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Motown Era PDF
Motown Era PDF
~ lie. Ms — ten! It ain’t e — yen safe no more to walk the streets at night, Pm do — in’
D7(fl) D D7
~ I
fine, — on Cloud Nine. Let me tell you a — bout Cloud Nine._ Cloud
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Nine, you can be what you wan - na be (Cloud Nine) You ain’t got no re -
II 4 11441 11
4444444 44444 41 4
~r r ~ r W r ha’’ I ~ ii
from re—al— i— ty. I wan—na say I love the life I live,_
4 11111411441
271
G D7 C 13
~ U p r ~‘
And I’m gon— na live the life_ I_ love up here on Cloud Nine._
rbt~]bd~jEf~ ~ J~4 f~
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I’m rid—ing high
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On Cloud Nine, you’re as free
44
as a
S~ ~b n ~ 1 fl~
bird in flighL (Cloud 4ine) There’s no dif-f’rence be-tween day and night_- (Cloud Nine) It’s a world of love_
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— I
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I
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— and liar—mo-ny (Cloud Nine) You’re a mil - lion miles from re—al-i -ty. Cloud
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)
.1 ‘—I I
THE CORPORATION
Moderately fast
j I jr~j}J •r J ~ ~-r
•i
J’~ -
‘I
save me— When
Stop! You’d bet-ter save_ me Stop, stop,- stop_you’d bet—ter
0 Em
-4 C Am
0 0
Am
Chorus:
C___ Bm Am7G 0
Bm Em
~iflb~L~
same old thing— Stop! the love you save may be your
just like back in grade- school you’re do-in’ that
pherdis—cov ered you’re way a-head_ of your time —
Chris—to — —
C Bm Am (0)
07 Em Em
Am (Em) C
fl~
be all a lone— Bet — ter
Oar -ha, take it slow,— or some-thy you’H —
own
Bm Em
Am (Bm) C
-r ~J ~ H r r r r ~j Li LI
you’re
own Oar hin’, look both ways be -fore you cross me,
stop! The loveyoti save may be your
-
A A,
013 E
C Bm 4 0 4 E E “E
A~,
£ E £ ‘E E
— —
‘P r I” r rj r ~ ir ~—rrJrr r
soon as they suc—ceed They’ll ruin your rep u - ta—tion They’ll
o — ther guys_ will put you down — as -
D. sjgaz
Av Ay A, C, Coda
E ‘E E E ‘E E £ “E /0
ç lab-el you_ a
~j~r
flirt_
i
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The way they talk a- bout_ you,
) ~Thi
they’ll turn yourname to dirt... Oh,
r
4 E E £ E
~ H 1~J H
Hold on Hold on Hold on Hold on
A, A1
4$ r ~E
r
7E
r’ lEt
E
~i LI r ir #r
E
r r’
“5” is for “save_ it” “T” is for “take.— It slow” “0” is for “Oh— no”
E 0 C Am Bm C 07
i~ r t rtfU I fl fl ~D I) E~ r L~
“P” is for “please, please_don’t go” The love you save may be.- your own Some-day you may beaU.- a -
C,~ Chorus:
Bin Em CBmAm. ID 0 C AmBmC 07
[Jr:.jh~i~3
r~y
L~~tth7 ~7j~ ~ fl .j.*~f ~T”T”D 1.
ba by_........ oo You’d bet-ter Stop! The loveyou save maybe your own Oar -lin’, take it
lone Stop it, - -
A..
4 fl Bm Em
if~
C Bm
~
Am
-
0 £
ir ~_ft—r r
~E E
slow,_ or some-day you’ll be all a — lone....... I’m the one... who loves you
E %E E /E E
IrLL~ri?~JflflrJLri~rrIr rn
V
I’m the one_ you need_ Those o - therguys_ wlllput you down_ as soon aa they suc-ceed Bet-tar
274
The Tears Of A Clown Words and Music by
HENRY COSBY
WILLIAM ROBINSON
STEVIE WONDER
Moderately c F
F F C F
F BL’ F F
B6 F C
a ——
—
• (_.~ I—
— ~sss — - — — - — — _.: -
SW— —_______ — — w
F F C F
C
275
Fmaj7 C
ttP
S.
if
the tears — of a clown, When there’s no - one a - round._
Cd 0
C, F BI, F
a-; PW 1- 4 4- -
14-
Now, if I ap - pear..
