Berlin, Isaiah - Sense of Reality (FSG, 1997)
Berlin, Isaiah - Sense of Reality (FSG, 1997)
00
Karl Marx
Russian Thinkers
ISAIAH BERLIN
New York
Farrar, Straus and Giroux
19 L'nion Square \\'est, :-.Jew York 10003
Isaiah Berlin has asserted his right under the Copyright, Designs and Patents Act, 1988
to be identified as the author of this work, Henry Hardy as its editor
p. em.
DI6.8.B3292 1997
901-dc21 96-39829
For Alfred and Irene Brendel
CONTENTS
Editor's preface lX
DuRIN G the last six years I have had the privilege of assembling
and editing Isaiah Berlin's extensive unpublished work: essays,
addresses, lectures, broadcasts and discussions (categories that are
of course not mutually exclusive) spanning the last sixty years and
more. My sometimes elusive sources have included manuscripts
and typescripts, recordings (often unscripted)! and transcripts -
very various in accuracy - of recordings that no longer exist. The
edited typescripts I have accumulated in readiness for selective
publication are approximately equal in extent (at some one million
words) to Berlin's hitheno published work.
Two long studies drawn from this corpus of material, on Joseph
de Maistre and J. G. Hamann/ have already been published, and
the nine pieces selected for inclusion in the present volume are
from the same source. They and their harbingers have three
properties in common. First, they existed as more or less finished
scripts, most if not all of which had been thought of by Berlin at
the time of composition as potentially publishable, though for one
reason or another they had escaped being printed. Secondly, they
seem to me, and to others who have read them, fully to deserve
addition to Berlin's published oeuvre- to put it no less modestly.
Finally, they are linked thematically, in that they all exemplify his
central concern with ideas and their history, as my subtitle
indicates. My hope is that more of the unpublished material will in
due course see the light, and that more of Berlin's published but
1 In addition to the two volumes mentioned in the previous note, there are six
earlier collections of pieces that had previously been published only one by one in
a scattered fashion. These are Four Essays on Liberty (London and New York,
1969), Vico and Herder: Two Studies in the History of Ideas (London and New
York, 1 976), Russian Thinkers (London and New York, 1978), Concepts and
Categories: Philosophital Essays (London, 1978; New York, 1979), Against the
Current: Essays in the<History of Ideas (London, 1979; New York, 1980) and
Personal Impressions (London, 1980; New York, 198 1).
'
ED ITO R S P REFACE Xl
help and support; and Elisabeth Sifton of Farrar, Straus and Giroux
for a careful reading of the typescript that yielded numerous
refinements.
April 1996 H EN RY H A RD Y
Wolfson College, Oxford
INTRODUCTION
Patrick Gardiner
Is A I A H B E R L I N 's
writings have impinged upon so many distinct
spheres of thought and enquiry, and have ramified in such different
and at times unexpected directions, that a question may be raised as
to what leading conceptions have ultimately guided or held
together his varied excursions into these apparently disparate
intellectual domains. This is not as straightforward a question as it
might look; indeed, in the eyes of some of his admirers it may seem
to be quite inapposite, missing the essential point. For they might
claim that much of the distinctive value of his achievement lies
precisely in the notable absence it displays of any unitary ambi
tions or systematic pretensions; the range and sheer diversity of
what he has written, involving amongst other things a constant
readiness to consider on their own terms both sharply conflicting
beliefs and the points of view of those holding them, have played a
key role in enlarging the horizons of his readers and in loosening
the grip of obstructive prejudices or dogmas. Berlin himself has
characterised as 'doctrinaire' a person who is 'liable to suppress
what he may, if he comes across it, suspect to be true', and it is
certainly the case that his own outlook stands in complete contrast
to this. Even so, and notwithstanding the openness and objectivity
of approach he has consistently shown, it seems possible to discern
in his work the outlines of particular preoccupations and themes
that give it an inner coherence not the less impressive for being
relatively unobtrusive and unemphatic. What at first sight may
appear to be stray or unrelated strands in his thinking frequently
turn out on closer examination to be threads in a wider pattern,
forming parts of a more inclusive whole. They can be seen, in other
words, as contributing to an intricate complex of subtly intercon
nected ideas rather than as belonging to the framework of some
rigid theoretical system. Furthermore, the complex in question can
itself be said to reflect the presence of certain overarching concerns
XlV THE S E N S E OF REALITY
1 'draw those who are willing, drag those who are not'. Letters, I 07. I I,
adapting Cleanthes.
2 T H E S E N S E O F REAL ITY
would indicate the general direction of, say, social and technologi
cal development, and enable us to rule out some plans, revolution
ary and reformist, as demonstrably anachronistic and therefore
Utopian - as not conforming to the 'objective' direction of social
development. If anyone in the nineteenth century contemplated
seriously a return to pre-Raphaelite forms of life it was unnecessary
to discuss whether this was or was not desirable; it was surely
enough to say that the Renaissance and the Reformation and the
Industrial Revolution had in fact occurred, that factories could not
be dismantled and great mass industries turned back into small
scale crafts, as if the discoveries and inventions and changes in
forms of life which these had brought about had never been, that
there had been advance in knowledge and civilisation, in the means
of production and distribution, and that whatever might occur
next, it was beyond the wit and strength of man to deflect a process
which was as uncontrollable as the great uniformities of nature.
Opinions might differ as to what the true laws of this process were,
but all were agreed that there were such laws, and that to try to
alter them or behave as if they were not decisive was an absurd
day-dream, a childish desire to substitute for the laws of science
those of some whimsical fairy-tale in which everything is possible.
It was true that the great men who had first achieved the triumph
of this new scientific attitude - the anti-clerical philosophers and
scientists of the late seventeenth century and the eighteenth century
- had over-simplified things. They evidently supposed that men
were to be analysed as material objects in space and that their lives
and thoughts were in principle deducible from the mechanical laws
which governed the behaviour of their bodies. This the nineteenth
century felt to be too crude a view, and it was condemned as
'mechanistic' by the German metaphysicians, as 'vulgar materia
lism' by the Marxists, as non-evolutionary and insufficiently
'organic' by Darwinians and positivists. Such mechanical laws
might account for that which is largely unaltered throughout
recorded human history - the permanent chemical, physical,
biological and physiological consequences of cause and effect, or
functional (or statistical) interrelations, or whatever was the central
category of these sciences. But history did not consist of mere
short-term repetitions: development occurred; a principle was
wanted to account ·for continuous change and not merely for
'static' difference. The thinkers of the eighteenth century had been
too deeply infatuated by Newton's mechanical model, which
T H E S E N S E O F R E A L ITY 9
explained the realm of nature but not that of history. Something
was needed to discover historical laws, but as the laws of biology
had differed from the laws of chemistry, not merely in applying to
a different subject-matter but in being in principle other kinds of
laws, so history - for Hegel the evolution of the spirit, for Saint
Simon or Marx the development of social relations, for Spengler or
Toynbee {the last voices of the nineteenth century) the develop
ment of cultures, less or more isolable ways of life - obeyed laws of
its own; laws which took account of the specific behaviour of
nations or classes or social groups and of individuals which
belonged to them, without reducing these (or believing that they
should or could be reduced) to the behaviour of particles of matter
in space, which was represented, justly or not, as the eighteenth
century - mechanistic - ideal of all explanation.
To understand how to live and act, whether in private or in
public life, was to grasp these laws and use them for one's
purposes. The Hegelians believed that this was achieved by a
species of rational intuition; Marxists, Comtists and Darwinians,
by scientific investigation; Schelling and his romantic followers, by
inspired 'vitalistic' and 'mythopoeic' insight, by the illumination of
artistic genius; and so on. All these schools believed that human
society grew in a discoverable direction, governed by laws; that the
borderline which divided science from Utopia, effectiveness from
ineffectiveness in every sphere of life, was discoverable by reason
and observation and could be plotted less or more precisely; that,
in short, there was � clock, its movement followed discoverable
rules, and it could not be put back.
These beliefs were rudely shaken by the evidence of the
twentieth century. The notions, the ideas and forms of life which
were considered to be inalienable from, 'organically' necessary to,
the particular stage of historical evolution reached by mankind
were broken or twisted out of recognition by new and violent
leaders: Lenin, Stalin, Hitler. It is true that these acted as they did
in the name of their own historical or pseudo-historical theories,
the Communists in the name of dialectical materialism, Hitler in
the name of racial hegemonism. But there was no doubt that they
achieved what had hitherto been regarded as virtually impossible,
contrary to the laws of advancing civilisation - a breach of the
inexorable laws of human history. It became clear that men of
sufficient energy and ruthlessness could collect a sufficient degree
of material power to transform their worlds much more radically
10 T H E S E N S E O F REA LITY
peer into a crystal ball, so suddenly once again covered with the
mist of uncertainty after the lucid mirage of two centuries in which
the rays of science were alleged to have pierced through the night
of historical ignorance. Now, once more, it was only a movement
of shadows, indeterminate and unsubstantial, describable only in
terms of approximations, inspired guesswork, short-term conclu
sions from local phenomena, liable to be upset by too many
unknown and apparently unknowable factors.
The obverse side of this was, of course, an increased belief in the
efficacy of individual initiative - the notion that every situation was
more fluid than had been supposed in more tranquil times - which
pleased those who found the scientific and determinist picture or
the Hegelian teleology too cut and dried, too stifling, too unprom
ising of novelty; too narrow for the assertion of revolutionary
energies, for the testing of violent new sensations; and terrified
those who seek order, tranquillity, dependable values, moral and
physical security, a world in which the margin of error is
calculable, the limits of change are discoverable, and cataclysms are
due to natural causes only - and these in principle predictable with
the advance of scientific knowledge. The social world certainly
seems more disturbing, fuller of undiscovered perils, than hitherto;
but then it would follow that there is a career more open to talents,
provided they are audacious, powerful and ruthless enough.
Under these circumstances, it may be asked, why cannot we
reproduce, let us say, the conditions of the fourteenth century, if
we should wish to do so? True, it is not easy to upset the
arrangements of the twentieth century and replace them by
something so widely different; not easy, but surely not literally
impossible? If Hitler, if Stalin, could transform their societies, and
affect the world to so vast a degree in so short a time; if Germany
could have been 'pastoralised'; if all the warning voices about how
easy it would be to end human civilisation by this or that
destructive weapon, how precarious the whole establishment is, are
telling the truth; then surely there is a field for creative no less than
for destructive capacities ? If things are less fixed than they seemed,
do not such terms as 'anachronism', the 'logic of the facts' and the
rest begin to lose their force? If we can, given the opportunity,
operate more freely than we once believed that we could, what does
divide Utopian from realistic planning? If we really believe that the
life of the fourteenth century is preferable to that of the twentieth,
then, if we are resolute enough and have enough material resources,
THE S E N S E O F REAL ITY 13
and there are enough of us, and we do not hesitate to commit all
that resists us to the flames, why cannot we 'return to the past' ?
The laws of nature do not prevent us, for they have not altered in
the last six centuries. What then is it that stops us - stops, say, neo
medieval fanatics from working their will? For there is no doubt
that something does do so, that even the most extreme among them
scarcely believe that they could literally reproduce some past
golden age, Merrie England, the Old South, or the world of le
vert galant, in the sense in which Communist or Fascist fanatics
believe that they can cause the world to go through a transforma
tion no less violent - to divert it, as it were, from its previous path
by at least as sharp an angle.
Let us try to imagine what such a return to the past would entail.
Supposing a man did get into his head to re-establish the condi
tions of his favourite time and place - to recreate them as closely as
he could - what steps would he take? To begin with he would have
to acquaint himself as minutely as he could with the former life
which he wished to re-establish. He must suppose himself to know
something about the form of life in question to have fallen so
�
deeply in love with it. Whether his knowledge is real or delusive is
for the moment not relevant. Let us assume that he is more than a
sentimental enthusiast, that he is a profound student of history and
the social sciences; he will then know that, in order to attain to a
certain form of life, more must be done than to wear certain types
of clothes, eat certain types of food, reorganise our social lives in
accordance with certain sorts of patterns, or possess certain
religious beliefs. We wjll not succeed in doing this, but merely go
through our parts like actors on a stage, unless the bases of such
life, economic, social, linguistic, perhaps geographical and ecologi
cal as well, are appropriate, that is, of such a kind as to make his
ideal society possible and, indeed, natural and normal. Undaunted
he sets about - let us assume him to be, if not omnipotent, at any
rate in control of very powerful material resources, and to have to
deal with singularly impressionable and docile human beings - he
sets about to transform all the required natural and artificial
conditions accordingly. If he is fanatical enough and isolates his
society sufficiently from contact with the outer world (or, alterna
tively, if his experiment is world-wide in extent), he may at any
rate in theory succeed to some degree. Human lives are radically
alterable, human beings can be re-educated and conditioned and
turned topsy-turvy - that is the principal lesson of the violent
T H E S E N S E O F REALITY
II
equally need if they are to succeed in understanding the societies of their own or
other times, of the past and perhaps of the future, is not the same as that referred
to in the celebrated distinction drawn by Gilbert Ryle between knowing that and
knowing how. To know how to do something - to possess or acquire a skill or a
knack - does not imply an ability to describe why one is acting as one is; a man
who knows how to ride a bicycle need not be able to explain what he is doing or
why his behaviour leads to the results he desires. But a statesman faced with a
critical situation and forced to choose between alternative courses, or a historian
who rejects some explanation of past events as fanciful or superficial because
events cannot have happened in the manner indicated, or because the explanation
does not disclose the relationships of the truly crucial factors, does in some sense
judge the situation, assess it so that he can answer objectors, can give reasons for
rejecting alternative solutions, and yet cannot demonstrate the truth of what he is
saying by reference to theories or systems of knowledge, except to some
inconsiderable degree - certainly not in a sense in which scientists or scholars
must be ready to do it. And yet in scholarship, for instance, there are strong
analogies to the kind of understanding of which I speak. The scholar's process of,
say, amending a corrupt text seems to me not altogether unlike the analysis or
diagnosis of a social situation. Here, too, no doubt, one cannot do without
34 THE SENSE O F REALITY
The rationalists of the eighteenth century have often been
accused, and with reason, of ignoring this truth, and of supposing
that the phenomena of social and individual life could be deduced
from initial conditions plus scientific laws, like heavenly bodies in
the Newtonian system. The truth they ignored was the existence of
too great a gap between the generalisation and the concrete
situation - the simplicity of the former, the excessive complexity of
the latter. But some among their critics are in no better case. No
doubt Helvetius and Robespierre and Comte and Lenin erred in
supposing that applied science would solve all human ills. But
Burke and Maistre and Tolstoy and T. S. Eliot, who perceive the
fallacies of this position, tend themselves to suggest that although
the key of science is no key, yet a true method of unlocking the
mystery exists - in reliance upon tradition, or revelation and faith,
into a,'Jiattern 'on the other - should not be done by machines. But our experience
would have to be altogether different - its multi-faceted, 'many-level' structure
would have to be radically altered for this to be possible. And when possibilities
as radical as this are contemplated - which the imagination can scarcely compass
it is perhaps improper, to call them empirical. They belong to the ultimate, most
general characteristics �f normal human experience, which we cannot assume, on
the basis of human experience to date, to be alterable; these characteristics are
sometimes known as categories rather than empirical facts.
