: Nelson, 1998), asks this question: "Is it reasonable to suppose that
the author would have used pagan traditions in addition to OT-:Jewish tradition in
the composition of Rev. 12, either directly or mediated through Hellenistic Judaism?"
(p. 670). He continues to refute the comparison of chapter 12 to the Python myth and
says, "The author has not used a coherent pagan myth: rather he has created a pas-
tiche of mythological motifs" (p. 672).
There are flaws in each separate comparison to the Greek combat myths, the
Egyptian, and the Greek texts. (See Aune, Rev.6-16, 670-674). Only at a few points
do we fmd similarities and these wane in comparison with what we know from the
biblical similarities and allusions present in the combat myth of chapter 12. The com-
parison of chapter 12 with the structure, function, and morphology of folk-tales is
more fortuitous, but this is weak in comparing the combat myth of chapter 12 with
the Hebrew Scriptures (Aune, Rev. 6-16, 674-676).
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Buby: Fascinating Woman of Rev. 12
1. Marian Interpretation
Prior to 300 A.D., there was a Marian interpretation. This is
known indirectly from St. Methodius (died around 312) who
opposed such an interpretation, arguing that the male child
was not Christ in person, but the children of the Church, and
consequently the woman was the Church.3 Likewise, Andrew
of Caesarea (6th-to-7th century) also notes that some authors
2 See "Select Bibliography" (at end here) for information on the major sources used
2. Mary/Church Symbolism
There are several commentators who link Mary so closely
with the Church that the two appear as one symbol. The
"woman" of Revelation 12 could represent a) the Church with
the features of Mary; b) Mary as archetype of the Church; c) or
one figure of the woman as Mary and Church. These interpre-
tations have the advantage of maintaining the fluidity, plastic-
ity and, even, ambiguity of a symbolic word such as "woman."
The author of Revelation uses such ambivalent symbols
throughout his work, sometimes helping the reader to under-
stand who or what is meant (e.g., the names of the dragon-
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Buby: Fascinating Woman of Rev. 12
5In listing those who have used the above representations, I find the following:
St. Augustine, Quodvultdeus, Ambrose-Autpert, Alcuin, Albert the Great; John Scullion
and Ignace de La Potterie. Quodvultdeus presents a unified symbol of Mary and
Church; Albert the Great sees the Church and the Virgin Mary as a figure of the
Church; Scullion sees Mary as a type of the Church; and La Potterie views Mary as Ar-
chetype of the Church.
8. Zion
The symbolism of Zion is another resemblance of the woman
of Revelation 12. Both the Old Testament references and the
implied references of the New Testament are cited by the theolo-
gians and exegetes. Among those who refer to Zion are St. Au-
gustine, Elisabeth Schussler Firenza, ]. Massyngberde Ford, and
]. Scullion (stating that the woman is the ideal Zion), Raymond E.
Brown and Ignace de La Potterie (who hold that the Zion of the
Old Testament becomes the Zion of the New Testament), and
Max Thurian (who claims that the Daughter of Zion is Mary).
9. Jerusalem
This title is closely related to the preceding one. There are
internal literary reasons uniting the woman with the bride de-
scending as the heavenly Jerusalem (Rev. 12:1, 10; Rev. 22).
Among those who see such a relationship are St. Methodius,
St. Jerome, Adela Yarbro Collins (the heavenly Jerusalem), J.-L.
D'Aragon, and R. E. Brown (the new Jerusalem).
10. Israel
H. G. Swete sees the woman as the ideal Israel. A. Yarbro
Collins sees a relationship between the woman as Church and
Israel as a heavenly Israel.]. Massyngberde Ford, D. Barr, J.-L.
D'Aragon, I. de La Potterie, and R. E. Brown are among those
who see Israel as a possible meaning for the symbol of the
woman. Brown refers to Genesis 37:9 for such an interpretation.