(S
A
C
r—
F El’ F C F BI’ F
C
lie eye,_
$
But in my
a-
lone
I
a-
ly room_
F
S
I èry_
BI’
the tears_
F
of a
AC
a) - S. 4- 4—
s—F.
clown when there’s no — one a — round,_ Oh, — yeah, ba -
S 0
C F F
C F BL’ F
A
C,
276
F F
C m7 Gm
Gm
Copyright C 1970 JOBETE MUSIC CO.. INC. .2457 Woodward Ave., Detroit,Mich.
International Copyright Secured Made in U.S.A. All Rights Reserved
277
EL,m Gm
i •!~
~
~
-;
E6/B6 %Gm -
man.
~ t4n~n~~
Urn, ba- — by.
—
rap
Life_ is
~
—
un’,
zy,
9~J~ N~ N~ N
Edirn Bb/F
r—
‘~
3~’
~ ‘~ i’ fl 1
says you’re_ noth— ing at — all. But, I’ll pick you up, dar — ling,
a love is un — kind. Be—cause she came first, dar — ling,
I I ~
Cm7
07
~ ~‘•‘~ .~ ~
Gm To Coda
~L1
but she treats you like glass. Yet you beg — her — to love — you,
and you don’t e -. yen know -it.
--
E6m/G6 . .
B6
but,
~
me you don’t
r ~
ask. —
~
If
[ r were your
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yarn - an, 11 I were your
aptj Put
ia
8hZ
279
Here Comes The Judge Words and Music by
BILLIE JEAN BROWN
SUZANNE de PASSE
FREDERICK LONG
Talk: Hear ye! Hearye!
The court’s in session,
The court’s in session.
Now here comes the judge,
Here comes the judge.
Moderately fast blues
~ r r I
1. Here Comes The Judge, Here Comes The Judge,_ Here Comes The
2. (Here Comes The Judge, Here Comes The Judge,..... Here Comes The
a I
To Coda
A
Judge y’all, Here domes The Judge.__ Stop eat - In’ that
Judge . y’all, Here Comes The Judge.__
9:
I I I
:h~~ ~j~1
fudge, ‘cause Here_Comes The Judge,.... don’t no-bod- y budge,..— ‘Cause Here_ Comes The
sPok~ees;elorder order. What’s the first case on the docket? Judge, I got a boy here
H I ~ J
~ ~
I.;~
.—~sq~rj ..
~L:~ 4~~!’ ~
Judge._ Judge Shbrt-y is pre— aid - ing to — day and he don’t take_ no sttff_
who can’t dance. Can’t dance? Alt. . . . Ninety days. Thirty days for
~ J~ .J h~
.1
© Copyright 1968 JOBETE MUSIC COMPANY, INC., 2457 Woodward Ave., Detroit, Michigan, U.S.A.
International Copyright Secured Made In U. S. A. All Rights Reserved
280
07 P7
Cl P7
II
14
Cl
C7 F?
- C
P11 E~’ P11 (GBass~ C7
C7
I -
‘a Li I-
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-r
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° 4 4
C 07 G7
E6~ - (GBass)
P~ [~ ‘LI-Cs ~ r
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281
~ ~iiJ ~
to go now. Then, ab, ab, You can’t recognize the man you got to go. (Stand guilty) Here Comes The
b .J ~ ~,
1
:
Coda C7
C?
R.rr r~t~1
Yes, Here Comes The Judge,.... They’ve caught ‘im stomp—in’ down the aisle.- Yea, Here Comes The
Lj~rpp~tl JjT~jt
Judge._ I’d rath—er be lost in the jun— gle of Bra — zil......... than to face.....
I .Ij .1 JJj
Repeat for fade
r~ ~ rT~~Jt~’ ;brJi[~rE ~ r ~
— the judge this morn-ing the way he feE Here Comes mell Judge...._ Here Comes The
J
282
You Keep Me Hangin’ On
Words and Music by
EDDIE HOLLAND
LAMONT DOZIER
BRIAN HOLLAND
Moderately
Am(F Bass) Am
Em Em7 (E Bass)
A
A — I
~ t E
I’ I ——
~
ii—- ~IS I, I
I~b
I)
but You Keep_ Me Hang in’ On.