THE SENSE OF REALITY 35
or an 'organic' view of life, or utter simplicity and simple Christian
faith, or divining the hidden stream of Christian civilisation. But if
we are right all such solutions are false in principle. There is no
substitute for a sense of reality.1 Many activities may be propae
deutic to it, as archaeology and palaeography are to history.
Historians and men of action draw their information whence they
can. Scientific, statistical methods and microscopic biographical
detail - none of these is irrelevant, all may increase this sense of
what belongs where. Indeed, without a minimum of plain informa
tion of this type there is nothing but ignorance. Nevertheless, the
sense of reality or of history which enables us to detect the
relationships of actual things and persons is acquaintance with
particulars, while all theory deals with attributes and idealised
entities - with the general.
This is perceived by many thinkers, but only Hegel attempted to
wed the two by speaking of the universal as 'concrete', by
dismissing actual science for dealing with abstractions and pro
pounding the possibility of another altogether superior one which,
without ceasing to be general, would enable the scientist (that is,
metaphysician) to reason his way by infallible steps to the heart of
the concrete particular - the actual situation, which he would
understand in all its complexity and fullness and richness, as clearly
and exhaustively, and with the same kind of demonstrative cer
tainty, as he grasped rigorously deductive systems. By this mon
strous paradox a state of mind was conceived in which contradic
tory attributes - the formal and the material; theory and practice;
deduction and direct acquaintance; that which is here and now, the
actual situation, as well as that which is there and then, divided
from it by time and space; thought and observation; actual
experience and generalisations from it; subject and object; things
and words - all were proclaimed to be one and indivisible, the
object of a transcendental wisdom, the Geist coming to conscious
ness of itself, which would supersede all the lame and broken
efforts to treat the fragments of reality one by one, or, worse still,
as if each contained a whole. Nevertheless, in this very effort to cut
through the knot by what, at the best, is a sensational conjuring
trick, Hegel did something towards exposing the exaggerated
claims of the positivism of his time, which identified all knowledge
1 T. S. Eliot said that men cannot face too much reality; but great historians,
·
What are these facts which resist our wishes, which make
otherwise desirable schemes seem impracticable to men of sense,
which make those who nevertheless urge their realisation liable to
be called foolish theorists, blind Utopians? There is no doubt that,
in arguing about what can and what cannot be done, we tend to say
of this or that plan that 'it will inevitably fail' - that is, that it rests
on the assumption that human wills, human organisations, will be
strong enough to effect this or that, when in fact they will not,
since forces too powerful for them will crush and defeat them.
What are these forces? Forces which, say, Bismarck or Lord
Salisbury or Abraham Lincoln understood, we believe, but which
mere fanatics obsessed by theories do not.
There is at least one answer to this question which is certainly
false, and that is that Bismarck perceived laws which the fanatics do
not, that his relation to them is that of Newton or Darwin to pre
scientific astrologers or alchemists. This is not so. If we knew laws,
the laws which govern social or individual life, we could operate
within them by using them as we use others in conquering nature,
by inventing methods which take full account of such forces - of
THE SENSE O F REALITY 37
their relationships and costly effects. This dependable social tech
nology is precisely what we lack. No one really supposes that
Bismarck knew more laws of social dynamics, or knew them
better, than, say, Comte. On the contrary, it is because Comte
believed in them and William James did not that the former is
condemned as Utopian. When we speak of some process as
inevitable, when we warn people not to pit their wills against the
greater power of the historical situation, which they cannot alter,
or cannot alter in the manner they desire, what we mean is not that
we know facts and laws which we obey, but that we do riot; that
we are aware, beyond the facts to which the potential reformers
point, of a dark mass of factors whose general drift we perceive but
whose precise interrelations we cannot formulate, and that any
attempt to behave as if only the clear 'top level' factors were
significant or crucial, ignoring the hinterland, will lead to frustra
tion of the intended reforms, perhaps to unexpected disaster. When
we think of Utopians as pathetically attempting to overturn
institutions or alter the nature of individuals or States, the pathos
derives not from the fact that there are known laws which such
men are blindly defying, but from the fact that they take their
knowledge of a small portion of the scene to cover the entire scene;
because instead of realising and admitting how small our know
ledge is, how even such knowledge as we could hope to possess of
the relations of what is clearly visible and what is not cannot be
formulated in the form of laws or generalisations, they pretend that
all that need be known is known, that they are working with open
eyes in a transparent medium, with facts and laws accurately laid
out before them, instead of groping, as in fact they are doing, in a
half-light where some may see a little further than others but where
none sees beyond a certain point, and, like pilots in a mist, must
rely upon a general sense of where they are and how to navigate in
such weather and in such waters, with such help as they may derive
from maps drawn at other dates by men employing different
conventions, and by the aid of such instruments as give nothing
cl � J" ,
but the most general information about their situation . ·"
1 'Un historien est i.m babillard qui fait des tracasseries aux morts.' The
positive ends.
What is it that the Emperor Augustus or Bismarck knew and the
Emperor Claudius or Joseph II did not? Very probably the
Emperor Joseph was intellectually more distinguished and far
better read than Bismarck, and Claudius may have known many
more facts than Augustus. But Bismarck (or Augustus) had the
power of integrating or synthesising the fleeting, broken, infinitely
various wisps and fragments that make up life at any level, just as
every human being, to some extent, must integrate them (if he is to
survive at all), without stopping to analyse how he does what he
does, and whether there is a theoretical justification for his activity.
Everyone must do it, but Bismarck did it over a much larger field, .
THE SENSE OF REALITY
against a wider horizon of possible courses of action, with far
greater power - to a degree, in fact, which is quite correctly
described as that of genius. Moreover, the bits and pieces which
require to be integrated - that is, seen as fitting with other bits and
pieces, and not compatible with yet others, in the way in which, in
fact, they do fit and fail to fit in reality - these basic ingredients of
life are in a sense too familiar, we are too much with them, they are
too close to us, they form the texture of the semi-conscious and
unconscious levels of our life, and for that reason they tend to
resist tidy classification.
Of course, whatever can be isolated, looked at, inspected, should
be. We need not be obscurantist. I do not wish to say or hint, as
some romantic thinkers have, that something is lost in the very act
of investigating, analysing and bringing to light, that there is some
virtue in darkness as such, that the most important things are too
deep for words, and should be left untouched, that it is somehow
blasphemous to enunciate them.1 This I believe to be a false and
on the whole deleterious doctrine. Whatever can be illuminated,
made articulate, incorporated in a proper science, should of course
be so. 'We murder to dissect,' wrote Wordsworth2 - at times we
do; at other times dissection reveals truths. There are vast regions
of reality which only scientific methods, hypotheses, established
truths, can reveal, account for, explain, and indeed control. What
science can achieve must be welcomed. In historical studies, in
classical scholarship, in archaeology, linguistics, demography, the
study of collective behaviour, in many other fields of human life
and endeavour, scientific methods can give indispensable informa
tion.
I do not hold with those who maintain that natural science, and
the technology based upon it, somehow distorts our vision, and
prevents us from direct contact with reality - 'being' - which pre
Socratic Greeks or medieval Europeans saw face to face. This seems
to me an absurd nostalgic delusion. My argument is only that not
everything, in practice, can be - indeed that a great deal cannot be
grasped by the sciences. For, as Tolstoy taught us long ago, the
particles are too minute, too heterogeneous, succeed each other too
rapidly, occur in combinations of too great a complexity, are too
1 In this spirit Keats wrote: 'Do not all charms fly I At the mere touch of cold
and Hegel burst out against the civilised Latin West and lay waste
its ancient culture. He compares Kant to Robespierre and warns
the French not to despise the humble philosopher in his study,
who in peace and silence meditates in terms of apparently harmless
abstractions, but then, like Rousseau and Kant, lights the fuse
which leads to the beheading of a king and world-wide explosions.
Tolstoy once coarsely remarked that to the cobbler nothing is like
leather, and university professors tend to magnify the influence of
ideas upon history simply because these are the wares in which
they professionally deal. Although this was no doubt a just protest
against the placing of exaggerated value upon theories and doc
trines, and the neglect of other factors - social, spiritual, economic,
psychological - and networks of factors too minute and numerous
and unanalysable to have had names and classifications applied to
them at all, it does ignore the function and effects of philosophical
activity. For, let me repeat, the problems which philosophers deal
with are not technological in character: that is to say they are not of
such a kind as can plainly be solved by the proper application to
them of methods of discovery which can, as it were, be patented
and taught and gradually improved with time, as the methods of
the sciences or of mathematics or even of history or philology have
been improved and perfected. For all such questions are either
empirical - questions of what happens and how and when and
under what circumstances and in company with what - or formal,
that is, questions of consistency, validity, demonstrability, the most
convenient method of expression, and so forth. But philosophical
questions do not arise in this way at all. They arise because some
kind of crossing of intellectual lines has occurred - some kind of
collision, at times on a grand, paralysing scale, of the traffic of
ideas. Philosophical questions have a certain desperateness about
them, are accompanied by a degree of emotional pressure, a craving
for an answer whose very nature is not clear, a sense at once of
urgency and insolubility which indicates not a quest for facts, for
information about the world or about oneself, nor for the comple
tion of some formal pattern, the ordering of symbols, the bringing
of them into the required relations with each other, but rather that
there is a conflict - some inner conflict of ideas, of concepts or
ways of thought - either, within a discipline, minor collisions
between subsidiary concepts, the current local symbolism; or, in
the case of major crises, a head-on crash, a confusion and
interreaction of entire conceptual systems, of whole methods of
P H I L O S O P H Y A N D G O VE RN M ENT REPRESS I O N 69
looking at the world and of describing it, which leads to the so
called 'perennial' problems such as free will versus determinism,
theism and atheism, materialism and immaterialism, liberty and
order, authority and equality, happiness and justice, self-sacrifice
and the pursuit of happiness.
The problems depend to a much greater extent than scientific or
mathematical ones upon the particular ways of thinking, on the
particular sets of concepts and categories, prevailing in a given
culture or language in a given country at a particular time. All
problems depend to some degree upon the ways in which people
think and act; but the external universe and men's relations to it,
although they have no doubt changed throughout historic time,
have altered less than ways of thought and of language, whose
inner history is in part the history of those problems which are
properly called philosophical. And because the problems are not
requests for information or greater technical proficiency, deductive
or inductive, the 'solutions' sometimes take the form of artistic or
religious or metaphysical experience, which liberates those who are
oppressed from the particular mental stress which a philosophical
problem necessarily, to some degree, always is. For there are many
ways of ridding oneself of obsessive anxieties of this kind, and one
of them is not by finding a solution but by some method of
obliterating the problem itself - the method so frequently used by
governments of an authoritarian kind, naturally nervous of ferment
and discontent among their subjects, who instead of allowing
unpredictable solutions to be propounded, seek to protect the
security and stability of their regimes by educating their popula
tions into ignoring or forgetting their troublesome problems, by
ironing them out instead of solving them. This, no doubt, is one
way in which the State can render men incurious, conformist,
obedient, harmonious, but also deprive them of the powers of
choice, of creation, of the pursuit of individual ends, of all that we
call personal freedom - in favour of all that which, since the
Renaissance, liberals in every land have rightly regarded as dark
and oppressive, whether they found it in the European Middle
Ages, in Asiatic tyrannies, in Fascist and Communist regimes of
our own day, or in petty tyrannies and persecutions of originality
and the serious quest for the truth, which are so great a menace,
even in the democracies, particularly in the greatest among them, of
today.
The other path is that which has been taken by the great thinkers
T H E SENSE O F REALITY
make their lives worth living. Any attempt to prevent that activity
- to prevent the upsetting of accepted values, the freest possible
discussion of ultimate issues, by whatever methods and in whatever
terms seem most promising, most illuminating, seem to afford
paths out of the impasses which are philosophical problems, to load
forth out of the dead ends which so many genuine philosophical
perplexities turn out to be - any attempt to do that, whether in the
name of the security and happiness of the community, or of the
sacredness of established traditions, or of one of those great and
hollow abstractions to which human lives have been sacrificed so
often - the claims of nation or race, or manifest destiny, or history
or progress, or the Church or the proletariat, or law and order, or
any of the other catchwords the exposure and destruction of which
has been one of the great glories of critical philosophy - that is a
genuine suppression of a basic interest and need and craving of
human beings.
That is why periods of conformity, of the application and re
application of methods and categories no longer suitable to their
subject-matter - a process that necessarily becomes mechanical,
and in the end meaningless, through mere repetition, however
scrupulous and sincere - are the blankest patches in the history of
human thought. The Middle Ages in Europe, where the censorship
was the most severe and conformity most effectively promoted and
observed, is a period of this type. Much in it survives and is justly
admired to this day. Its art, its statues and its architecture, its social
institutions, its poetry, and to some degree its prose, even its music,
have a certain eternal value. But its thought is a great and arid waste
compared to that of the periods which precede and follow it. To
that degree the liberal interpretation of history, the notion of these
ages as dark and of the Renaissance as a gradual lifting of the night,
is not a falsification. May Erigena, Aquinas, Duns Scotus, Anselm
forgive me - but which of these is of real interest except to
specialists? Perhaps William of Occam, but that is because he
rebelled. Many though the glories of the Middle Ages may be, and
superior though they may be in many respects to the disordered
world of the present, in the province of thought its record is not
equal to those of its predecessors or successors. For all philosophy,
because of its function as a liberator of human beings from the
inevitable perplexities caused by the intellectual predicaments they
get into (because of the continuous development of ideas, and of
the meanings of the words that express them), is necessarily a
75
P H I L O S O P H Y A N D G O V E RN M EN T R E P R E SS I O N
II
III
1 For instance, he says, those who love gossip could be made telegraph
operators, children who love to play in mud could be made happy scavengers -
and so on.
