S.V University Oriental Series No.

10

General Editor : THE DIRECTOR, S.V.U.O.R. INSTITUTE

BALABHARATAM
OF
AGASTYA PANDIT A
EDITED BY I

Dr. K.S. RAMAMURTHI

S.V.U.O.R. Institute, Tirupati

PUBLISHED BY :

THE DIRECTOR
S.V.U.O.R. Institute. Tirupati

SRI VENKATESWARA UNIVERSITY

ORIENTAL RESEARCH INSTITUTE
TT RU P A T I

1983
S.V. University Oriental Series No. 10
S.V. University Oriental Series No. 10

General Editor : THE DIRECTOR, S.V.U.O.R. INSTITUTE

BALABHARATAM
OF
AGASTYA PANDITA
EDITED BY :

Dr. K.S. RAMAMURTHI

S.V.U O.K. Institute r Tirupati

PUBLISHED BY :

THE DIRECTOR
S.V.U.O.R. Institute, Tirupati

VENKATESWARA UNIVERSITY
SRI
ORIENTAL RESEARCH INSTITUTE
TTRUPATI
1983
AH rights reserved by :

Sri Venkateswara University, Timpati

First Edition 500 Copies

Printed at
S.V, University Press
- 2
Tirupati
 INTRODUCTION

Kakati Prataparudra's II sword and pen commanded

equal respect. His court seems to have been busy with men of
letters, ft is said that there are about two hundred
poets in his
court. He is a scholar and a poet by himself. He wrote two
Sanskrit plays Usaragodayam and Yayaticaritra. Vidyinatha the
author of the famous Prataparudrayasobhusanam, Narasimha of
the Ksdambarikaly&nam, Sakalyamallana of
Udararaghmvam,
Achintyendrakavi who prepared the Anumakondasasanam,
Ravipiti Tripurantaka who composed the Premabhiramam,
Narasimhadasa who wrote the Siddhodvaham a kavya which is
inscribed on slabs and Jayapasenani the author of the Nrtta-
ratnavali&TQ a few noteworthy poets in his court. Gangadevi who
wrote the Mathuravijaya comes of the Kakati family. 1

Agastya Pandita the author of the present work the Bala-

bharatam, is said to have flourished during the period of Pratapa-
rudra Deva II of Warrangal. 2 Though he is said to have been
the author of some Seventy four works, we are able to trace so
far only three works viz., the Krsnacaritam, the Nalakirtikaumudi-
kavya and the Bslabharatam.

Out of these the Balabharatam a mahakavya in twenty

is

cantos, available in full whereas the Nalaklrtikaumudi is available

in two cantos only and the Krsnacaritam, a prose work is almost
complete excepting two or three pages at the beginning.

From these extant works, we cannot gather any biographi-

cal data of Agastya Pandita, as he did not seem to have cared
to mention it. But from Narasimha and ViSvanatha, the authors
of Ksdambarinatakam, and Saugandhikapaharanam, respect-
ively, we understand that Agastya the maternal uncle of these
two scholars, enjoyed the patronage of Prataparudra II of the

1. B.V. Ramaraju Orugallu sahitlsaurabhSlu : Andhraprabha sacitra-

varapatrika" : 17-3-'82

2. Knshnamacharya : The History of Sanskrit Literature : Para 214.

Kakatlya family at Warrangal between A.D. 1294-1325. Except-
ing this no other detail is known to us. But from the statements
of Gangadevi Visvanatha 2 and Rajacudamani DIksita/ we note
1

that Agastya enjoyed popularity as a poet and occupied an

important place in she galaxy of scholars. He seems to have
had another nephew by name Gangadhara who was also extoll-
ed by Gangadevi in her Mathitra\ijayam^ A perusal at the titles
of his other warks iulso reveals the fact that Agastya handles
themes from the tooics of epics and Puranas which have been
current in the people from times immemorial. This may be due
to his reverence for vyasa.

Of the
three works so far came iato light two titles i e.
the Krsnacaritam ard the Nalaklrtikaumudi were edited by my
friend Prof. T\ Veakatacharya of the University of Toranto,
Canada, The learned scholar, in his valuable introduction to
the Krsnacaritam, gave about eleven points to prove that Vidya-
natha, the author of the Prataparudrayasobhusanam a work on
rhetoric and Agastja Pandi-a are twu different persons and not
identical as a seethe n of the scholars opined on the basis of
a verse (11-37) found in the Prataparudrayasobhusanam *

The Mathuravijaya I. 14.

2. cfr^Rq w^^KTu ^c^r^r f^ra

The Saugandhikapaharanam V. 4. Prashavana, Kavyamala, No 74,

1934.

3.

"Ef ipr ^riK^cl^fl

1

^^ T%^TTfrr ^^ ft^fM^c^: U
The Rukminlkalyajgam 1-13.
4, ^rerarqr ^rrg" ^THTencq^^f^^ i

i) The Mathuravijaya I. 1 5.

5- T. Venkatacharya : The Knsnacaritam Intro, pp, X - XIV,

 Ill

To add one more point that if the term Vidyanatha

this 1 like to
were to be a title acquired by Agastya, either Visvanatha his
nephew and an younger contemporary or Gangadevi the student
of Visvanatha should have expressly mentioned it on the occasion
of eulogising Agastya in their works. As nothing of such sort
is seen from the pen of his kith and kin we can feel that Vidya-
natha and Agastya are not identical*

the date of Agastya we have to solely depend

To determine
upon external evidences as nothing connected with his date is
found in his works so far extant. In this connection the stale-
'

ment of Visvanatha, the teacher of Gahgadevi seems to be roost

authentic. Visvanatha in his play Saugandhikapaharanam says
that he wrote the work at the behest of the king Piataparudra II
(of the Kakati family at Warrangal) and he was the nephew of
the great poet Agastya through his mother, 1 From this we
understand that Visvanatha enjoyed the patronage of the king
Prataparudra but his uncle Agastya, whether in the court of
Prataparudra or not, was a senior and attained fame during that
period which fact was evidenced by Gangadevi, and Rajachuda-
mani DIksita also. Hence we can safely place Agastya Pandita
in the first half of the thirteenth century.

Agastya's Krstiacaritam is a small prose work, and the

Nalaklnikaitmudi is a fragment containing two contos (II and
IV) consisting of 182 verses in all. The third work the Bala -

bharatam is a mahakavya containing twenty contos. Here the

author narrates the entire kernel of the Mahabharata stripping
off theupakhyanas An frecht's 'catalogues catatahgorum gives the
following works as belonging to Agastya
(1) Balabharatam
(2) Manipariksa or Ratnapriks*
(3) Laksmlstctram*
(4) Lalitasahasranamam
(5) Sivasamhita
(6) Sivastakam and
(7) Sakaladhikara.

1 .
Ref, ft, note 4 on page 1 .
IV

Events depicted

CANTO I

Genealogy of the Kuru family that has sprung up from

the Moon Love
; of the king Santanu the vow of Devavrata who
;

thence known as Bhisma; coronation of Citrangada and his

death, coronation of Vicitravlrya; his marriage with Ambika and
Arnbalika; refusal of Bhisma to marry Arnba; and the death of
VicitravTrya,

CANTO II

The Pandu and Vidura; care bestow-

birth of Dhrtarastra,
ed upon them by Bhisma; Coronation of Dhrtarastra; appoint-
ment of Pandu as the head of the army; marriages of Dhrta-
rastra with Gandhari and Pandu with Kunti and Madri; Kunti's
service to the sage Durvisa and his boon; Karna's birth by the
Sun God; abandoning of Karna by Kunti; Kama's adoption by
Suta; Pandu* s visit to Satasrnga and his stay there with his two
wives; curse on Pandu who killed the deer; Pandu's advice to
Kunti to beget children; birth of Dharmaja; Gandhari's
anxiety,, Vyasa preserving the hundred and one parts of the
foetus; birth of Duryodhana and his brothers; birth of Bhima,
Arjuna, Nakula and Sahadeva: their upanayanam and education;
Pandu's sports with Madri and his death; Madri's sahagamanam
risis* despatching Kunti and her sons to Dhrtarastra.