You don’t_ real- ly need...... me
-
..........._
Ii
.5 U
C. 4
r
‘I.
Michigan
OCopyright 1966 by Jobete Music Company, Inc., 2457 Woodward Ave., Detroit,
International Copyright Secured Made in U.S.A. All Rights Reserved
283
I’.
B~(CBass) F C
~ D ~.
~ -
Why do_ you keep a corn—in’ a — round play - ing with my heart?_
B6(CBass) F C (EBass)
‘4 ~i~fljJ 13 .1-:: J.
- Why don’C cha get out_ of my life . and let me make a new start ?_
I I I I I I I
E
G
fl~. ~ ; ~ -
Let me get o - ver you the way you’ve got- ten o - ver me.
~ ~ I I Kfl I
I 2. B6(C Bass) F C
4 ~~ ~
You say...Z al — though_ we broke up ..._. you still wan—na be just friends,
I I I~I I I I I Till
EI’(CBass) . A
4
But how can we still_be ‘friends....., when seé—ing you on ly breaks my heart a’— giin._
my a
— I I
I - -;
I. I
1~
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285
i~flj4fj-ji~
Why don’t_cM be a man a — bout_ it - and set_ me free, Now
U
A Em Em7 Am(F Bass) Am(E Bass)
7~+1~h1
you don’t_ care a thing a —bout me You’re just us — ing me, Boy,
J.
A Em Em7 Am(F Bass) Am(E Bass)
‘~
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‘Cause you don’t_ real—ly love — me, You just me hang— ing on.
-- —
fo.deaAwaY Am(EBass) Em F Am
‘Cause you don’t_ real—ly need_ me,......_ So let me be, set me free.
286
Signed, Sealed, Delivered, I’m YoursWords and Music by
L. HARDAWAY
L. GARRE1T
S. W4~~
Moderate tempo (with a solid beat)
r r i~-J
I went and stayed too long —
Like a fool, world —
lot of things in this old
Seen a
still strong Oo ba -
Cb.
When I
t~
here I am,—
~ ‘rr signed, sealed,
i.....,.,
do —
w
liv-ered, I’m yours.
-
r ~7r r
Dm
~r r
F
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to cry, Oo ba - by here I am_
Now I’m back... !nd. not a-shamed am_
do —sire Oo ha by here I
That’s why I know you’re my on - ly
- -
4~ r
I)
r’ ~ Here I am
signed, sealed, de - liv—ered, I’m yours. -
Here I am
signed, sealed, de
F F7
— liv— ered, I’m yours.
Gm7/C ~
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•~
fl~ i~ r rrt ~-F ~
ba-by Oh Gm7/C
N, F F? —...~ BI’
~-
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am ba by Oh you’ve got the fu - ture in — your hand —
Here I -
- i~
BI’
CODA F?
F FF/fl FD FC Bh Pb/A -F
B6 Pb/A
~ trr ~-cIr ~ r
ture, babe
-II
but here I am — with your fu-ture, got your In
-
I could be abro-kenTnan-..
F F7 Pb
Bt’
~1)’~ -
Indiana Wants Me
Words and Music by
R. DEAN TAYLOR
Moderately
I F.
In — di —
F
an - a Wants Me, Lord, I can’t
r go back there.
I r
In -
F
di-an - a Wants Me,
-0- S
Fm F7 BL’
A I. as = i — I I S.—’
9)
If a man ev-erneed-èd
r dy — in’, he did,
—
4- 4- 4-
9)
r
No one had the right to say what he said a -
r
bout you,
I - I’
And
-S -S
Copyright C 1970 JOBFFE Music IX) INC., 24~7 Woodward Ave. • £ttroit, Mich.
international Copyright Secured Made In U.S.A. All Rights Reserved
288
DL’ Bbm
GI’
A I I
I r r.
‘S
r
I’m get—tin’ so tired
r of run — nm’
F
In-di-an - a Wants Me,
$1
Lord, I can’t go back there
~1- ~1-
a- i’~t
Fm Fl
.3
AL’ 1* EL’ 7
BI~
t
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DL’ EL’? AL’ DL~ E~7 - IIDL’ AL’ EL’?
