HERITAGE 25august2019 PDF

catalogue not for sale
Jakarta, 25 August 2019
FINE ART AUCTION
HERITAGE FINE ART - AUCTION 1

2 HERITAGE FINE ART - AUCTION
Auction
Sunday, 25 August 2019

Luncheon : 12.00 am
Auction : 1.00 pm
Viewing
Friday, 23 August 2019

Saturday, 24 August 2019
11.00 am - 08.00 pm
Venue
Masterpiece Building, 4rd floor

Tanah Abang IV No. 23-25
Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707

Published by:
HERITAGE FINE ART AUCTION
PT. Dwi Samapersada

MASTERPIECE Building
Tanah Abang IV. No.23 - 25
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
[email protected]
www.masterpiece-auction.com
Copyright @ 2019 HERITAGE Fine Art Auction
All right reserved. No part of this publication

may be reproduced, stored in a retriavel system, or transmitted in anyform
or by any means, electronic, mechanical, photocopying or otherwise,
without written permission from the publisher.

Published by:
HERITAGE
Auction House
PT. Dwi Samapersada

Tanah Abang IV. No.23 - 25
Tel: (62-21) 351 0808 (Hunting)
Fax: (62-21) 351 0707
[email protected]
Copyright @ 2019
All right reserved. No part of this publication

may be reproduced, stored in a retriavel system, or transmitted in anyform
or by any means, electronic, mechanical, photocopying or otherwise,
without written permission from the publisher.

CONDITION OF BUSINESS
The conditions of business set up below are information guidance for prospective buyer and seller with any enquiries relating to buying or selling at
the auction. We encourage you to read them wisely and thoroughly.
THE BUYER Absentee/ Written Bids

Estimated Price If you cannot attend the auction in person, you may bid in other ways.
Estimated price is the price range, which reflects the opinion of our The most common is written bids. Written bids are written instruction
specialist for the price expected to offer at the auction. This should not given to HERITAGE to bid for you on one or more lots up to a maximum
be relied on as a statement that this price is either at which the lot amount you specify for each lot. There is no charge for this service. If two
will sell or its value for any other purpose. Estimated prices are based or more parties leave identical bids, the first bid received by HERITAGE
upon prices recently paid at auction, and the condition of the artworks will take preference. Written bid forms are available 7 days before the
including the quality, rarity and history of ownership (provenance). sale and returned to HERITAGE within 24 hours before the sale or by fax
to (021) 351 0707.
Reserve Price
The reserve is the confidential minimum price the seller is willing to Telephone Bids
accept and below which a lot not be sold. If you cannot attend the auction, HERITAGE will execute on behalf of your
bid by telephone. Please make arrangements for this service at least 1
Buyer’s Premium (one) day before the sale. It is advisable for you to leave your maximum
Buyers are reminded that the price to be paid will be the sum of the final bid, in case you are unable to reach us by phone.
bid price plus the buyer’s premium. The rate of buyer’s premium for each
lot is 22 % (twenty two percent) of the hammer price. Successful Bids
Successful bidder will be indicated by the fall of the auctioneer’s hammer
after reaching or exceeding the reserve price. HERITAGE will record the
bidder number of the buyer. Under the auctioneer’s discretion bidding
BEFORE THE AUCTION may be reopened.
Viewing
Pre-sale viewings are strongly recommended for prospective buyers in
Unsold lots
order to examine the artworks thoroughly. Pre-sale viewing is open for
When a lot fails to sell, the auctioneer will not announce a bidder’s
the public at no charge and usually displayed for 2 (two) days prior to
number. Lots unsold will be returned to the consignor usually after a week
the sale.
in case there are any post sale offers.
Condition Reports
Condition reports are available upon request. They are statements of
opinion and should not be relied on as statements of definitive fact. AFTER THE AUCTION
Descriptions of property are not warranties and that lot is sold “as is”. All Payment
goods are sold with all faults and imperfections and errors of description. Payment of purchases should be made within 7 (seven) calendar days.
Illustrations in catalogues are for identification only. It is strongly Please include your paddle number, name, lot number, and total payment
recommended that prospective buyers inspect and seek any independent in your bank instruction. If buyers do not make any payment or notice
expert advice to satisfy you as to authorship, attribution, authenticity, to HERITAGE during the scheduled time, they will be considered as
genuineness, origin, date, age, provenance or condition of lot. withdrawing.
Registration Collection of Goods

If you are planning to participate in the auction, you will need to register Goods can be collected only when payment has cleared and been received
with us at the registration desk, to complete a bidder registration form by HERITAGE. Due to space constraints, HERITAGE requires that purchases
and to receive a bidding number to identify you if you are a successful and unsold property be collected within 7 (seven) days. If the goods
bidder. Registration can be made during the viewing period or 30 minutes remain after 7 (seven) days HERITAGE reserves the right to cause the
prior to the sell. artworks to be stored at the expense of the purchaser.
Storage and Insurance

HERITAGE provides insurance cover for sold items for a maximum of
THE AUCTION 7 (seven) days after the date of the sale. If the goods have not been
Bidding removed by the deadline, the goods will be deposited at warehouse and
All artworks are auctioned in consecutive numerical order. Bidding is done all storage transportation and other associated costs as well as risk shall
in Indonesian Rupiah (IDR) in incremental price raise. The auctioneer be at the purchaser’s responsibility.
will accept bids from those present in the saleroom or absentee bidders
participating by telephone or by written bid left with HERITAGE in
advance. The lot being offered is usually illustrated on a screen. THE SELLER
Auction estimates
Bidding Increments If you are considering selling your property at the auction, HERITAGE will
Bidding generally opens below the low estimate and advances in the provide a free initial estimate of its auction value. You can send a clear
following increments: photograph of each item with complete data includes the dimension,
artist’s signature, medium, physical condition and any other relevant
Rp. 1.000.000 - Rp. 10.000.000 by Rp. 500.000 information.
Rp. 10.000.000 - Rp. 20.000.000 by Rp. 1.000.000
Rp. 20.000.000 - Rp. 50.000.000 by Rp. 2.000.000
Rp. 50.000.000 - Rp. 100.000.000 by Rp. 5.000.000
Rp. 100.000.000 - Rp. 200.000.000 by Rp. 10.000.000
Rp. 200.000.000 - Rp. 500.000.000 by Rp. 20.000.000
Rp. 500.000.000 - Rp. 1.000.000.000 by Rp. 50.000.000
Rp. 1.000.000.000 - above by the auctioneer’s direction.

After Sale Notification In the event a defaulting buyer has made a part payment, HERITAGE
You will receive an after sale advice listing the final bid price, or in the reserves the right to apply such payment to any such lots at its sole
event that the property failed to sell, notification that it was bought-in to discretion.
be returned to you. Payment for your sold property takes approximately 4
(four) weeks, provided payment has been received by us from the buyer. Forgery
In the event of proven forgery, HERITAGE will refund to the buyer the
CONDITIONS OF SALE purchase price of the lot. This refund will only occur on the following
These conditions of sale together with any terms and conditions set out terms:
a consignment form constitute the entire agreement with the Buyer on
respect to any lots listed in the catalogue. Amendment to the catalogue (i) The buyer must provide evidence from an independent expert
descriptions may be made verbally during the course of auction or by who proves that the lot is a forgery. HERITAGE reserves the
appropriate posted notices. By bidding at the auction, you shall be bound right to request further expert evidence if, in its sole
by the conditions set out below. discretion, it is not satisfied with the finding of either expert.
(ii) The buyer must provide written notification to HERITAGE
Terms used in these conditions within 1 (one) year of the auction date of the
* “The Buyer” means the person with the highest bid accepted forgery allegations.
by the auctioneer.
* “The Lot” means any items deposited with us for sale at No refund will occur if there is any conflict of opinion among accepted
auction and, in particular, the item (s) described against any experts in the field or if it can be demonstrated that the lot is a forgery
lot number in the catalogue. only by means of scientific process that could damage or otherwise
* “The Hammer Price” means the amount of the highest bid jeopardize the condition of the lot and which scientific techniques were
accepted by the auctioneer in relation to a lot. not commonly employed until after the publication of the catalogue.
* “The Reserve” means the amount below which we agree with
the seller that the lot cannot be sold. This guarantee is for the benefit of the buyer only and cannot be assigned.
* “The Buyer’s Premium” means the charge payable by the Such buyer must have remained the owner of the property without
buyer as a percentage of the hammer price, at the rate set disposing of any interest in it to any third party up until the time the
out in the auction room at the time of the relevant sale. alleged forgery was discovered.
* “Forgery” means a Lot constituting an imitation originally
conceived and executed as a whole with a fraudulent intention Handling and Packaging Handling and packing of all purchase lots shall
to deceive as to authorship, origin, age, period, culture or be at the risk of the buyer who shall pay an administration charge if
source where the correct description as to such matters is not HERITAGE is responsible for such services. HERITAGE shall use our best
reflected by the description in the catalogue. efforts to take care when handling the packing but remind the buyer that
from 7 (seven) days time after the sale, the goods are entirely at the
Withdrawal of Property buyer’s risk. You can instruct your own shipper for the shipping. However,
HERITAGE reserve the right to withdraw from the sale the property or to we can also arrange for such service but are not responsible for any costs
have the property listed at any auction without any prior notice to the incurred during the shipping.
vendor.
Control of Auction Notice

HERITAGE will have absolute discretion to determine the successful bidder HERITAGE remind prospective buyers that none of the property in this
should a dispute arise between the bidders and this includes the authority catalogue is subject to any guarantee of authenticity and all of the
to reject any bid, to cancel the sale or to re-offer the property in dispute. artworks sold “as is” with all imperfections, incompleteness, faults
and errors of description. All property is sold without any warranty or
Ownership of Property representation. HERITAGE is not responsible for any errors or omission
The fall of the auctioneer’s hammer indicates the property sold to the in the catalogue. Buyers are strongly recommended to take independent
buyer who is responsible for the property and shall be liable to pay the professional advice on selection of purchase.
full purchase price within 7 (seven) days. If extended payment terms have
not been granted, penalty interest will be charged on the unpaid balance
until paid.
Remedies of HERITAGE
If the buyer is in breach of any of the conditions of sale then HERITAGE
may choose to take the following action:
(1) Cancel the sale, retaining as liquidated damages any payment

made by the buyer.
(2) Re-sell the property without any minimum price at the next
auction of HERITAGE or privately on 5(five) days notice to the
buyer.
(3) Take any other action HERITAGE may consider necessary.