88 T H E S E N S E O F REALITY
men are happiest when they are most creative, and that association
conduces to this in many instances more effectively than the
ferocious competition of a laissez-faire society - all these have had
an immeasurable influence upon both socialist and liberal thought
and practice. Fourier's doctrines, which led to the establishment of
idealistically conceived but short-lived colonies in the United
States, profoundly affected radical thought in America; the New
Deal inaugurated by Roosevelt in I 9 3 2 was full of Saint-Simonian
and Fourierist notions. Fourier exercised influence in Russia,
where the ideal of an harmonious and egalitarian association of
producers, that is, workers and planners, in a society free from the
despotism both of the bureaucracy and the police and of that
exercised by a competitive capitalism, struck deep root in the I 84os
and fed both the romantic 'populist' and the 'scientific' socialist
oppositions to the government (indeed Dostoevsky was all but
condemned to death for belonging to an association for the
spreading of Fourierist doctrines). In France he helped to shape the
ideas of Proudhon, and through his works shaped the outlook of
the founders of the anti-political syndicalist and co-operative
movements, whose influence was scarcely smaller than that of
political socialism itself. The emphasis on the virtues of association,
of vocational training and distribution, of industrial psychology, of
the centralisation and rationalisation of economic life in self-subsis
tent, small, semi-rural co-operatives, rather than the vast, urban
centralised industrial units of Saint-Simon; the ending of purely
private enterprise and moral regeneration through the liberation of
the creative, human faculties of the flesh as well as of the spirit - all
these ideas are seeds of socialism. But Fourier detested communism
and revolutionary methods; he believed in moral conversion and
social peace between opposed classes on the basis of common
ideals; he defended private property and wished to create it in
abundance rather than abolish it. His follower Considerant stressed
the element of class struggle; the development of capitalism threw
more and more propertyless proletarians into the vast reservoir of
pauperised workers with no rights and no hopes: there were 'two
nations' struggling in every community and their interests sharply
conflicted at every point; but this war could be concluded peace
fully, if need be by State intervention, by the expedient of
guaranteeing a minimum subsistence to labour and the freedom of
religion and association, thought and speech to all citizens; by
S O C IA L I SM AND S O C IALIST T H E O R I E S
IV
resisted, and must be turned to its own use by the revolution if the
latter is to be successful.
Proudhon insists on the right to a limited quantity of private
property and on the preservation of the inviolable rights of the
family, of which he takes a patriarchal view, not unlike Rousseau,
with the same insistence on the subordinate status of women: these
are institutions designed to guarantee the individual against the
brutal and excessive encroachment of both the State and rapacious
capitalism. To restore individual and class self-respect and give full
scope to the creative energies of mankind, all central coercive
authority must be destroyed and replaced by a condition of
peaceful economic co-operation. To Proudhon such encroachment
or exploitation means anything which confers undue power upon
the exploiter, whether it be rent, interest or any other form of
extortion, whereby the weaker party, that is, the proletarians or the
poor, are made to give up something for nothing in order to avoid
starvation or the loss of personal freedom. This evil is not curable
by compulsory association in the sense preached by Saint-Simo
nians or communists, since that would vest too much power in the
hands of the organisers, and so dehumanise - destroy the bodies
and souls of - the workers. This goes with Proudhon's theory of
value, whereby objects should exchange in direct proportion to the
hours of labour spent on their production, and credit should be
widely extended at the lowest possible rate of interest, if possible
none at all, by the freely collaborating combinations of the
producers themselves.
Anything, even war, is good which intensifies a man's individual
qualities, develops his free, creative personality; industrial exploita
tion, which demeans individuals and crushes their resistance, is the
ultimate evil. This violent individualist self-assertiveness links
Proudhon, in an unforeseen manner, with Nietzsche, Fascist
irrationalism and nostalgic medievalism, through which in Roman
Catholic countries he has had a recognisable influence no smaller
than that of Bakunin. Proudhon's teachings do not form a coherent
doctrine, but the denunciation of unlimited property rights, which
echoes Rousseau and Fourier, and of political centralisation, and
his eloquent pleas for a decentralised economic system founded on
workers' co-operation, have had a profound effect on social
thought and action, particularly in Latin countries, and formed the
basis of the anarchist and syndicalist movements, which became the
T H E SENSE O F REALITY
VI
The revolutions of I 848 which spread like wildfire over Italy and
France and the German-speaking States soon offered a test of
Marx's analysis. They often began with an alliance of liberal and
radical nationalist democrats with socialists of various hues. Both
in France and in Germany a split between the socialists and the
bourgeois democrats and liberals developed, and the revolutions
ended with the forcible suppression of the socialists, often by an
alliance of liberals and moderate radicals with more reactionary
forces. In the period of profound disillusionment which followed
the failure of the revolutions of I 848-9, socialism appeared to
vanish from the scene and was by many given up for dead.
It was during this period that Ferdinand Lassalle founded his
German Workers' Union. His views were similar to those of Marx.
His most memorable thesis was that 'the iron law of wages', which
he had derived from liberal economists, must always force capital
ists, under conditions of ruthless competition, to lower the cost of
production so far as economically possible, and with it the
workers' wages. This meant that all appeals to their humanity or
their self-interest were bound to fail, and the workers had only
themselves to lean upon. He accepted Louis Blanc's view that only
political methods can be effective and that the proper aim of a
workers' party therefore must be to recapture the machinery of the
State. Lassalle was also much influenced by the version of the 'iron
law' given by Rodbertus, a Pomeranian landowner, who taught
that untrammelled laissez-faire leads inevitably to the acquisition
of an ever-increasing proportion of social product - goods and
services - by the owners, owing to the operation of a system
whereby the workers are allowed only a bare subsistence wage
while the value of what they produce is continually increasing. It
leads also to indirect taxation, which falls more heavily on workers
than on owners and therefore causes underconsumption and
periodic economic world crises. This can be remedied only by
rational planning of economic life, which only the State can do
effectively. The workers must not demand 'the full fruit of their
labour', because the social process of production, into which
elements other than labour enter, cannot be split up into ingre
dients; so that unless the social process as a whole is rationally
organised, labour cannot alone expect to get its proper reward. But
this can be realised only by peaceful methods which it may take
S O C IA L I S M A N D S O C IA L I ST TH E O RI E S I OJ
centuries to evolve. To cover the interval Rodbertus suggested
various palliatives which became the commonplaces of all non
socialist left-wing parties in Europe.
Marx maintained that the modern State was an instrument of
capitalist oppression and could not, even if captured, be used by
the victorious workers, but must be transformed into the 'dictator
ship of the proletariat' - a transitional stage wherein the political
party representing the workers' interests would defend the victori
ous revolution against the revenge of its defeated enemy until the
enemy was rendered powerless and the need for such a dictatorship
disappeared. Lassalle, following Rodbertus, sought direct State
intervention in resisting laissez-faire capitalism and organising the
collective welfare of the workers along socialist lines, and stands at
the opposite pole of thought to that of Proudhon and his
followers, who, like Bakunin and the anarchists, looked on the
State as the embodiment and source of all evil, and advocated solely
non-political economic organisation and pressure upon the gov�rn
ment. Lassalle was a fiery orator and an immensely capable
organiser. His German Workers' Union became the first formid
able political party, seeking parliamentary representation by the
votes of the citizens, founded on explicit socialist teaching. It
continued to grow in strength after his death in a duel in I 864.
VII
VIII
1 This essay was first published in 1950, and reissued with revisions in 1 966.
Some further changes have been made, but it has not been revised again in
substance to take account of more recent events, especially the collapse of
Communism in Eastern Europe and the former Soviet Union.
MARXISM AND THE INTERNATIONAL
IN THE NINETEENTH CENTURY
known. Still, it seems unlikely that even the part played by these
founding fathers would linger in the memory if it were not for the
central figure behind this organisation. It was he who made of this
scattered collection of individuals, not over-rich in ideas, or even in
organisational ability, an instrument which, if it did not itself alter
history, laid the foundations of a movement which did exactly this.
Karl Marx lived in London. He stood head and shoulders above
such minor German exiles of communist views as the artisans
Eccarius, Lessner, Schapper, who naturally looked up to him as
their intellectual leader. The British working-class leaders, such as
they were at this time, did not know him well, but some of the
more enterprising among them looked on him as a learned
revolutionary theorist good at providing and formulating ideas for
an international workers' association: consequently he (with his
friend Engels) was brought into the movement, played a leading
1 Past errors and suffering are seen as an inevitable prelude, as so many signs
and evidences of future felicity: a necessary episode in the great drama of human
history, not accidents, not meaningless disasters.
MARXISM IN THE N I N ETEENTH CENTURY 121
each seeks to shut out from the other that makes trees grow taller.
It is directly opposed to every form of 'Social Darwinism'; it denies
the hypothesis that it is original sin or inherent evil, or natural
aggressiveness, or even the sheer variety and incompatibility of
human wants and ideals, that destroys the very possibility of a
seamless harmony, a complete unity of wholly rational beings
leading lives of frictionless co-operation towards universally accep
ted and harmonious ends. Hence it is radically opposed to the
corollaries of earlier ideas, for example, that the end of political
action is not some static perfection, but the adjustment of interests
and activities as they arise, when they arise; since, according to such
ideas, it is natural to men to pursue different and, at times,
incompatible ends; nor is this an evil, for diversity is the price - and
perhaps the essence - of free activity. Hence all that political action
can achieve is the creation of machinery for the prevention of too
much friction, the suffering caused by too many conflicts and
collisions, without attempting to suppress them wholly; for to do
this, at whatever cost, is to crush men into a bed of Procrustes, to
press them into an artificial uniformity that leads to an impoverish
ment, and occasionally the destruction, of the human spirit.
Marxism is opposed to this.
The history of political thought has, to a large degree, consisted
in a duel between these two great rival conceptions of society. On
one side stand the advocates of pluralism and variety and an open
market for ideas, an order of things that involves clashes and the
constant need for conciliation, adjustment, balance, an order that is
always in a condition of imperfect equilibrium, which is required
to be maintained by conscious effort. On the other side are to be
found those who believe that this precarious condition is a form of
chronic social and personal disease, since health consists in unity,
peace, the elimination of the very possibility of disagreement, the
recognition of only one end or set of non-conflicting ends as being
alone rational, with the corollary that rational disagreement can
affect only means - the upholders of the tradition of Plato and the
Stoics, the philosophia perennis of the Middle Ages, Spinoza and
Helvetius, Rousseau and Fichte, and classical political theory. Marx
was a faithful son of this tradition from the beginning to the end of
his life: his emphasis on the contradictions and conflicts inherent in
social development are mere variations on the theme of the
uninterrupted progress of humans conceived as a system of beings
1 22 THE SENSE O F REALITY
engaged in understanding and controlling their environment and
themselves.
From these classic premisses he drew the most original of all his
conclusions, and the most influential - the celebrated doctrine of
the unity of theory and practice. What you do is not merely the
best evidence of what you think - a better criterion for discovering
what you truly believe than anything that you yourself say or
think about your own convictions or principles. Marxism has at
times been reduced to truisms of this kind, but to do so is to
perpetrate a caricature. The Marxist doctrine is that what you do is
what you believe; practice is not evidence for, it is identical with,
belief. To understand something is to live, that is, act, in a certain
fashion; and vice versa. If such understanding and knowledge
belongs to the realm of theory, then it is the activity of thinking
along certain lines; if it occurs in the world of action, then it
consists of readiness to act in a certain way, the initiation of a
certain type of behaviour. Belief, thought, emotion, volition,
decision, action are not distinguishable from one another as so
many activities or states or processes: they are aspects of the same
praxis action upon, or reaction to, the world.
-
II
matter how much they may look timeless and unalterable. They
will perish and with them will vanish the institutions that came
into being to serve their particular needs, although they pretended
to be embodiments of eternal justice (the legal system) or the
eternal laws of supply and demand (the economic system) or
eternal truths about man, his purpose and his destiny (priesthoods
and Churches). The temporary and class-conditioned character of
all these institutions and creeds can be unmasked - history is full of
broken relics of such pretensions. But there exists one class - the
proletariat - whose interests, since it has no characteristics which
are not shared by all other men as such, are the interests of all
mankind; its ideals are not a masquerade for something else -
concealed sectional interests. It was a brilliant and telling stroke to
identify the interests of one particular class with the interests of all
men; so that while all previous beliefs and institutions which
belonged to this or that social order could be represented as so
many conscious or unconscious falsifications of reality - various
kinds and degrees of illusion, self-deception or deliberate trickery,
designed to prop up the domination of a particular class - one set
of beliefs, one form of social structure was exempt from this
inexorable decree: those of the working classes, at least those which
embodied the acts and opinions of the men who understood the
true position and prospects of the proletariat, whether they
themselves belonged to it or not. In their case what would
necessarily have been the fantasies of any other class turned out to
be truths, a correct view of reality and a correct guide to action. An
interest is to be classed as mere interest only when it conflicts with
other interests; where it is truly universal, it ceases to be a 'mere'
interest, and becomes the proper, universally valid, end of man.
The liberating knowledge of the truth which earlier doctrines had
discovered in the soul of the true believer, or in sacred books, or
the pronouncements of the Church, or metaphysical insight, or
scientific enlightenment, or the general will of an uncorrupted
society, Marx had lodged within something much more concrete
the minds and activities of working men who (with his help) have
arrived at an understanding of the world in which they live, its
machinery and the unalterable direction of its growth.