CANTO III
*

Kauravas throwing Bhima into the Ganges; Bhima's safe

return; poisoning Bhima; Bhima's entry into Patala and gaining
strength with the help of Vasuki; Krupa teaching astravidyS to
all the Kauravas; Bhlsma's contemplation to give higher educa-
tion to all the children; Drona's arrival; Drona's narration of
his auto-biography in the court; appointment of Drona as the
teacher; test in dhanurvidyQ\ Arjuna's recognition; exhibition of
astravidya Kama's challange and objection; Duryodhana installing
Karna as the king of Anga; request of Drona for GurudaksinS;
Arjuna bringing Drupada as a captive; fulfilment of Drona's
desire; Drupada getting boons for a son who can chap off the head
of Drona and a daughter through whom he can make friends with
Pandavas; Drupada performing sacrifice; birth of Drstadyumna
and Krsna (Draupadij; Dhrtarastra's contemplation to make
Dharmaja heir - apparent; Duryodhana's opposition; Dharmaja's
acceptance to stay in VaranavatL

CANTO IV
Construction of a lac-house at Varanavati; vigilence of
Vidura; setting fire to the house at midnight while the Pandavas
were asleep; escape of Pandavas through the tunnel caused at the
the instance of Vidura; news of the death of Pandavas;
Pandavas entering the forest; Bhlma's meeting with Hidimba;
her love for Bhlma; HIdimba's death; Hidimba's request for
marriage; Bhima's refusal; Dharmaja's permission for the
marriage; Bhima's sports and the birth of Ghatotkaca; enter-
ing of the Pandavas into the town Vetrakiya in the guise of
Brahmins; Kunti consoling the weeping Brahmin couple. Her
promise to send her son Bhlma to Baka in the place of the son of
this Brahmin couple; Bhima killing Baka; meeting of Pandavas
with VySsa; defeating a Gandharva on their way to Pancala;
their lodging in the house of a kulala; attending svayamvara of

DraupadI; Dhrstadyumna's description of the kings that gather-

ed there.

CANTO V
The description of the svayamvara assembly; the futile
trails of all the kings to win DraupadI. Arjuna's success; the
decision of the Ksatriyas to fight the Brahmin who shot at the
mobile fish; taking away of DraupadI by Arjuna after vanquish-
ing all the other princes to the house of Kulala; KuntPs advice
to share the object equally without knowing its nature; Drupa-
da's secret mission to know the person who shot at; arrival of
the Pandavas at the court of Drupada and revealing their iden-
tity;Drupada's predicament on knowing that all the five would
marry Draupadi; Vyasa narrates the origin of DraupadI and
convinces Drupada; Draupadl's marriage; Pandavas arrival to
Dhrtarastra with DraupadI; their stay in Hariprasta; Narada's
arrival and his advice to the Pandavas.
VI

CANTO VI
Request of a Brahmin to restore his cows; Arjuna entering
the inner apartment hurriedly to take his bow etc., observing
Dharmaja and DraupadI; Arjuna's pilgrimage according to the
understanding; Arjuna's marriage with Ultlci; birth of a son;
arriving at Manipura; marrying Chitrangada; birth of Babhru-
vahana; Arjuna reaching Gokarna; entering Dvaravati in the
guise of a sannyasin; the love-lorn condition of Arjuna and
Subhadra; festival at Ginsa; marriage of Arjunn with Subhadra;
Vrsni's contemplated attack on Arjuna and the advice of Krsna
to desist from it; Arjuna reaching Dharmaja with Subhadra;
birth of Abhimanyu; description of the season Grisma;
Khandavadahana; Agni presenting Gandiva, Aksayatunlra and
the white horsed chariot to Arjuna; war between Indra and
Arjuna; Narada's arrival; devme voice announcing the arrival
of Taksaka at Kuruksetra; announcing the relationship between
Krsna and Arjuna; Indra and others leaving for their respective
places.

CANTO VII
The construction of Mayasabha; Narada's arrival and his
message to perform Rajasuya; Krsna's advice to kill Jarasandha:
departure of Krsna, Bhlma and Arjuna to Giripura to fight with
Jarasandha; the death of Jarasandha; performance of Rajasuya
sacrifice; death of Sisupala; visit of Suyodhana and others to
Mayasabha: Suyodhana's insult; Suyodhana conferring with
Sakuni; invitation to Pandavas to a dice-game; Dharmaja's
defeat; DraupadPs insult; Bhlma and Arjuna proclaiming their
vows; Dhrtarastra's interference; defeat of Pandavas for a
second time in the game; Pandava's departure for the forest.

CANTO VIII
The killing of Kimmlra by Bhlma and
the Panda va's stay
in Dvaitavana; for Pasupatastra; Fight between
Arj^una's penance
Siva and Arjuna; Siva presenting pasupata to Arjuna; Yudhis-
tira and others greeting Arjuna; stay in Badarikasrama; Bhlma's
conquest for the saugandhika flower; Indra's request to Arjuna
to rootout Nivatakavaca and Kalakeyiiras; Gods honouring
 vn

Arjuna Arjuna*s entry into svarga along with Indra; tJrvasPs

:

love for Arjuna and her curse.

CANTO IX
Duryodhana's Ghosayatra; his defeat; Duryodhana's
ladies approaching Dharmaja for Arjuna got released
help;
Duryodhana from the captivity of Citrasena; Duryodhana's trial
for pr&yopavesa, advice of elders; Samsaptaka's promise of help
to Duryodhana; his departure for his capital; Pandavas depar-
ture to Kamyaka forest; Jayadratha kidnapping DraupadI;
P2ndavas pardening Jayadratba; Jayadratba's penance for a
boon to conquer Arjuna; advice of the Sun-God to Karna not to
part with kavaca and kundala; his advice to take the sakti from
Indra; the Yaksaprasna's and the revival of Pandavas to life.

CANTO X
Pandava's livingin incognito in the thirteenth year in the
court of Virata; Dharmaja in ihe guise of a sanyasm, Bhlma as
a cook; Arjuna as a dance-teacher, Nakula arid Sahadeva as the
trainer of horses and protector of cows respectively
Draupadi
as Sairandhri in the harem; Kicaka's love for Draupadi and the
death of the Kicakas; suspician of Duryodhana about the
all

identity of the killer of KIcakas; his plan to steal the cows of

Virata*

CANTO XI
Virata receiving the report about the stealing of the cows;
boasting of Uttara; suggestion of Uttara his sister to engage
Brhannala; Brhannala takes Uttara to the battle field; Uttara's
timidity on seeing the kurus and his request to Brhannala to take
him back to the palace; Arjuna's encouragement; taking him to
the tree on which gandiva etc,, were kept safe and
explaining
Uttara the real position; Asjuna's mag^c missile and Uttara's
victory; Duryodhana consulting gurus with regard to the time
stipulated to the Pandavas; Bhlsma clarifies his doubt and
advises him to give back the kingdom of
Pandavas; Duryo-
dhana's refusal. Arjuna's advice to Uttara not to mention his
name to his father; Their return to tfre capital; Pandavas enter-
VI 11

ing the court of Virata the next day, in their true colours;
Uttara revealing the secret of his victory; Arjuna introducing
his brothers; Bhima introducing Arjuna; Virata's offer of his
daughter to Arjuna; Arjuna taking her as daughter-in-law;
marriage of Uttara and Abhirnanyu.

CANTO XII
Dharmaja conferring with Krsna and others to claim their
share of the kingdom; Suyodhana and Arjuna waiting on Krsna;
Arjuna choosing Krsna and Suyodhana the remaining army of
yadus; preparation for the battle; Krsna's departure to Hastina
for a treaty; welcome to Krsna and his stay with Vidura; Krsna's
direct negotiation; Dhrtarastra's inability to convince his son;
Duryodhana's plot to bind Krsna; exhibition of Visvarnpa by
Krsna.