001
SUDJONO ABDULLAH
(Yogyakarta, 1911 – 1993)
Mencuci Di Sungai
Oil on canvas: 125 x 200 cm

Signed, lower left: S. Abdullah
RP 18.000.000 - 25.000.000
USD 1.300 - 1.800
002
ERNEST DEZENTJE
(Jatinegara, 1885 – 1972)
Landscape
Signed, lower left: Ern. Dezentje
RP 20.000.000 - 30.000.000
USD 1.400 - 2.100
003
KARTIKA AFFANDI
(Jakarta, 1934)
Kampung Nelayan, 1974

Signed and dated, lower left: Kartika74
RP 65.000.000 - 75.000.000
USD 4.600 - 5.300

004 He was born in Padangtegal, Gianyar, Bali, 1909. He learnt painting from
ANAK AGUNG GEDE SOBRAT Walter Spies and later under Rudolf Bonnet. Sobrat’s paintings generally
(Gianyar, Bali, 1909 – Denpasar, Bali 1992) mark the beginning of modernization of Balinese Art. He was a lecturer
Activities in the Ricefield at the Indonesian Fine Art Academy (ASRI) Yogyakarta specialized in
Balinese paintings (1957 – 1959). His works are amongst the collection
Oil on canvas: 58 x 38 cm of: Painting Museum, (Ubud), Bali Art Center (Denpasar), Sono
Budoyo Museum (Yogyakarta), Tropen Museum (Amsterdam) and
This lot is accompanied with certificate Rijksmuseum Voor Volkenkunde (Leiden). He received the Wijaya
of authenticity from the Museum Puri Lukisan Kusuma Cultural Award from the Regional Government of Gianyar and
the Dharma Kusuma Cultural Award from the Provincial Government
RP 85.000.000 - 100.000.000 of Bali. He passed away in Denpasar on 30 September 1992.
USD 6.000 - 7.000

005
SUDARSO
(Purwokerto, 1914 - 2006)
Sitting on Bamboo Chair, 1977

Signed and dated, lower right: Sudarso77
Literature: Nasjah Djamin. Sides Sudyarto, The World of Sudarso,

Pubished by Hexart Publishing, Jakarta, 2005. pg. 27
Provenance: Christie’s HongKong 26 October 2003, lot 57
RP 90.000.000 - 120.000.000
USD 6.700 - 8.500

006
RUDOLF BONNET
(Amsterdam, 1895 – 1978)
Ko, 1972
Pastel on paper: 49 x 27 cm
Signed and dated, lower left:
R. Bonnet, 1972
RP 40.000.000 - 60.000.000
USD 2.800 - 4.200
Born in Amsterdam, 1895. He studied

art at the Hendrick de Keijser-school,
the Rijksschool voor Kunstnijverheid
and the Rijksacademie in Amsterdam.
He visited Indonesia in 1936 and stayed
in Bali from 1931 – 1941. He helped
establish the Museum Puri Lukisan and
together with Walter Spies founded the
Pita Maha Artist’s Association (1936).
His works are amongst the collections
of former President Soekarno, the Neka
Museum, the Agung Rai Fine Art Gal-
lery, the Rijksmuseum Kroller Muller Ot-
terlo and the Sinerg Museum in Laren.

007
GUNAWAN BAGEA
(Bandung, West Java, 1971)
Penjual Ikan, 2019
Acrylic on canvas: 100 x 140 cm

Signed and dated, lower right: Gunawan, 2019
Signed, titled and dated on the reverse
RP 12.000.000 - 18.000.000
USD 800 - 1.300
008
UNTUNG WAHONO
(Yogyakarta, 1962)
Berlibur, 2016

Signed and dated, lower left: Untung W.2016
RP 7.000.000 - 10.000.000
USD 500 - 700
009
FAIZIN
(Banyuwangi, 1973)
Panen, 2019

Signed and dated, lower right: Faizin, 2019
This lot is accompanied with certificate

authenticity from the artists
RP 18.000.000 - 25.000.000
USD 1.300 - 1.800

010
AGUS RIYADI
(Sleman, Yogyakarta, 1979)
Untitled, 2017

Signed and dated, lower right:
Agus Riyadi, 2017
RP 30.000.000 - 40.000.000
USD 2.100 - 2.800
Born in Sleman Yogyakarta on 21 August 1979. He has

actively participated in several group exhibitons such
as the KIAF(Korea International Art Fair), Art Seasons
Gallery, COEX, WTC Seoul Korea (2008), Dies Natalis
ISI Yogyakarta (2005-2007), Group exhibitions with
Kelompok Kereta Yogyakarta (2002), and the Anniversary
of SMSR Yogyakarta (1998).
011
PARDOLI FADLI
(Cilacap, 1971)
Bedoyo, 2016

Signed and dated, lower right: Pardoli 16
RP 8.000.000 - 10.000.000
USD 600 - 700

012 Abdul Aziz was born in Purwokerto, Central Java, and showed precocious artistic
ABDUL AZIZ talent from childhood. His first Diploma was in Social Sciences from Gajah Mada
(Purwokerto, 1928 - Bali, 2002) University, after which he studied Art at the Indonesian Fine Arts Academy (ASRI)
Kakak dan Adik, 1988 in Jogyakarta. Due to his exceptional talent he was awarded a scholarship to study at
the Academia di Belle Arti in Rome in 1958, where he was awarded two Diplomas, in
Oil on canvas: 50 x 40 cm Painting and in Decoration. On his return to Indonesia in 1965 he lectured in Fine Art
Signed and dated, lower right: at Udayana University and established his studio in Ubud Bali.
Abdul Aziz, 1988
Abdul Aziz was very influenced by the 3D movies he saw as a child, always wondering
Provenance: how to recreate the same effect in paintings. In Europe he was impressed by the
Acquired directly from the artist works of Michelangelo, Caravaggio, and Rembrandt and they inspired him to continue
to develop his naturalist, three-dimensional style for which he is now renowned. This
RP 60.000.000 - 80.000.000 style requires complete mastery of anatomy and light effects, and his favourite topics
USD 4.200 - 5.600 were always life in Bali and the beauty of Balinese women. He brings his painted
subjects and his viewers together in the same semi-imaginary, semi-real space.

013
RUSTAMADJI
(Surabaya, 1932 – 1990)
Wanita Bali
Signed, lower left: Rustamadji
RP 23.000.000 - 30.000.000
USD 1.600 - 2.100
Born in Surabaya, East Java, April 16, 1932. In 1946 he started

painting under the painter S. Sudjojono in Sanggar Indonesia
Muda (Young Indonesian Artists Association), Madiun. In
1950s he used naturalistic style which afterwards changed to
impressionistic. He actively participated in several exhibitions
in Indonesia and abroad. He lived in Surabaya and died in
the year of 1990.
014
RUSTAMADJI
(Surabaya, 1932 – 1990)
Gadis Bali, 1967
Rustamadji, 1967
RP 20.000.000 - 30.000.000
USD 1.400 - 2.100

015
AMING PRAYITNO
(Surakarta, 1943)
Dua Figur, 1989
Signed and dated, lower right: Aming89
RP 5.000.000 - 7.000.000
USD 400 - 500
016
S.YADI K
(Banyuwangi, 1958)
Penari Bali, 1998

Signed and dated, lower right: S. Yadi K, Bali98
RP 16.000.000 - 20.000.000
USD 1.100 - 1.400
017
DEWA NGAKAN MADE ARDANA
(Semarapura, Bali, 1980)
Raptur, 2008

Signed and datedon the reverse
RP 20.000.000 - 35.000.000
USD 1.400 - 2.500

018
SALIM / SARAOCHIM SALIM
(Medan, 1908 – Paris, 2008)
Burung Merak, 2001
Signed and dated, lower right: Salim2001
Literature:
Ajip Rosidi, SALIM, Pelukis Indonesia di
Paris, Published by Pustaka Jaya, Pg. 71
RP 100.000.000 - 150.000.000
USD 7.000 - 10.600

Mochtar Apin
Born in Padang Panjang, West Sumatra, 1923. He graduated from the Bandung Institute of Technology
(ITB) in 1951 and continued his study of art and handicrafts in Amsterdam finished in 1953. Besides painting,
he also created graphic works. His works have been exhibited in many countries. He was among the first
who benefited from a Dutch formal education during the colonial period and was able to acquire a strong
intellectual basis for producing modern art. From a very young age, he was able to nurture his artistic bent
through special instruction from Dutch art teachers. He went on to pursue art at the Kunstnijverheid School in
Amsterdam, and the Ecole Nationale Suprieure des Beaux Arts in Paris as well as the Deutsche Akademie der
Kuenste in Berlin. Due to his extensive art studies, Mochtar Apin became proficient in a variety of techniques.
With such knowledge, he was well equipped to debate on the role of art in Indonesia. In the Indonesian art
world, Mochtar Apin’s diverse range of interests and unique versatility in style has left behind an artistic legacy
that has held the interest of art connoisseurs to this day.
019
MOCHTAR APIN
(Padang, 1923 - 1994)
Ibu dan Anak, 1992