One cannot exaggerate the political results of this move: Marx
provided the angry, the miserable, the poor, the discontented with
a specific enemy - the capitalist exploiter, the bourgeoisie. He
proclaimed a holy war which gave the poor and the exploited not
1 34 T H E SENSE O F REALITY
only hope, but something specific to do, not simply the task of
self-education in the positive sciences (as recommended by, say,
Comte) or political pressure through legitimate channels as permit
ted by constitutionally established authority (as advocated by Mill
and the liberals), still less contempt for the values of this world and
the attainment of serenity and happiness by unworldly spiritual
resignation (as recommended by some at any rate among the
Christian teachers), but organisation for ruthless war: with the
prospect of blood, sweat and tears, of battles, death and perhaps
temporary defeats; but, above all, the guarantee of a happy ending
to the story. For the stars in their courses are fighting for this
consummation. This none of the rival prophets promised or
demanded: Proudhon came nearest to it, but his deep hatred of
centralisation led him to prohibit mass organisation and political
action. It was as plain to Marx as to Bismarck that the only way to
fight power is by power: and power in the modern world requires
the organisation of as many human beings as is practicable, and the
employment by them or on their behalf of the only instruments
capable of crushing resistance - political and military measures. If
the institutions and the force of the enemy were to be overcome, it
could be done only by the conquest of political power; the enemy
could be finally crushed only by an act of coercion, by revolution.
The ends of the victors might not themselves be political at all;
the State for Marx (as for Bakunin) was always only the jackboot,
an instrument of oppression to be done away with as soon as
feasible; but the means remained necessarily political, for these
were the only effective weapons of the contemporary world, made
so by the particular phase of the productive forces and relation
ships that determined the shape of, at any rate, European society
the particular modern form imposed upon the class war by the
intelligible pattern of history herself. This doctrine gave the
workers a concrete programme, and more than this, a total
Weltanschauung, a morality, a metaphysics, a social doctrine, a way
of testing and measuring everything that they were offered by
teachers and clergymen and politicians and books and all the other
forces that form opinion, the total system by which we live, a total
substitute for the rival schemas - those offered by the Christian
Churches or by liberal atheism, or by nationalism, or by the many
confused and uneasy mixtures of all these.
Let me make , this point even more sharply. Marx's unique
achievement was to split mankind into two worlds, more deeply
MARXISM IN THE NINETEENTH CENTURY 135
perhaps than had occurred since the rise of Christianity against
paganism. Before Marx it is, I think, true to say that there had
existed since, let us say, the Greek Stoics a general assumption in
the Western world of the existence of certain common values,
values common to all mankind. The assumption of Christian
attempts to convert pagans or of Protestant arguments against
Catholics, or even between enemies in wars or revolutions, was
this: that any man could, in principle, unless he was mentally
deficient, understand any other man; that if men were in error, they
could be converted by argument; that though a man might be deep
in heresy and illusion, something could always be done, or at least
attempted, to bring him back to sanity; in extreme cases coercion,
torture, might be needed to destroy the obstacles to the perception
of the truth - or even death, which would at any rate liberate the
heretic's soul and allow it, in the world to come, to see that light
which shines equally for all men. In wars and revolutions the
appeal might sink to the level of sheer expediency, but still it was
assumed that the conquered would surrender by an act of rational
choice - because they were endowed with the capacity, present in
all men, to understand their own good - to see that in this case they
would lose more by resistance than by acknowledging defeat.
Whether the argument rested on universal principles, scientific
truths founded on observation and reasoning, or sheer superior
power, the assumption remained that communication could always
be established - the purpose of terror or violence was, at least in
theory, conversion to, genuine acceptance of, the point of view of
those who used these weapons. The number of those who must be
destroyed because they would not be saved must be few: the
incurably fanatical, the abnormal, the mad.
But if the class-conflict theory of history was correct, this basic
assumption was not true. If I think as I think and act as I do it is
because what makes me what I am, whether I know it or not, is my
membership of a particular class that is engaged in a struggle for
victory or a hopeless attempt at survival in a particular phase of
human development; I can scarcely be expected, then, to see the
world through the spectacles of another class, the elimination (or at
least neutralisation) of which is the whole raison d'etre of my own
class. I am what I am because I am involved in the objective
situation of my class on the historical ladder; I cannot be expected
to understand even the language used by a spokesman of a class
differently conditioned; for try as I might to listen, I am bound to
THE SENSE O F REALITY
translate it into my own conceptual schema and behave accord
ingly; so that there will be no true communication. But if this is so,
then it is no use trying to explain to the others the errors of their
ways, no use arguing, no use hoping that if one can only convince
the other side of the hopelessness of their position, of the fact that
they are historically doomed, they will abandon the struggle and
succumb and be saved. It is still more absurd to bring home to
them their wickedness - for this presupposes a minimum universal
standard of morality or moral understanding which ex hypothesi
does not exist, if each class is held to have its own morality.
This, if it is valid, is a radical discovery: for it undermines the
basic assumptions of rational dispute, of the possibility of
uncoerced consensus which alone justifies democratic government.
In a class-divided society, there is in principle no possibility of a
rational compromise between groups incapable of understanding,
indeed of not seeking to destroy, each other. Hatred, historically
inevitable hatred, blows up the entire basis of a unitary State, of
society, government, justice, morality, politics, as hitherto con
ceived. Those whom history has doomed, it has deprived of
understanding. They are like the pagans whom Israelites were to
eradicate in their entirety, condemned by God utterly. Others had
spoken in terms of class conflict - Saint-Simon, Fourier, Owen,
Weitling, the 'True Socialists', Hess, Rodbertus, Proudhon, Baku
nin had done so. But they allowed the notion to slip in that a
pacific solution was, at least in principle, thinkable - that enough
argument, enough rationality on everyone's part (however difficult
to achieve in practice), and perhaps the other side would under
stand and abdicate. So Saint-Simon had thought the Jacobin Terror
in the great French Revolution could have been avoided if the
Jacobins - and 'the rabble' - had not been so uneducated, so stupid
as to ignore how much they could have achieved if they had not
cut off Lavoisier's head or caused Condorcet's suicide, but on the
contrary placed themselves under their guidance. This for Marx
was precisely the unhistorical attitude that reduced these thinkers'
doctrines to absurdity: for it militated against the deepest of all his
beliefs, that history was the history of class struggles. This for him
meant that men were formed by their objective situation in history,
and could not po,ssibly see what their situation made them unable
to see: the Jacobins, however confusedly, represent interests not
reconcilable with those of the class to which Lavoisier and
MARXISM IN THE NINETEENTH C ENTURY 137
Condorcet belonged, i n terms of whose interests, however invol
untarily, they thought and acted. Class consciousness was all.
Let me illustrate this by three images. If I am on a mounting
escalator, as it were, I can afford to look at the facts without terror,
for whatever happens will be evidence, true evidence, of the ultimate
victory of my class, if I made my prognosis correctly, as Marx and
Engels thought they had done, for my awareness of ascending is not
illusory. But if I am on the descending stair I cannot be expected to
see the facts in a true light: for they are too frightening. Men, as has
so often been remarked (especially by Christian thinkers), cannot
face too much reality. Marx thought this true only of those whose
defeat was imminent, the downward-tending groups. They try to
rationalise their position by every possible means: defend their
'mere' (that is, class-bounded) interests as universal ideals, see their
class-created and class-preserving institutions as just or rational,
and, indeed, as eternal and unalterable, regard these ephemeral
works of men, structures in which men have embodied their
temporary vision, religions and Churches, laws and systems of
justice, arts and philosophies and social and economic structures, as
possessing the stability and inevitability of natural forces, and so
treat them as embodying absolute standards of value and truth. This
fallacy he called reification, and those who worship such man-made
institutions as supernatural, or natural and therefore unalterable,
forces he described as being 'alienated', divorced from their own
creations, from a society which is their own or their ancestors'
handiwork transformed into an external entity, a transcendent
authority, an idol to be worshipped.
My second image is that of a man who is drowning: that is surely
not the moment to ask him about the temperature of the water, or
indeed his views about anything else; he will do anything to save
himself, even if it is wholly futile. This, for Marx, is the contempo
rary position of the bourgeoisie. Debarred as it is by its historical
position from seeing reality correctly, it cannot be argued with,
cannot be convinced. It can only be despatched to its doom as
effectively and swiftly as is feasible, if the next stage, the emancipa
tion of all mankind, is to be achieved as painlessly and rapidly as
possible.
Perhaps my third image - from therapeutic medicine - will
convey this notion best: a man who understands reality, the nature
and incidence of the class conflict that determines the thought and
action of entire classes, is like a psychiatrist who understands both
THE SENSE O F REALITY
himself and the patient; the patient understands neither himself nor
the psychiatrist. The psychiatrist has nothing to lose by looking at
reality - for only knowledge makes it possible to choose rationally
between alternatives. In this case he is the self-conscious proletar
ian (still more his leaders) who sees that his interests are those of all
mankind, that by pressing for them he is pushing open the door to
general liberation, that given the inevitable pattern of history he
need not shrink from looking: for everything that happens is grist
to his mill. The patient, the poor deranged patient, is the doomed
capitalist regime which cannot view the facts correctly, for its
vision has been impaired by its historical role: it harbours delusions
to which it clings pathetically, since they alone enable it to live and
think and act at all; if it could see things as they truly are, it would
see that it was doomed. Hence it is idle to ask it what it thinks
about itself or anything else; the only value of the patient's own
observations and ideas is as so many symptoms of its psychical
condition which are of help to the physician; as descriptions of
reality they are wholly valueless. Yet the madman may, of course,
have enough sheer strength left to hurt or destroy the psychiatrist
if he does not take care; the psychiatrist must overpower the
lunatic; he must provide him with a strait-jacket or kill him, if he is
to make the world safe for sane men. Above all, it is no use
preaching to the bourgeoisie: it cannot hear, it cannot understand,
history has rendered it deaf to reason and blind to reality. That is
how classes fall before their successors.
This conception, at one blow, undermines the entire notion of
the unity of mankind, the possibility of rational (or any other kind
of) argument among men of different outlooks and persuasions:
the notion of man which is the heart of all previous views of life;
the central pillar on which the entire Western tradition, religious
and secular, moral and scientific, had hitherto rested. The Marxist
doctrine is a terrible new weapon, for its truth entails that there are
entire sections of mankind which are literally expendable. It can
only be false humanitarianism to try to rescue classes irrevocably
condemned by history. Individuals, of course, can avoid this
destruction, and may even be helped to escape - Marx and Engels
themselves did, after all, abandon the sinking ship on which they
were born for the seaworthy vessel of the proletariat; they crossed
over to the party of humanity; so did others. But the class as such is
doomed and cannot be rescued. There cannot be mass conversions,
MARXISM IN THE N I N ETEENTH CENTURY 1 39
for the fate of human groups depends not on free actions - the
movements of the spirit - in the heads of men, but on objective
social conditions, which guarantee the salvation of one class and
the destruction of its rival.
This nee-Calvinist division of mankind into those who can (and
will for the most part) be saved and those who cannot, and will (for
the most part) perish, is novel and somewhat frightening. When
this separation into the elect and the evil who cannot help
themselves was translated into racial terms, it led, in our century, to
an enormous massacre - a moral and spiritual catastrophe unparal
leled in human history. The fact that the rationalist Marx would, of
course, have fought this irrationalist wave with all his might as a
monstrous nightmare is beside the point at issue. The division of
mankind into good sheep and evil and dangerous goats, incapable
of turning into sheep, with no hope of salvation, enemies of
mankind - and the claim that this sentence of death is based on a
scientific examination of the facts - is a turning-point in human
history. A doctrine which identifies the enemy and justifies a holy
war against men whose 'liquidation' is a service to mankind
releases the forces of aggression and destruction on a scale hitherto
attained only by fanatical religious movements. But these, at least
in theory, preached human solidarity: if the infidel accepted the
true faith he was to be welcomed as a brother. But Marxism, since
it spoke of objective conditions and not subjective convictions,
could not allow this. Neither Marx nor Engels ever spelled out this
doctrine: but their followers understood and believed it in the most
effective fashion possible - by realising it in practice. The fact that
these implications may well have been remote from the minds of
the group of men gathered in St Martin's Hall under the eye of
Professor Beesly, a left-wing Comtian, who presided over it with
great benevolence, does not diminish their validity and historical
importance: Lenin, who acted on these assumptions with his
customary single-minded consistency, did not in any particular
betray the principles of his master. Those who recoiled from such
practices recoiled, whether they knew it or not, not from some
peculiarly fanatical exaggeration of Marxist doctrine, but from
Marxism itself. It was for failing literally to identify moral
standards with the changing needs of a particular body of men that
Proudhon and Hess, Herzen and Lassalle, were denounced as fools
or knaves.
T H E SENSE O F REALITY
III
This may have led us far afield from Marxism as a movement in the
nineteenth century, and it is of course true that the full force of
Marx's philosophical ideas, rich and comprehensive but sophisti
cated and at times none too clear, was scarcely realised by the
majority of even his closest followers, not to speak of the founding
members of the First International. Such thoughts as those that I
have outlined were not likely to have been present in the minds of
Tolain or Jung, Odger or Cremer, or even the faithful Eccarius,1
who simply looked on Marx as a learned and implacably radical
German thinker, champion of the rights of the working classes,
thunderer against exploiters and bosses and their regime, a man
likely to have more arresting ideas and greater powers of exposi
tion than they themselves, and a capacity for drafting a programme
for international consumption which they did not feel themselves
sufficiently competent to aspire to. Even Engels and Liebknecht
did not fully rise to the height of Marx's terrifying vision. Marxism
in their hands was modelled on the natural sciences as they were
conceived in the nineteenth century. Engels' expositions bear a
strong family resemblance to Comtean positivism: nature and man
obey inexorable laws, not invented by them, but which they
cannot alter, and it is as well to understand these laws, which
explain the past and predict the future, if one is to be effective in
action. In Engels Marxism became a materialist-positivist sociol
ogy, with laws different, indeed, from those proposed by Comte or
Buckle, but laws in the same sense; and generations of Marxists,
from Plekhanov onwards, adopted this simplified version, which
omitted the heart of the doctrine, that of the absolute unity of
theory and practice. They uttered the words, they spoke of
'dialectic'; indeed Plekhanov, as is well known, invented the term
'dialectical materialism'. But it would be idle to look into his works
or those of Lenin, or Kautsky, or Mehring, or Bernstein or Guesde
or Lafargue, for a satisfactory explanation of these terms or the
parts they played in Marxist thought. For that we have had to wait
for Marxists in our own century, who have given us a Marx very
different from the Darwin of the social sciences of Engels' sketch,
or the calm sociologist drawn by Kautsky or Plekhanov, or the
supreme political strategist, tactician and revolutionary of the later
Russian tradition: All this is so. Nevertheless, something of the real
(
1 References for quotations from Marx are given, by volume and page, to two
editions, one in German, one in English: Karl Marx, Friedrich Engels, Werke
(Berlin, 1 9 5 6-8 3; hereafter MEW); Karl Marx, Frederick Engels, Collected Works
(London, New York and Moscow, 1975- ; hereafter CW). The translations from
the German used by the author do not necessarily follow the English edition,
which is cited for the convenience of English readers. If the passage was originally
written in German, the MEW reference is given first; and vice versa. The reference
for this passage is CW xx I J , MEW xvi I J .
