Etï,|| LE LITTLER PRESE'I7S

bqarronqementwith
C H A P P E LEL C O L
. .T
A NewMusical

L Y R I CS 8 Y
E.Y.
HARBURG
MUSIC BY

B U R T O N[ A N E
EOOK BY
E . YH. A R B U R&
G FRED
SAIDY

,ffiffiI
30

It's that old Dev-il llloon -

loon - It's that Old

JustwhenI

----;---1
' t

deep in your eyes blinds me with

r--T----1 r----;--1

i\loon decp in your eyes blinds me with

t
col la, aoce r il lr t ,, î f,.co

38699
 gt

TO OPEN SCENEIII

5
light Segue
r Bluck-
Animato
,?

Piano '#
tb

3S699 Chappell
 78

N9 16 ENTR'ACTE

Mo d e ra to

Piano

--F

C h a p p e Il
----'--- (T ift It -J
------------z --\-----l ---_/.
 ?8

,---,.-=\

I
(

l
Strings tremolo

\
-\_
1:
o Segue

Chappell
 7g

Act II
N917 ll{oderato
T O O P E N S C E N EV i I

Piano

tinian

q.
L-.".-
I
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d -J-r

ChapPell
80

Net8 SONG(SHARONwith CHORUS)t ORNCE

. ( W H E N T H E I D L E P O O R B E C O I I TT
EH E I D L E R I C H ' '

Cue: (Finian) "sh"u., andRobust"

DANCE Steady
u Tempo
S u s a nd a n c e s

Piano

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 > : > l " . i

-----------.\--

,---
 Yalse "92 ?.--.

-.---_--\

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Ci,.rpplil
P.OLONAISE
>

J*,
>t I
 19

wontt it be when ev - try onets poor be - comes fRock-e - fel - ler-tivetta-nd

p i a s- t i c teeth, Horv will we de ter- mine whots

I
I
Chappeli

llt
 S c l o( D e a d - P a n ,

And rl'hen uP-per You wontt know your from your

22 sharon

the day we drink that drink- ie

i,=__

JE699
 dle poor be-come the i

=-

dle poor be-come the

dle poor be-come the i - dle rich

,-----

When a

J C
Du du du doot de du
a. U.
de du
C
du
rrffi
du du du doot de du

man does-ntt wirnt to

C h a p p eI l
 88

SHA.

twantto work, Hets a loaf - er hets a 16u6'-çr hets a la - zygoodfornoth-ing

!(EN

rich man los j es on a horse, is-'rit he ttre

jerkl

r + ' . t
Butwhen a POOrman l o s - c s o n a hôrset

Oh is -'n't he the sport

sam-bler hets a low- life a rea-son for di - vorce.

T } F
l e I

33699 Chappeii
 townt- But whcn a poor man af - ter

\r

bcund - er hets a round- er rot-ter and a lot of ajr'- iy namelr.

Cheppcll
 26
cHo.
Du du iu doot de du de de du du du du du doot de du de doot.Youttl
Lh.

4
i. r-

o J '

r.ev - er know just who When the dle poor be - come the i - dle
L
I7
cHo.
a/
nev - er know just who When the dle poor be - come the i - dte

When the i - dle poor be - come the i - dle

t - - '
----

-=------_

rich.

-"---.-

3569e
 9t

come n e v- € r k n o w i u s t

when youtre on Park Av- e - nuerCor us and Mike - look a

When

:' : T'*'ee-dle Dum rich Twee-dle Dee, na tlon

?

Th.rs dis-crim- i ticn will

1if=--
/ r h r r n , l l
 hide thoscin-con-gru-i-ties in cloaksfrom Ab-er-crom-bie

3=2 Cwcomlanied

Wbcn- the i poor- be - come the- i dle rich,

It
q)
É:
. d
oÀ
EE tbe dle poor- be - come the-
c ) oo
o

È
l. poor- be - come the i-dle
.-

poof- b e i - dle

Chappll
 When be - eome the
€o l\
-1-r
+-
. 6

a) O
rich, wh e n be - come the
+
d
o
I- + t
L æ E
rich, ; hen the be - come the

Chappeli
 g4

N9 18a SHORT ENCORECHORUS

.'
\ \ ' H E\ T H E I D L E P O O R B E C O M ET H E I D L E R I C H "

C u e : ( t i n i a n ; I ' l. , s r s S t - . e a rasn d R o b u st "

lloderat o
Soprano . J _

Àlto
When the i p o o r b e - c o m et h e When the i dle

Tenor
\\ hen the i - dle, when the i - dle poor be

Bass
When the poor b e - c o m et h e

Piano1

be-conre the

pocr be-come the When the i - dle, when the i - dle,

When the r p o o r b e - c o r n et h e When the i - dle, when the i - dle,

( _ - .- a . - : :
 (ÈÈ

rhq _+É-t-
rr+ t J

p o o r b e c o r n et h e

OPENING TO LONG ENCORE

'-'-.=- , : i.'-. 4oor"

