Dy are contributors PETER J. EVANKO MELISSA ANNE MOORE Bee N ale (tA T. RANSTILL RAY WARREN [taf Kel UI Cel tS) Les eal Ta} WEE Meee Chi MASSIMO F. LAVAGNINI Ceol aT Tag AUGH GALLAGHER‘Yeah, 1 know, But as they Argh! it’s late y, ‘better late than never!” First item I'd like to discuss is the recent retirement of reign- ing B-movie queen MICHELLE — BAUER Michelle made her fi- nal appearance at the Chiller convention last April to a hoard of adoring fans, Both Michael Shuter and I attempted to talk to her about her retire- ment, actually one question “why?”.,.. but we quickly changed the subject when she became very choked up when talking about it I would like to point out the falsehood of all the vicious rumors that started when her retirement was first announced - there is no scandal or vicious husband involved with her decision... it was simply her decision. She felt she had to decide where she needed to devote her attention, her career or her family. Obvi- ously, she chose her family... a choosing of her own free will and not coerced by any other individuals. The hardest part of her decision was saying good-bye to her fans, all of which she had a sincere admiration for and couldn't speak highly enough of. Michelle was definitely one of a kind in the B-movie industry. Beyond being a very attrac- tive woman, she was exceedingly nice to people and didn’t take her career too seriously = didn’t develop that ‘star’ attitude, Where mos would think this would destroy one’s career, Michelle worked more in the industry than most, and it was impossible to find anyone to, say a bad thing about her. She had fun, did her job, and proved that she could not only look 2 good on the screen (and even better in person, if that’s pos- sible), but was a excel- lent actress aswell She will truly be ssed in the industry and we wish her noth- ing but the best in the years to come. rt rm completely wasted here - too much going on and Pm way behind. If you haven't noticed, we added all glossy pages to this issue. It was an expensive en- deavor which really didn't have the back- ing, but I got a wild hair up my ass and did it anyway! As we struggle to get caught back up on this hectic publishing schedule, I'd like to thank ev- eryone that has bared with us. Everything will come out, maybe a little later than expected, but nonetheless, it will come out! ‘The MELISSA MOORE: BODYGUARD comic, was delayed due to the original art be- ing lost! It took a wrong turn at the post office | somewhere and had to be completely redrawn | utilizing some photo copies of some of the pencils, This was the first of several delays and the domino effect took it’s toll on all the DRACULINA publications. But, fear not, things are on the mend and we expect to be back in groove very soon. Drop me a line as to what you think of this issue of DRACULINA. We seem to get more sexier with each issue, what's the verdict - more? Less? At any rate, we hope you enjoy this issue and in #24 1 might actually have some- thing to talk about... now, I just don’t have any timeDear Hugh, 1 just picked up issue and [think it is awesome. 1 read just about every B-movie magazine around and | feel your magazine is #1. 1 love Ws color pictures and the ex cellent covers 1 really look forward to Fred Olen Ray's letters. in your “Bloody Box" section. A feader stated that Fred has not been shit since HOLLY: WOOD CHAINSAW HOOK- ERS, I strongly disagree. In my opinion, Fred Olen Ray is the King of the B-movies today. I feel your magazine is greatly enhanced by Fred's In fact, | wish you him into weting a F column each issue The guy is great! How about anothes fon Michelle Hauer? The Michelle the better. 1 would also like to see more JJ. Non, If possible, I would love to see an amticle on Jay (you could have knocked me over with 8 pubic hair) Richardson. Jay has been in some classic B- movies and is one of my fe vorite actors in B-movies. Tve never seen an article on Jay inks Tor your great ine and all your other excellent. publications, kon Ringhofer Orland Pk, IL Holy Shit! Hugh of man, you've re- ally outdone yourself (again). Wow, I thought issue #21 looked great but #22 was in- credible! Oh, I think T soiled my underwear Please don't stop printing Fred Olen Ray's leters. He's loads of fun. Love him or hate him he does have a sub- stantial resume and 1 think be ads an interesting dimension to the read, Sure he can be a bit abrasive and even down- right insensitive sometimes and yeah, he's even made a Few ‘comments that have pissed me off, but this is re life we're talkin’ here The last thing | wanna hear is some phoney kissy face jizz Gimme the Feal poop. Hurt me you big stud. As for Linnea Quigley comments, I happen to be a | big fan of Linnea and think she is a very talented and fas- cinating woman. LINNEA ROCKS! Any criticism of her Interviews 1 think should go to the interviewer for asking the same old standard ques tons that everyone alw asks. I have to confess that { did think the interview in DRACULINA #19 fell into that category. Somy, but 1 gota be honest Not t0 do that gossip mill routine but was that guy who wrote the letter about Linnes in DRACULINA #22 really her fiance? 