2 Letter from Marx to Engels, 4 November 1 864: MEW xxxi q , C W xlii 1 8.
142 T H E SENSE O F REALITY
effective attack, preferably (as Lenin afterwards insisted) from deep
within the rear of that enemy, but genuine harmony of interests,
peaceful liquidation of differences, not ending in the total elimina
tion of one class by the other. For Marx any real concession to
them would ruin the appeasers, for it would inevitably be con
demned by the march of events - by the emergence of the new
revolutionary men. This is why Lassalle, who had left nothing to
be desired in the ferocity of his campaigns against the bourgeoisie,
is damned nevertheless for supposing that the workers could use
the State - always a class instrument with which to crush class
resistance - as an instrument of progress for the workers, who
would, gradually, by political action, grow to control it and would
turn it to their own purposes.
Lassalle had already shown the cloven hoof in fearing a Franco
Prussian war because he held that it was a danger to the unity and
advance of European culture, as if there were such a thing as a
single European culture and not a class culture and a class State that
must first be destroyed before anything else could possibly be built
up. Plekhanov had plainly shown a similar attitude to Germany in
1 9 1 4; he was a genuine internationalist - no one could accuse him
of temporising with the tsarist regime - yet the victory of the
Central Powers threatened the foundations of European civilisa
tion, to which he was clearly committed, and from this he
instinctively, for all his revolutionary words, recoiled, no less than
Guesde, for whom the triumph of Marxism was bound up with
those democratic and anti-clerical principles for which France
stood, imperfectly it was true, but Germany and Austria did not
stand at all.
I believe that Lenin was fundamentally right in supposing that
Marx would have attacked such an attitude root and branch. He
detested the entire structure; the kingdom of freedom could not be
entered before the cities of the Philistines had been laid wholly
waste. In his account of the civil wars in France Marx insists over
and over again that the entire monstrous structure must be
destroyed and nothing be kept, that what is shot through with the
ideology of one class is useless to its conqueror and successor. That
is why he insisted upon the importance of trade unions (which for
Lassalle hampered the rational and centralising activities of the
State), because, however reactionary or blind, they could one day
be turned into representatives of a class interest, whereas the State
was incurably national. The State must not be captured alive, it
MARXISM IN THE NINETEENTH CENTURY 1 43
must be eliminated, not, of course, as the majority of the anarchists
wanted, by opposition to political action and by terrorism, but by
organised political action, which alone is effective in the world.
This became historically important. Wherever the respect for the
State was part and parcel of the national tradition, wherever it was
interwoven with the deepest and innermost strands of national
culture and myth, as in France and Germany, the class content of
Marx's doctrine became watered down. There were plenty of brave
words: but it remained true that not only J aures and Vandervelde,
Bernstein, David and Vollmar, but the orthodox and the intransi
gent - Kautsky and Bebel, Guesde and de Paepe - did not really
hate the State and did not really find it impossible to communicate,
and even cooperate in a limited way, with other classes. It was a
different story in Poland and Russia, Asia and Africa, where the
State was an external bureaucracy and had no emotional hold upon
either workers or intellectuals. Georges Sorel caught this element
in Marx and turned it to his own uses, but it remained correspond
ingly remote from Jaures' generous, all-inclusive, democratic,
unfanatical humanism.
Marx gnawed continually upon this bone. In the Critique of the
Gotha Programme he does not merely attack the notion that there
could be a 'free State' for workers1 - for the State is much too free
already, free to forward the interests of the bourgeoisie, and, since
it is by nature a form of coercion, useless in a classless society - but
he objects to the phrase 'brotherhood of nations'2 on the ground
that nations cannot be brothers, only workers can. All talk of
ultimate principles and universal morality infuriated him. This
comes out most sharply in the famous words used about rights -
another trap for the unwary - which so delighted Lenin later,
'Right can never be higher than the economic structure and the
cultural development which this determines', so that equal rights
defences against coercion or encroachment - will become unneces
sary when the 'narrow horizon of bourgeois right' will be left
behind;3 only when class structure and warfare has been overcome,
and co-operative, socialised endeavour has ensured the all-round
development of every individual.
This position went a long way towards justifying ruthless
IV
'The time has passed . . .' - for whom? Engels did not specify
the West; and Plekhanov and the Russian Marxists can scarcely be
blamed if they regarded Lenin's turning of a blind eye to this
particular directive as heretical: since then this formulation,
whether regarded as a description or as a recommendation (a
distinction in principle not recognised in Hegelian-Marxist doc
trine) has been more honoured in the breach than in the observ
ance.
The German party carried out this programme; but found it all
too easy to do so compatibly with its non-violent, solidly demo
cratic traditions. By using parliamentary methods for acquiring
power, and by increasing its representation in the Reichstag from
election to election, through the I 89os and into the early part of the
twentieth century, it was inevitably brought into contact with the
general political life of the State, in particular other parties. It was
not merely a question of social security or educational policy. Its
extraordinary achievement - for good or ill - was the creation of a
world within a world, an independent almost self-contained
society within the framework of the middle-class establishment.
1 CW xx 1 4, MEW xvi 1 4 ·
1 56 THE SENSE O F REALITY
Association published in November I 8 64. In I 8 9 I the united
German Social Democratic Party spoke of 'an ever more enormous
army of surplus workers, an ever sharper conflict between
exploiters and exploited', and 'an increase in insecurity of liveli
hood, in misery, oppression, enslavement, debasement and exploi
tation' If it is industrial nations that are the subject of these
.1
(not sent); Marx to Danielson, IO April I 879 and I9 February I88 I; Marx to Vera
Zasulich, 8 March I 88 1 .
THE SENSE O F REALITY
applied neither to the Europe of the 1 8 7os, nor during the half
century that followed. The fact that Marx's disciples recoiled from
seeing this, or at least from formulating it, recalls the cynical Ignaz
Auer's celebrated remark to Bernstein apropos of the latter's
critique of Marxism: 'One does not say such things; one simply
does them.'
VI
II
p. J I I .
1 74 THE SENSE O F REALITY
questions left are those of means. Political questions turn out to be
pure questions of technology.
Again, there might be differences on another plane. Some,
following Plato, believed that these ends could be discovered only
by specially trained experts: sages, or divinely inspired seers, or
philosophes, or scientists, or historians. Condorcet saw no reason
why progress should not be made in human affairs by a govern
ment of experts in the sciences of man, if only the same methods
were applied to men as had been applied to societies of bees and
beavers. Herder disagreed profoundly, because human societies
develop and transform themselves by pursuing spiritual goals,
whereas those of bees and beavers do not. But he said nothing that
went against Condorcet's proposition that 'Nature binds by an
unbreakable chain truth, happiness and virtue';1 for otherwise
there was no cosmos. If you could show that truth, for example,
might not be compatible with happiness, or happiness with virtue,
then, if all three were regarded as absolute values (and this in the
eighteenth century, as at most other times, was a truism), it
followed that no objectively demonstrable answer could in princi
ple be given to the questions 'What goal shall we pursue?', 'Which
is the best way of life?' Yet unless these questions can in principle
be answered, what precisely was it that we were asking? Kant and
Rousseau broke away from Plato in asserting that answers to
questions of value were not matters of expertise at all, since every
rational man (and any man could be rational) could discover the
answer to these fundamental moral questions; and moreover that
the answers of all rational men would of necessity coincide. Indeed,
their belief in democracy rests upon this doctrine.
The point I wish to make, and it seems to me a crucial one, is
that all these diverse schools agreed that questions of value were a
species of questions of fact. Since one truth - say the answer to the
question 'Should I pursue justice?' - cannot be incompatible with
another truth - say the answer to 'Should I practise mercy?' (for
one true proposition cannot logically contradict another) - an ideal
state of affairs embodying the correct solutions of all the central
problems of social life could be worked out, at least in principle.
Any obstacles to its realisation must be empirical or contingent. All
III
p. 1 5 8.
r 8o THE SENSE O F REALITY
creative design. The self is activity, effort, self-direction. It wills,
alters, carves up the world, both in thought and in action, in
accordance with its own concepts and categories. In Kant this was
a preconscious activity of the imagination. In Fichte it is a
conscious creative activity. 'I do not accept anything because I
must,' said Fichte (as previous thinkers, say Descartes or Locke,
had said), 'I believe it because I will'/ and again, 'If man allows
laws to be made for him by the will of others, he thereby makes
himself into a beast, that is, he injures his inborn human dignity.'2
I am a member of two worlds, that is to say, of the material, ruled
by cause and effect, and of the spiritual/ where 'I am wholly my
own creation.'4 Josiah Royce, summarising this aspect of Fichte's
views, wrote: 'The world is the poem . . . dreamed out by the inner
life.'5 Our worlds are literally different if we differ spiritually. To
be a poet, a soldier, a banker is to create different worlds. My
philosophy depends on the kind of man I am, not vice versa. In
some sense my world must depend on my free choice. The material
- dead nature (including my body and its functions) - is given.
What I make of it is not: if it were, I too should go through the
repetitive cycles - cause, effect, cause - that govern inanimate
matter, or the evolutionary pattern that determines organic nature,
plants, animals, my own body, my sensuous self, all that I cannot
control freely.
This is stated in the great rhetorical climax of Fichte's famous
speeches to the German nation (delivered in his later phase), the
basic text of all German nationalism:
1 ]ohann Gottlieb Fichte 's Sammtliche Werke, ed. I. H. Fichte (Berlin, r 84 5-6)
(hereafter SW), vol. 2, p. 2 56. Subsequent references to Fichte are to this edition,
by volume and page, thus: SW ii 2 5 6.
2 SW vi 82.
I 892), p. 1 62.
THE ROMANTIC REVOLUT I O N 181
feeling of love - these are a part of primal humanity . . . All those who,
on the other hand, have resigned themselves to represent only a
derivative, second-hand product, who are but the annexe to life . . .
considered as people they are strangers, outsiders . . . All those who
believe in freedom of the spirit . . . they are with us . . . All those who
believe in the arrested being or retrogression, or putting inanimate
nature at the helm of the world . . . they are strangers to us. 1
Fichte's attempt to show that the Germans are creative and the
French are dead does not concern us here: what matters is his thesis
that values are made, not found. In his early, politically radical,
writings, while Rousseau was his master, he thought that values are
created by the rational individual, and because reason is identical in
all men, the laws and values of the life of reason are binding on
them all. In his later works the self is successively identified with
the transcendental demiurge, the great creative spirit, of which we
are all aspects or fragments, that is to say, God; then with man in
general; then with the German people, or any 'creative' group or
community, through which alone the individual can fulfil his true,
inner, timeless, creative self. 'The individual does not exist,' Fichte
.
declared, 'he should not count for anything, but must vanis h
completely; the group alone exists.'2 'The life of reason consists in
this, that the individual forget himself in the species - to risk his life
for the life of all and sacrifice his life to theirs.'3 The function of
freedom is to realise 'complete freedom, complete independence of
everything which is not ourselves, our pure ego'.4 If this ego is
identified with 'the people', then the people has the moral right to
realise its destiny by every weapon of cunning and of force.
I am not drawing attention to this strand in Fichte's thought in
order to indicate one of the sources of mystical nationalism, or to
demonstrate the perversion of his earlier individualism, but to
show how the essence of man is now identified, not with reason,
which must be one in all men, but with the source of action, the
will; the wills of men can conflict as the products of reason - true
descriptive statements - logically cannot. I have cited only Fichte,
but there is scarcely a romantic writer who does not abound in
passages of this type: the break with the objective classical world -
1 SW vii 374- 5.
2 SW vii 37-8.
3 SW vii 3 5·
4 SW vi 86-7.
THE SENSE O F REALITY
the image of the world common to Plato, Aquinas and Voltaire - is
very dramatic.
Many corollaries that are new politically, as well as aesthetically
and philosophically, issue from this. Fichte's 'pure ego', identical in
all the scattered eanhly selves, gives way to the bold, unbridled
individual artist or creative personality, who conceives his own
values and lives and dies for them because they are his values - for
there is no other source from which they can arise. The free,
anarchic spirit, worshipped in Friedrich Schlegel's novel Lucinde
and in Tieck's William Lovell, leads in its socialised form to the
notion of autarky - the closed, centrally planned society of Fichte
and of Friedrich List, and that of many socialists, which insulates
itself against outside interference in order to be independent and
express its own inner personality without interference by other
men. This self-insulation - concentration on the inner life, on that
which alone I can control, together with the definition of my self
or my community in terms of something not subject to external
influences - is, no doubt, historically connected with the defeats
and devastation inflicted upon the Germans by Richelieu and
Louis XIV, and the consequent emotional need on the part of the
humiliated nation to restore its respect for itself by withdrawal into
an inner citadel that could not be taken from it by the conqueror
its inner life, the spiritual realm that no tyrant could seize, no
natural disaster destroy. In the twentieth century the selfsame need,
caused by defeat in war, led to a much more violent manifestation
of these defensive-aggressive symptoms, and in due course to the
spread of the disease itself, which has had the appalling consequen
ces known to all. However that may be, whether or not it was the
ambition of Richelieu (or Alexander or Julius Caesar), with the
consequent sense of impotence of the average German (or Athe
nian or Roman) citizen (especially of the intellectuals among them),
that led to the substitution of personal, aesthetic or metaphysical
issues for social or political ones, this process, which began almost
imperceptibly among the pietists in the despotically ruled German
States towards the end of the seventeenth century, led to the
greatest spiritual upheaval of modern times. To set such phenom
ena in their historical context is, of course, important; but their
influence upon our own age is more radical than any historical
account of them would lead one to suppose.