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Iwish I_had you_ to
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r
rio
ca
some
-
Gmajl
A
—
frY- moun,_
fé_
H
or
love - ly as a sum — mel’
some-times on a crowd-’ed
you’ll see my face a-molt the
Cli
r
4
day,_
street,_
crowd,_
-ow~-
, .—__——_
U.
Fmaj7
Che rio
-
r
A - mour,..
U U
be..’ some - I’ll share your lit — tie dis —tant cloud._
May -
L
P4 1
mi F9-5
Dli Cmaj7
a
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My Che ne A — mour, pret ty lit tie one that
- — ø~
mour. won’t you tell me how could you......... ig — nore,_
My Che rio A -
dore,_
Che rio A mour, pret ty lit tie one that I a -
Oh, - — —
3 A-kJ -
~—
, %_____—
U.S.A.
© Copyright 1968. 1969 JOBETE MUSIC COMPANY, INC., 2457 Woodward Ave., Detroit. Michigan,
International Copyright Secured Made in U.S.A. All Rights Reserved
291
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293
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— my in-spi-ra—tion, showecLap-pre—ci— a — tion for the love I gave her throughthe years._ Like a
(~vA A A ii
JJJ~ ~jj JJ ~~JJJ jJ~ jJJJJ
BL’m7 DL’(EL’bass)DL’ El, F
A AA ii
J Ji
jJJJ
,~ J J Jid JJ J J J
BL’m7 D6(EL’ bass) Dl, F
~r2~Th
my ba-bylovesme,
~ My_ ba—byneedsme,
,j
that’swhywemadeit throughtheyears._
J~j~hj
I Was
(:~A A A A ~i ii L~ ~i~Ai4
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BL’m7 DLqEl, bass) DL’ EL’ F
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Made To Love Her, wor - ship and a - dore_ her._ Hey, hey_ hey._ AU
II Ai ii I ~ 4 ~ IA A
~ ~ ~J~JJ~ JW ~
.tJ ZJ
through thick and thin_
c~J~LAJ j _i ~ jJi.r~J~jii~r r
our love_ justwon’t end ‘cause I love_my ba - by,lovemyba - by. AhI —
i
______
294
~ 1
~ ~ ~ I r j jJ
F ) Ehml D6(E6bass)
~
~
— I was knee high to a chick - en when that love — bug bit me,
a
DI, F 3
~
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had thefev — er with eachpass-ing year. Oh e — yen if themoun-taintum-bles, If this
~
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a t~ a a*iaJJJa. Y~
B6m7 D6(E6bass) El, F
rr whole world
~ ~tr ~
crum ble~_ by her side I’ll still be stand-ing there ‘cause I Was
~ ~:
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4 J ~J 1 Ti ~i~i ~ J~ J ~
B6m7 DL’(Ej, bass) ul, E6 F
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295
I Was Made To Love Her, build my world — all a — round — her._ Hey, hey,__ hey._
(
s s ~‘: : ; -i
F Bl,m7 -
f-i — I —.— I. —
Qo ba — by I was made to ploase her, youknow Ste — vie ain’tgon-na leave her, no.
I I
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(
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Bbm7 D~(E~bass) ol~ El, F
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pa 4 f,if~— tP. S — . 5- —
By
WILLIAM ROBINSON
1* B, — I
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{
L~’:i -‘ —. —
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Noth - ing you could say can tear______ me a- way from My__Guy.
Moth- ing you could do could make........_— me un-true to My— Guy.
mus - clebound man could take my hand from My_Guy. No
~
a.— r I ——
r — I I I —I I
I ‘ t r * —.
Om
A I~ I I I
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—
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I’m
Moth - ing you could do ‘cause I’m stuck like glue to My_ Guy. —
Noth - ing you could buy could makc me tell a lie to My— Guy. — I
hand - some face could ev - er take the place ofMy_Guy.__.._ He
,—.
fl. I— -F, r r
,—
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r
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To Coda
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stick-ing to My Guy like a stamp to a let - ter. Like birds of a feath-er, we stick to—geth-er. I can
gave My Guy my_ word of_ hon-or._ To be_ faith - ful and I’m gon-na. You—.
may not be a_
-I IA
r’. rd fl ...
-
rI
I,
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1’ II I
Copyrightol 964 by Jobete Music Company, Inc., 2457 Woodward Ave., Detroit, Michigan
International Copyright Secured Made in U.S.A. All Rights Reserved
297
tell you from the start I cant___ be torn a- part from My_ Guy. —
best be be - hey- ing, I won’t__ be de - ceiv — ing My_ — Guy.