CANTO XIII
KuntPs meeting with Karna on the banks of Ganges; Her
request to him to join Pandavas; refusal of Karna; Karna promi-
ses not to kill any one excepting Arjuna; Armies in Kuruksetra;
commencement of war by Bhisma; Karna was pronounced Artha-
ratha by Bhisma; Karna's vow in anger not to step into battle
field till the fall of Bhisma; BMsma's biography and the story of
Amba; her birth in the house of Drupada; her marriage; miracle
of gandharva; maintenance of Drupada's honour;

CANTO XIV
Armies on both sides are ready; Krsna and Arjuna enter
the field; Arjuna's dejection; Krsna's encouragement
battle
exhibiting Visvarupa; Bhisrna's ten days war; Arjuna keeping
Sikhancli before him to fight; Bhisma giving up fight; Bhisma
waiting till uttarayana on the bed of arrows;

CANTO XV
Appointment of Drona as commander in chief; Padma-
vyuha; Arjuna's fight with sarnsaptakas; Abhirnanyu entering the
Padmavyuha; obstruction to others; heros killing Abhimanyu;
 IX

grief of Pandavas and Subhadra; Arjuna* s suspicion of a cala-

mity; information given to Arjuna; Arjuna's vow to kill Jaya-
dratha before the evening of the next day; Krsna taking Arjuna
to Kailasa in the dead of night,

CANTO XVI
Krsna and Arjuna meeting Siva, Siva giving Arjuna a bow
and an arrow explaning how to use it; commencement of the
battle; Drona's fearful fight. Protection to Jayadratha; Krsna's
miracle; false darkness; Rumour that Arjuna failed; Jayadratha
peeping out; Arjuna discharges arrow which cuts off his head
and shing of the Sun; Krsna's advice; falling of Jayadrada's head
in the hands of his father; his death when he throws it out;
discharging of Karna's sakti against Ghatotkaca; Ghatotkaca's
death; Grief of the Pandavas; Krsna's consolation; Dharmaja
uttering words of double entendre; Misconstruing it Drona gives
up fight; Drstadyumna cuts off his head; Asvatthama's vow to kill
Dhrstadyumna and Pandavas.

CANTO XVII
Karna succeeding ^ Drona as the comrnander-in-chief;
Duryodhana's request to Salya to be the driver of Karna; Salya's
anger; Duryodhana passifying Salya; Salya's condition that
Karna should not speak against him; fight between Karna and
Arjuna; Arjuna killing Karna when his chariot got stuck up.

CANTO XVIII
Salyabecomes the Commander-in-chief; twins killing
Sakuni; Duryodhana entering a pond; Bhima's search for
Duryodhana, Bhima's insinuation; his search for Duryodhana
in the pond; Duryodhana's
emergence from the pond; battle
with Bhlma at Sarasvati vana; Bhima
striking at the thigh of
Duryodhana with his club at the sign of Krsna; fall of Duryo-
dhana; JBalarama's anger at this and Krsna's
pacification;
Asvatthama meeting Duryodhana along with*
Krpa and Krta-
varma; Duryodhana's narration; Asvatthama's Vow to
avangc
this; Asvatthama entering into the tents of
Pandavas; kills the
upapandavas at the dead of night: his fight with the guards; his
report to Dhuryodhana; Dburyodhana's death; Asvatthama
leaving for the cottage of Vyasa; Pandavas witnessing the horri-
ble situation; locating Asvatthama in the hermitage of Parasara;
Vyasa's request to stop this battle; Krsna's promise to bring
back Uttara's son to life; Asvatthama's dwelling in darkness tiil
his death; the return of the Pandavas.

CANTO XIX
Dhrtarastra's grief over the death of bis sons; Pandavas
consoling Dhrtarastra and other; Dbrtarastra wishes to sec Bhima;
Krsna plans to get a statue of Bblma; Dhratarastra's embraces
which crashes it; Dhrtarastra's grief and Krsna's consolation;
Vyasa's interference with Gandharl when she was about to curse
Dharmaja; Gandhari's curse to Yadavas and Krsna to die in a
forlorn place; performance of funeral rites; Bhlsma's advice to
Pandavas and his death; bringing back Parlksit to life by Krsna;
Dharmaja's Asvamedhayaga; Arjuna follows the korse; Arjuna's
helplessness before Babhruvahana; Uluci serving Arjuna; Arjuna
completing the trip returns to Dharmaja.

CANTO XX
Pandavas care to Dhrtarastra and others; Bhima's pin-
pricks to Dhrtarastra; Dhrtarastra's wish to retire to forest
with his wife; KuntI, Vidura and Samjaya follow them; Vyasa
helping Dhrtarastra to see his sons in svarga; their death;
arrival of the risis with Narada to Dvaraka; Yadavas making
fun of them; the curse of the rsis; Simba begetting pistle; advice
of Krsna; Krsna takes the yadavas to picknic; their drunken
state; Krsna's rest under a tree; Kirata striking Krsna; his bless-
ings to the kirata; Krsna's advice to Satyaki and Arjuna; Krsna's
death; Dvaraka's grief over Krsna's death; Arjuna *s helplessness
to protect the wives of Krsna; grief of the Pandavas; Pariksit's
installation on the throne; Pandavas mahaprasthana; Dharmaja
followed by the dog reaches the destination; Dharmaja's reluc-
tance to enter the plane without the dog; Yama's appreciation
of Dharmaja's erudiiion; Dharuaaja entering svarga*
 Works on the theme :

works~ belonging to different authors have come

Many
down to us, in different literary forms on the same theme of the
MahabtiSrata. The following are a few of them
1- Bharatacampu by Anantabhatta.
2. Bharatarnanjari by Ksemendra.
3. Balabharatam by Amaracandra.
4. Balabharatam or Pracandapandava by Rajasekhara.
5. Bharatayuddha by Bhattatri.
6. Bharatasamgraha by Laksmanasuri.
7. Bharatasamksepa by Isaaabhatta.
8. Bharatacampu by Rajacudamani DIksita.
9. Bhdratakatha by Narasimha and
10. Prasabharatam by Suryanarayana Kavi.

Of the above the Bharatarnanjari.&nd. the Balabharatam of

Ksemendra are works in poetry, i.e. written in the style of
mahakavyas, and all other works either belong to the category of
campu, drama or prose. Hence we note that, including the
present work of Agastya Pandita there are only three works on
this theme, written as mahakavyas. The main intention of these
authors is only to epitatnize the original Mahdbharata. Though
the intention is the same the execution varied. The Balabharata
of Amaracandra (irrespective of the arrangement of the
cantos)
contains about 5,330 verses and the Bharatarnanjari of Ksemendra
'

contains 8,810 verses while the Balabharata of Agastya contains

1,194 verses only. From this it is clear that Agastya stands
foremost in achieving the desired object.

Amaracandra does not seem to have omitted any anecdote

of the original, while Ksemendra seems to have omitted certain
upakfiyanas; and Agastya omitting the entire lore of upakhy&nas
continued the thread of the main story. He
simply narrated
the incidents that are absolutely essential for
grasping the
contexts or the justification of an incident like that of the
previous birth of Draupadi etc. Even in these cases he did not
dilate much on them; He simply rushed
through the last parvas
of the work; Hence he became successful in
narrating the story
of the entire Mahabharata in 1,794 verses.
X1J

Poetry :

Through out the work Agastya seems to have been cons-

cious that he is writing for the children. He does not strain
either for theround about or out of the way expressions. His
poetry is simple and sweet. It does not require any commen-
tary. The variety of figures he used are almost drawn from the
objects familiar with in day to day life. A perusal at his other
works also gives us the idea that he is a poet of the first order,
and he is fully conversant with Vaidarbhinti besides Dhvani? 1
,

gwta and Alankara* schools* But unfortunately this does not help
us to assertain his fixed views on the schools of poetry.

As a mahakavya the Baiabharatam deserves to be placed

by the side of the Raghuvamsa of Kalidasa. The rich imagi-
nation of the poet is discernable in the hights of his unhampered
narration. He believes that a mahakavi should posses a rich
variety of visayas* and the uttarance of a satkavi should be
endearing to a connoissure.* In getting these two objectives
fulfilled the story of the Mah&bharata afforded him a great
opportunity which he executes with his utmost skill, erudition
and experience. It is no exaggiration if we say that the Bala*
bharatam shows the poet at his best. Because of his rich
erudition he unconsiously echoes on occasions the great poets,
he digested. The reverence he had for K51idisa.etc,can be seen
in his expressions which are almost similar such as

*FT:

| BB. 1-19.

i.

SfKTSRr^T^fl; , I^HKllcrftei f^^HT: i

The Krlsna Caritam : P. 90.

2 ^c^fa^i^ftqE^H^KH; * ibid, P* 82.

3. 3W*T ^gm^fiR: ^T^ffR^^% \ The Baiabharatam; X. 39.

4. qfT$f% *MHffa 5Tft*KWWHi. * The Krisna Caritam. P. 62.

: I ibid* P% 10
 Xlll

which reminds us of the expression of Kalidasa

: 11

The Sakuntalam. I. 23.

BB. x. 80.

The Meghadutam. II - 33.

and

: II BB. XII. 13.

The Kumarasarabhavam, I - 12.

