Chikankari embroidery originates from Lucknow, Uttar Pradesh. It uses white thread on a white muslin background to create delicate patterns. The art was brought to India by the queen of Mughal emperor Jahangir from Turkey. Over 40 stitches are used, including flat, raised, and open stitches to make floral motifs inspired by Mughal architecture. Some key stitches include herringbone, double backstitch, and pulled thread work. Chikankari continues to be an important part of the craft heritage of Uttar Pradesh.
Chikankari embroidery originates from Lucknow, Uttar Pradesh. It uses white thread on a white muslin background to create delicate patterns. The art was brought to India by the queen of Mughal emperor Jahangir from Turkey. Over 40 stitches are used, including flat, raised, and open stitches to make floral motifs inspired by Mughal architecture. Some key stitches include herringbone, double backstitch, and pulled thread work. Chikankari continues to be an important part of the craft heritage of Uttar Pradesh.
Chikankari embroidery originates from Lucknow, Uttar Pradesh. It uses white thread on a white muslin background to create delicate patterns. The art was brought to India by the queen of Mughal emperor Jahangir from Turkey. Over 40 stitches are used, including flat, raised, and open stitches to make floral motifs inspired by Mughal architecture. Some key stitches include herringbone, double backstitch, and pulled thread work. Chikankari continues to be an important part of the craft heritage of Uttar Pradesh.
finely woven Brocades metal work and the delicate chikan work also called white work. • Chikankari a kind of white work was developing during this time. • This embroidery is done with white thread on white muslin background. • It is famous as white embroidery. HISTORY OF CHIKANKARI:- • The word chikan is a derivative from a Persian word ‘chikankari’ meaning drapery. • Therefore chikankari means embroidered drapery. • Mughal emperor Jahangir’s queen brought this art to India. • Her embroidery were inspired by Turkish styles. • Royal members and nawabs of Lucknow worn heavily embroidered chikan kurtas . • Designs and motifs are taken from Mughal architecture like the walls of Taj-mahal and many other monuments. https://www.youtube.com/watch?time_continue=58&v=f6BB_ JIzoIQ Technique used for chikankari:- • White muslin background done in fine cotton material like, voile, 2x2, chambray, mulmul, organdie, chiffon, georgette nets and other sheer fabrics. • Traditionally, white threads were used on semi- transparent muslin cloth. • Now-a-days, chikan embroidery is also done with coloured and silk threads, sequin work is done along with chikankari to give it an exquisite glittering look. • In chikankari some stitches are worked from wrong side of the fabric, while others are worked from the right side. STITCHES USED:-
• Around 40 stitches were used of which 30 stitches are still used.
3 categories of these stitches:-
• Flat stitches, raised or embossed stitch and open stitch of jali work. • These stitches have interesting and descriptive name. • Main flat stitches. STITCHES USED:- • Herringbone stitch= done on the wrong side of the fabric. • Double back stitch • Running stitch • Couched running stitch • Stem stitch • Buttonhole stitch • Satin stitch • Chain stitch • Detached chain stitch ( Lazy daisy stitch ) • Fish bone stitch • Pulled thread work or Jaali work • Romanian Stitch • Phanda stitch • Murri • Detached eyelet stitch Bakhia- • Known as shadow work. • Herringbone stitch is used to create shadow. • This is worked from the wrong side of the cloth, which give shadow effect from right side. There are two types of Bakhia:- 1. Ulta Bakhia- Cross stitch, feather stitch and herringbone stitches made under the cloth which give effect of light and shade. 2. Sindhi Bakhia – Satin stitch used with cross thread and it is work from right-side of the fabric. This is filling stitch. Taipchi- • Simplest and quickest stitch. • Long running or darning stitch= six strands on the right side. Pechni- • Variation of stitches is used in taipchi it is called penchni- taipchi is covered by twisting a thread over it to create spring or coil effect. Pashni- • Worked for outlining a motif. • Covered with fine minute vertical satin stitches. • This stitches is also used in Badla work. Khatao- • It is a cut and patch work Gilti- •A combination of buttonhole and satin stitch to make wheel like shape Jangira – • It is chain stitch used as an outline in combination with a line of pechni or thick taipchi. The raised, embossed stitches include the following:- 1. Murri- Minute satin stitch which appears as a knot. It is the centre of flowers giving an embossed effect. 2. Phanda- Smaller and shortened from of murri. It is very difficult stitch because it is very small. 3. Applique or cut work- Raised stitch in which embroidered motif is cut and stitched from side or right side. MOTIFS USED:- • Motif mostly used flowers, foliages, creepers, flowering streams, fruits like mango, almond, birds like peacock and parrot. • Motifs are picked from nature ghaspatti, belbuti paisley etc. • Articles made sari borders, pallu and butties on the body of the sari, blouse , kurta, cuffs, collar, zabas, handkerchief, capes, tables cloth, mates, cushions, curtains, other household linen. ZARDOZI:- • Embroidery is done with metallic thread is called ‘Kalabattu’ and forms the zari . • Lucknow and Varanasi are main center in Uttar Pradesh. Kamdani- • Kamdani is a lighter needle work. • Ordinary thread is used, a wire is pressed down with overlapping stitches producing a satin stitches effect. • Golden and silver threads spring and beads are used in hazara butt motif. Mina work – it is like a enamel work. Salma or sitra work