J~
* ~ t j. ~ ~ J J J — ~. ;~ ; J .j. ~
As a mat-ter of o-pin - ion I think he’s tops, My 0-pin -ion is he’s the
r F: p ~I: p
B’ Gm Urn Gm Urn Cm
rip2—~ ~
cream of the crop. As a mat- ter of taste — to be ex - act, he’s my i -deal as a
I ~ I ~ J *
F7 D.S.at•Coda +CadaCm F? Cm F7 Cm
~L~J
~
rnat-ter of fact._ No mov- ie star,_ but when it comes to be - ing hap- py we are._There’s not a
Gm Cm F? B~ Gm Cm F?
man to-day_ whocould take me a-way from My_ Guy. There’s not a
‘Y~,!’:J i
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298
My World Is Empty Without You
Em C
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My World Is Emp - ty With - out You,- babe._
My World Is Emp - ty With - out You,_ babe._
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My World
My World
Is
Is
~-t Emp
Emp
-
-
ty
ty
With
With
-
-
out
out
I
You,_
You,_
babe._
babe._
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.
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And as— I ~ my way_ a -
- .. I I
o Copyright 1965, 1966 by Jobete Music Company, Inc., 2457 Woodward Ave., Detroit, Michigan
All Rights Reserved
International Copyright Secured Made in U.S.A.
299
Am
K, k I. I.
r I .e—.o- -a
F -
— U —
Em Am? Bin G
Ass I I — I
— V
ry on.— I nded your strength, —
e -t ‘ -t
t, 44.— K
) I
and
V
need
emp -
your
ty
ten -
house_
U.
der
I
touch,
dwell,
— U. U —
r ‘F
Am Em Am?
~—i K i L I K
V -e -a S
-e It
CD
0
0
til
S
ci B
C
301
U Am
Ag—! I —
V ~L ~.
r r S S
4-
_- —. _ _ - —
Em Am7 Bm G
D
A is —r=~- I I
I F
V
• - — _ V
F I F -I
time that dark - ness falls,
_- —• — — S — S
Em •Am Dl
• Am
V
I I -e
F ~71~
I I It
it finds me a - lone_ with these four walls.
-9-
Em C
I)
1 -e
My World’ Is
4
Emp - ty With - out You,_ babe._
n ~
302
My Girl
Words and Music by
WILLIAM ROBINSON
RONALD WHITE
Slowly
-
~ ~
~
~t I ~. ~rr I
Rb
When it’s cold out — side, I’ve got the month of May.
~ ~r rF F ~ ~ i~ ~• ~ ~ r F i ~jn’ ~
_i:~~2_~;I
guess you say, What can make me feel this way? Girl,
~
~ ~
~
talk -lag ‘bout My_ Girl. I’ve got so mud hon-cy, the bees en—vy
H
CopyrigitOl9M, 1965 by Jobete MUsic Company, inc., 2457 Woodward Ave., Detroit, Michigan
International Copyright Secured Made in U.S.A. All Rights Reserved
303
F HI, F BE.
~E’
4 r SF—i
me; I’ve got a sweet —er song than the birds in the
—
—
I
— ..
I. I
-
I
I
I I —
I •
U
F BE’ F Gm DI, C F Gm
a~ =
—S .-
?4 4 4 44 4 S
4
tree. Well, I guess you say, What can make me
a
,—. I
~ff_L —
I -‘ I ‘JI I I
—
BE’ Cl F BE.
A
Ni
~: 4 J)~
‘)
.w t 4 -S.
t.~ r J JL-Jfl J
—
r
feel this way? My Girl, talk ing ‘bout
- My — Girl.