Apart from this we note that Agastya repeats his verses

in his works as and when occasion warrents. For example his
Nalakirtikaumudi and Balabharatam contain the same lines and

verses also. The line ^^?cf ^jCTf

^Refl^ found in the
kirtikaumudi (IV. 10) is also observed in the Balabharatam
(V. 95). The description of the ladies who run to see Nala (IV.
16 to 24) is exactly the same as that of the ladies who run to
see Krsna in the Balabharatam (XIL 29 to 41); which is exactly
in imitation of the description of the ladies who run to see
isvara in the Kumar asambhav am. (VII. 56-61) of Kalidasa,

Commentaries :

There is only one commentary called Manohara on this

vork, by Salva Timmapa, the dandanayaka under Srikrishna

levaraya of Vijayanagar. History says that Thimmarusu is a
ntnister of Srikrishna devaraya. Copies of this commentary are
ivailable both with the Madras Govt. Oriental Manuscript

.ibrary and the Sarasvatimahal Library, Tanjore; but they are

ncomplete. The commentary belonging to the MGOL is only for
XIV

fivecantos (4 and 5 and a portion of the th canto and 10 and

12 which breaks off at the verse 27 in canto 12) where as the
commentary belonging to the Sarasvatimahal contains 1 to 10
cantos only. Even this available portion is with full of lacuna.

Editions :

Aportion of this BaJabharatam was edited by Prof. P.P.

Sastry of the Presidency College, Madras, and published serially
in the Sankaragurukul Patrika with the commentary Manohara
from 1939. This contains only 6 cantos. Sri Vanivilasa Press
brought it out in a book from as No* 4 of its series. It also
appeared as No. 9 of the Madras Oriental publications in 1939.

In the beginning, though intended to bring out the entire

I

text with its commentary manohara, I was oblized later on to

change my mind for the reasons that the commentary is in*
complete; that even the available portion is with full of lacuna
and that the poem does not require a commentary. But while
editing the poem I as far as possible, made use of the commen-
5

tary.

MSS. material
Our two copies of this work - (1) A
Institute possesses
paper manuscript complete in two valumes. The first volume con-
tains the first nine cantos which has been copied from a manus-
cript of the Sarasvatimahal Library, Tanjore No. 3700, and the
second from 10 to 20 canto copied from the manuscript of
MGOL No. R 1578. (2) A paimleaf rns. with us, which is
incomplete bearing the No. 1740.
S.V.U. O.R.I. > Text-paper; 13X8 inch. 186 pages lines 24 on
6844 and 6845 5 each P a e Devanagari; fair and good.
-

1740 : Text-Palmleaf; 40x35 cms; 56 pages, 7 lines on

each side of the leaf; incomplete; fairly good.

I take this opportunity to thank the authorities of our

University, and the Director of our Institute for permitting me
to edit and publish this work. I also thank our Research Assis-
tants M/s. K.S. Varadan, T. Ananthanarayana and K. Pratap
who helped me in preparing a press copy of the same. My
 XV

thanks are due to our Librarian and Curator Kum. S,R. Matha
for the services rendered in going through the proofs and pre-
paring an Index of the verses of this work. I also thank Mr.
V. Venkataramana Reddy, Research Assistant for going through
the proofs- My thanks are specially due to my friend Sri N.C.V.
Narasinihacharya, the Head of the Department of Sabitya,
S.V.O. College, Tirupati for his valuable suggessions and
alround help throughout. Finally I thank the press for its co-
operation in bringing out the volume in a neat manner.
 CONTENTS
PAGES

Introduction ... ... ... ... { to xv

First Canto ... ... ... ... 1

Second Canto ... ... ... ... u

Third Canto ... ... ... ... 25

Fourth Canto ... ... ... ... 35

Fifth Canto 43

Sixth Canto ... ... ... ... 55

Seventh Canto ... ... ... ... 67

Eighth Canto ... ... ... ... 85

Ninth Canto ... ... ... ... 101

Tenth Canto 121

Eleventh Canto ... ... ... ... 135

Twelfth Canto ... ... ... ... 145

Thirteenth Canto ... ... ... ... 161

Fourteenth Canto ... ... 175

Fifteenth Canto ... ... ... ... 187

Sixteenth Canto ... ;.. ... ... 201

Seventeenth Canto ... ... ... ... 217

Eighteenth Canto ... ... ... ... 229

Nineteenth Canto ... ... ... ... 243

Twentieth Canto ... ... ... ... 259

Index 277
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 INDEX

10-57*W *& 6-46

2-92 3fr d^H*^ 17-20
7-97 g^ <ft f^?t 6^-65
7~94 sw vw^ *5~64
12-15 *w $?f 11-85
rs j *v

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1082 3re ttH^3 15^63
322 9PT ^PT 1765
928 arf *fwt*f 1140
3-72 3w '^nr^t'jcT 15-1
1168 3fpT JlMl'^f^cil *r 7A
i T^

6-9 aw *^fiii 617

19-10 sw 5% 17-31
5-S8 sw ^WC 12-83
197 3pT f^5Rf I7-"3[4

204 ;3w fi^j^^iw' 1578

1-8 3r*r <^olcl 13-68
2 ii2 9pr ?iT^r 653
635 aw 5^ 10 106
940 9pr wtWr 20 i

541 wrr^Tcf 171

12-72 ^fl^: 12-74
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$ 21 ^1^*1^1 20-67
r
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I7-I ^i^ild-xT 8-4
II-7
6^6 awp%^ 5^
 INDEX

2-51 1750
I 20 11-75
1-78 15-56
6-28
20-38 2-89
8-18
128 11-21
1829 2-45
1870 621
8-66 6-6
246 10-53
30-44 2071
20-77
18-44
5-14 2-6
2-87 a-jS
2027 18-40
2-94 3-48
2090 13-74
5-68 1-25
1-77 4-52
222 16-47
1027 5-33
1172 10-79
672 1267
7-88 227
6 20
4-63
15-22
15-8
1170
6100 II I
242 15-43
18-7 8-59
9-34
 INDEX

637 sn^r ^WTSI" 2 10

1 63 2 3-i^ff^Hd* 1 093
1 9~~49
^TlK^crrs.'HH'i 1 72
5-5 sr^fcrew 13-7
1048 srR^H 3~~45
T C * -
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n-77 7-47
1530 ^r.r-
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ijg
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14-60
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7-i6 ^
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1152
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5
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4-4

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232 ^^ S^
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19-41 5^ ^ ^
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9-94 ^ToT ^^fT ^W 2-77
9 iy 3T<r*KlfrfH: 1219
S So 3T^5I 1163
1114 sTef^snj^S 1541
130 ^^ifei5!
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1241
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1332 ^TqrPSf
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13-51 3?WJfT5re 18-37
1710 ^^T^cfTT^I^f 2O 87
1 727 3{&K?fWWiM<W 2O3 7
1 8 2 3i<q^5+jftqtcs^f 4"~53

1836 Sf^rf? ^&f 1650

*5~~9 ^TR^T ^5^T 4"^^^

13-70 3^3 f?cT 20-79

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1-45
2028 Si^bH^jSnre: I I

1 03 7 ^t^tt+^g^fte^F 3 ""4^

j^^go 3^^* ^^'^ 1670

639 Sf^Hlcfj^T^vq' 9 **
1557 3R&^ ^i^r!tt\ ICH-pO
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5~~8 srrcJnnaflrfi' 3~~77
594 3fj OH |Tf *i i crJi ct^ -^
87
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ry^iyo
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JQ^ ^2 ^IHICI^KT R^^^n*! 4 ^9
14-25 3TT7 ^fTRT 3-36
170 sug^H^iyvi ^9"^39
149 ^T<3^*rf$r*T 7~^5 2f
4-*~6o ^frry^iE?^! ciRN^ 2,0 4.1

78 3H2Fo5?| HwTnfci 1^3

9"*7 ^ii^ficiif^r g^tf^cr 7~^9
16-^31 ^liiP^citc^Rcl 7^44
I^^SI 3TT*ij5f gH^Pt^l^, I4""3-^

13-26 sn^^rfmr 7-45

10 18 3fp?crrfH^f|cf 33
1648 ^iHi^^^n^^^cf^r 7"^78
1-57 n3^5 *ftfad v
3-39
542 3TRteRTW rcfcT 1657
2Or-26 ^TWt^PTTT 12 2.Q