Signed and dated, lower right: Mochtar Apin92
This lot is accompanied with certificate of

authenticity from the artist’s family
RP 150.000.000 - 200.000.000
USD 10.600 - 14.100

020
JEIHAN SUKMANTORO
(Solo, 1938)
Maya, 2008

Signed and dated, lower right: Jeihan08
Signed and titled on the reverse
RP 55.000.000 - 70.000.000
USD 3.900 - 4.900
Born in Solo, 1938. He studied at the Himpunan

Budaya Surakarta (HBS - Surakarta Cultural
Society) (1953 - 1955) and at Bandung Institute
of Technology (ITB) (1960 - 1966). In 1978, He
established Studio Seni Rupa Bandung (Bandung
Fine Arts Studio) together with Dr. Sudjoko.
He has participated in several exhibitions. He
held his solo exhibitions at Bandung (1998),
Galerie Darga & Lansberg, Paris France (1999),
Darga Gallery, Bali (2000), the Jakarta Hilton
International Hotel, Jakarta and Nadi Gallery,
Jakarta (2002). He combines Eastern mysticism
with Western analytical sense that made his
portraits paintings are very distinctive and well
known.
021
JEIHAN SUKMANTORO
(Solo, 1938)
Ninuk, 2000
Signed and dated, upper left:Jeihan, 2K
RP 30.000.000 - 40.000.000
USD 2.100 - 2.800

022
JEIHAN SUKMANTORO
(Solo, 1938)
Kasih Sayang, 2013

Signed and dated, lower left: Jeihan13
RP 55.000.000 - 70.000.000
USD 3.900 - 4.900
023
JEIHAN SUKMANTORO
(Solo, 1938)
Tiga Gadis, 2014

Signed and dated, upper left: Jeihan14
Signed and titled on the revere

of authenticity from Studio Jeihan
and sign by the artist
RP 80.000.000 - 100.000.000
USD 5.600 - 7.000

024
KOEMPOEL SUJATNO
(Ngawi, 1912 - Batu, 1987)
Cikar
Signed, lower left: Kompol
RP 5.000.000 - 8.000.000
USD 400 - 600
025
ADAM LAY
(Wonosobo, Central Java, 1949)
Menyambut Hari Nan Ceria, 1991

Adam L91

of authenticity from the artist
RP 30.000.000 - 50.000.000
USD 2.100 - 3.500
026
KOEMPOEL SUJATNO
(Ngawi, 1912 - Batu, 1987)
Jembatan Merah

Signed, lower right: Koempoel
RP 18.000.000 - 25.000.000
USD 1.300 - 1.800

027
LEO ELAND
(Java, 1884 – 1952)
Market Scene
Signed, lower left: L. Eland
RP 60.000.000 - 80.000.000
USD 4.200 - 5.600
Leo Eland Eland was born in Salatiga on Java in 1884. Leo Eland is the widest-known and most
characteristic exponent of the “Beauteous Indies” – style. He was largely self-taught and was
advised by the painter C. L. Dake Jr. Between 1920 and 1929 he moved to the Netherlands and
worked in The Hague. Leo Elands oeuvre consists mainly colored, smooth painted Indonesian
landscapes, Majestic mountains, palm trees, a rural settlement and agricultural scene, also
described some figures, coastal view and market scenes. He produced among others, a large
number of dioramas and panoramas paintings for Colonial exhibitions. It is known that he went
along plantations in Indonesia where he offered the owners to paint it. Leo Eland died in The
Hague 1952. In the market scenes, Eland’s painting employs focal distance to reduce the villagers
in the picture to small figures whose individually features are indistinct and whose exertions are
all but invisible. Distant peasant figures often appeared as iconic types of Indonesian completed
with huge trees on the surroundings.

028 Born in Jakarta, June 12, 1960. He studied at the Indonesian
HERI DONO Institute of Arts, (ISI) Yogyakarta. He has participated in the
(b. Jakarta, Indonesia 1960) International Artist Exchange Program in Basel, Switzerland as
Flying Affandi, 2007 well as other countries like at the Canberra Contemporary Art
Space, Australia (1993), Blooming in Arms at the Museum of
Acrylic and collage on canvas: 150 x 150 cm contemporary Art, Oxford, UK (1996), Mythical Monster in
Signed and dated, lower left: Heri Dono, 2007 Contemporary Society at the Gajah Gallery, Singapore (1999),
Signed, titled and dated on the reverse and Dancing Demons & Drunken Delties at the Japan Foundation,
Asia Center, Japan.
Literature: Agus Dermawan.T & Mikke Susanto,
MAESTRO “Seni Rupa Modern Indonesia”, Published
by Kementrian Pariwisata & Ekonomi Kreatif
Republik Indonesia 2012, pg. 152
RP 200.000.000 - 300.000.000
USD 14.100 - 21.100

029
DIROT KADIRAH
(Indramayu, 1972)
Dialog Negeriku, 2017

Dirot, 2017
RP 18.000.000 - 25.000.000
USD 1.300 - 1.800
030
NASIRUN
(Cilacap, 1965)
Figures, 2016
Oil on munggur wood table:

79 x 253 x 77 cm

RP 60.000.000 - 80.000.000
USD 4.200 - 5.600

Antonio Blanco
Don Antonio Blanco was born in Manila, the Philippines,on 15 September 1911. He studied at the Fine Arts Academy in
New York, the United States in 1934. He was later professionally based in Florida and California, and has lived in Ubud, Bali
since 1952. He received awards from the Tiffany Fellowship, New York, La Cofradia de el Arros, Spain, has been honored by
several International art organizations and the government of Bali presented him with the Dharma Kusuma Cultural award in
1997 in recognition of his dedication to painting and Cruz de Caballero from Spanish King, Juan Carlos gave him title “Don”
in front of his name.He passed away in Campuhan, Ubud, Bali on 10 December 1999.
031
ANTONIO BLANCO
(Manila, 1911 - 1999)
Pendet Dancer, Bali
Mixed media on paper: 90 x 70 cm

Signed, lower middle: Antonio Blanco
Provenance:
Acquired directly from the artist
RP 160.000.000 - 250.000.000
USD 11.300 - 17.600
Inscribe on the back

032
SUDARSO
(Purwokerto, 1914 – Purwakarta, 2006)
Wanita Bali, 1981

Signed and dated, lower left: Sudarso81
This lot is accompanied with statement

letter of authenticity from the artist family
RP 25.000.000 - 35.000.000
USD 1.800 - 2.500
Born in Purwokerto, Central Java, 1914 and died in Purwakarta

2006. Affandi was his customer when he was an egg and milk
seller. From that time he was interested in painting and learnt
under Affandi as well as young painters such as Barli, Wahdi, and
Hendra. He became a teacher at the Indonesian Fine Arts Academy
(ASRI), Yogyakarta. He had participated in numerous exhibitions
and active in many painters organizations. Now he lives in Sidoarjo,
Surabaya. Solo Exhibition, 1961 to 1969. And he was participated in
group exhibition “19 Indonesian Painter” in Singapore and Malaysia,
1967. And Reunion exhibition painter “Angakatan 45 Bandung” in
Bandung,1975. Exhibition of Fine Art “Membaca Dunia Widayat” at
Museum H.Widayat, Mungkid, Magelang, 2004.
033
LIM WASIM
(Garut, West Java, 1929 – Jakarta, 2004)
Woman with Offering, 2001

Signed and dated, lower right:L. Wasim 01
RP 80.000.000 - 90.000.000
USD 5.600 - 6.300

034 Born in Switzerland, 1908. He studied at the
THEO MEIER Kunstgewerbeschule in Basel and Academies of Art in
(Switzerland, 1908 - 1982) Berlin and Dresden. In 1936 he settled in Bali for 20 years
Portrait of Bang, 1959 then moved to Thailand in 1961. His works have been
the collection of former President Soekarno, the Museum
Oil on canvas: 50 x 40 cm Neka in Bali, the Agung Rai Fine Arts Gallery in Bali, and the
Signed and dated, lower right: Theo Meier 59 Kunstmuseum in Basel, Switzerland.
Provenance:
Private collection of Mr. Hars Oblander, Germany
RP 50.000.000 - 70.000.000
USD 3.500 - 4.900

035
REDY RAHADIAN
(Cianjur, West Java, 1973)
Higher and Stonger, 2007
Steel: 90 x 60 x 60 cm
Signed and dated, lower area: Redy R.07
RP 25.000.000 - 35.000.000
USD 1.800 - 2.500
036
FADJAR SIDIK
(Surabaya, 1930 - 2004)
Dinamika Bentuk, 1973
Signed and dated, lower right: Fadjar Sidik73
RP 25.000.000 - 35.000.000
USD 1.800 - 2.500

037
WIDAYAT
(Kutoarjo, 1919 - Jakarta, 2002)
Deformasi, 1978 - 1979
Watercolour and ink on paper:

@ 30 x 43 cm (5 pieces)
Signed and dated, lower area: Widajat78 - 79
RP 15.000.000 - 20.000.000
USD 1.100 - 1.400

038
JB. IWAN SULISTYO
(Kudus, Central Java, 1954)
Panen Raya

Signed, lower right: JB. Iwan Sulistyo

RP 25.000.000 - 35.000.000
USD 1.800 - 2.500
039
JOHN VAN DER STERREN
(Sukabumi, 1938)
The Old City Hall

