Professional Documents
Culture Documents
Feature Stories
Feature Stories
Most people think of a feature story as something soft and puffy, written for the
arts or fashion section of the newspaper or website. But in fact, features can be
about any subject, from the fluffiest lifestyle piece to the toughest investigative
report. Features aren't found just in the back pages of the paper, the ones that
focus on things like home decor and music reviews. Features are found in every
section of the paper, from news to business to sports. Feature stories aren't
defined so much by subject matter as they are by the style they are written in. In
other words, anything written in a feature-oriented way is a feature story.
Key Ingredients
Hard news stories are typically an assemblage of facts. Some are better-written
than others, but they all exist to fulfill a simple purpose: to convey information.
Feature stories, on the other hand, aim to do much more. They do convey facts, but
they also tell the stories of people's lives. To do that, they must incorporate
facets of writing often not found in news stories�ones that are often associated
with fiction writing, including description, a greater use of quotes, anecdotes,
and sometimes extensive background information.
Feature Ledes
Hard-news ledes need to get all the important points of the story�the who, what,
where, when, why, and how�into the very first sentence. Feature ledes, sometimes
called delayed ledes, unfold more slowly. They allow the writer to tell a story in
a more traditional, narrative way. The objective, of course, is to draw the reader
into the story, to make them want to read more.
Different Kinds of Feature Stories
Just as there are different kinds of hard-news stories, there are different kinds
of features. Some of the main types include:
� The profile: An in-depth look at a newsmaker or other personality
� The news feature: A hard-news subject told in feature style
� The trend story: A breezy look at a current cultural phenomenon
� The spot feature: A quick, deadline-produced story, usually a sidebar to a
hard-news story that gives another perspective
� The live-in: In-depth piece of a place and the people who live or work there
What You Should Use and Leave Out
Beginning feature writers often wonder how much of each ingredient to include. In
hard news writing, the answer is easy: Keep the story short, sweet, and to the
point. But features are meant to be longer and to tackle their topics in greater
depth and detail. So how much detail, description, and background information is
too much�or too little? The short answer is if something helps support or amplify
the angle of your story, use it. If it doesn't, leave it out.
Use Verbs and Adjectives Wisely
Most editors will tell you that beginning writers need to use fewer adjectives and
stronger, more interesting verbs. Here's why: The old rule in the writing business
is, "Show, don't tell." The problem with adjectives is that they don't show us
anything. In other words, they rarely if ever evoke visual images in readers'
minds; they are just a lazy substitute for writing good, effective description.
Editors like the use of verbs because they convey action and give a story a sense
of movement and momentum. Too often, though, writers use tired, overused verbs.
Producing Great Profiles
The personality profile is an article about an individual, and profiles are one of
the staples of feature writing. Profiles can be done on just about anyone
interesting and newsworthy, whether it's the local mayor or a rock star. Too many
reporters think they can produce quick-hit profiles where they spend a few hours
with a subject and then bang out a story. That won't work. To really see what a
person is like, you need to be with them long enough that they let their guard down
and reveal their true selves. That won't happen in an hour or two.
Writing Great Reviews
Does a career spent reviewing movies, music, books, TV shows, or restaurants seem
like Nirvana to you? If so, you�re a born critic. But writing great reviews is a
real art that many have tried, but few have mastered.
Read great critics and you�ll notice something they all have in common�strong
opinions. Newbies who aren�t quite confident in their opinions often write wishy-
washy reviews. They write sentences like, �I sort of enjoyed this,� or, �That was
OK, though not great.� They�re afraid to take a strong stand for fear of being
challenged.
There�s nothing more boring than a hemming-and-hawing review. So decide what you
think, and don�t be afraid to state it in no uncertain terms.
Most feature articles contain one of more of the following elements. They often:
1. Look at human interest based stories.
2. Focus on individuals through in-depth profiles.
3. Tell us about an event or an experience: They can teach us something.
4. Link content to a date in-the-diary, an anniversary for example, that readers
might want to learn more about.
5. Allow the journalist to try out their narrative non-fiction techniques (for
example, 24 hours inside an A&E ward) using styles and skills creatively in a
factual context.
6. Use creative and engaging structures to hook our attention and keep us
reading until the end.
Feature writing should be powerful, memorable and engaging. It�s the place where
many journalists have started to explore their own literary skills and potential.
WRITING EXERCISES
Craft a 500-word feature article that revolves around the following topics below.
Choose 5 topics and write your essays in yellow pad paper.