7~~$ SHVH^ tnm-xi 3 ""69

9-86
146
5-17
 INDEX

10-49 irf^T *cr^9^tef 630

1920
14-45
10-98
1261 ?r% ^rf^ftr 642
761 ^Kt ^tf^Pt ** 79
147
^ / 5$
^- **?TT*fT
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^?R: *~~43
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1344 ^% *il^i^^ IOIO9

16 ii ^r ^T f^^sr 15-54
l6 IO ^tfl^*i|^e^|^j 2 78
19-51 ^ ^5 IP-S^
20-2
9"~~79 ^^^4 *i <pf ^ cKT^iT 3 55
1635 ^f*jTnqf<j 465
9^37 ^^xhaFTT% IOIOS
7-91 ^ f?RT 2O-9
750 ^sf =^3f*f: 564
^3""53 ?W cT^PWT^ftrf I3~7-
366 ^f cf?ncT 1226
15-71
19-54
1278 ^sj f^fE^f 7""-^

1558 ^ fw^ 13-66

6 IOI ^f ^*5T < *3"~*5

1569 ^f R ^TclR 2555

*7"~37 l>*r '^ ef5 ^" 13~5^

1730 ^f i^n^ 5-^-19

390 ^cf ^r ^?T^r 9"? 3

18-16
18-45
SrGfh* f^JSQ^i*i^( ^^ 92
g 24
SC*iXMC*4^W 9 ^^-^
1171
 INDEX

9-12 ^Tfr^HcT^ I3 24
10-28 ;
5%S cTT^T 93
12-65 ^w^teF^r 12-77
0-67
<* i ^ncrtHiST:
0-y
2O3"^5
9-2O ^rf^dliiM^cl*M 6-8
1

1419 SRsflPT 2fcMI 10-86

3-65 3cn2T erra"I%
789
4-54 ^ScTRW*: 12-55

8-28
1

5-56 ^^cC b il^ i<

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714 ^"^TOt^^ 5
^^ I 2-49

1-54 ^^g[^re% 2O~89

6-22 ^^cnrr^Rr 980
1 1 24 ^ ^.^ *r M i rri 1 3 ~22
8-32 ^t^rW^FTg^TT 756
5103 s^^fts^ 340
995 ^gcf cr^g 456
999 ^ifc^r ^II^IM^ 7""35
17*51
960 ^<lTttTT*f
vS 16-56 **

*3~~39 ^i^i^ufflr I 3'~4i

19-52 ^^d^<^' 16-77
5 39 3T*n5TE3*W3 1 44
1134 ^P+i^c^if^r 429
11-17 ^^^r^R7T% I 4-^9

1718 ;

3^rTra?r 1664
3-87 ^^^n^^Rt 16 1 8

IO^I2 ^4<^fi^+j4i<]^ 10 2
12-54 SH^rf^sfefri; 13-65
93 1 ^WR^fcir^T^ 6-89
4-1 8 ^Tfe^Rcf ,

6-91
9-76 OTra"^q- cpqt: 6-76
20.^64 . ^^W^l cRT:
'

1:562
 INDEX

1C- 14 ^ifWc^H^: IO-35

18-51 WK!*H< 8-64
2 ~53
19-58 ==E^Tf^RT%2:

18-67 ^iR^l^ftfsfeT 1-56

3jtcrf%3*;*TT: 8 ~78
1-52
18-25 qsfdHRqmfi 6-36
18-32 ^%f%f|^nf% cT^F 6-12
jo 68 *iliHri*<Ki^iiw o o

6 16 ^mPi^i^iT 8-57
IS
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_ -s5 *5TfW 9-71
6_ 7 vf&pfcv 10-36
6 7O f>*
ii
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1 03
\Jf -^r

8-12
15-9
^K*^c*- 8 GO
IQ 4
2 ~<5-^ /
^FHT^T^ 19*^5
18-66 G*34dP**ms| 7-100
3-<3
w> -> -/
<KM8M<?1^^ 10-45
3-79 ^11^^^ 19-50
2O-4O ^iClft ^fcf 2-43
-

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-2 ^itdkf: ^ 605
^ 9-72
14-38 ^T _.
^ ^,
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5 '
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c -^^
4~74
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^ifsRrT '
9-29
x ~48 . . . A,
^?T -S^T 5-63
5-13
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9-96 5-45
5 "6 I5-4O
^q-4(pj 5T3R%
l6 ~5 ^f^fer 4-44
4-48 ^tR^rh 7-17
109 3j*ar1xvH!l^ci 2053
19-72 ^jri^psn^cft 12-33
4.-<Q
*V *^ "*^
^ift^T 12-38
 INIJBX

I2p xPT$T *srs*j<T 643

4~'34 SpgJJ^iii 297
4-25 ^aars^^te 11-19
5-48 $tf4K 614
4"~I4 "ScJtlKPfWf 650
1-63 $cf J%T^ 846
1638 tKiP^^fl*!? 9~-9
14-21 *c!W% 18-13
10-116 s^rrfr^rKf 851
1442 ^ai^af ^cn^tfn 18-53
776 ^iinf 546
1126 ^cUf^n^w^
i 12 4f ^s '

17-4 ^fct^ll 5TWt 1159

2-108 ^Ksn f^fllwil' 81
1038 ^5tf ^Miw)n 928
18 IO ^WT ?TcTt 16-39
7""53 ^ ^[^^u i 1 8 64

10-5 ^W1I3T^ 8 10
1062 SfcShsjtfic&T 20^23
2rO 14 ^T:2RT5I% 71
9-103 ^n^iqr ^r 1612
1 13 5 ^11^9 16-45
695 ^^rf ftfi?i 7-^72
20-83
16-46
14-36 <6wktH 14-18
*5-39 ^^ cTcT: 16 I

I5-IO %$t"r^ I 9~45

16-19
11-^9 w^rq 3 R$ 4-49
I5-*S^ ^l w iA^ 3ftch 4-51
19-35 <8l-3<ni^q 12-16
4-71
1-14
 INDEX

381 5?r^ %rar 7-96

12-42 T 6-52
8-55 fsscft I^CTT^I 9~49
127 gj^iV 1073
f%^F 6-68
2-95 sjfHTrT:

5-54 gfHcTT^rf^F H3O

2-48 ^Wft 17-45
560 *F5<.3 ^I-Hot IO-IO4
2O-73
/ /
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1

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:

9- 2 3
*r*U ^5 5^ io-6r
1-40
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16-24 ^T^^p^T Ip-28
5-99 6-59
5-93 *TcTT g^TT 1865
16-82 ^r% cTr
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18-12 T^ 3 ^r!w< 12-66
*"V l'"^
IL Fj*
I I IL
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"^ 55 /*^

784 *Tq 3 ditff ^

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*i<.tta -i

443 *T cT ^qv^kt 239

J ^
13-45 ^1%^"
17-22 *T?f g^TT5T^? 872
2O-6l ^Tc^T ^f 5""^5

9-47 , 9-S8
s I**". T !R"2^
^
1263 ^^^Ici^^ci^
6-62 ^Kl^^^^ 18-28
693 Traferarf^rer 7-"S3

984 *r5rra
>

E^T 17 2 ^
I-5I -* ffi^^rt^ *3-*5
5s.