Signed, lower right: Van Der Sterren
RP 25.000.000 - 35.000.000
USD 1.800 - 2.500
040
OMAR YAHYA
(b. 20th Century)
Bersandar, 1969
Oil on board: 28 x 38 cm
Signed and dated, lower left: Omar YH. 1969
This lot is accompanied with statement letter

of authenticity from the artist’s family
Literature : Mikke Susanto, Soekarnos Favourite Painters,
Published by PT. Dwi Samapersada, pg. 256
RP 12.000.000 - 20.000.000
USD 840 - 1.400

041 042
PUPUK DARU PURNOMO PARDOLI FADLI
(Yoyakarta, 1964) (Cilacap, C. Java, 1971)
Temple, 2007 Panen Cantik, 2009
Oil on canvas: 98 x 146 cm Oil on canvas: 100 x 150 cm

Signed and dated, lower right: Pupuk DP. 2.2.2007 Signed and dated, lower right: Pardoli09
This lot is accompanied with certificate of authenticity from the artist
RP 50.000.000 - 60.000.000
RP 70.000.000 - 90.000.000 USD 3.500 - 4.200
USD 4.900 - 6.300

Han Snel
Born in 1925 in Scheveningen, Holland, Han Snel arrived in Indonesia as a Dutch soldier in 1946.
He had a life-long love affair with Bali. Snel immediately fell in love with the island; a love so deep
until he marred a local girl, apply for Indonesia citizenship and embrace Balinese Hinduism. He lived
in Ubud from 1950 until his death in 1998.
Balinese themes are Han Snel’s specialism, in particular figures done in a more or expressionist style:
he himself prefers to describe his manner with its very conspicuous, curved lines, as ‘roundism’. In
his works, Snel focused his attention on the beauty of Balinese women. His colors were varied and
lean towards the primary with contrasting area of dark shading. His visual imageries, subdued colors
and fine lines captured the essence of Ubud and the island as a place where serenity reigned and
simple people led an honest life.
043
HAN SNEL
(Scheveningen, 1925 – 1998)
Balinese Girls, 1976
Signed and dated, lower left: Han Snel, Bali76
Provenance: Private collection, Jakarta
RP 250.000.000 - 350.000.000
USD 17.600 - 24.600
Masterpiece Singapore,
16 -17 August 2008, lot 336
Sold SGD 212, 400

044
ERNEST DEZENTJE
(Jatinegara, 1885 - 1972)
Wanita dengan Payung
Signed, lower right: Ern. Dezentje
RP 12.000.000 - 18.000.000
USD 800 - 1.300
045
SEN PAO
(Surabaya, 1949)
Kakek, 1981
Signed and dated, lower right: Sen Pao81
RP 7.000.000 - 9.000.000
USD 500 - 600
046
AMRUS NATALSYA
(Medan, 1933)
Kampung Pinggiran, 2005
Oil on wood: 133 x 172 cm

authenticity from the artis
RP 25.000.000 - 35.000.000
USD 1.800 - 2.500

047 Born in Yogyakarta, 1926. A member of Seniman Indonesia Muda
TRUBUS SUDARSONO (Young Indonesian Artists) and Pelukis Rakyat (People’s Painters),
(Yogyakarta, 1926 - 1966) Yogyakarta, he was a self-taught practitioner who honed his skills
Girl, 1965 in the amateur art associations that flourished during and after the
Japanese occupation. Trubus was taught by both Affandi and Hendra
Oil on board: 49.5 x 40 cm Gunawan and he also studied the paintings of the old and modern
Signed and dated, lower left: Trubus S65 masters through prints and lithographs, as well as the works of artists
in Indonesia such as Antonio Blanco, Romualdo Locatelli and Basoeki
RP 25.000.000 - 35.000.000 Abdullah. His works are represented in the Jakarta Art Gallery and
USD 1.800 - 2.500 other museums in Indonesia.

048
S. TOYO
(Blitar, 1935 - Malang, 2000)
Kuda, 1981

Signed and dated, lower right: S. Toyo, 1981
RP 20.000.000 - 30.000.000
USD 1.400 - 2.100
049
KRIJONO
(Jakarta, 1951-2011)
Macan Putih, 2008

Signed, titled and dated, lower right:
Krijono, 2008, Macan Putih, Bali

of authenticity from the artis
RP 50.000.000 - 70.000.000
USD 3.500 - 4.900
050
TATANG KOENTJORO
(b.Semarang. Central Java - 1993)
Dua Kuda, 1976

Koentjoro, 1976
RP 45.000.000 - 55.000.000
USD 3.200 - 3.900

051
HENK NGANTUNG
(Bogor, 1921 - 1994)
Membajak Sawah

Signed, lower left
RP 200.000.000 - 300.000.000
USD 14.100 - 21.100
Henk Ngantung was born under the full name Hendrik Joel Hermanus Ngantung in Bogor, I March 1921.
Since childhood he had moved to Tomohon, a town close to Manado, North Sulawesi. He began to
study painting under the guidance of E. Katappo. At very young age, he already had his solo exhibition in
Manado (1935). He moved and started to live in Bandung (1937 – 1940) where he studied under prof.
Rudolf Wengrart from Austria and Prof. Wolf Schoemaker. In 1940 he moved to Batavia (Jakarta) and
joined Bataviasche Bond van Kunstkringen (Batavia Association of Art Circle) and during the Japanese
Occupation he was active in Keimin Bunka Shidosho. He was a member of POETERA (People’s Activity
Center) and LEKRA (People’s Cultural Institute) in 1950s. As he was actively involved in cultural and
political movement, he was the Vice-Governor of Jakarta (1960 – 1964) and elected as Governor of
Jakarta in 1964 – 1965.
President Soekarno appointed Henk Ngantung to draw sketches of several monumental sculptures such
as the Pembebasan Irian Barat, The Selamat Datang Sculpture which then constructed by Sculptor Edhi
Sunarso. Henk works considered as a realistic-romantic style with eye-catching color but rather leaned
towards impressionism. He died in Jakarta on 12 December 1991.

052
PRATOMO SUGENG
(Ponorogo, East Java, 1946)
Komposisi Perempuan, 3, 2004

Signed and dated, upper left:
Pratomo Sugeng, Jkt.2004
RP 10.000.000 - 15.000.000
USD 700 - 1.100
053
SEN PAO
(Surabaya, 1949)
Nenek, 1981
Sen Pao 81
RP 7.000.000 - 9.000.000
USD 500 - 600
054
AHMAD SYAHBANDI
(Palembang, 1968)
Doraemon, 2009

Ahmad Syahbandi, 2009
RP 25.000.000 - 35.000.000
USD 1,800 - 2,500

055
BASOEKI ABDULLAH
(Solo, 1915 – Jakarta, 1993)
Portrait of a Lady

Signed, lower right: Basoeki Abdullah
RP 80.000.000 - 100.000.000
USD 5.600 - 7.000
Born in Solo, January 27, 1915, he is

the second son of Abdullah Soerjo-
soebroto, a prominent landscape
painter. He studied at the Academia
van Beeldende Kunsten in The Hague,
the Netherlands. Basoeki Abdullah
started painting since he was 5 years
old in simple drawing, and at 10 he
traveled to Surabaya and Bali where
he started portrait painting. During
1933, he held his first exhibition in
Bandung. He brought his painting
to RMP. Sosrokartono, RA. Kartini’s
brother, who was very impressed on
Basoeki’s painting. Sosrokartono and
Prince of Mangkunegoro VII became
the person who greatly supported
his painting career until Basoeki be-
come a famous painter. During that
time he continued his study at Aca-
demia van Beeldende Kunsten in the
Hague, the Netherlands.
Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was
well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted
for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with
the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from
his great interest in exploring the beauty of women that is attractive to paint in any way. The artist gain the
public recognition after winning a painting competition held in conjunction with the Netherland's Queen Juliana
ascension to throne on 6 September 1948.

056
LAM DUCH MANH
(Vietnam, 1972)
Flower Market Under The Red Tree, 2008

Signed, lower right: M.Lam

of authenticity from the artis
RP 11.000.000 - 15.000.000
USD 800 - 1.100
057
NYOMAN BUDIARTA
(Tabanan, Bali, 1959)
Pelangi Pagi, 2016

Signed and dated, lower left: Budiarta 2016
RP 12.000.000 - 20.000.000
USD 800 - 1.400
058
GUNG MAN
(Denpasar, 1956)
Forest In Bedugul, 2002

Signed and dated, lower lelft: Gung Man, bali02
Literature: Wahyudin, PULAU DEWATA DI MATA

GUNG MAN, Seorang Hindu Bali, published by
Emmitan Contemporary Gallery, pg. 62

RP 5.000.000 - 8.000.000
USD 400 - 600

059 Born in Basel, Switzerland, 1942. He moved to Amsterdam, the Netherlands in
PAUL HUSNER 1964, studied in paintings and graphic art at the Gerrit Rietveld Academy (1965 -
(Basel, Switzerland, 1942) 1967) and continued to Rijks Academie voor Beeldende Kunsten (1967 - 1969).
A Holy Jungle of Beringin Trees, 2015 He frequently visits Indonesia especially Bali. He received awards from the Urio Prijs
(1969), Willink van Collen Prijs (1971), Jeanna Bieruma Oosting Prijs (1974) and Arti
Oil on canvas: 110 x 80 cm Medaille (1987). From 1980 - 1988 he was professor at the National Academy of
Signed and dated, lower right: Paul Husner 15 Fine Arts (Rijks Academie voor Beeldende Kunsten) in Amsterdam where he taught
Signed, titled and dated on reverse drawing and painting. He held solo exhibitions and participated in group exhibitions
in Europe, USA, Singapore, and Indonesia. His works are in the collection of the
RP 90.000.000 - 120.000.000 Netherlands state, Stedelijk Museum Amsterdam, City Council of Amsterdam,
USD 6.300 - 8.500 Duta Fine Art Museum, Jakarta, Neka Museum, Bali and private collections in the
Netherlands, Switzerland, Italy, etc. Husner works intensively in Bali since 1997.

