CHILL JOSHUA REDMAN

INTRO MEDIUM SWING q = 117

    E¨- B¨/D A A¨/B¨ E¨- B¨/D A A¨/B¨
             
  
Ten.      
               
    
                 
Piano
PLAY ON REPEAT
 
(sample R.H. voicings) - play on the repeat of Intro; on D.C. play both times
            
Bass             
Piano L.H. doubles bass 8vb - play both times
A  E¨- B¨/D A A¨/B¨ E¨- B¨/D A A¨/B¨ E¨- B¨/D
                   
             
 3

  
1ST TIME NO CHORDS; PLAY CHORDS ON REPEAT & ON D.C.
       
        
            
1. 2.
A7#11 A¨7 G7#5 G¨7 F7 E^ F7 E^
      
3
                
 
   
 BREAK

3
   
    
       
        
B E¨  D¨^
    
E¨ D¨^ C-7 A¨ G¨6 A¨
               
   
3
   
  
3
            
 
 
E¨  D¨^ A¨/B¨  
    
E¨ D¨^ C-7 A¨ A
          
        

     
  

 
            

C E¨- B¨/D A A¨/B¨ E¨- B¨/D A A¨/B¨ E¨- B¨/D

                  
          
3

  
              
           

1.2. To Coda  3.
take Coda  

A7#11 A¨7 G7#5 A¨7 F7 E^ ( ) (END SOLO)
          
1st time

              
D.S. 
    
(RHY. HOLDS FOR FULL DURATION) for pn. solo
   
                 
 



Transcribed by VILLE V. (2009)

2

 
SOLOS
D A¨7 1.2. 3. (END SOLO)
          
               
  
1st time ten. solo; 2nd time bass solo; 3rd time ten. & bass trade fours
       
  
        
    

1.2. 3. D.C. al 2nd

E
       
B¨7
       
ending al Coda
               
1st time ten. & bass trade fours; 2nd time ten. & Bass trade twos; 3rd time ten & bass trade ones (END SOLO)  
                   

   

 TENOR SOLO VAMP, SOLO & FADE

      E¨- B¨/D A A¨/B¨ E¨- B¨/D A A¨/B¨

 
                    
                
            

Tenor sax sounds one octave lower than written.

The accented notes at bar 10 of letter C are accompanied by tenor and drum punches during piano solo.
As played on Joshua Redman's "MoodSwing" (1994, Warner Bros.).