5"~4
874 qtHTRrfW:
29O ^OT^K'Mlsi V^S 1
TrM^! ^5 37
^^ 75
11-48 18-52
S^^f
2 -3i
19-60 S^^l^
^ T^t Tzit in i^r ^"~"C3j2
3
363 jfc

5PUV*1^<1|M^
JJir

17-61 ?i<lW 8-53

925 *** 1-* > ci*i s ^.^i
1

^ O45

770 37
 INDEX

19-22 SPTRcSlIc^ 20-29

1-53 ^FfW^cT 7-34
13-8 ^icnv'ft^ 6-90
13-10 sif&fsKir 11-6
1

1-12 ^rarHTf^gq 3-70

15-4 ^ifl'HTsiHRjjg" 436
12-75" / *iIci<Hlw<R "
3-76V
fj I

15-75
6-77 Sng EWai*jcU-t[ 3-88
6-88 5^9 WiHflJiO"^ 4-6
10-117 sflrni^ qr^r 16-14
7-12
6-80 wntfTR 18-46
18-5 f^cf^rf^nr 18-24.
^
r^ A y
3TWT 6-97
1-47 t^sjqr qKwr 3-62
2-56 f%wfr: 5I?frf 16-41
14-54 ^I^CTI 7-80
5-18 &Rm ET^fq 17-62
1-79
^
/ ^^I^H" 1
-* 8-71
j^
*-f

11-47
~V/ ^i5f^T5ri%^ j.
*f 7/
2-1 16 5fI3l?r R^R^^ 1746
9-92 cif^liw 10-99
12-59
^pfl
^W 10-68
9-90 ^Id^^VTCJCTlCftlp^ 6-26
9-85 ds^j^5r|1^ 1 1 -i i

5-H cf^r5ni*^^i% 8-4

^PT tj^^lani ^-p g^^[ WT^^ 10-23
3-57 cRTOl^ 8-68
1414 cid^ ^tfi^c^ i^-^i
j ?
t'j
1

1444 clclwd^^f 0-08

y yu
12-37 cRIWcf 8-30
13-57 cfflwai^tf 2^-50
* ^TI^^TK 12-62 cmw^nf% 12-13
 INDEX

iS-3 1 cMWdW<yW 5-37

557 cT^rn^^rF^t^I 9~~93

8-49 cr^lnfiST: 5-34

136 cf^H^PPTnT ^9 - *9
1921 acti-Kiot 31*^3 Iis
20 81 dtti?j^tfici: 3"-85

1-24 ac^fcT *s*lg?<Kit*3s, 1252

8-41 cpn^Tcf 3t^r 2-106
1033 cWlftsf cf 9~35
529 ci^ni^ jiH<wf 10-76
133 tf*ii&*=rRf 1-19
8-2 cPnf%eft 2 18
987 cT^rl^^rt of 5-3^
10-52 cr$'f& 8-58
9-44 cf%]% -n<y*T 9 I5
8-79 cT%f^T cT^EFRFr 1981
10-114 cT%ra* cT^ ^033
271 ^r%ra" M^I^^ i 41
I8O ^f%% *FT$[:
2-2O
20-69 <r^ic( ^31^? *3"49
20-59 10-22
?r^tK
1 7-2*9
9-73 tf^^sf^M^T
14-5 rt^WWRjdl 1711
^ ^> J^ . --

726 ct^'i^ijrWrti * "5 9

1415 cT^J % 26/
7-93 d^l**K*ufiqtf ^-47
438 cR3 H[gj^ 17^53
4-13 ^3 ^sJ^SRW 1742
17-33
737 s
ct<^3 f^rT^n r^f*T 19^

18-15
3-9 8-8
r i-io
 INDEX

13^13 cFRIIcr sgRarT H-I5

1317 Cl<HtU^R IO63
836 d+ilW %3 1227
29 ci<HI4drf 19-6
578 d-MT? 3TT ^sr 268
6-71 dft^El^f 8-7
2-83 di^'Ri*!^ 1165
1971 an?s: 1258
698 ,f cFrrfk^a<5 522
^ .

II IO cT3T f^^ff 225

814 ^rr i^^r^ 1044
356 cr^rr ^rr^
1

219
445 ^TT ^HT 1042
914
^ cRT ?TR 946
*^ T^ ~^

6 18 ^TT ?I^Tf^" 9"^69

2 11 d^^ii^h: 2 4
9-9
IO 80 cf^ll^'^I 1819
176 cRt^g ^ft^T^T 230
X 7""59 ?R1%^T 827
666 cKRsHI f^% 18 57
.2017 cr^T%i% f^fjp: 18 54
29 3 ^%fd^rfvr : 18 60
263 creg ^jss^T 17-23
2O 4 2 5RT ^^i^'Hii^d 62
5^43 5RT ^KRcrtiRiTfV I5~49
1985 crfeff^s^^TFr 12*6
1528 crRfl^ fttlld^f: 1083
1340 cli^'TlMl'col 2O 16
27 * alw^HdRxl 1637 *j /

257 qfw^ f% 7 13

1873 ?T^T 5icnqr 580

667 cren^T ^^r 12-80
63 ^pnf^i^npT 9-83
 INDEX
^ -."V
. .f^rv r7 ^
U 2<
741 ^Tq=^c(e|*fr4c4: /

15 CH 3 =3^*1^3 I4~~*

738 ?TT*RJ3R5 6-IO3

10-96 ctNctfHf 1269
* f
1-6
_.

cfiqoja
I2 _ 57
-r-"> t-r

3"" I 3
1636 ctiq^HRT
155 cH^H^Tcr 4~"3

1-46 mg*?t ^ 4~57

149 rrf ^^Tf 1031
1-76 erf ^ ^^TT I 9"" I 5
A *o
yj cfT ^nrr?[
f
4"~J
/y
___

^9^1 lu /^
^u
-^

9-5 cTT

730 ^TT ^TR^t 7"4

74.^
/ TJ ^TT S1J% 4IO
18-77 at H^^ i3-61
16-28 ?lt *flHfSTT 1911
5-21 ?rt 'fn^1 ^ 1917
10-107
\1
_--.-.
**t^l"l^* 7/ _<5
J <J
rTT few
ap rrTTiaisar
'H^inl^H
rr ,<^
//^"O4-^ &m-jmfij
IM*|X**I*Q I
X. 1749
T^
/
^
185 lcl<rfi.^ 848
1 9-9 ki<lR3sf^K 215
9-21 14-8
r"x v <K
^^ j /%
1O 6 TcfS TTT 3 4y
951 cfi^rai 9-105
16-34 ^ "^ 20-15
384 tU^if HIM 1087
5-74 ^ 6-85
u 5""^3
4.
"T 4.6 O i 1*1*4^11
ci

j62I ^?T^^ 312

1-65 ^R*ft^5 9~$6
~~
4-62 ^T 5 3 19
317 M*T '1
f^^ Tfi^f 4 4-

2^ ^r i"i^i*iHl'HT 3"~74

6 1 02 %^T %Rt^f^ 4"4 I

 INDEX

io-59 ^^w^rarar 5-25

16-71 <s[rcft H-23
7-67 ^i^rR 15-73
587 ^cR-Tcf^" 1678
13 36 ^IH<^?T 83 7
192 ^(cf SWcrf 692
5-77 ^HI^<I5t: 19-79
9*" 3 ^WMPM^fcT 1024
20-91 qi^ngfifcrr 10-58
538 f^?^r% 1229
1097 f^% f%% ^tn 164
2046 f^ra^r^rr 1523
I 3~34 f%i% ^r^i^h; 699
16 2 f^%^r *Fqrs%r 241
J9
7 f^t ^cit^rfcT 854
I23O ^ 5PT7T; 2 IIO
IJI2 f*^ 5(^7^5 2O5I
11 60 fqc^-Kcimcft
203 4
228 i%gsjT f-q^Ta 1282

J 3""63 i^gqi '^i*<r^ 1069

19-53 ??>rRi%^ 10-67
9-64 ^TCTFF^: 2O 1 8
18 61 ^^K^ 5*"5O
18-34
18-71
15-50 ^qt^rrs^T 5^2
jo 29
10-78 ^^TRRT^ 1643
x-i xfxf

7-77
952 %sf*m'iiw<yjO' 1949
T2 8 1 ^s^PT IJ^sf 740
I96l SW^T <K<^f ^7
j I

1687 ^f^^^S^^KH'f: 619

 INDEX

14-50
1734 202
HTg^TFf^
T< 1< HMV<<3* ^FHltll^l IO4O
957 EwTcH*lW
*
53 />

*
20 57 fciHicH'^i ^^cr <d
fi

1 9-3 o Kwfsffrf^r 9104

12-76 20-63
^3t <H^ri*^l
7-15
r 14-20
2O
14-24 SpTT^TT
___ S-6o
y
975 fcjoitri^Ug*!
11-12
7 _2 ^ff^n?T
10 10 ^J^** 1 473
20 ^68 gwdna* 16-86
"-^ jr

I5I8 fefl^^ & I9-W

I7*"33
^^^ ^? 1187
17-21 g^*
R^M^ 20-49
11-86 a^f ^wr:^ 1957
_ mi _ii lu 1 _l TTJ-T T/S
u
1178 ScT$TH'iM el*t l^^l
i

*/
. * **
A ^*,, 3
.
-i-

^^
. .

L .

g JCA
v*' *T"
S^FT^RT ^^f^ 11

rr^PTq^t 2-61
!8-75
^rr^r2!^^
^~ 3
1627 *r

18-76 ^fT^tQil^fe^PlcT 1222

s 44
347 *f%*T ort^RHd
.