Gerard Pieter Adolfs
In the 1930s – at the height of his artistic career – the press called G.P. Adolfs the “Wizard of
Light”. Adolfs spent his youth in Java and received at home his first artistic inspirations. His father,
Gerardus Cornelis Adolfs, was an architect and a versatile amateur (painter, photographer,
piano and violin player as well as a pole vaulter). Adolfs studied architecture in Amsterdam.
After graduating, he was drawn back to Java, were he designed houses in Yogyakarta, Surakarta
and Surabaya and made many paintings about the city. But soon he swapped the drawing pen
for the drypoint, pencil and brush and from then on dedicated his whole life to painting. He
traveled to many countries in Asia, Europe, and Africa, like Japan, Rome and Arab. He decided
to spend the rest of his time in Holland until he died in Den Bosch, the Netherlands, in 1968.
The main subjects of his work were scenes of Java, Bali, Japan and of North Africa (market
sceneries, cockfights, landscapes and townscapes) and also figures of native people from the
place he had visited. In the present lot portrait figure employed palette knife in large part of
the painting. Since early 1950’s, Adolfs increasingly discarded the brush in favor of the painter’s
knife. In this painting, he combined the figurative works with little abstract works that become
his typical stylistic period of the 1960’s.
060
GERARD PIETER ADOLFS
(Semarang, 1899 – The Netherlands, 1968)
Marktvrouw Bali, 1963
Signed, lower left: Adolfs
Literature:
Eveline Borntraeger-Stoll, Gianni Orsini, GerardPieter Adolfs
The Painter of Java and Bali,1898-1968,
Published by Frans Jansen, Pictures Publishers, pg. 406
RP 190.000.000 - 250.000.000
USD 13.400 - 17.600

061 Handrio born in Purwakarta, 6 September 1926. He is a student and mentee
HANDRIO of one Indonesian fine art maestro Basoeki Abdullah. Influence by his mentor,
(Purwakarta, 1926) Handrio learn realism and surrealism genre, not until 1950 he start to learn
Abstraksi Botol, 1976 abstract and by 1980 he leaves realism genre and switch to pure abstract.
Oil on canvas: 80 x 60 cm Handrio process in creating his abstract masterpiece is quite unique, as it will
Signed and dated, lower middle: HAN76 be the catalyst of modern art. Handrio’s abstract is his manifestation of how
his mind sees and feel the world. He visually captured things by painting their
RP 30.000.000 - 50.000.000 essence in geometric views and aspects. In 1952, he moved to Yogyakarta where
USD 2.100 - 3.500 he lives and works there. He is struggle in facing social and cultural changes. He
feels surrounded, enclosed, claustrophobic as the culture and norms around him
changing rapidly. In order to keep up he “cut” his surrounding into little geometric
shape and arrange them as he sees fit, hence his abstract style.
062
HANDRIO
(Purwakarta, 1926)
Still Life, 1967
Signed and dated, lower left: HAN 67
RP 25,000,000 - 35,000,000
USD 1,800 - 2,500

063
KOEMPOEL SUJATNO
(Ngawi, 1912 – Batu, 1987)
Pelabuhan Tanjung Perak
Signed, lower left: Koempoel
RP 10,000,000 - 15,000,000
USD 700 - 1,100
064
AMRUS NATALSYA
(Medan, 1933)
Pinggir Kota, 1999

Signed and dated, lower right: Amrus N. Jakarta 99
RP 10,000,000 - 15,000,000
USD 700 - 1,100
065
ZAINI
(Pariaman, 1926 – Jakarta, 1977)
Perahu, 1979
Watercolour on paper: 48 x 48 cm
Signed and dated, lower left: Zaini 79
RP 8,000,000 - 10,000,000
USD 600 - 700

066 Born in Garut, December 17, 1927. He started painting in 1944. He
POPO ISKANDAR graduated from the University of Indonesia and Bandung Institute of
(Garut, 1927 – Bandung, 2000) Technology (ITB). Besides as a painter he is also an art observer and
Two Cat, 1995 writer. In 1980 he received art award from Indonesian Government.
He has participated in many exhibitions in Indonesia as well as
Oil on canvas: 50 x 60 cm overseas. His works were mostly on animal such as chicken, cat,
Signed and dated, lower left: Popo 95 and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts
Center, Jakarta (1987, 1992, and 1994), National Gallery, Jakarta
This lot is accompanied with certificate of (1999) and participated in group exhibitions at KIAS, USA (1990),
authenticity from the Museum The Best of Indonesia, Jakarta (1997), and Slovenia Gradec (1997).
RP 50,000,000 - 60,000,000
USD 3,500 - 4,200

Arie Smit
Born in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working
as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali
in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the
Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He
had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of
Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government
of Bali.
067
ARIE SMIT
(Zaandam, the Netherlands, 1916 - Bali, 2016)
In The Village Temple, 2004
Signed and dated, lower left: Arie Smit 04

of authencity from the artist
RP 80,000,000 - 100,000,000
USD 5,600 - 7,000

068
ARIE SMIT
(Zaandam,The Netherlands, 1916 - Bali, 2016)
Boy at Rest, 2000
Acrylic on canvas on board: 26 x 20 cm

Signed and dated, lower left: Arie Smit 00
RP 30,000,000 - 35,000,000
USD 2,100 - 2,500
069
ARIE SMIT
(Zaandam,The Netherlands, 1916 - Bali, 2016)
Bali Landscape, 2001
Signed and dated, lower right: Arie Smit 01
This lot is accompanied with certificate authenticity

from the artist
RP 42,000,000 - 60,000,000
USD 3,000 - 4,200

Arifen Neif
Arifien Neif was born on 31 March 1955 in Surabaya, East Java, Indonesia. His great interest and passion
towards arts had made him spent most of his income and his time to pursue his ambition in Arts. Arifien
decided to fully concentrate in becoming a professional artist since 1980.
His great effort, discipline, integrity and passion had made him find his very own special style of painting. Arifien’s
painting is rich of characters and style. He kept developing his talent which later known as an artist with Fauvism
style. Since, he did some architecture and interior design, his paintings were mostly exposing the interior design
angle. How he arranged the properties of space in his paintings, and how he carved space with objects made
his paintings style significantly with others.
Solo Exhibitions
• 2008 “Fine Romance“, National Museum of Singapore, organized by Zola Zolu Gallery, Bandung
• 2004 “Indonesia Molek, Surga Yang Hilang“, Ceramic Painting, Santi Gallery Jakarta
• 2003 “Don’t Worry be Happy, Be My Valentine”, Canna Gallery Jakarta
• 2001 “Hitam Putih“, Mixed Media on Paper, Santi Gallery Jakarta
• 2000 “From Indonesia With Love“, Indonesia consulate LA, California
• 1997 “Pelabuhan Hati“, Santi Gallery Jakarta
• 1995 Exhibition in Lorin & Kristi Art Gallery, Singapore
• 1990 Exhibition in Chase Plaza Jakarta
• 1989 Exhibition in Bin House Jakarta
• 1985 Exhibition in Mitra Budaya Jakarta
Group Exhibitions
• 2007 Singapore Art Fair 2007, associate with Drawing Gallery, Singapore
• 2006 Singapore Art Fair 2006, associate with Zola Zolu Gallery, Bandung
• 2006 China International Gallery Exposition, associate with Vanesa Artlink
• 2006 Time & Sign, associate with Vanesa Artlink
• 2005 Charity for ‘Vincentius Putra‘, Panti Asuhan Katolik Jakarta
• 2004 "Kecil Itu Indah“, Charity for Aceh, Edwin Gallery, Jakarta
• 2003 "Kecil Itu Indah“, Edwin Gallery, Jakarta
• 1997 "Ceramic Art Fair”, Milan, Italy
• 1994 Regent Hotel Jakarta
070
ARIFIEN NEIF
(Surabaya, 1955)
Just To Make You Understand, 2016

Signed and dated, lower left: Neif 2016

authenticity from the artist
RP 180,000,000 - 250,000,000
USD 12,700 - 17,600

071
GUNAWAN BAGEA
(Bandung, West Java, 1971)
Bakar Sate, 2019

Signed and dated, lower right: Gunawan 2019
RP 10,000,000 - 15,000,000
USD 700 - 1,100
072
POPO ISKANDAR
(Garut, 1927 – Bandung, 2000)
a. Burung, 1994
Pen on paper: 33 x 21 cm
Signed and dated, lower left: Popo 94
b. Burung, 1994
Signed, titled and dated, lower right: Popo 94
c. Burung Terbang, 1995
Signed, titled and dated, lower right:
Popo 95, Burung Terbang

a. b. c. authenticity from the artist
RP 22,000,000 - 30,000,000
USD 1,500 - 2,100
073
FAIZIN
(Banyuwangi, 1973)
Pulang Konser, 2000

Signed and dated, lower left: Faizin, 2000
RP 8,000,000 - 12,000,000
USD 600 - 800

074
KOEBOE SARAWAN
(Malang, 1961)
Kasih Sepanjang Masa, 2017
Charcoal on canvas: 114 x 147 cm

This lot is accompanied with a certificate

of authenticity from the Artist
RP 150,000,000 - 200,000,000
USD 10,600 - 14,100
Born in Malang, June 29, 1961. He graduated from Indonesian Academy of Arts in Yogyakarta in 1985. Koeboe Sarawan
spent his younger years learning Batik then he started to paint. Koeboe Sarawan’s great asset is his magnificent talent
to portray visual reality in detail and realistic manner. He seriously capture the detail form but once he act humorously
and critical. His works are represented in more attractive was a way with the exact choices of object. The themes
revealed in his paintings were a projection of honesty that attracts viewers to learn more about the painter’s goal through
his works. His works are mostly categorized as surrealistic though actually they are more realistic in symbolic way. His
ideas are still dominated by his surroundings which represent his social experiences. The painting looks as if it was 3
dimensional, utilizing excellent realism techniques, so every details and perspective of the work seem very realistic.

