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Running Head: Theatre Design Assignment 1
Running Head: Theatre Design Assignment 1
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THEATRE DESIGN ASSIGNEMENT 2
David korin's set design is influenced by the need to create circular motions during the
shows, and he relates these motions to the shape of the dome of the capital. To achieve a perfect
display of sweeping movements in the stage, the idea of having a turntable design on the floor of
the stage was the most efficient. It expressed how a lot of the design revolved around the circular
movements. The design gives the audience a vivid picture and ability to trace how the
architecture created; David was very keen on achieving the simplicity of the plan. The model
aligns with the content of the play, which illustrates the art of shipbuilding as David explains the
reason he used the coils of ropes, was to reveal the methodology of shipbuilding. David
communicates to his audience a message through the design, and he suggests the direction of
American politics at the time using the framework and items in the design. The frame of his plan
illustrates how ships were built as the play aims to display. the design communicates to the
audience a message about the structure of the country. The movement of the walls was an
incredible idea to demonstrate the process of building a nation in the play. David korin's design
of Hamilton helps dynamic choreography in the show by using a timber frame that takes
Riccardo Hernandez argues that a set should have a visual influence on the audience.
That is watching, and the lighting should help the actors in expressing the moments in the scenes,
he gives an example of how in one of his project, `Battle of Black and Dogs' the lighting helped
in communicating a cold, inhuman atmosphere of the play. Hernandez proposes that a designer
must develop a model for the intended set before starting on the actual project, he also advises
that it is crucial to approach the stage as an open space to generate ideas aligned to the needs of
THEATRE DESIGN ASSIGNEMENT 3
the set. Hernandez's approach to creating a set starts with coming up with the idea that forms the
framework of the whole project, and the required materials guide the direction the project takes
Award winners Natasha Katz and Howell Brinkley explain the process of light design
and its adventures in theatre. Lighting is a very important aspect of a theatre, in a set light helps
in giving the audience the awareness of the time in the context of the play either day or night as
well as the shift in time for example from day to night, it also helps in directing and controlling
the focus of the audience by shifting the position and brightness of the light in the set. when
setting up the set the light designers must identify the directors vision of the set before they even
determine what they need for the set, from there the necessary equipment is fetched from the
store and tested in the demo room. The demo room is very important since the designer can
explore and experiment new ideas before implementing them in the actual set, this helps in
assurance and cost management. Advancement in technology has incredibly contributed to the
development of the lighting designing, automated moving lights have reduced the workload and
Robert kaplowitz is a one of the best sound designers and award winner, is A sound
designer’s responsibility in the theatre is to assemble the sound system, express the sound of the
actor in a way that facilitate the connection of the audience to the context of the play, show or
music additionally to the audience prepare the sound content such as writing of songs. According
to kaplowitz the important thing is to determine what is missing or what should be removed in
the music or sounds. The sound designer’s objective is to take the audience focus as they use
their sub-conscious mind during a play, the designers aims at fading away from the audience by
THEATRE DESIGN ASSIGNEMENT 4
ensuring that they have captured the attention of the audience completely by taking or
developing ideas, using natural sounds he suggests that one can combine different sounds to
form a musical effect or a song, while developing new ideas or improving the existing ones
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