'
Individual character, will, activity - these are everything. Work
ceases to be con ;eived as a painful necessity, and becomes (in
THE ROMANT I C REVO LUTION
Fichte) the sacred task of man, for only thereby can he impress his
unique, creative personality upon the dead stuff that is nature. This
leads to the concepts of the dignity of labour and the right to work,
sanctified by man and not by the service of God. The true nature
of man is not passive receptivity - leisure, contemplation - but
activity. Creators are contrasted with mere collaborators in the
creative process, still more with those whom Fichte described as
asleep, or who are adrift with the current of things. Das Gegebene
- the given - is now contrasted with das Aufgegebene the task
-
1 SW vi 3 8 3 .
THE SENSE O F REALITY
communities, create collectively. And so the aesthetic model is
translated into the social and political terms that were destined to
play so fateful a part in the history of modern Europe. Fichte says
this much more explicitly than Herder or Burke. The path leads
directly from him to the romantic chauvinism of German histori
ans of the last century.
VI
l
1 'Tax not the roya Saint', Ecclesiastical Sonnets 3· 4 3 ·
THE R O MANTI C REVO LUTION
has been substituted for the older model of science or rational
happiness or knowledge; and which conceives freedom as making
free with all that resists me.
This is a vast revolution of ideas. The subjectivism upon which it
is founded still works in us and our political ideas. A counter
revolution against it was indeed attempted, both by Hegel and by
Karl Marx - an attempt to restore objective values, not indeed
drawn from a 'concept of immutable natural law, but from that of
the objective forces embodied in the historical self-transformation
of society and nation, State or class. These thinkers taught in their
very different fashions that the notion of a natural harmony of
interests was shallow, that conflict, whether conceived as springing
from metaphysical necessity or from the pattern of social develop
ment, was intrinsic to the individual and society. They maintained
that to resist that which is bound to win because its victory was
entailed by the development of 'reason' itself - for example, the
growth of the State or the interests of a given class - was wicked as
well as foolish because the principle on which such resistance was
founded was anti-rational. The history of institutions was the
history of the growth of human reason, and to try to arrest or
retard this movement was to lean on principles and methods
rendered obsolete by the process of history itself; to cling to what
is obsolete is against morality - indeed, immoral, if morality
evolves with the evolving needs and trends of a humanity pursuing
rational goals. Kant, who first among secular thinkers dug the great
unbridgeable gulf between duty and interest, was sufficiently a
child of the Enlightenment to believe that the just would be
rewarded. This could not be rationally demonstrated: but a world
in which the upright suffered was a bad world, and this possibility
he rejected by an act of faith in the ultimate goodness of God.
Lessing, Chateaubriand, the young Kleist, the middle-aged Schiller
founded their belief in a world order on the same precarious -
Quixotic, non-rational - foundations. For Kleist they crumbled:
like Joseph de Maistre, he saw no rational or personal escape from
the spectacle of life rendered meaningless by increasing and
unexplained violence, cruelty and frustration. Hegel boldly accep
ted history as the history of mounting conflict - as the 'slaughter
bench'' of humanity - and with great ingenuity and daring tried
to represent this battlefield as an objective process which, being the
VII
A Russian Legacy
No, imbeciles! No! Fools and cretins, a book will not make a plate of
soup; a novel is not a pair of boots; a sonnet is not a syringe; a drama is
not a railway - those forms of civilisation which have caused humanity
to march on the road to progress.
By all the bowels of all the popes, past, present and future, no! Ten
thousand times no!
I 8 3 2), '. . . have never understood the alliance of poetry and society. We, on the
other hand, wish to link everything to politics in its broadest sense . . . We are
quickly relating all to it which comes into our hands. Literature is there and it
must obtain citizenship rights and occupy a place in our political life.' Compare
this from another contributor to Le Globe ( 1 0 March 1 8 3 1 ): 'The function of art,
understood in its sacred sense, is to accompany, anticipate and incite mankind
ceaselessly in its march to a more and more beautiful destiny sometimes with
harmonious music, at others with a rough and strict voice.' These passages are
cited and translated ip George G. Iggers, The Cult of Authority (The Hague,
1 9 5 8), p. 1 73 ·
ARTISTIC C O M M ITMENT 201
You cannot make a hat out of a metonymy, and you cannot make a
simile in the form of a bedroom slipper, and you cannot use an
antithesis as an umbrella . . . An ode is, I have a feeling, too light a
garment for the winter . . .1
II
Russia had, in her day, fallen under the spell of the doctrine of art
for art's sake. Pushkin in I 8Jo, in his marvellous poem 'To the
Poet', says: 'You are King: live alone. Take the free road wherever
your free spirit takes you.'2 'The purpose of poetry is poetry,' he
declares, 'as Delvig says (if he did not steal it from someone else).
1 The novel was published in r 8 3 5 , the Preface dated 1 834. This passage
appears on p. 19 in the edition published in Paris in r 8 8o.
2 A. S. Pushkin, Sobranie sochinenii, r o vols (Moscow, 1 974-8) (hereafter SS),
II 225.
202 THE SENSE OF REALITY
Ryleev's Meditations always have an aim and always miss.'1 This
attitude (of which the most celebrated expression is, of course, the
credo of the poet in his 'The Poet and the Mob') holds not of
Pushkin alone, but of the brilliant group of aristocratic amateurs,
his companions, born and largely rooted in the eighteenth century.
Their sympathies for the Decembrist movement did not, for the
most part, in spite of Ryleev and perhaps Kiichelbecker, entail the
ideal of a civic art. Contrast with this the words written a few years
after Pushkin's death by Belinsky, who, whatever else may be
thought of him, spoke for an entire stratum of Russian society
when he said:
No one save men of limited vision, or men who are spiritually un
grown-up, can order the poet to be obliged to sing hymns to virtue or
punish sin by writing a satire; but every intelligent man has the right to
demand that a poet's poetry either give him answers to the questions
of the time or at least be fi lled with the sorrow of these weighty,
insoluble questions.2
1 ibid. ix 146.
2 V. G. Belinsky, Polnoe sobranie sochinenii, 13 vols (Moscow, 195 3-9)
(hereafter PSS), vii 345·
J Pushkin, SS ii 1 67.
I ibid. 397•
2 PSS vi 2 8o.
J ibid. 277.
against the aesthetes - the die is cast: 'Reality is the first and last
word of our time.'1 George Sand, whom he had once rejected
with Hugo and Schiller and Griboedov as a shallow protester,
blind to the majestic vision of the slow unfolding of rational
reality, is now declared to be 'surely the Joan of Arc of our time,
star of salvation, prophetess of a magnificent future'.2 He became
a devoted, uncritical admirer of her art and her lyrical socialist
populism; and not he alone. Herzen's novel Who is to Blame? was
written under her direct influence. There was a time when
Turgenev, Saltykov, even Dostoevsky, regarded her as a towering
genius. Pisemsky got into trouble with the censor for dangerous
views evidently inspired by George Sand's Jacques; even the 'pure
aesthete' Druzhinin owed her a debt in his novel Polin 'ka Saks; the
whole of Young Russia in the Moscow and Petersburg of Nicholas
I appears to have been at her feet. Yet this did not lead to
capitulation to some species of proto-Marxism, or even to proto
Zolaism. In I 843 Belinsky - then at the height of his infatuation
with the Paris socialists - declared that art gains nothing from
being told that it is intelligent, truthful, profound, but unpoetical,
and again, that the ideal is 'not an exaggeration, a lie, a childish
fantasy; it is a fact of reality as it is, but a fact not copied from
reality, but passed through the poet's fantasy, illuminated by the
light of very general (not isolated, particular and contingent)
significance, "raised to a pearl of creation"3 and therefore more
like itself, more faithful to itself than the most slavish copy of
reality is to its original'.4 Art for art's sake may be a fallacy, but if
a work of art is not art if it does not pass the aesthetic test, and no
amount of morally worthy sentiment or intellectual acuteness will
save it.
This conviction he never abandoned. Four years later, during
one of his most radical periods, he compares Herzen's novel Who is
to Blame? with one of Goncharov's novels published at the same
time. Herzen 'is first and foremost a philosopher,' Belinsky says,
'and only a little bit of a poet' In this respect, the most complete
.5
1 PSS vi 268.
2 PSS xii I I 5 .
1 A n image from Gogol's Dead Souls, chapter 7·
' PSS vi p6.
5 PSS X p6.
206 THE SENSE OF REALITY
feels neither love nor hatred for the characters he creates; they do
not amuse or irritate him; he offers no moral lessons either to them
or to the reader. His attitude is this: 'if they are in trouble, that is
their look-out - no concern of mine':
And again:
In Iskander's [that is, Herzen's] case what dominates is always the idea
- he knows in advance what and why he is writing - he depicts a scene
from reality with marvellous fidelity only in order to say his own
word about it, to pronounce some kind of judgement. Mr Goncharov
paints his figures, c haracters, scenes in the first place to satisfy his own
inner demands, to extract pleasure from his own capacity for painting;
to discuss, judge, draw moral consequences - that he must leave to his
readers. Iskander's pictures . . . are remarkable not so much for the
fidelity of his painting, for the skill of his brush, as for the depth of his
understanding of the reality he depicts; they are remarkable for their
realism more than for their poetical truth. What makes them attractive
is a style which is not so much poetic as executed with intelligence,
thought, humour, wit, which are always arresting because of their
originality and novelty . . . For Goncharov, poetry is the primary and
only factor.3
I ibid.
2 ibid. 3 2 6-7.
J ibid. 343-4·
ARTIST I C C O M M ITMENT 207
almost in a whisper, 'and this is good, this is necessary, this is the sign
of an artist' - as if afraid that he might be overheard and accused of
sympathy with an uncommitted writer.1
6 PSS vi 267.
7 ibid. 269.
208 THE SENSE OF REALITY
with it. Yet in 1 846 Belinsky tells us apropos of Pushkin's 'The
Stone Guest' that it is a marvellous masterpiece, that to true art
lovers it must seem 'artistically the best and highest creation of
Pushkin', 'the pearl of Pushkin's creations, the richest and most
magnificent diamond in his poetic crown', and adds that this kind
of art cannot be popular, it is made for the few, but these few will
love it with 'passion' and 'enthusiasm', and he counts himself
among these few.1 Those contradictions, or what appear to be
such, multiply towards the end of his life. In the review of Russian
literature of 1 847, from which I have already quoted - a stupen
dous essay which is in a sense his swan song - appear the most
famous lines of all:
To take away from art the right to serve the public interest is not to
elevate it but to debase it, because it means to deprive it of its most
vital force - of thought - to transform it into the object of some kind
of sybaritic enjoyment, the plaything of lazy idlers. It even means to
kill it, as the sorry condition of painting in our time bears witness.
This art, as if it did not notice the life that is seething around it, has
closed its eyes to everything that is alive, contemporary, actual, and
looks for inspiration only to the lifeless past, seeks ready-made ideals
from it, ideals to which people long ago became indifferent, which
interest no one any longer, which do not warm, do not inspire living
sympathy in any one.2
A good many people are fascinated now by the magic word 'commit
ment' [napravlenie], people think that is all that matters, and do not
understand that in the sphere of art, in the first place, no commitment
is worth anything at all unless there is talent, and in the second place,
that commitment itself must be not only in the head, but above all in
the heart, in the blood of the writer, it must above all be a feeling, an
instinct, and only then perhaps a conscious idea - this commitment
itself must be born, just as art itself must be. An idea that one has read
in a book or heard, even if one has understood it quite correctly, but
which has not passed through one's own nature, has not received the
stamp of one's personality, is dead capital . . . if you have no poetic
1 ibid. 3 1 2 . Cf. PSS vii 3 1 1 : 'With the man who is not a poet by nature, the idea
he conceives may be profound, true, even holy, but all the same his work will turn
out petty, sham, false, distorted, dead.'
2 Although 'voprosy' was widely used by the 1 8 3os to refer to the social
questions that preoccupied the Russian intelligentsia, it seems that the specific
phrase 'proklyatye voprosy' was coined in 1 8 5 8 by Mikhail L. Mikhailov when he
used it to render 'die verdammten Fragen' in his translation of Heine's poem
'Zum Lazarus' ( 1 8 5 3/4): see 'Stikhotvoreniya Geine', Sovremennik 1 8 58 No 3,
p. 1 2 5 ; and p. 2 2 5 in Heinrich Heines Samtliche Werke, ed. Oskar Walzel, vol. 3
(Leipzig, 1 9 1 3). Alternatively, Mikhailov may have been capitalising on the fact
that an existing Russian expression fitted Heine's words like a glove, but I have
not yet seen an earlier published use of it. Ed.
3 PSS vii 503 .
2 10 THE SENSE O F REALITY
socially 'directed' poetry; he does not complain of Pushkin's
aestheticism.
What then is he saying? Is he the muddled, over-excitable, half
educated student, expelled from the university for lack of mental
capacity, a mere bundle of burning but uncoordinated, undisci
plined emotions, a living proof that sincerity and vehemence are
not enough, the pathetic autodidact that later critics - Volynsky,
Aikhenvald, Chizhevsky - have represented him as being? Such
critics say that he received his ideas ready-made from others, that
he poured them out without thought or restraint or organisation,
as they came, helter-skelter; that he was a man who should,
perhaps, be forgiven because he had to work in desperate haste to
earn his daily bread, though his views do not thereby become
entitled to serious respect; a decent, even noble, soul, but not an
authority, not even an original figure; at most a symptom of the
intellectually half-baked, anxiety-ridden youth of his time, a critic
not fit to touch the hem of Schlegel's or Sainte-Beuve's or even
Gershenzon's garment. So, too, in our own day he has, at times,
been charged with originating, or at any rate creating conditions
for, the dreary utilitarian or didactic criticism, or the crude and
violent onslaughts on the theory and practice of art as an end in
itself, which came pouring out from his epigoni and ended in the
government inspectors of the Soviet literature of our own time.