Popo Iskandar
Born in Garut, December 17, 1927. He started painting in 1944. He graduated 075
from the University of Indonesia and Bandung Institute of Technology (ITB). POPO ISKANDAR
Besides as a painter he is also an art observer and writer. In 1980 he received art (Garut, 1927 – Bandung, 2000)
award from Indonesian Government. He has participated in many exhibitions in Leopard, 1997
Indonesia as well as overseas. His works were mostly on animal such as chicken,
cat, and tiger. He held his solo exhibitions at Taman Ismail Marzuki Arts Center, Oil on canvas: 70 x 75 cm
Jakarta (1987, 1992, and 1994), National Gallery, Jakarta (1999) and participated Signed and dated, lower left: Popo 97
in group exhibitions at KIAS, USA (1990), The Best of Indonesia, Jakarta (1997),
and Slovenia Gradec (1997). This lot is accompanied with certificate of
authenticity from the Museum
RP 55,000,000 - 70,000,000
USD 3,900 - 4,900

076
POPO ISKANDAR
Kucing, 1970
Signed and dated, lower right: Popo 70

authenticity from the Museum
RP 40,000,000 - 50,000,000
USD 2,800 - 3,500
077
POPO ISKANDAR
Rooster, 1993
Signed and dated, lower right: Popo 93

authenticity from the museum
RP 35,000,000 - 50,000,000
USD 2,500 - 3,500

078
HASIM
(Jakarta, 1921-1982)
Menuju Pura, 1974
Signed and dated, lower left: Hasim 74
RP 8,000,000 - 12,000,000
USD 600 - 800
079
SRIHADI SOEDARSONO
(Solo, 1931)
The Meaning of Inner Beauty, ed. 60/83, 2003
Lithograph: 76 x 57 cm
Signed, titledd and dated, upper area
RP 20,000,000 - 30,000,000
USD 1,400 - 2,100
080
RILANTONO
(Sukorejo, 1960)
Hallo...Win Party, 2001

Signed and dated, lower left: Rilantono, 01
RP 4,000,000 - 6,000,000
USD 300 - 400

081 Born in Banyumas, Central Java, 1943. He studied at Bandung
SUNARYO Institute of Technology (ITB) majoring Art Department in 1969 and
(Banyumas, 1943) continued to study marble carving for 7 months at Carrara, Italy in
Horison Hitam, 2004 1975. Sunaryo is an artist who mixes figurative themes with abstract
backgrounds using very refined color palette and graceful lines that
Mixed media on canvas: 120 x 120 cm show great technical mastery. He is an artist with many disciplines
Signed and dated, lower right: Sunaryo04 includes paintings, graphics, ceramics, sculptures and installations.
Signed, titled and dated on the reverse His works are quite unique. He produces highly spiritual abstract
paintings, figurative paintings of animal world or even dancers. His
Literature : works are dominated with lines and forms, mostly found in the use of
Helena Spanjaard, Indonesian Odyssey, white, brown, grey and black colors. Since 1978, his works have been
Published by Equinox Publishing, 2008, pg. 277 granted numerous awards such as Honourable Mention in The Phillip
Morris Group of Companies Asean Art Awards (1994,1995,1996),
RP 140,000,000 - 200,000,000 Honorable mention from Indonesian Minister of Tourism and
USD 9,900 - 14,100 Culture for enhancing Indonesian paintings creativity (1998).
The present lot was made to commemorate the 2004 tsunami in

inscribed on the reverse Aceh. The painting has a solemn, sober character; in the center
a black and white image of the mosque of Banda Aceh is visible,
painted against a background of a vast-brown-and ochre-colored
field, representing the mud streams created by the tsunami. Under
the mosque a poem is written to honor the victims.
Srihadi Soedarsono
Since 1950s, Srihadi had produced dancing themes as his favorite objects. Among the dancing object comes from
a variety of Balinese dances such as Legong, Pendet, Tambulilingan, Kenyar, Janger, Baris, Barong, Mask Dance,
etc, and also the dance from Javanese like Bedoyo Ketawang. Some of his figurative paintings, especially the
dancers, look deceptively similar, and that the figures have become stereotypes, but one should try to appreciate
and study the details and minimal variations. Srihadi pays particular attention to the characteristic of the dancer
and the artistic form of the dance. Every dance has its language or vocabulary of movement and type of costume,
all of which imbued with philosophical meaning.
Srihadi has explored other aspects of the inner nature of movement besides those of immobility and diffused
dynamism. Some lie midway between these two tendencies. He has explored composed movement, such
as that practiced in the traditional dance of the Javanese palaces, in particular the Bedoyo Ketawang, which is
considered to be the epitome of Javanese refinement. In the paintings on this theme, the fuzzy atmosphere
shrouding the figures are gone; rather, the head and limbs are suspended, almost immobile, and drawn with an
extreme delicacy, otherwise found only in the artist’s work depicting wayang puppets. Only the cloth moves,
slowly drifting along the ground, merging dark violet into black. There is a visual rhythm set up by the inert head
and limbs, the color of the headdress, and the casual placement of the hanging white garlands.
082
SRIHADI SOEDARSONO
(Solo, 1931)
Bedaya-The Beauty of Soul, 2011

Signed and dated, upper right: Srihadi S.2011

Provenance:
RP 450,000,000 - 600,000,000
USD 31,700 - 42,300 Srihadi Soedarsono,Bedoyo-Beauty of Soul, 2014
Oil on canvas: 150 x 150 cm, est. SGD 130,000 - 200,000
Sold SGD 287,500 (MASTERPIECE Singapore, 13 April 2019 Lot. 106)

083 Born in Zaandam, the Netherlands, 1916. He was a student of the
ARIE SMIT Academy of Arts in Rotterdam before working as lithographer for the
(Zaandam,The Netherlands, 1916 - Bali, 2016) Dutch Colonial Army in the Dutch Indies prior to the Second World
Candi Bentar, 2011 War. He moved to Bali in 1956 to engage in full time painting and
became an Indonesian Citizen, produced as well as taught painting at the
Acrylic on canvas: 42.5 x 50 cm Bandung Institute of Technology (ITB). Many of his paintings depict the
Signed and dated, lower left: Arie Smit, 2011 nature of his surrounding environment. He had several solo exhibitions
Signed, titled and dated on the reverse in Bandung Institute of Technology, The Honolulu East West Center,
and the Center of Strategic and International Studies in Jakarta. He
This lot is accompanied with a certificate received the “Dharma Kusuma” art awards from the local government
of authenticity from the Artist of Bali.
RP 140,000,000 - 180,000,000
USD 9,900 - 12,700

084
FADJAR SIDIK
(Surabaya, 1930 - 2004)
Dinamika Ruang, 1993

Signed and dated, lower right: Fadjar Sidik, 1993
RP 40,000,000 - 50,000,000
USD 2,800 - 3,500
085
LUCIEN FRITS OHL
(Palembang, South Sumatra, 1904 – The Hague, 1976)
Harvest
Signed, lower right
RP 30,000,000 - 50,000,000
USD 2,100 - 3,500

086
REDY RAHADIAN
(Cianjur, West Java, 1973)
Go Green, 2011
Steel: 125 x 240 x 40 cm

Signed and dated, lower right: Redy R.2011
RP 35,000,000 - 50,000,000
USD 2,500 - 3,500
087
BESTRIZAL BESTA
(Padang, W. Sumatra, 1973)
Saya Melihat Bintang Jatuh, 2010

Signed and dated, lower left: Besta, 2010
RP 55,000,000 - 75,000,000
USD 3,900 - 5,300

088 Born in Surabaya, East Java, April 16, 1932. In 1946 he started
RUSTAMADJI painting under the painter S. Sudjojono in Sanggar Indonesia Muda
(Surabaya, 1932 – 1990) (Young Indonesian Artists Association), Madiun. In 1950s he used
Penari naturalistic style which afterwards changed to impressionistic. He
actively participated in several exhibitions in Indonesia and abroad.
Oil on canvas: 70 x 50 cm He lived in Surabaya and died in the year of 1990.
Signed, lower right: Rustamadji
RP 35,000,000 - 50,000,000
USD 2,500 - 3,500

089
JB. IWAN SULISTYO
(Kudus, Central Java, 1954)
Tanah Lot

Signed, lower left: JB Iwan Sulistyo

RP 18,000,000 - 25,000,000
USD 1,300 - 1,800
090
I MADE WIANTA
(Bali, 1949)
White Poems, 1999
Oil, acrylic on canvas: 88 x 185 cm

Signed and dated, lower right: Wianta, 1999
RP 25,000,000 - 30,000,000
USD 1,800 - 2,100
091
MASRIEL
(Bukittinggi, 1969)
Yellow Screen, 2009

Signed and dated, lower right: Masriel 2009
RP 20,000,000 - 30,000,000
USD 1,400 - 2,100

