Rondo

of the Sunflower House

from Ponyo

Lyrics by Hayao Miyazaki

Music by Joe Hisaishi
Arranged by Shigeo Ida

      
 
 = 83
Voice

        
or

     
Violin

      
     
   
     
Piano 

       

     

5

     
      
       
      
  
           
   
     

   
            

10


            
Mo u i chi do ji yu u ni a ru ke

       
          
If I could walk freely one more time,


          
 


         
   
   
         
  
15

             
ta ra, o mo i ki ri o so u ji o shi te, o se

         
           
I'd do the cleaning as much as I could, I'd

       

         

 
                 
   

20

          
n ta ku o shi te, o ryo ri o tsu ku tte, o sa n po ni

         
           
finish the laundry, do some cooking,

  
and then go out for a stoll.

     
   
         

 
                
  
25

      Why wait until it clears up? It's bright enough now.


        
de ka ke yo u. Ha re ta ra na n te a ka

  
      
 
    
  

         

  
                  

30

               
ru i n da ro. O hi sa ma mo wa ra tte i

    
               
The sun, she's laughing, just like me.

     



         

2
 
      
     
 

35

               
ru. A me no hi mo su ki. O sha re na a ma ga sa, re i

     
             
I love rainy days too, heading out.
In a rain coat with a stylish umblella.

     
  
         

                 

40 

  
n ko to mo ki te a ru ko u. O mu ka e wa

         


Because it's not time for me to

 
       
      



         

    
                
45

  
tto


ma da ko na i ka ra. So no a i da ni cho da ke

                
go just yet. For now let me walk a little bit.

 
         
      
     


   

             
     
50


a ru ka se te. Mo u i chi do da ke o do ri ta

        

  





I want to dance once more, becoming a gentle wind.

      
      


         

3
           
 

55

    
         
i, so yo ka ze ni na tte.

    
   
 
 
          

  
   
   

      

60

  
    
             
   
          
        
         
   
         
 

      

66

  
            
              
              
   
   
 
         

       
 
  
72 


                      
Ku ru ku ru ma wa ru te


      
I take hold of the hands spining round and round,

  
           





        

4
     
        
         
   
78

             
o tsu na i de, se su ji o no ba shi te hi za o no ba shi

   
   

              
and, straightening my back and legs

      
  
         

   
               

83

               
te. A shi o ha ne a ge te, su ka to ga hu ku ra n de, Mi n

     
             
I leap into the air, my skirt flaring outward. With

    
  
         


                  
88 

  
na ni ko ni ko wa ra tte ru. O mu ka e wa

         
  
everyone around me smiling happily. Because it's not time for me to

       
      



    
    

     
                
93

   
ma da ko na i ka ra, Ma do no ga ra su o hu ku da

              
  
go just yet,


It's fine if all I can do is blow at the window pane.


         
     


         

5
          
       

  
98


ke de i i no. Mo u i chi do da ke o do ri ta

     
   
  





I want to dance once more, becoming a gentle wind.

       
      
         

          

103


  
          
i, so yo ka ze ni na tte.

 
 
3


3 3

 
         
 
  


   3 3 3
 
    

      
108  = 75

          
       
       
         
  
 
    
        




      

     
113  = 60  = 50  = 25


         
   
   
         
    



   


 
6