Ç h a p pe I I
 06
N9 18c LONG ENCORE (SHARONwith CHORUS)
"wHEN THE IDLE pooR BEcoME THE IDLE RIoH"
Cue,(Fini an) " Formaldressrequired"
Moderato Sharon
andChorus

Let's toast tbe day, Tbe day we drink tbat drink-ie up, But with the lit- tle

Piano

d l e p o o r b e - c o n r el b e

le poor be-cometho

dle poor be-cometbe

wïen tie i - are doo,

$hen the i - dle, when the i - dle poor dle,

When the i - dle poor-

C h a p p eI I
 g7

Wbenthei-dle be-cornethe dle,

fVhenthei-dle W h e nt h ei - d l e , w h e n t h ei - d l e ,
VJ. rL- r

whenthe i-dle, wben i - dle, when goor be-come the

when the poor be-come the

3 8ô 9 9 Chappell
 98

N9 19 REPRISE (SHARON & \TOODY)

.'OLD
DEVIL MOON,'
''rf'etl
Crrc: (Shafop) i n t h a t c a s e I c a n t n t a r r v y o u . . . . . t w oh e a d s "

Piano

You and your glance nrake this romance

r---z.-'-1

d J r :- S t a r si n t h e n i g h t , b l : r z i n gt h i e r

You've got me f ly-in'high and widc

C h - rn r , .
 99

think Ih -

Woodyr-l-r

Iove. _---

:l\ô99 C h a p p el i
 too

Nq20 INTRODUCTIONTO SUSAN'S

DANCE
Etit Sharon and Woody
a
--> -)

Piano

1-.---z --\---F
N9 20a DANCEOF THE GOLDEN CROCK(Susan)
HARtrlONICA Arranged by
SONNY TERRT
llolto adugio

Al l e g r o mo d e ra to

P o c o m e n o m o s s o , t l a r m o n i c ba r e a h d o at , n

: ] s 69 0
Chappell
 oice

Yes Yes,youknow.

Yes.lou know

Yoice
^ L O N E S O M ET R A I N G d I i b . )

"o.K:'

END OF SUSATV'S
ONXCE

Af legro

C h a p p eI I
L{J2

N92r TO OPEN SCENEVIII

/f,).

, JJ A1'n.
bo--a

( t i
=-

-
nff
 !.03
Nq22 FIDDLE. FADDLE
614: ttNow for the magic cure"

MAGIC MUSIC
Molto moderato

Piano 'llp
" F idd,le- Faddlei'

"Medieval

'-7-- ,--i.--

" B r o t h e rh o o d"

"How are things in Glocca Morra this f ine

'.rnugrc curc u)orhs,,
^ 2 ^

Chappell

,d
t04

N9 23 QUARTET (fne Three Gospeleers& Senator)

..THE
BEGAI''

era.. (Senator)"I got it, I got it"

1
Moderato 3 ilen

the Lord made A-dam, The

Piano

They lived as free as the sum- mer with- out pa - ja-masandwith-

out che Un - til t h e y s t u m - b l e do n t h e

Chapgcll
 __!I

a P- P l e Then she looked at him,- and he looked at

andtheyknewim.med.jet-ly-whattheç'orldwasfur.-

Hesaidgiveme my cane, - He said give me my The time has

c
corne to be-gin The Be - gat So they
L Senator >

The Be - gat. So they

38699 Chappell
 and they Be-gat A - belwho Be - gat the rab-ble at tbe towi of Ba-bel Thev

Be-gat the Colrensandthey Be-gat O'Rourkesand they - lievedin storks.

Be-gatthepeo-plervhobe

2nd& 3r d Men g ilr l

Ho*'they did Be-gat E-venmorethanthat;whenthe Be-gat got

Howthey be be be - gat

un-der the daughters of the They Be-gat the Bab-bitsof the

3E699 Chappell
 the mis - be-got-ten

a
lst Man

It pleasedthe leagueofWomen Shop-pers

in Du-luth.Tboughthe cen-sorstried the facts to hide - go - ers up and

pp cresc.

2 n d& 3 r d i l e n

mul - ti-plied Howthey mul - ti-plied Ho*' they

Ho*' they ed.

Chappell
 LO8
1(, 2nd ilan
lst tlan

mul - ti - plied Soon it swept tbe world, Ev- iy landand tin-go It be-

It was big-ger than Bin - gol

The folkswhoshould a stood in bed

t Xen

the GreeksBe-gX, The SwedesBegit, Whv ev-en Britisbers in

I
I
tst [.
tweeds Begat And Lord-y Lord-y ç'hat their seeds
 L a p p s a n d L i t h - u -a n - i - a n s Be - gat, S c r a n t o n P e n n s y l - v a- n i - a n s Be - gat

Be- gat H o n - o r - a- r y A r - y - a n s Be - gat.