092 Born in Pariaman, West Sumatra, October 3, 1928. He studied painting
NASHAR under Affandi and Sudjojono. He help established the Institut Kesenian
(Pariaman, 1928-1994) Jakarta (IKJ, Jakarta Arts Institute) where he became a lecturer. In 1979 –
Komposisi, 1992 1992 he was a member of Dewan Kesenian Jakarta (Jakarta Art Committee).
He has participated in exhibitions of the Festival of Indonesia (USA, 1990 –
Acrylic on canvas: 57 x 49 cm 1992), the Gate Foundation (Amsterdam, Holland, 1993) and several places
Signed and dated, lower left: 9.7.92 in Indonesia. He left his figurative paintings to fully paint in abstract style until
his deceased in April 13, 1994.
RP 40,000,000 - 50,000,000
USD 2,800 - 3,500

Lee Man Fong
Lee Man Fong was one of a rare artist who received honor by critics and collectors across Asia. As an
Oriental artist, Lee man Fong has renewed and transformed Western oil painting by imbuing it with the
essence of Chinese ink painting, achieving a mutual identity between subject and object, at the same time
vastly opening the restrictions on traditional Chinese painting. In short, he created a unique “Man-fong
style”. Lee Man Fong was known for his ability to work with any kind of medium available. He used oil on
canvas and hardboard, pastel and watercolor on paper, and pen and ink on cardboard. An exceptional
aspect of Lee’s art was his great intense in creating a personal expression through observation of life and
nature surrounds him.
The present lot is one of Lee Man Fong special work that contains high artistic value towards a simple still
life object. The inspiration perhaps perceived from Lee Man Fong’s experience in observing his surroundings
and nature. Lee Man Fong able to present a harmonious combination between bright and dark tone with
strong and light color. One of an interesting aspect of Lee Man Fong’s painting was his high enthusiasm in
expressing his personal experience and perception towards the object observation around him.
093
LEE MAN FONG
(Canton, China 1913 – Singapore 1988)
Flower in a Vase
Oil on board: 54.5 x 39.5 cm

Signed, lower left: MF. Lee
Provenance:
Private collection, Jakarta
RP 200,000,000 - 300,000,000
USD 14,100 - 21,100

094
I WAYAN PENGSONG
(Cakra Negara, 1943)
Pasar Buah, 2000

Signed and dated, lower right: Pengsong, 2000

RP 20,000,000 - 30,000,000
USD 1,400 - 2,100
095
SUMARDI
(Solo, Central Java, 1917 - 1983)
Panen, 1964

Signed and dated, lower right: Sumardi, 1964
RP 22,000,000 - 30,000,000
USD 1,500 - 2,100
096
CHENG SHUI
(Bogor, West Java, 1981)
Penjual Durian

Signed in chinese character, upper left
RP 18,000,000 - 25,000,000
USD 1,300 - 1,800

097
WARDOYO
(Banyumas, 1935)
Jamu Gendong, 2000

Signed and dated, lower right: Wardoyo, 2000
RP 8,000,000 - 12,000,000
USD 600 - 800
098
THEO MEIER
(Switzerland, 1908 - 1982)
Portrait of Jettli
Pastel on paper: 51 x 47 cm
Signed, lower middle: Theo
Provenance:
Private collection
of Mr. Hars Oblander, Germany
RP 14,000,000 - 25,000,000
USD 1,000 - 1,800

Erica Hestu Wahyuni
Born in Yogyakarta, 1971. She began to study painting when she was young and join Sanggar Katamsi under painters Suharto P.R. and Herry Wibowo.
In 1996, she graduated from the Indonesian Institute of Arts (ISI), Yogyakarta. She performed her solo exhibition in Yogyakarta and Jakarta. She intensely
participated in many group exhibitions in Indonesia and overseas, Singapore, Philippines, Japan and Russia. She received award for the Best Work at ISI
Yogyakarta in 1993.
099
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Sang Juara, 2001

Signed and dated, lower right: Erica, 2001

RP 18,000,000 - 30,000,000
USD 1,300 - 2,100
100
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
The King Of Prosperity, 2016
Acrylic on canvas and wood: 108 x 139 cm

Signed and dated, lower middle: Erica, 2016

RP 25,000,000 - 35,000,000
USD 1,800 - 2,500

101
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
Happy Prosperity, 2010
Acrylic on canvas and wood: 137 x 167 cm

Signed and dated, lower right: Erica, 2010
RP 35,000,000 - 50,000,000
USD 2,500 - 3,500
102
ERICA HESTU WAHYUNI
(Yogyakarta, 1971)
My Uniquely Singapore, 2011

Signed and dated, lower left: Erica, 2011

RP 25,000,000 - 40,000,000
USD 1,800 - 2,800

103 Born in Pangosekan, Ubud - Bali in 1917. Kobot was a
I GUSTI KETUT KOBOT member of Pita Maha painters group since 1936 -1942, but
(Pengosekan, Gianyar, Bali, 1917 – 1999) unlike other painters in the group, his painting style is very
Ramayana Story, 1988 individualist. Most of his paintings reflect the story of Ramayana
and Mahabharata. During the year of 1920s, many painters in
Acrylic on canvas: 45 x 35 cm Ubud and its surrounding area were influence by western
Signed, upper left : I Gusti Ketut Kobot, Pengosekan Mas painters like Rudolf Bonnet and Walter Spies. Some Bali
Dated, upper right: Ubud Gianyar Indonesia, Bali, 1988 painters including Kobot still used traditional theme combined
with new influence. In 1975, he held his solo exhibition at
RP 50,000,000 - 70,000,000 Puri Lukisan, Museum of Ubud. In the same year he joined in
USD 3,500 - 4,900 the exhibition held in Sydney, Australia, together with young
painters of Pengosekan. In 1978, he received an art award of
Wijaya Kusuma, from the Regional Government of Gianyar
and Dharma Kusuma Award from the Bali government

104
LUCIEN FRITS OHL
(Palembang, South Sumatra, 1904 – The Hague, 1976)
Pasar
Signed, lower right: L. Frits Ohl
RP 25,000,000 - 35,000,000
USD 1,800 - 2,500
105
RUSLI
(Medan, 1912 – Jakarta 2005)
Odalan, 1965
Signed and dated, lower left: Rusli, 1965
RP 35,000,000 - 50,000,000
USD 2,500 - 3,500

S. Sudjojono
Sudjojono was a prolific artist and writer. His artistic oeuvre covers a wide
spectrum, from paintings, sketches, drawings, public art and reliefs as well as
ceramic works. His style and artistic preoccupation were also diverse, from his
early and monumental works, which significantly reflect on the true spirit of In-
donesia and the people during the war and their struggle against independence;
to landscapes; still-lifes; portraits and renditions of his more personal life and
family at later years.
S. Sudjojono paintings often derived from his fantasy and memory he person-
ally experienced. He often put joyful humor as a cloak over his painting. It’s an
image that sometimes gets into his works because humor was always passing
by his life. Because of his sense of humor, his works tends to trigger a smile or
laughter if not poetic, sentimental, emotional or heroic. His works often come to
us in caricature spirit. He used a combination of fantasy and memory to create
his surrealistic landscapes. Sometimes, he incorporated elements derived from
places that he had seen in books or actually visited. S. Sudjojono paintings have
a typical harsh and wild strokes as if the paint has been poured directly onto
canvas. His observation of his surroundings seemed spontaneous, as though
they were snapshots of views that appealed to him.
106
S. SUDJOJONO
(Kisaran, 1914 – 1986)
Bertahan, 1971
Signed, titled and dated, upper right: SS.101.Djak 1971, Bertahan
Signed, upper left: S. Sudjojono
Provenance:
Private collection Jakarta
RP 200,000,000 - 300,000,000
USD 14,100 - 21,100

107
NASIRUN
(Cilacap, 1965)
Ngilo, 2015
Oil on canvas: 120 x 150 cm 108

Signed and dated, lower right: Ns. Run 15 ROEDYAT MARTADIREDJA
(Bandung, 1932 – 2002)
This lot is accompanied with certificate Market Scene, 1968
RP 50,000,000 - 75,000,000 Signed and dated, lower right: Roedyat, Bali 68
USD 3,500 - 5,300
RP 25,000,000 - 35,000,000
USD 1,800 - 2,500

109 Rusli was born in Medan, North Sumatra, 1912. He studied at the Kala
RUSLI Bhawana Santiniketan University of Rabindranath Tagore, India from 1932
(Medan, 1912 – Jakarta 2005) to 1938, and he taught in 1951 at Akademi Seni Rupa Indonesia (ASRI)
Boat, 1983 in Yogyakarta. He joined Seniman Muda Indonesia (Indonesian Young
Artists) and helped established the Seni Rupa Masyarakat (Art for People
Oil on canvas: 50 x 65 cm Association). In 1955 he performed his solo exhibition at Stedelijk Museum
Signed and dated, lower right: Rusli.18 Juli 83 Amsterdam. His works were exhibited at the Biennale exhibition II in Sao
Paolo, Brazil (1953) and held solo exhibition at Palazzo Brancaccio, Rome,
RP 50,000,000 - 60,000,000 Italy (1954 – 1956). He passed away in Jakarta on 11 May 2005.
USD 3,500 - 4,200

110 111
LIEM TJOE ING PRANAGUNG
(Surakarta, 1922-1996) (Solo, 1954)
Laki-laki dengan Lonceng Tiga Gadis Di Taman, 2016
Oil on canvas: 65 x 50 cm Oil on canvas: 100 x 80 cm

Signed, upper right: Liem Tjoe Ing Signed and dated, lower right: Pran, bali 2016
RP 15,000,000 - 20,000,000 RP 18,000,000 - 25,000,000

USD 1,100 - 1,400 USD 1,300 - 1,800
112
LUCIA HARTINI
(Temanggung, 1959)
Gadis dan Payung, 2017

Signed and dated, lower right: Lucia Hartini, 2017
RP 40,000,000 - 50,000,000
USD 2,800 - 3,500