‘~I1L I I -~
ft
Cl F F BE’
~ I~3 ~ I.
r—3 ~-~—-~
u¼ -, -,
I,
-P r
-I
2 p S
I don’t need no mon-ey, for—tune or fame. I’ve got
IlL I I ii
U — I
SI
F BE’ F
A
I
—II,,
1~ ~
I I .91 N
p - V
all the rich — es, ha — by, one man can claim. Well,
“~jj JrA r
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304
F Gm BI, C F Gm C
guess you say, What can make me feel this way? My Girl,
~ jr~r i~ ~
~J~J ~ i~JJJJ J. ~
P - p
talk-ing ‘bout My_ Girl. I’ve got sun-shine on a cloud — y day_with
g:~~ ~. ~
~ d 1 ~
i.~J. N
‘Vi. ‘V I
7 J i _n
Talk — big ‘bout,,,,,, talk — ing ‘bout, talk — ing ‘bout My Girl. Woo!_,
rn
My Girl. That’s all — I can talk a — bout, is My Girl.
I
305
The Way You Do The Things You Do
Words and Music by
WILLIAM ROBINSON
Moderately with a beat BOBBY ROGERS
CC G C G Ccc
71
You got a smile so bright, you know you could-’ve been a can—die.
are, you know you cou1d~ve been a flow —er,
I.
G C C C C C G C C C
f,14 a— G C C CCC
I I)
C
I’m hold ing you
C
-so
If good looks caused a
I i
C
I
C
tight,
min—ute,
F C
you know you could-lye been a han—die.
you knowthatyoucouldbe an hour.
F C
I
F
I
C
I
F
j
I F)
CC
The way
The way
CC
you swept me off
you stole
0.
my
C
my
C
feet,
heart,
c C C CC ..C.
you know you could—’ve been
you know you could—’i’e been
C C
a
a
F)
broom[. - The way you smell so sweet, you.
cool crook. know you. cquld ‘vebeensome
And Ba by you’re — so smart, you know you could — ‘ye been a
I _.j I ‘~ I. I I
C C C C D
) per
school
— fume._
book. —
U
WelI,_ you could —‘ye been
U
an —
r
y—thing that you
306
C 0 C G CO C
——-
._____ — — —— — —‘S
~ —a—-— — — —— a,— —
t— .__ — —— — — ——a — —
I S~ — — a-—
‘
The Way You Do The Things You Do._ Ah, &
;— C —————
— -. — — C —. — — — —
.— — — —
I— — — ._ —
C 0 C 0 II2.~ .0 G CO
Ag —--I-I
f1J1 - * ~ L Jd~ I
by. As pret—ty as you by. Yes!_
~ 91i.
~ a —
® Copyright 1964
JOBETE MUSIC COMPANY. INC., 2457 Woodwerd Ave., Detroit, Michigan
Internetionel COPYright Secured Made in U.S.A. All Right. Reserved
.
Lyncs by
APlacelnThe Sun Music I,
RONALD MILLER BRYAN WELL
Moderately Slow
~
JJ •IJ
five
9:rF ~ r j
Dm7 En C. Am7
1. Like
mp
a long
~~;ff lone ly
-
‘d’—~
~ t
stream I keep run
~‘
p
w
I.
- I
-
I
.. I
-.
—
—$4
q~qrt ~ rHT~
p~
.~
~ ~
on, mov-in’ on. Like a branch on a tree I Iwo
on, mov_lnt on. Like this tired trou-bled earth I’ve be.
S.~ S. S. S. S.
. .
~f~’ I I
C’ C’
I I
C’ —
~11~ I _J_ — ‘S
S
© Copyright 1966 by STEIN &VAN STOCK, DIG., Detroit, Michigan, U. S. A.
International Copyright Secured Made in U. S. A. All Rights Reserved
307
C Am? Dm7 07 C p C
Chorus
Dm7 07 C E7 Am Ain7
‘I
I I I J i I
‘Cause there’s a
~rtr r ‘ ‘ F —
place in the sun where there’s hope for ev — ‘ry one, where my
-t •0-
{
I)
I
—
I I -S.
07 C E7 Am Am? Din 07
I I P I
I
A I I I........... p I — I
t)
~
sun
F and
I’
be
I
-
I
fore my life is
r
done, Got to find me a place in the
— I
Ii. c F C C F C
A
F a.
S
ri~’r
sun - 2. Like an sun.
I I
paAlQsQ)j s:q2nj iw vsn tq 9p1p4 pe1noG~ 4q2~IAdo3 IBuofltuIQ;u~
uES!~JOjN ‘iloinu “aAv PJCMPOOM LSVt ~ ‘Aueduio~ 3!SflN aiaqoç Aq L96 r it~pXdo~ a
‘am
F F pjarqe o a~o~ 0f4 ‘Mou —auoj — ~ II~ tU1j am mo.iJ ~~O01
‘~jO
,.