This is, in effect, the view of the contemporary American critic
who, in my view, has written the most perceptive and original
work on this subject, Rufus Mathewson, whose The Positive Hero
in Russian Literature1 strikes me, even when I disagree with it, as
a masterpiece of critical penetration. Yet I do not think that
Mathewson's verdict that Belinsky was neither authoritarian nor a
totalitarian, but that he was indispensable to the emergence of
both, is just.2 What Belinsky was doing, in effect, was not to deny,
even at his most violent and anti-aesthetic, that art was art, to be
judged by aesthetic criteria. The contrast he draws between
Goncharov and Herzen seems to me, in this respect, crucial. He is
moved by Herzen, he accepts his napravlenie with all his heart, he
has no particular sympathy for Goncharov's point of view; but it is
Goncharov who is declared to be the artist, and not Herzen. And
III
1 Herder's sammtliche Werke, ed. Bernhard Suphan (Berlin, I 877-191 3), vol. 5,
P· 5 ° 3 ·
1 PSS xii 44 5 ·
216 THE SENSE O F REALITY
who were formed during these years, and later the social preachers,
did in due course affect thought in the West. This is a case of what
I have called the 'boomerang effect'; to ignore it is to leave the
cultural history of the West incomplete.
IV
Blanc, or, for that matter, Fourier or Feuerbach, had not been
smuggled into Russia, there would have been no movement of
social protest, no repentant gentry in the 1 8 4os, no conspiracies or
repression or beginnings of an organised revolutionary movement
in the 1 86os. This would be an absurd thesis. I wish to assert no
more than that Russian literature and thought took the forms that
they did largely because of the impact that these French doctrines
and the controversy over them, especially in the field of art, made
on that particular milieu in Russia in the I 8 3 os and 1 84os. I do not
know whether this should be called a cause or a mere occasion of
what occurred: at any rate the Saint-Simonian ferment and the
opposition to it are what set Herzen and Belinsky off in a direction
which neither ever abandoned. The process which planted this
particular seed in the exceptionally fertile soil of young Russian
intellectuals in search of the ideal played, I should like to maintain,
a more decisive role in the growth of both Russian liberalism and
of Russian radicalism, moderate and revolutionary, than is com
monly allowed; with the corollary that it did so through its
transforming effect on the central figure of this period - the purest
case anywhere to be found of a morally concerned writer -
Belinsky, the power of whose influence, by both attraction and
repulsion, on both thought and action in his native land, and
thereby on the rest of the world, seems to me still underestimated.
This is one thesis. To this I wish to add a second one, namely
that neither Belinsky nor any of his friends was ever betrayed into
the view, by now familiar enough, of supposing that art, and in
particular literature, fails as art unless it performs a direct social
function - is a weapon in the achievement of the goals of the
progressive section of mankind. No matter how near Belinsky
occasionally came to demanding that art abandon its proper end
and tend to other needs, he never confused it with morality, still
less with propaganda, of whatever kind. In this respect Cherny
shevsky and Dobrolyubov, Plekhanov and the Soviet commenta
tors, who took from him only what they needed, distorted his
Image.
Perhaps an even more instructive case is that of his friend and, in
some degree, disciple Ivan Turgenev. Of all Russian prose writers,
Turgenev came nearest, perhaps, to the Western ideal of the pure
artist. If he held any consistent belief in his life, it was that the
highest art is not the vehicle of the artist's conscious convictions,
that art is a form of 'negative capability', as it is in Shakespeare, of
2I8 THE SENSE O F REALITY
whom Schiller spoke as a god concealed by his works, fulfilling
himself in them as an end in itself. The mainspring of Turgenev's
dislike for Chemyshevsky (apart from his disdainful contempt for
him as a man and critic) was the latter's utilitarian insistence that
art must be subordinated to politics, to science, to ethics, because
the primary purpose of art is action - transformation of society, the
creation of the new socialist man. When Turgenev makes Rudin
say 'I repeat, if a man has no firm principles in which he believes,
no ground on which he is firmly based, how can he determine the
needs, the significance, the future of his people? How can he know
what he must do himself, if . '1 it is Bakunin, or some other
. .
life, reality, its whims, its accidents, its habits, its evanescent beauty . . .
I adore all that. I am rooted in the earth. I would rather look at the
hurried movements of a duck, as it stands at the edge of a puddle and
scratches the back of its neck with its moist foot; or at the long,
gleaming drops of water as they fall slowly from the jaws of a cow,
knee-deep in water, motionless, after it has drunk its fill - I prefer all
this to anything that the Cherubim . . . can see in the sky . . . 2
• ibid. 2 1 0.
J ibid. ii 77·
222 T H E S E N S E O F REALITY
The majority of the public began to think that the task of all literature
consisted only in denouncing evil and discussing and correcting it . . .
that the days of the story and of verse have gone for ever, and that the
time is coming when Pushkin wilt be forgotten and will no longer be
read, that pure art is impossible, that literature is only a tool for the
civic development of society and so forth. One could hear, it is true,
during that time, the voices of Fet, Turgenev, Ostrovsky muffled by
the political uproar . . . but society knew what it was doing, continued
to sympathise with political literature alone, and considered it alone as
literature. This enthusiasm was noble, necessary, even temporarily
just. In order to have the strength to make these enormous strides
forward which our society has made in recent times, it had to be one
s ided, it had to get carried away beyond the goal in order to reach it, it
had to see that single goal ahead. And actually how could one think
about poetry when for the first time a picture of the evil surrounding
us was being unveiled before one's eyes, and when the possibility of
putting an end to it was being presented to us? How could we think
about the beautiful, as we fell ill ? It is not for us who make use of the
ART I S T I C C O M M I T M E NT 223
fruits of this enthusiasm to reproach people for it . . . But however
high-minded and wholesome this one-sided enthusiasm might have
been, like any enthusiasm it could not endure. The literature of a
people is its fu ll, many-sided consciousness, in which must be reflected
equally the national contemplation of beauty in a given epoch of
development, and also the national love for goodness and truth.1
philosophy of life founded upon i �f;lli bl ; t;� ths were even more
heroic and did more violence to his own instincts and cravings and
insight than the similar efforts of Belinsky or Turgenev, and he
ended in a correspondingly more terrifying failure. This same
dilemma - this attempt to square the circle - forms the substance of
Blok's late essays on 'The Intelligentsia and the People' and 'The
Shipwreck of Humanism'. The problem is, if anything, even more
agonising in Dr Zhivago and the published, and perhaps unpub
lished and, it may be, unwritten, works of Sinyavsky and his
compamons.
To return to Tolstoy's peculiar relation to Belinsky. In I 8 5 6
Tolstoy was, with difficulty, induced to read him by Druzhinin,
who abhorred him, and Turgenev, who admired him. He declared
that he had one night dreamt that Belinsky had maintained that
social doctrines were true only if they were 'pushed to the end';
and that he accepted this. He was delighted by Belinsky's articles
on Pushkin, and particularly by the idea that if one is to
understand a writer, one must immerse oneself in him completely -
and see only him and nothing else. On 2 January I 8 5 7 he notes in
his diary, 'Read Belinsky in the morning, and I am beginning to
like him';2 and although in later years he thought him a tedious
and ungifted writer, the principles which he had enunciated entered
Tolstoy's outlook for good. It seems to me no accident that
Tolstoy carried out Belinsky's critical behests with such singular, if
unacknowledged and perhaps unconscious, fidelity. No word is
more pejorative in Tolstoy's critical vocabulary than 'contrived';
only directness, only simplicity, only clarity - if the writer is quite
clear about what it is that he wishes to say, and if his vision is
unimpeded, the result will eo ipso be art. This goes further than
Belinsky at his most extreme was prepared to go; Belinsky never
abandoned the view that artistic genius was something wholly sui
generis, and therefore that authenticity - the fact that a man's
vision is his own and no one else's and that he expresses what he
sees clearly and directly - is not by itself a sufficient condition for
the creation of a work of art. Tolstoy's view is, as so often, a
simplification and exaggeration of an already simple thesis.
The insistence on authenticity, the charges of what in our day,
under neo-Hegelian and existentialist influence, is spoken of as
2 ibid. ro8.
A RTIST I C C O M M ITMENT 225
Every man, and consequently the poet too, undergoes the inevitable
influence of time and place. He imbibes with his mother's milk the
principles and the sum of concepts by which his society lives. This is
what makes him a Frenchman, a German, a Russian and so forth; this
is why, if he is born for example in the twelfth century, he is piously
convinced that it is a sacred duty to burn alive men who do not think
as others do, while if he is born in the nineteenth century he
religiously believes that nobody must be burnt or slaughtered, that
the business of society is not to avenge the victims of a crime, but the
correction of the criminal through punishment, by means of which
the society that has been injured will be satisfied and the holy law of
Christian love and brotherhood will be fulfilled. But mankind has not
suddenly leapt from the twelfth to the nineteenth century: it has had to
live through a whole six centuries, in the course of which its
conception of truth developed in its various stages, and in each of these
six centuries this conception took on a particular form. It is this form
that philosophy calls a stage of development of universal truth; and i t
is this stage that must be the pulse of the poet's creations, their
prevailing passion (pathos), their main motif, the basic chord of their
harmony. One cannot live in the past and through the past with one's
eyes closed to the present: there would be something unnatural, false
and dead in this. Why did European painters in the Middle Ages paint
only Madonnas and saints ? Because the Christian religion was the
dominant element in the life of Europe at that time. After Luther all
efforts to restore religious art in Europe would have been i n vain.
'But', we shall be told, 'if one cannot get out of one's own time, there
1 PSS vi 284.
228 THE SENSE O F REALITY
cannot be any poets who do not belong to the spirit of their time, and
therefore there is no need to take up arms against something that
cannot occur.' 'No,' we reply, 'not only can occur, but does so,
especially in our own time.' The cause of this phenomenon lies in
s ocieties whose conceptions are diametrically opposed to their reality,
which teach their children in schools a morality for which people now
laugh at them when they have left school. This is a state of irreligion,
decay, fragmentation, individuality and - its inevitable consequence
egoism: unfortunately features of our age which are all too pro
nounced! When societies are in this state and live by old traditions
which are no longer believed in and which are contradicted by the new
truths discovered by science, truths which are brought about by the
movements of history; when societies are in such a state it is
sometimes the case that the noblest and most gifted personalities feel
themselves cut off from society, feel themselves solitary and the
weaker brethren among them drift off amiably into becoming the
priests and preachers of egoism and of all the social vices, in the belief
that evidently this has to be, that it cannot be otherwise, that it did not,
they say, begin with us, and will not end with us either. Others - and
these, alas, are sometimes the best men of their time - escape into
themselves and turn their backs in despair upon this reality which has
insulted all feeling and all reason. But this is a false and selfish means
of salvation. When there is a fire in our street one must run towards it,
not away from it, in order to find the means, together with others, for
putting it out; we must work like brothers to extinguish it. But many,
on the contrary, have elevated this egoistic and craven feeling into a
principle, a doctrine, a rule of life, and in the end into the dogma of the
highest wisdom. They are proud of it, they look with contempt upon a
world which, they ask you, please, to see, is not worth their suffering
and their j oy. Ensconcing themselves in the embellished tower of the
castle of their imagination, and looking out through its many-coloured
glass, they sing like birds . . . My God ! Man becomes a bird! What a
truly Ovidian metamorphosis ! And this is reinforced by the fascina
tion of German artistic doctrines which, despite much depth, truth,
and light, are also exceedingly German, philistine, ascetic, anti-social.
What is bound to come of this ? The death of talents who, given
another direction, would have left vivid traces of their existence in
society and who might have developed, gone forward, and reached
manhood. Hence the proliferation of microscopic geniuses, tiny great
men, who do indeed display much talent and power, but who will
make a bit of noise and then fall silent and soon die even before their
death, often in full bloom and at the height of their powers and
activity. Freedom of creation is easily reconciled with serving contem
porary needs: but to do this it is not necessary to force oneself to write
A RTIST I C C O M M ITMENT 229
This is not, and could not be, Belinsky's final position. In the
very same year, I 84 3 , he began the essays on Pushkin; in the fifth
of these he develops the thesis which moved Tolstoy so deeply -
that truly to read a writer one must see only him, to the exclusion
of the rest of the world. This, then, is how one must see 'The Stone
Guest', or 'The Gypsies', which have as little to do with the
deepest interests of the nation as the glacial masterpieces of Goethe
or, at a lower level, Goncharov's An Ordinary Story. Yet he knew
these to be true works of art by men who did not run when there
was a fire in their street. I have quoted the passage from the essay
of I 84 3 at such length because it seems to me the nearest that
Belinsky ever came to saying, not indeed what art was or could or
should be, but what he and those who thought like him wished it
to be: what warmed their hearts, even though they knew that this
position was not absolute, but, in the end, subjective, historically
conditioned, likely to be shaken by events, by counter-examples,
by wider sympathies.
Still, this statement, which like the famous letter to Gogol is a
profession de foi, is, however it is interpreted, not Chernyshevsky's
demand for serving the immediate needs of society; it is equidistant
from both formalism and Marxism. Doubtless it would have been
rejected indignantly by Flaubert or Baudelaire or Maupassant. It
would have meant little to Stendhal or Jane Austen or Trollope, or
even to James Joyce, despite his early socialism. It could not be
accepted without heavy qualifications by Marxists; it was not cited
by the men of the '6os. But when Korolenko said that his 'native
land was above all else Russian literature'2 (not Russia herself),
this was a remark that any Russian writer could have made at any
time in the last hundred years. And this, it seems to me, derives
ultimately from the impact of the Saint-Simonian controversy
about the functions of the artist upon Belinsky and his circle: it is
I ibid. 284-6.
2 /storiya moego sovremennika, chapter 27: vol. 4, p. 270 in V. G. Korolenko,
Sobranie sochinenii v pyati tomakh (Leningrad, 1 98 9-9 1).