- ^8 ^f^H^T mq^lT: JO IOI

461 3T ^R^BTRt^ 158

9-62 ^<^w^4^r 17-^:9

527 Vi^ut vfKR^i 856

^ ^Q ^4 J*-riAJt--rLJ I TWT3f 2"~IO

8-13 H^A|<jW 9-22

18-38 ^q^^^qg 6-60
qMHl<8lcU 6" I 3
18-17
74.8 f'ctv^i*4e*lttkWI O~^OI

2024 *ii3':^4 iPi fl

i>I I4""53

20-78
*w f ^t<t-4R<^lclI 1428
 INDEX

129 mSP^T iFW: 274

1922 f%5TRT cfc*P^rf 2IO7
*7~"43 PfJU'^I cTc^tcFRT: I3""? 1
1153 {^"51^1 as^H 1814
286 f^r^P^T ct~s^*i+ifci 1837
1944 i%3F2T cTSJ ^
5
9"~58
1235 i^ra*3T ?rfs^ iz
i
<

2i2
247 f^ITi^ cii^faq 1835
651 1^51^ 5^IT^ I9I
5-12 1^51^ it I3"H
erf 9-IOO Pf^i*^ ttfT^rr 852
15-21 rarszr ^rs^ 1-89
195 Ptm r -^^ICIH 5^97
875 t^raig ^rf^i 5 -"95

1858 Prorir^'i^ 838

573 '%^'^^sf^' 2080
273 f^fera^d'iiHi^r 1440
2109 i^srt^f^nrq :
1

10 in
1270 Pr<^u ^f%^ i 7^"99
224 i^tUWHi^T 7""^^
1410 Pr^l'T 3 ""68

412 Rjwws^l^rfir: 142

10 100 i^cf &wi 1095
469 ''ifl^^lci'B^T 1662
732 sft5*n ^sts 760
1447 rftc^rr i^Tri^r 722
75 7 ^l^K^rcrUH^ 2 05 8
426 ^rt^lT cRt 1077
723 ^HRi^ti^al *i"-~73
2O 11 ^q^T5f: 1 1^49
2013 ^ Pr^^ 1071
19^65 ^^T^TT^rT^r^r 1253
Q J<A
Iff I"
Wtr4
** * JrHquvj 2 W"?0
"^^
565 a,qr^f q^?ft 2115
 INDEX

269 CTTiffr 3^3 19-46

12-7
4~~ I3:
1658 HwtUi'iiRdl
5-55 snsrag^s 9-48
rt t , _ r rr OT
678 qr^^s ^Ttfs^r / -*/

675 qrfe? f^fT^T 124

10-32 5-72
IO I
1279 ^TT5?? *ncwjj<
1841 m ^?:
1

^* 47
12 Io
5IOO ^1^*54*1
6-105
1094 qr^fsM ^r^Fra"

15 59 HI^XlT ^S ^^^ 4 ^"

flft - I ""38
2-5 NcTFT^cr
^^"59
jp^-yy {H'^M^itt'^^
571 R'^HW^l bl'R' I9""36
tu5^*AH^d^r J 9
1947
1862 ^f 4- 4^
s^r^g
x ^7
19-38 s^R^t
7 ~ 68
11-29 5^5 33 *
12 10
1132 g^t H^T:
16 88
815 g^ro^F ti+i^i^t

^i*~57
2084 g^iiR^wA^
*:
^o ii^i^ ^jt u* i4" 6 TO
* .__ T^
I AR
4o
1416 g^cT^^T W& 5

1948 g^s^T: 3^ ^934

1684 uj^uiddW 6-~5

^^_j-^ n J Z?fJ tUT 5J13J ^X~~ol

TQ
IO_5<5 gi^^'iii^
.
1043^ .a

5-90
16 81
I2 2 3
3^ s^^rf
20-97 5-83
20-52 g< 5fqr% 1352
XA.""26 S^CT R*!^!^^^* "

-*-9*"~55

14-35 ^n q^rR%5 837

770 38
 INDEX

1-74 srrdWW: TP? 5-66

3-52 ^fag'Ht^ 19-2
15-29 sr^FRTT 3TT
19-86
4-17 sra^ 3-82
19^70 SR^atosf
-o 1217
TrJ

2030 5T?|$t,cin:H
cTOT 1-84
440 5rRraiH$.K% 1717
1654 3R[fficiTftE^ij<y< 5-101
2-79 sr^fiotTt ^jcT 8-23
9^5 ^rf^^RT: ^ 2-31
5-47 w^cj^'^iiqr 8-17
3~58 Sgs^r 5ftJT:
12-7
320 JT^cT^n ^^cRT 20-39
8-77 5W^R *T*jf[^; 657
115 SfR?^ ^f^5T: 1023
8-21 sratf ^ef 10-118
2104 *RI+I'-*C firrlffeRt
1538
288 j^^fcrr a^ 270
~* / V*

7-86 SRT^T Hf^f 15-66

14 5 1 wfrarf*T: 1224
1622 12-31
5-79
766 x^ii+far 299
584 5RSTT i u l^!5 II~4,3
1026 SRll^T^gK 1842
9-53 5^rft5Wcj?r 17-55
1251 sif^ts^? TI^: 1146
125 ^^t^iq^cr S,
IT o
7 *r
J

2113 5U^^%% 14-48

2-13 SP^Iq^ii 5
_ IQ
11-61 12-68
5uj^mfr^r
2074 sn^^,iwig&
N
A\^A
*r***

11-56 5ff^^i g^ 4_p

1-23
 INDEX

15-6 *MW jpfl"; 1-72

10-65 ^r^FSt tftM 10-39
12*14 *T5 *TkM$i<<kR 3-23
1085 *r5RFf *rii?r 1 6-6
1-62 *T3Tf*5? ^Sl^g^ 9-"5$
10-112 ^rcTH^^r T3r 19-29
9101 ^Tw^r sif^r 10-81

5~~37 *fi^f*ftTft.i'^f 20 60
122 *IW^T tl .3*4 K 321
19-78 *TTe?t "RfepEB 7-1 S
8-9 *rt^TTO?l* 7~33
8-67 sffrrej ci^r 10-55
18-26
16-13
12-12 sften^tgs 14-^7
10115 *fi^^i ^rg: 1327
18-3 ^t?r^f%^ 6-37
1859 *|lt: ^ ^rfer 2-9^
11-80 ^ ^ra^t 12-64
1-86 H&^^^TW 15-44
3-61
16-42 ^jf ^ *T52T ^ 20-45
1246 ^Tng^r^n" i4 - 3

jj^i9 ^JJTM^^T^^
14""^
w_^__ ^*^/\5
UJ
y* p2 *^ltCI*il^
.

7
*MttiKctl3 I9"~" 4
9-77
4"" 3 7
3025 ^W?fenjcr :

WWS3H 44dfcf 1 6 16
I A
-V..V __. -Jr t*^*-CA
L ^ 5^
20 10 HS[ 5 ^ng
15 4-3
15-14
2C-5
15-12
f^R^g ?"""4I
IO 8 *itys^J
I --36
6-38 '

* fj C
4
2O8 ^l^^4R^T *y **
 nstDfix

6-32 S*srfT33Rr 4-21

20-56 3*ErM'W 3-25
6-64 g^srmr 19-26
2-IOI &f^T%K*[f< 14-31
19-37 sKcita i^ng 6-69
20-54 5%r SW^ki^i 15-72
8-16 gprta 3fr$3R
3
2-81
8-20 <f*Tc3WT^f 6-55
4-3 1 gW[%5^T^rT 624
11-25 s*rc^ ^ 12-36
179 gfsfa: ^i%?r 4-28
I943 *J^S2W9TRt 5-24
13-5^ ^^^rfqHt 4-27
2-65 3$rf q- ^T^f 20-88
1-3 3 ^^ 8-29
1-73 I^TT ^RT I5"46
1-44 %i^if tRa^f 14-58
9-70 JTtfTeRn^ 19-56
18-63 ^^^jj^ 3"27
1 8-6 ^id^Cfaw 103
13-2 ^^q^n 11-74
TTcrr ^ KTHrr .
13-5 www 7-36
10-34 ^n^f ^ff^pn 12-28
10-113 "H^i^t ^ri%f?% 8-47
13-42 ^T ^T ^T 1 8-21