Ecclesial Interpretations
The next sequence of interpretations and commentators fa-
vors the ecclesial meaning of the woman. There are variations
in how the Church is understood or the conditions in which
the Church exists. Since this identification of the woman with
the Church is found in the majority of interpreters, it probably
was the original intention of John of Patmos to identify the
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Buby: Fascinating Woman of Rev. 12
20. Light
The woman is identified as light personified. Here, we have
a Johannine theme. Josephine Massyngberde Ford identifies
the woman in Revelation 12 in this manner.
21. Wisdom
Adela Yarbo Collins identifies the symbol of the woman as
Wisdom personified. Her approach is similar to the use of this
same theme (Wisdom) in Marian liturgies.
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Buby: Fascinating Woman of Rev. 12
28. Mother-Goddess
Influenced by the comparative study of religions, several
scholars see similarities between the woman and the mother-
goddess. R. H. (Robert Henry) Charles sees the symbol of the
woman having as its source a primitive international myth,
wherein the woman giving birth to a divine child is pursued
by a primeval water monster. Adela Yarbo Collins calls her a
high goddess and uses the myth of Leto and Zeus to explain
who the woman is.
We have seen how the symbol of the ark of the covenant in
the heavenly realm is surrounded by a magnificent theophany
of God's power in nature. The scene of the woman clothed
with the sun is the sign of God's overwhelming love and pro-
tection of the woman as Church or as Mary, the mother of
God's son. Only Albert the Great connects the ark of the
covenant with Mary in Revelation 11:18, thus leading us into a
Marian interpretation of the woman. 6
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Buby: Fascinating Woman of Rev. 12
I will place enmities between thee and the woman, between the de-
scendants of your children and her children, and it will come about that
when the woman's children observe the precepts of the Torah, they will
take aim and crush your head. Whenever, however, they forget the pre-
cepts of the Torah, you will be the one who lays the snares and bites their
heels. Nevertheless, there is a remedy for them, while for you there is
none. They will fmd a remedy (or cure) for the heel in the time of the
Messiah. 10
By way of summary, then, we may say that the ]ohannine picture ofJesus'
mother becoming the mother of the Beloved Disciple seems to evoke the
O.T. themes of Lady Zion's giving birth to a new people in the messianic
age, and of Eve and her offspring. This imagery flows over into the im-
agery of the Church who brings forth children modeled after Jesus and
the relationship ofloving care that must bind the children to their mother.
We do not wish to press the details of this symbolism or to pretend that
it is without obscurity. But there are enough confirmations to give rea-
sonable assurance that we are on the right track. It
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Buby: Fascinating Woman of Rev. 12
Mary, the mother of Jesus? One would think so, if we are fol-
lowing the exegetical explanation of Aune. There is evidence
that Isaiah 66:6-7 is both verbally and structurally similar to
Revelation 11:19-12:5a. 16(There is evidence thatlsaiah66:6-7
has been interpreted messianically in Judaism [Gen. Rab. 38:1;
Lev. Rab. 12:2; Tg Isaiah 66:7]. The early church likewise in-
terpreted it messianically Uustin, Dial. 85:8-9; Ps.-Epiphanius,
Test. 11; Methodius, Sym. etAnn. 3; Symp. 7].)
This passage, as we have seen, also has connection with Isa-
iah 7:14. There is a similarity to a passage in the Dead Sea
Scrolls that has been printed out by several exegetes (cf
1QH3:7-12):
... [and] like a woman in travail with her flrst-born child, upon whose
belly pangs have come and grievous pains, filling with anguish her
child-bearing crucible. For the children have come to the throes of
Death and she labours in her pains who bears a man, For amid the
throes of Death she shall bring forth a man-child, and amid the pains of
Hell there shall spring from her child-bearing crucible a marvellous
Mighty Counsellor. And a man shall be delivered from out of the throes.
When he is conceived, all wombs shall quicken, and the time of their
delivery shall be in grievous pains; they shall be appalled who are with
child. And when he is brought forth every pang shall come upon the
child·bearing crucible.
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Buby: Fascinating Woman of Rev. 12
Concluding Observations
18Alois Milller, Ecclesia-Maria (2. iiberarb. Auf!; Fribourg, 1955), 234, 239.
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Buby: Fascinating Woman of Rev. 12
Select Bibliography
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