Start - ingfrom Ge-ne- sis. Be - gat

Fat fi l i - b u s -t e r - e r s Be - gat I n - c o m e - t a x- a d - j u s - t e r - e r s Be-gat.'twas

Naf-'che-leraÀd naf-cha-ler - to e-gat. and sometimes a ba-che-lor

3..:99 Ch:ppell I
 did - nt mat-ter which-a - \,r'a!.s of ha-bi-tu- es

N9213 AFTERTHE BEGAT

lïoderato

Piano

Segue
s8693
Chappell
 111
TO OPENSCENEIX
N9 24 -
REPRISE (SHARON,
\trOODYwith ENSEMBLE)
"LOOK TO THE RAINBOW"
Curtain rises
Andante oon moto

Piano

I '"1=l 7"i t
1
*-*
l-l
11
7
7

3S 6 9 s
Chappell
 C Chorus

Tem
D Wood

gift to For tbe lure of that

â

true love's

3S699
 ream:

dream.

Ful low

38699 Chappell
5.L4

N? 25 TO OPEN FINAL SCENE

Cuet (Fini an) "Leprechavn.....

Nemesis"

Agitato

- - - - - Y \ - / ; ' ; :
p

3S699 Chappell
 tl5

p piir lranquillo

Scntimental
0g. Calls"Sharon"

'Sutt'e slapt àand

Chappell
Lt6

N9 26 SONG- OG (with SUSAN'SDANCE)

"wHEN I'M Nor NEAR THE cIRL I LovE"

Cue:(09)'rl feel the samefrenzy lo you"

a t.empo
hearti ln a flck and not too
:\

Chappell
 What if they're tJll aod What if theytre small and

OG

I
t

.oo

I
t
Chappell
Chappell
 When ttru- not cloge lo

hiss that cltng to tles lbatte clore

I m- not fac - Ing the face lbat I fan - cy,

38690 Chappell
 1('

fan - cy For Sba - ron I'm carini- But

Su - zan ltm

Itm- not nerr the girl- love- tbe girl

3S690
L?,2

N9 27 THE CRACK OF DA\TN

..IF
THIS ISN'î LOVE''

Allegro subito
>

Pi a n o
 r 23

N9 27a (rUrr coMPANY)

REPRISE
"IF tttts tstt't L O V E "
C u e : ( 0 9 . \ " C r a c ko f D a w nI '

fi'

rouE- the whole world is

I
f
/u

C h ap p ei I
"L24

cra - zy If this is - rft

this is-ntt lovd If

love t h e whole world is cta g this whole world is cra zy If this

2. r D2,

moors all a - and cows jump-ing o

With moons - round and cows jump-ing o -

did-dle did - dle the and the fid -

Chappell
 L26

Therets some-thing a - and Itll your hand

Therets - thing

tbis is - ntt love

- miss and I'll kiss your hand love

E
this Poor boy if love

N9
:-r
28 BEFOREFINALEULTIMO
Cuez(tin
i an) 'alm €
of me: h a n d s

si
Pocor alltegiett

Piano
IE
Chappell

{
LzA

N9 J9 FINALE ULTIMO REPRISE

..HO\4IARE THINGS IN GLOCCA
MORRA''

Cna: (Sharon) " l t ' s a l l i n F a t h e / sh e a d "

Sharon

so to evjry r*'eepin'wil{ow, To eachbrooka-longthe way To each lad that comesa -

Girls

Me n

Piano

FullCompany

May we meet in Clocca day.-

Too Illay we meet Mor-ra One fine

à
e +
:-2--t
1 5 I L - o

,4-à
-nal =

CURTAII;
:1E699 Chappell
 127

N9 30 CURTAIN ACT II (FULL COMPANY)

..THAT
G R E A TC O M E . A N D . G E T . I T - D A Y ' '

(Curtain R l s c s )

Chorus

Piano

-\--l/
t .

donc and mon-ey is hay - That's the things'll come your

Eet my

Chappell
 mule- that a-cre of
'.-\

g'rounr- 'cause
word has come - from Ga-bri-el's horn- The earth be -
--...,-r

< > r

(stilt rhythm)
 t29

com - in' for to st^y On that great. great Come and get it, and keep

j caf{g
Chappetl
 r30

N9 31 EXIT MUSIC
.,OLD
DEVIL MOON''

Piano

tsu{i99
C h e p p el l
 r3l

r
I

I
I
 Espressivo schmaltzando
r1\ --

38699 Çhappell