1-34 ?lf^ *T fel% 1568

16-63 <% ^ c
rt| *) ^^ci'i*r 673
16-66 ^S,^H 12-71
1234 ^T^S^T %% 5""98
1091 ^R^S^T^r^i 13-64
c_e_ .
^^-^ w -^ rj
13-46
^ q^EJ^u 5TTcT 20-10^
1 8 2O 'ZJ^s^n cT^f 249
20-50^ ?T^* ^TT^r 10-88
*PKKT
*'*'*
14-33 ^T^TT 4^-55
T^ *''
 INDEX

2-58 WHI&M 1715

15-16
7-II <*WTT3KIT 15-19
1069 ^^^rf^t ii S

5106 ^f^in^icT^ 6-83

1966 ^^f^^jsfOT; 11-13
3-14 8 ^ 17-39
4-8 KPT ?sft 2055
I62O <MMcl: ^TT^r S'9 1
1511 *3*tt ^PT^^f^cr 7-62
15-2 3J5F*T*T: 982
1182 <M*-43w 7"-46

15-33 <i*^xrtl"*{gf%3t 3-54

1545 ^T^ R^TcT 9 ID

5__5C) ^T^T ^TPHTK 569

5-IO2 ^fpfT 2
^ 7-82
1-88 ^cft cJ^ 10-60

466 ^sfr f^Kf^W: 1017

142 ^i<fcicii*J 3-3 1
2O-22 ^lij^M^Ti 16-3
1459 iN^' 1 ^ 1 4~ 2 3
3-78 ^ralhpr 5-96
^S
IO69 ^foSfR'^'H^ 3

10-25 ^f^"^?T^5^R 3^0

4-47
T^ "
/ STSSTORf
^"*
6-104

<->H.
y Q **
f\
A- ov
1724 ^RgPff
sfNsF: qt
I ~6S
17-63 r^
jy^jg ^^^T ^ni^a 207
/> * T *%'"' *~*

cR^-iiM 51^5 -tj J /

1752
12-60
12-25
9-59
 INDEX

17-3 6-49
11-31 6-74
n-37 11-41
n-66 6-44
6-4 11-38
9-42 10-102
8-33 10-47
10-72 19-89
n-45 6-94
16-79 18-48
10-11 19-40
10-15
16-23 6-84
1-32 18-68
3-89 8-19
1-13 9-16
3"43 17-56
5-7 n-54
4f~~2i
11-83
7-IQ 15-35
3-86 10 no
4-5 19-8
14-34 8-3
2-85 8-71
9-1 8 5-93
14-39 19-27
14-37 12-40
9-43 6-96
2-1 1 1 15-27
16-59 17-48
15-20 8-40
1127 1 8-8
Ii-6a
2-35
 INDEX
1 5~47
1 980 SKT^-H^Ki^
17/ <4 * *
5n:^R^r *5~32
781 SK^^Ja *5~7
553 3T? SI^F 9~~6

20-95 ?Ki4^*t*i 2065

835 ?wwrtw 204
- 2 ><

9-4 gPUtMtfrm 5-15

19-3 ?rf?f^r<i^r 5^ i3""73

198 Sl^fStg 1924

3"4"" 2 7
14-49 iil^^^l^cl
20-85 snf% T% i9""^3

i^
J 45
TTw'
wrfaras 1878
586 ^TFT Ji'O^I 2048
4-64.
*T ^^T" firefaRfeu* 13-67
^o* 6z nr^i^w irt i3 3^
1 6 80 RndP**f ^3""2 9

16-26 fll^il^Tfe 6-79

f^
-t5"" 3 4-
jr f** ^** f~*L_ ^lW *** jl

16-25 raTSKiSflM

16-29 fir^n^^m: 20-76

648 Rl^cT^r^T 223
13-18 sikifgi^rfsr
I 43
3-51 ^^" H^ 9^*39
16 61
11-64 ^^t^BSi"

435 ^^ g^ 229
20 12
373 ^^" 3^ *r^n?Tx
16-55 ?$&&& 7-54
315 ^wO^^i 5^7
2047 ^wu^w^ 7**39

19-50
^ ^ <p*
0)4^ 3""8

1*^38 ?fi^< TTog 1669

1248 5^^441^ 16-30
6-31 5iR<^if< 16-72
15-^79 ^R% 5PW J 5""42
 INDEX

i6-7<5 wR#r 16-52

656 ^S^nf^ST H~"43
fa 7-75 ^sg SPT 16-73
7-70 ^ Clfd*fl if
1;

687
758 ttoq+ifttf 2-1* *17 /

10-41 STcWcf 18-72

12-8 3T cTsf *TT*r
2-54
13-28 ^T cT^ Pw^Sf 8-50
13-62 *r ?w <n*r
12-17
20-43 ?T cl^"
^^C 9""24
9-61 *r cr^ igrf
i^jy
1-69 *r ci^ u^rr 20-20
i-2i ?r cW^Picr^ 1758
19-13 *r ^rif 15-74
19-73 cM
7-90 ^
*

cT
^_
^*I|^|5T
^
+r
8-45
IO2 ^****

1150 ^r ff 5r%5r^j . .

870
10-16 g* ?f fii^T 8-25
16-4 ?r fn*iii^<^ 0-80
y v ;/
6-17 ?r erf ^ft^rr
9-41
2093 ^T cTT ^ ^HT^r 221
2-37 *r gf cntf^rr 5-42
9-81 ^r fit
^g% 10-75
9^-68 ?f
cjT^qf^lq^ 20-32
I7"44 ^T 3 'CT
17^-7
I5"77 'ffSpre 6-1 1
2 ""34 ^T 5 ?R^[ ii 2
236 ^r ^f 1=55^; 8-61
4-33 ^r5 5ifs?r 10-66
16-7 ^ 3 fn^r n-84
I *~6i ^=r 5 ^rf%i?r
11-67
20 94 ^cfr^N ^^1*1 < i <
J *? J
204 ?r c^" ^cT^'rtsRr o
>r
2
J 2,
A<

16-74 ^r^^r 15-61.

 (NDEX

9-45 7-6
16-53 15-60
n-i6 1712
15-36 13-21
15-17 18-18
8-39 17-35
1 1-4 18-50
2-40 7-71
1-16 7-87
1-8 1 1422
3-16 2082
5If s^T 3-4 15-82
19-88 1-50
11-42 18-47
20-70 5-57
7-59 1-66
2-8 15-76
11-28 2086
8-44 1122
2O 21 I 60
2-60 919
214
226 16-85
18-9 13-33
13-50 18-55
2 IOO 1046
2-98 12-47
9-2
IO84 420
17-13 6-63
2-52 2072
1 8-49 7-40
276 14-53
19-75 4-32

770 39
 INDEX

1-23 fjjRrjpi 5 104

IO5 gWc<Tf?[ 2-72
724 gsficra: 2103
1 6 68 ^%^HT^ojF 5*89
19-14 IceTT3^ 18-33
IO5O f^T fRQTT 6-25
1054 QjTS
5 !^ 10103
1617 ^*>i v-Nt4 360
531 ^Tiarcft 16-49
1314 %^fT^R% I4~56
774 ^TR^tftT: 1320
728 *Nr ^Fngpc i i

I-9O ^o^F: g^Mf 12

1256 3J^i^T^i%cr 7*~3 1
2092 ^^% ?pT 324
IO 21 ^T%^ 359
1 747 ^"qf^ J I -44
1760* ^RtWf^fT ^-82
J v/*-

169 ^TTT ^nr^^ff: 266

344 STHT^rferar 1089
1942 ?^Nt cf^T 19-64
1581 ^ftc^ 33'oin 1359
8-65 ^Jfr 14-57
2-105 ^^ToT^sf 20-75
18-69 ^i^r^ 4-68
17-66 ^snftcf ^r^r 334
15-53 $& ^T^ricr 5^105
2-114 wgpr^g 3j 3</
j
*l 3^
^&
'WlcfTlc^rcTf T^>,
J.4J 7"?

1-82 5TT^f^% I(5_ 40

2-91 WcTT ^7:
16-19
I5"~67 f%?HT^g 383
8-43 ^roFgflifar 1633
J 9-33
^R^THnc i<-6^
*j ^*j
 iSDEX

'-75
i V

19-83

-
J3-9 fl

I
""
13-54 PR^ra
6-23 p 9-9

6-34

'7-25 50**
13-48
2 -3

! 3-3i

'5-55
8 -7?

9-63 lais

19-23
: Ir '

7-S5
3-6