I r L FJ EEEEtE4~*EEflEE4EEE~E P
(eseqflj)a zm$a (sseq g)ma o ci o
if if if if if if if
noS a~o~ eqi jo suo~;- oau - au —‘eq oi pasu ejrj LEM em jo suop -
ci 0 Q 0 Cl 0
‘ ________________
r r
—e~j ‘em pue noS jo suon—oeTj— O)J ees ~ emq ae; —
rrt~ ~tt~ _______
Cl 0 (jsns)mfl
I ____ ~ r ~ r
‘puym Lm JO .10.1-13W eqi qSiiora
if rPUT~ _________
~tacj E tflTM ‘MLOTS AIGWSGPOIAZ
UNVTIOH 31UU3
‘H3IZOU .LMONV1
UNVTIOH NVPIH
Aq 3!SflN ~UP SPIOM
suonoaIJa’>J Soc
309
9411j I
B F4m(sus4) B
r——
m I
#8 ~ I
~
Fflm(sus4) B Fflm(sus4)
rn
with on —ly mem — 0— ries_ Through the mir —ror of my mind,_ through these tears that I’m cry — Ing
ft
re—fleets a hurt I can’t con — trol. ‘Cause at — though you’re gone, I keep..
ri~ijj n~jn$-i~
hold- ing on to the bap-py times oh, when you were mine.__________
I .4 ‘I 111
310
t- * -*~ff s--s
As I peer through the win — dow_ of lost time, look —ing o —ver my yes—ter — days_
4.
G B
I V
5 2~~~~~t it___ ___,
r
and all the love — I gave all in vain.
4.
ti •1~ ‘V. —
All the love. that I’ve wast - ed, All the tears
•; pa a- a
‘I a)
—.
~
that
i-
I’ve
~-
tast
I.-
— ed, all in vain.
PS.
B Fflm(B bass) B9
Fltm(Bbass) E9 B
r1 r1 ~ i H
from the hurt_ that_ you — have oaused;_ Ev— ‘ry—where I turn —
I I
Fftm(sus4) G D
1
~4 J 4 J [~
i ~
seems like cv— ‘ry—thing I see........ re—fleets the love that used to be. In
I I
~ n~.
i~ij~i
you I put all — my faith and tnist, Right be — fore my eyes my world has
1J U hL.
I I
A D.S.andfo4e%
G
~ I
Just a hand—ful of prom-is—es.___ are — all that’s left of by — Ing you. Re—
312
Runaway Child, Running Wild
Words and Music by
BARRE1T STRONG
NORMAN WHITFIELD
Moderately slow
r
You played
r cr ~j r cr r r_rr
; ; D
Hr
~
rest of the week, in your room you got - ta
r
stay,
way,
,—r~s
yeah1’~___
yeah~—
t~
al — read - y made up your mind you wan - na run_ a —
F I1•D7 G F
61~
Now you feel_ like the whole world’s pick — in’ on
~ r
© Copyright 1969 JOBETE MUSIC COMPANY, 114G., 2457 Woodward Ave., Detroit, Michigan, U.S.A.
International Copyright Secured Made in U.S.A. All Rights Reserved
313
L1-P
~ J J J
YOU, But deep down in - side,_ you know_ it ain’t
0 F D F
2
true._ You’re in
rrn~j~ rrr~rrr:L~r~
F D F D
r
b)!~
D F Tacet
Repeat 5 times
a Vamp (bass only till end — no chords)
a-s-F. Ia a
r._. I~
I (.r.a I~
I— —
Roaming thro~h the city going nowhere fast you’re on your own at last,
Hey! It’s gettin’ late. Where will you sleep~?
You’re gettin’ kind-a hungry, you forgot to bring something to eat.
Oh, lost with no money you start to cry,
But remember, you left home wantin’ to be grown, so dry your weeping eyes.
