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  • Fluegelhorn-Solo by Ack Van Rooyen As Played On "More Bebop" by Peter Herbolzheimer RC&B

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    Tobias Weber
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    This document is a musical transcription of the jazz standard "Straight, No Chaser" by Thelonious Monk. It transcribes the fluegelhorn solo played by Ack van Rooyen on Peter Herbolzheimer's recording of "More Bebop". The transcription shows the solo's melody and chord progression over 47 measures using standard musical notation.

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    straight_no_chaser_ack

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    This document is a musical transcription of the jazz standard "Straight, No Chaser" by Thelonious Monk. It transcribes the fluegelhorn solo played by Ack van Rooyen on Peter Herbolzheimer's recording of "More Bebop". The transcription shows the solo's melody and chord progression over 47 measures using standard musical notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    Download as pdf or txt
    117 views2 pages

    Fluegelhorn-Solo by Ack Van Rooyen As Played On "More Bebop" by Peter Herbolzheimer RC&B

    Uploaded by

    Tobias Weber
    This document is a musical transcription of the jazz standard "Straight, No Chaser" by Thelonious Monk. It transcribes the fluegelhorn solo played by Ack van Rooyen on Peter Herbolzheimer's recording of "More Bebop". The transcription shows the solo's melody and chord progression over 47 measures using standard musical notation.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Straight No Chaser Thelonius Monk

    Fluegelhorn-Solo by Ack van Rooyen as played on "More Bebop" by Peter Herbolzheimer RC&B
    q=200
    G7 C7 G7 G7 C7
                     
        
    C7 G7 Bm7 E7 Am7
    6
           
    3

    3

            
                

         
    10 D7
    3 3
    G7
     
    G7 C7
                          
      
    15 G7 G7
     C7

      
                        
    3
    C7 G7 Bm7 E7
      
    18
      
    3
             
      
           
    Am7
    21         D7 G7
             
          
      
              
    24 G7 C7 G7
                
      
    laid back C7 G7
    28
            
    G7 C7     
           

    Bm7 E7 Am7
    32 D7
              
                  

    35
                    
    G7
     
    G7 C7
       
         

    C7 G7
    39 
    G7  3
    G7
        3 C7
     
                   

    transcribed by Tobias Weber


    2 Bm7 E7 Am7
    44 D7

                
           
    47 G7
      
                

    transcribed by Tobias Weber

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