113 Born in Surabaya, February 8, 1930. He studied at
FADJAR SIDIK ASRI Yogyakarta in 1954 and learnt painting from
(Surabaya, 1930 - 2004) Hendra Gunawan and Sudarso (1952) at Sanggar
Komposisi Bidang, 1971 Pelukis Rakyat. He lived in Bali from 1957 – 1961.
He received art award as Contemporary Painter
Oil on canvas: 117 x 78 cm from the Indonesian Government in 1971 and
Signed and dated, lower left: Fadjar Sidik 71 from the Government of Yogyakarta.
RP 60,000,000 - 80,000,000
USD 4,200 - 5,600

114
MOCHTAR APIN
(Padang, 1923 – 1994)
Wanita Bersantai dan Lukisan, 1990

Signed and dated, lower right: Mochtar Apin 90

authenticity from the artist family
RP 125,000,000 - 180,000,000
USD 8,800 - 12,700
Born in Padang Panjang, West Sumatra, 1923. He graduated form the Bandung Institute of Technology (ITB) in 1951 and continued his study of art and
handicrafts in Amsterdam finished in 1953. Besides painting, he also created graphic works. His works have been exhibited in many countries. He was
among the first who benefited from a Dutch formal education during the colonial period and was able to acquire a strong intellectual basis for producing
modern art. From a very young age, he was able to nurture his artistic bent through special instruction from Dutch art teachers. He went on to pursue art
at the Kunstnijverheid School in Amsterdam, and the Ecole Nationale Suprieure des Beaux Arts in Paris as well as the Deutsche Akademie der Kuenste in
Berlin. Due to his extensive art studies, Mochtar Apin became proficient in a variety of techniques. With such knowledge, he was well equipped to debate
on the role of art in Indonesia. In the Indonesian art world, Mochtar Apin’s diverse range of interests and unique versatility in style has left behind an artistic
legacy that has held the interest of art connoisseurs to this day.

115
AGUS RIYADI
(Sleman, Yogyakarta, 1979)
Traffic Park, 2018

Signed and dated, lower right: Agus Riyadi, 2018
RP 20,000,000 - 30,000,000
USD 1,400 - 2,100
116
PARDOLI FADLI
(Cilacap, 1971)
Hari Cerah Panen Berlimpah, 2016

Signed and dated, lower right: Pardoli 016
RP 40,000,000 - 60,000,000
USD 2,800 - 4,200

117
I MADE SUPENA
(Singapadu, 1970 - 2019)
Narasi Simbol, 2015

Signed and dated, lower right: Supena 15
RP 20,000,000 - 30,000,000
USD 1,400 - 2,100
118
RILANTONO
(Sukorejo, 1960)
Fish Harvest on Kusamba Beach, 1999
Signed and dated, lower right: Tono 99
RP 3,000,000 - 5,000,000
USD 200 - 400
119
AWIKI
(Surabaya, 1961)
Sun Flower
Signed, lower left: AW
RP 28,000,000 - 35,000,000
USD 2,000 - 2,500

120 Born in Batu Sangkar, West Sumatra, 1974. He studied
ARDISON at Indonesian Institute of Arts in Yogyakarta. He was
(West Sumatra, 1974) known as a sculptor and painter. He has participated
Slumbery clouds / Awan Tidur Series 5 in group exhibition in Yogyakarta, Jakarta and Padang

Signed lower right: Ardi5ON
RP 75,000,000 - 85,000,000
USD 5,300 - 6,000

121
HASIM
(Jakarta, 1921-1982)
Sabung Ayam, 1978

Signed and dated, lower right: Hasim 78
RP 20,000,000 - 30,000,000
USD 1,400 - 2,100
122
TATANG KOENTJORO
(b.Semarang. Central Java - 1993)
Flowers, 1973
Signed and dated, lower left: Koentjoro 73
RP 10,000,000 - 15,000,000
USD 700 - 1,100
123
CHENG SHUI
(Bogor, West Java, 1981)
Gembala Kerbau

Signed in chinese character, lower left
RP 15,000,000 - 20,000,000
USD 1,100 - 1,400

Index Of Artist
Abdul Aziz 12 JB. Iwan Sulistyo 38, 89 S. Sudjojono 106
Adam Lay 25 Jeihan Sukmantoro 20, 21, 22, 23 S. Toyo 48
Agus Riyadi 10, 115 John Vander Sterren 39 S. Yadi K 16
Aming Prayitno 15 Kartika Affandi 3 Salim / Saraochim Salim 18
Amrus Natalsya 45, 64 Koeboe Sarawan 74 Sen Pao 46, 53
Anak Agung Gede Sobrat 4 Koempoel Sujatno 24, 26, 63 Srihadi Soedarsono 79, 82
Antonio Blanco 31 Krijono 49 Sudarso 5, 32
Ardison 120 Lam Duch Manh 56 Sudjono Abdullah 1
Arie Smit 67, 68, 69, 83 Lee Man Fong 93 Sumardi 95
Arifien Neif 70 Leo Eland 27 Sunaryo 81
Awiki 119 Liem Tjoe Ing 110 Tatang Koentjoro 50, 54, 122
Basoeki Abdullah 55 Lim Wasim 33 Theo Meier 34, 98
Bestrizal besta 87 Lucia Hartini 112 Trubus Sudarsono 47
Cheng Shui 96, 123 Lucien Frits Ohl 85, 104 Untung Wahono 8
Dewa Ngakan Made Ardana 17 Masriel 91 Wardoyo 97
Dirot Kadirah 29 Mochtar Apin 19, 114 Widayat 37
Erica Hestu Wahyuni 99, 100, 101, 102 Nashar 92 Zaini 65
Ernest Dezentje 2, 44 Nasirun 30, 107
Fadjar Sidik 36, 84, 113 Nyoman Budiarta 57
Faizin 9, 73 Omar Yahya 40
Gerard Pieter Adolfs 60 Pardoli Fadli 11, 42, 116
Gunawan Bagea 7, 71 Paul Husner 59
Gung Man 58 Popo Iskandar 66, 72, 75, 76, 77
Han Snel 43 Pranagung 111
Handrio 61, 62 Pratomo Sugeng 52
Hasim 78, 121 Pupuk Daru Purnomo 41
Henk Ngantung 51 Redy Rahadian 35, 86
Heri Dono 28 Rilantono 80, 118
I Gusti Ketut Kobot 103 Roedyat Martadiredja 108
I Made Supena 117 Rudolf Bonnet 6
I Made Wianta 90 Rusli 105, 109
I wayan Pengsong 94 Rustamadji 13, 14, 88

Fine Art Auction
Tanah Abang IV No. 23-25 Jakarta Pusat - Indonesia
Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707
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I request that HERITAGE Fine Art Auction enter bids on the following lots up to the maximum price I have indicated for each lot.
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Date :___________________________________________ Signature :___________________________________________

MASTERPIECE Building (B)
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Tel: (62-21) 351 0808 (Hunting) Fax: (62-21) 351 0707
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catalogue not for sale

Jakarta, 25 August 2019

FINE ART AUCTION

HERITAGE FINE ART - AUCTION 1

Sunday, 25 August 2019

Friday, 23 August 2019

Masterpiece Building, 4rd floor

HERITAGE FINE ART - AUCTION 3

PT. Dwi Samapersada

Copyright @ 2019 HERITAGE Fine Art Auction

All right reserved. No part of this publication

4 HERITAGE FINE ART - AUCTION

PT. Dwi Samapersada

All right reserved. No part of this publication

6 HERITAGE FINE ART - AUCTION

THE BUYER Absentee/ Written Bids

Registration Collection of Goods

Storage and Insurance

8 HERITAGE FINE ART - AUCTION

Control of Auction Notice

(1) Cancel the sale, retaining as liquidated damages any payment

HERITAGE FINE ART - AUCTION 9

Oil on canvas: 125 x 200 cm

Oil on canvas: 80 x 100 cm

10 HERITAGE FINE ART - AUCTION

HERITAGE FINE ART - AUCTION 11

Oil on canvas: 115 x 80 cm

Literature: Nasjah Djamin. Sides Sudyarto, The World of Sudarso,

Provenance: Christie’s HongKong 26 October 2003, lot 57

12 HERITAGE FINE ART - AUCTION

Born in Amsterdam, 1895. He studied

HERITAGE FINE ART - AUCTION 13

Acrylic on canvas: 100 x 140 cm

Oil on canvas: 140 x 200 cm

Oil on canvas: 130 x 150 cm

This lot is accompanied with certificate

14 HERITAGE FINE ART - AUCTION

Acrylic on canvas: 145 x 198 cm

Born in Sleman Yogyakarta on 21 August 1979. He has

Oil on canvas: 120 x 100 cm

HERITAGE FINE ART - AUCTION 15

16 HERITAGE FINE ART - AUCTION

Born in Surabaya, East Java, April 16, 1932. In 1946 he started

HERITAGE FINE ART - AUCTION 17

Acrylic on canvas: 135 x 85 cm

Oil on canvas: 238 x 227 cm

18 HERITAGE FINE ART - AUCTION

HERITAGE FINE ART - AUCTION 19

Oil on canvas: 150 x 150 cm

This lot is accompanied with certificate of

HERITAGE FINE ART - AUCTION 21

Oil on canvas: 140 x 140 cm

Born in Solo, 1938. He studied at the Himpunan

22 HERITAGE FINE ART - AUCTION

Oil on canvas: 140 x 140 cm

Oil on canvas: 140 x 180 cm

This lot is accompanied with certificate

HERITAGE FINE ART - AUCTION 23

Oil on canvas: 100 x 200 cm

This lot is accompanied with certificate

Oil on canvas: 70 x 118 cm

24 HERITAGE FINE ART - AUCTION

HERITAGE FINE ART - AUCTION 25