— npt 1r- r’, ~‘I~ —1aa, ~I_ .~. ••
_,. is. ‘F ~ •r ~p aIr
— I- I — - —
——
•— —a
—a
‘—‘F — —
S
V 9 %___.~___
— IT• lie ——
a
-n-s I I I I I I I I
S S
— I -0~~,~?
ma — ma. Run, run, run, run, run, run, run, run. Are they look-ing for yout. You’re_
ma - ma. Run, run, run, run, run, run, run, but she’s muöh too far a— way,_ she can’t
I I I I
Ag I’. - - 112.
n g Repeat 5 times
- heard some frightening news on the radio, about lithe boys running away from home,
And the parents don’t see them no more.
You wanna stop to hitch a ride, I know,
But your mama told you never trust a stranger
And you don’t know which way to go.
I I I I
t. Ct,
0’ Co
r Ct
‘I- a liii
I-.
ii -a
I
o ~ 11111
I
I p
I
0’ I !. III
a
liii
9 0’ I
.1
I 0 91
‘III
III
III~
Iii
II
c/i
ill 0 C
~ifl
I 91 ‘1 e
-Q
C
Ij
‘III
UI 0
I I III
III
‘I- II III!
-a
I
:
0’ IPI
H p ii ~‘ ‘I ~0
‘—
-~
iuN ‘1-:1
‘III
‘~1
p
I ‘-S ~
III
—
‘C
> ‘3
t-0’ I-
III
ilir II ) 01
316
Ag r—1 i.—
I
II
I I
‘A then you shoot ‘em ‘fore he run, now.
I I I I I I I — —I I——
~th ~0;
Ag
D7
I
B G D7 G DY I’. B G
.111
DY G
2.
DG
D.S.andfade
D7 G
I) -- I v’ 0
VT. 0 0
I th ~P1
D, S. and fade
© Copyright 1965, 1969 JOBETE MUSIC COMPANY, INC., 2457 Woodward Ave., Detroit, Michigan, U. S. A.
International Copyri~it Seemed Made in U. S. A. AU Rights Reserved
I C
Ths
fl30
—
—
I UI
- ey came
I—a
i
C C G
=iW ~.
—i
tt
He was spread-ing a new dance
r. ‘S -
— — __J B————
Copyright C) 1963.1971 bYJOBETE Music CO., INC., 2457 Woodward Ave., Detroit, Mich.
ionai Copyright Secured Made in u.S.A. All Rights Reserved
317
C G C
Ut
I
a — — Pr)
-— a a a a Fri
a a a a a a a a
q) •~_ rrr
In just a mat - ter of a few days,
9~J ji - I
C G
Aao0
SE5 I — I L—~I I
jc~, d r
a — ~ -1 ~
I t~t tt
yea! His dance be - came the new
. a
— S S —I
-t — —
— -~
I 4
~ a, G c Repeat till fade
I
— —
pI, ~ I — j
— — -
S) 1- -e
teen - age craze. 2.(When the)
— a. — —
— S S S
S ., I r —
I I I
•
4
EXTRA Verses: (over chord pattern G—C)
i~ b; ;; i~
I I ~ ~lI1J J ~r .r~J j
Gm7
A
1. Love Is Here,_ And, oh my dar- ling, Now You’re Gone,_
2. Love Is Here,_ And, oh my clar—ling, Now You’re Gone,_
~:j I
~
fl~
Love Is Here,_ And, oh my dar-ling,
You made me love you, And, oh my dar - ling,
J’tT—j I I
Am____
G7
¶J:~ J I
OCopyright 1966, 1967 by Jobete Music Company, Inc., 2457 Woodward Ave., Detroit, Michigan
International Copyti~t Secured Made in U.S.A. All rn~ts Reserved
319
GL’7 B6
-‘ $Z~
heart—ache in — stead_ hi — to your arms I fell, So un — a - ware of the
But as soon as love came in - to my heart, you
J Li
Em7-5 E6 F’
4~T~~; J t I
lone — ii — ness that was wait — ing there._
turned and you walked just one way.
i I
R’ ~
Spoken: You closed the door of your hearl and turned the key, locked your love away from me.
Spoken: You stripped me of my dreams, you gave me faith, then took my hope, look at me now,
t~
.r-1 ~J ~j—i j.
Gzn7
~JJ~r—~iJ~j
3rd Chorus:
Look at me
See what loving you has done to me
Look at my face
See how crying has left its trace
After you made me all your own
And you left me all alone
You made your words sound so sweet
Knowing that your love I couldn’t keep,
Spoken: My heart cries out for your touch
But you’re not there
And my lonely cry fades in the air.