230 T H E S E N S E O F REALITY
due to this impact more than to any other single cause. If some
contemporary of Korolenko in England, let us say Arnold Bennett,
had said that his country was not England, it was English
literature, what could this possibly have meant? How could he
have said it? If even so socially conscious a writer as, say, Upton
Sinclair or Henri Barbusse had said: 'My native land is American
literature' - 'French literature' - this would have been obscure to
the point of unintelligibility.
This is the difference that was made by the Russian doctrine of
commitment of the I 84os, Russian because it entered the hearts and
blood of its defenders, more deeply than those of its original
begetters in Paris or elsewhere. This sentiment is perfectly intelli
gible today in Asia or Africa and nearer home, and is what the
intelligentsia - and I use the word in an entirely laudatory sense -
everywhere has always been concerned with, whether it is liberal
and reformist or radical and revolutionary. The reader, said Goethe
as cited by Belinsky, 'should forget me, himself, the whole world,
and live only in my book'. Belinsky comments: 'Given the
German's apathetic tolerance of everything that is and is done in
the wide world, given his impersonal universality which by
acknowledging everything can itself become nothing, the thought
enunciated by Goethe makes art an end in itself and thereby frees it
from any connection with life, which is always higher than art,
because art is only one of the innumerable manifestations of life.''
This position can be accepted or rejected, doubted or debated, but
it is not obscure. It seems to me that the centre of the conflict lies
between this affirmation and that which Belinsky, with many a
sideways glance at art which is free from anxiety, remote from the
pressures that belong to the 'critical' periods of history, sought to
defend; a position of which his 'manifesto' of 1 84 3 seems to me the
fullest statement. This is where the battle-lines have been drawn
now for many decades: here, and not between the wooden
directives with which a later generation of Russian positivists and
Marxists tried not so much to solve as to dissolve the issue.
The two positions that I have tried to outline are to be found
both between the 'pure' and the 'socially committed' Russian
critics and artists, and within them. The major writers - Turgenev,
Tolstoy, Herzen, Belinsky - were involved in this conflict and
1 PSS vii 3 0 5 . The editor of PSS cannot establish the source of the quotation
from Goethe.
A RTISTI C C O M M I T M E N T 2J I
Beings who have received the gift of freedom are not content with the
enjoyment of comfort granted by others.
Immanuel Kant, The Quarrel Between the Faculties (1 798)1
AT FIRST SIGHT nothing would seem more disparate than the idea
of nationality and the sane, rational, liberal internationalism of the
great Konigsberg philosopher. Of all the influential thinkers of his
day, Kant seems the most remote from the rise of nationalism.
Nationalism, even in its mildest version, the consciousness of
national unity, is surely rooted in a sharp sense of the differences
between one human society and another, the uniqueness of
particular traditions, languages, customs - of occupation, over a
long period, of a particular piece of soil on which intense collective
feeling is concentrated. It stresses the peculiar links of kinship that
unite the members of one national community with each other, and
it emphasises the differences between them and that which obtains
elsewhere. In its pathological forms, it proclaims the supreme value
of the nation's own culture, history, race, spirit, institutions, even
of its physical attributes, and their superiority to those of others,
usually of its neighbours. But even in its moderate forms, national
ism springs from feeling rather than reason, from an intuitive
recognition that one belongs to a particular political or social or
cultural texture, indeed, to all three in one - to a pattern of life that
cannot be dissected into separate constituents, or looked at through
some intellectual microscope; something which can only be felt and
lived, not cont�mplated, analysed, taken to pieces, proved or
1 KGS, vol. 7, p. 87, line 19 (for 'KGS' see p. 192 above, note 2).
KANT AS AN U N F A M I L A R S O U R C E O F N AT I O NA L I S M 233
II
III
1 SW vi 3 8 3 .
T H E S E N S E O F REALITY
naturally enough its many victims, of all classes and races and
religions, have condemned it. But it seems to me even more
important to understand its roots. Nationalism springs, as often as
not, from a wounded or outraged sense of human dignity, the
desire for recognition. This desire is surely one of the greatest
forces that move human history. It may take hideous forms, but is
not in itself either unnatural or repulsive as a feeling.
It seems to me that the craving for recognition has grown to be
more powerful than any other force abroad today. This protean
entity takes many overlapping and interacting forms: individual
and collective, moral, social and political. Nevertheless, it preserves
its identity in all its incarnations. Small States demand to be
recognised as sovereign entities with their own past and present
and future, and struggle for equality with the great States, and
claim the right to survive, grow, be free, be allowed to say their
word. The poor wish to be recognised as full human beings - as
equals - by the rich, Jews by Christians, the dark-skinned by the
fair, women by men, the weak by the strong. Within modern
centralised States minorities work and fight for power and status:
this is felt acutely, perhaps most acutely, in affluent societies. There
class-consciousness is one of the most influential forms into which
the demand for recognition pours itself. In my own country, for
example, it is perhaps the deepest root of our social discontents.
The quiet economic revolution that has occurred, both in Britain
and in many parts of Europe, has cured many economic ills, raised
the standard of living, increased the opportunities for economic
advancement and political power over an area and to a height not
known before. In the less unjust orders of our time it is no longer
economic insecurity or political impotence that oppresses the
imaginations of many young people in the West today, but a sense
of the ambivalence of their social status - doubts about where they
belong, and where they wish or deserve to belong. In short, they
suffer from a sense of insufficient recognition.
Such people may be prosperous, take an interest in their work,
realise that the Welfare State protects their basic interests, yet they
do not feel recognised. Recognised by whom? By the 'top people',
by the ruling class. In a society governed by an oligarchy - say by a
hereditary aristocracy (there are scarcely any such in Europe
now) - this can �ake the form of a straight political struggle for
power by one social class against another. In England, and in many
other Western countries, the situation is a good deal more complex:
RAB I N D RANATH TAG O RE AND NATI O N ALITY 253
there the unrecognised or under-recognised are conscious of the
existence of a group of persons in their society who, without
necessarily being in political control, nevertheless set the tone:
socially or culturally or intellectually. These persons may belong to
conflicting political parties; what they have in common is the self
confidence born of an assured position as arbiters of the general
way in which life should be lived, of the way in which one should
think, write, speak, look, educate, engage in argument, treat other
human beings, and, in general, conduct public and private life.
Even when they rebel against some given political or social
institution or orthodoxy, they do so in the right tone of voice, they
speak by right and not on sufferance, as members of a natural elite.
No doubt those who stand outside it tend to exaggerate the power
or the close-knit texture of the elite; yet, in unequal societies, men
commonly know who stands in the way of their advancement. The
elite exists. In England it is still to some degree hereditary and tied
to the public schools, to the old universities, to the humanities, and
it possesses a sense of solidarity which those who wish to be
accepted by it envy and admire. They may, as is usual in such cases,
affect to despise it, and describe it as useless, decadent, reactionary,
a doomed class, condemned to disappearance before the forces of
history, but at the same time they envy it and seek its approval
even while they feel the very notion of status to be an unworthy
category by which to classify human beings, and feel angry with
their own inescapable, and resentful, consciousness of their own
social positions.
The excluded are not necessarily poor or politically powerless.
C. P. Snow's concept of 'two cultures' seems to me fallacious; but
what lends it plausibility is the fact that a good many natural
scientists in Anglo-Saxon countries feel kept out of a world which
they imagine to be living more enviable lives than their own. Even
though it is recognised and asserted at all levels that it is they, the
scientists, who are objectively more important, influential, original,
far more crucial to the future of their societies than the humanist
elite and the bureaucrats brought up in it, this gives them little
comfort; for they know who truly dominates the scene. This
paradoxical situation seems to occur whenever one process that
vitally affects the development of a society falls out of step with
some other equally central process or cluster of processes. Injus
tice, oppression, misery do not seem, at any rate in recent history,
to be sufficient to create conditions for revolt or drastic change.
254 T H E S E N S E O F REALITY
quotations from Tagore are taken from this collection; subsequent references are
by page number alone.
2 P · 46.
T H E S E N S E O F REALITY
served India in a pure spirit and wore themselves out in her service
(and he pays noble tribute to such men), the relation of master and
subject distorted the nature of both, and neither found it easy to
recognise the other as a human being, to like or to dislike him as he
pleased, as an equal, a semblable. Indeed it was this phenomenon
that was marvellously described in his phenomenology by Hegel,
and a hundred years later, in a very different fashion, by E. M.
Forster. Nevertheless, Tagore understood the British character and
British achievement, and he admired them. He judged England and
Europe without passion; his appraisal seems to me calm, acute and
just. What the British had brought must not be cancelled or
thrown away. Nevertheless, one cannot create in a medium that
embodies, and is the vehicle of, an alien experience: such a language
must cramp the stranger, and have the effect of a strait-jacket upon
his thought and imagination, and force it to develop in unnatural
directions - sometimes (as in the case of a Conrad or an Apollin
aire) into brilliant virtuosity, at other times in painfully grotesque
ways. The first requirement for freedom - independence, aware
ness of oneself as an equal citizen of the world - is to be able to
speak in one's own voice; better nonsense in one's own voice than
wise things distilled from the experience of others. 'What the
British have set up may be grand but they do not belong to us . . .
It will never do if we seek to use somebody else's eyes because we
have lost our own,'1 said Tagore in his Presidential Address to
Congress in 1 908. English is the window open to the great world;
to shut it would be - I take this to be Tagore's belief - a crime
against India. But a window is not a door: to do nothing but watch
through windows is absurd. The British 'are behaving as if we do
not exist . . . as if we are huge ciphers'2 - even Morley is guilty of
this.
How are Indians to direct themselves instead of being dependent
on the placings of others? Only by acquiring strength. I quote
from Tagore again: 'The only real gift is the gift of strength; all
other offerings are vain.'3 Like Thucydides in the Melian dialogue,
like Machiavelli, like all the great realists he grasped that ignorance
and Utopian escapism, fed by sentimental evasion of the truth, can
sometimes be as ruinous as cynicism and brutality. To illustrate
I P· 1 2 1 .
2 P· 1 1 7·
l p. I 2 J .
RAB I N D RANATH T A G O R E AND NAT I O N A L ITY 26 3
this he tells the story of the kid and the Lord. The kid, constantly
set upon by beasts stronger than itself, said in despair to the Lord,
' "Lord, how is it that all creatures seek to devour me?" The Lord
replied, "What can I do, my child? When I look at you, I myself
am so tempted." '1 Tagore draws from this marvellous and
devastating fable the moral that one must be strong, for without
strength there will be no equality, no justice. The equality of all
States, great and small, is a piece of idealistic cant. Justice to the
weak, given human beings as they are, is rare because it is difficult;
and to change human beings so that they will not be as they are is
Utopian. One must seek to improve mankind by available means,
not by demanding of them unattainable virtue which only the
saints can emulate.
Men seek recognition; rightly. They will not obtain it until they
are strong. They must obtain strength by co-operation and
organisation, and expect no gratitude. There are other paths to
power, but Tagore rejects them: Nietzschean amoralism and
violence are self-defeating, for these breed counter-violence. On
this he agreed with Mahatma Gandhi and Tolstoy; but he did not
accept Tolstoy's angry simplifications, his self-isolating, anarchist
attitude, nor the Mahatma's essentially (on this I am subject to
correction) unpolitical, unsecular ends. Organisation for Tagore
means, even when he is thinking in purely cultural terms, the
acquisition of Western techniques; moreover it needs the building
of bridges between the educated and the masses, for unless this is
done there will be elitism, oligarchy, oppression, and in the end, as
always, that great and angry cry from the masses for recognition,
which precedes the disruption of the social texture and the
revolutionary upheavals, which may be unavoidable and right
where things have gone too far, but bring justice at appalling cost.
No. Strength must be sought rigorously, even ruthlessly, but by
peaceful means. The English 'hurt our self-respect'.2 They do so
because we are paupers: when we are strong, they will be brothers.
Till then, they will despise us and not fraternise. Only unto him
who hath shall be given. Begging will achieve nothing except
further loss of the sense of our own worth. So long as India is weak
she will be bullied and ignored and humiliated. This is the note -
we have heard it more than once in this century - that heralds the
I ibid.
2 P· I J 7·
T H E S E N S E O F R E A L ITY
I ibid.
RAB I N D RA N ATH TA G O RE AND N AT I O N ALITY 26 5
one side the hungry wolves, in the clothing of sincere internation
alists, preaching to the sheep the evils of petty and destructive
small-power chauvinism; on the other the sick longing on the part
of the sheep to be swallowed by the wolves, to give up the unequal
struggle, to merge themselves in what they fondly imagine to be a
wider unity, and lose their identity and their past and their human
claims - the desire to declare themselves bankrupt, and be struck
off the roll, and lay down the burden of freedom and responsibil
Ity.
Tagore stood fast on the narrow causeway, and did not betray
his vision of the difficult truth. He condemned romantic over
attachment to the past, what he called the tying of India to the past
'like a sacrificial goat tethered to a post',1 and he accused men who
displayed it - they seemed to him reactionary - of not knowing
what true political freedom was, pointing out that it is from
English thinkers and English books that the very notion of
political liberty was derived. But against cosmopolitanism he
maintained that the English stood on their own feet, and so must
Indians. In I 9 I 7 he once more denounced the danger of 'leaving
everything to the unalterable will of the Master'/ be he brahmin
or Englishman. He said, in effect, that India must get rid of the
English but must cling to the truths by which the English have
lived. India may be stabbed in the back by her own people in the
course of this - by terrorists or by appeasers. This, he thought,
would not be effective enough. Indians are numerous enough, he
maintained, the land is big enough, to enable them to afford to
press for their goals by peaceful pressure; and if they go on and on,
all the millions of them, they will win in the end. And so it turned
out to be.
It is, as I tried to say earlier, easier to exaggerate, to lean to an
extreme. Perhaps only those who exaggerate are remembered in the
history either of action or of thought. Plato and even Aristotle, the
writers of the Gospels, Machiavelli, Hobbes, Rousseau, Kant,
Hegel, Marx all exaggerated. It is easier to preach passionately to a
country that it should adopt some vast, revolutionary ideology,
and centralise and simplify and subordinate everything to a single
goal or a single man or a single party. It is not difficult to call for a
return to the past, to tell men to turn their backs on foreign devils,
I p. 1 86.
2 p. 1 93 ·
266 T H E S EN S E OF REALITY