1 didn't even know that she and Steve J. hud spli up. I guess I need to get our Boy, that Jewel Shepard, what a‘gem. “Is she like that all the time? She's silly. 1 Uke that in a woman. ‘Thanks for printing my past letters. [ consider it an hhonor to be on the pages of such a fine magazine. My best friend, who Tl as Miss X' co maintain her anonymity, considers it the pinnacle of fame for me to have a letter printed in DRACULINA. To her, it ranks above purting out two al- bums, going on nationwide tours, being on the record charts in numerous countries, signing autographs, being mobbed by throngs of ador ing fans and everything clse T can think of that has hap- pened to me over the past few years, And being that Miss X has yet t0 lose an ar gument, far be it for me to disagree. Do you think you'll do a farewell interview with Michelle? 1 sure will be sorry to sce her leave show bus: ness but if her happiness lies elsewhere, s0 be it. ‘Thanks for another great issue. Looking forward 10 the Steve Gatch Milford, OF First off. let me say that 1 never claimed 1 wouldn't print letters from Fred Olen Ray = 1100 think they ave in sigbiful and entertaining but, I can't belp who gets slammed in these bere pages of the “Bloody Box", Frea took kind of a beating in tbe last issue, as well as other people... let's face tt, no one is safe - including myself. Hey folks, 1 just print ‘em, 1 don't write ‘em. Tit admit that T bave beld back letters that 1 felt were personal eendetta’s against people, I'm not looking fo start a grudge match between anyone, but. everyone ts entitled 40 their personal opinion... just re- ‘member that it 18 “their” per- sonal opinion (insert DRAGULINA disclaimer bere) No, we didn't do a fare- well interview with Michelle, but we bope to do sometbing better with ber tn the future (beep those thoughts clean boys). We bad a great time boing around bor at Chiller she was ber uswal charm- ing and joyful self. Steve sent us a copy of COMIC BOOKS UNDER TACK, some news article out of @ Sunday Obio newspa- per insert. The section below talks about a disgruntled mother returing a copy of DRACULINA that ber son ought, and the store owner pulling 11 from the sbelfe. Let's face it guys, bids are go- ing io iry and buy stuff they ‘aren't supposed to bave, or they woudet be kids. Trust me, I knew which store own: ‘ers were dumb enough to sell me a copy of Playboy when 1 was 12 years old. and you an fell me they didnt Row what was inside! But this shocked store owner didn't ‘ee the “For Mature Readers on the cover, and didn't bother to thumb through the interiors... and be was shocked when this motber pointed out the depraved ‘material ber son was submit ted too! Yeah, right. Dear Mr. Gallagher, T just have to respond to your 22 issue of DRAGULINA, When [ saw the cover with Jewel Shepard I got real excited. She 4s truly a beautiful woman, — But When 1 read her interview, 1 was shocked and appalled! ‘The woman was an absolure bitch! She was so tude and offensive 1 couldn't believe itt Why did she act that way? 1 just don't understand st. This (continued on page 54) 3Pee Cem Tee cates ee Se eee eee ee Rene ecu Me ce Po oe Sc ee || Ceeene scm = AIT eee Se eo oe ee ae ee ro Re | SRR. Gea eee) cae || SIO Pee eee Pe ee oes Cee eon | Je Be ce ea ee Rr Semen Viren my Canna Veni eee eye me ee oe a 0 Sar eee ins ee POC See Siete Aiea cenenerereerneer ly een eeu Sree nn Me os Meer ce Co ee Ceres eer co eee ao ee ee cee oe ee ee oo Se ee Se ere ee ee a ee ea ae eeetone so it looked like 1 was walkin guite exciting, T ended up ging out with a lot of crazy people that night, Do Johnson, Sylvester Stall the Six Million Dollar Man Lee Majors... all these differ- ent people and the person that escorted me in said “Hey, come to LA and Til make you a star, So T came to LA and slept on the couch and his girlfriend drove me around, wvent on every litle interview and got turned down but Teanned my way around. She gave me some of the short cits, her name is Donna Spangler Julie's dream was to be in Playboy, which came true in 2 tall giel pictorial in July of 91. But Playboy was taking their time in deciding whether Julic should be a Playmate. Julie dide't want to wait and made the jump to Penthouse and became Pet of 6 month in June of ‘91. She toured with Penthouse, rep- fesenting them at conven: tions, appearing on the Howard Steen show and do- ing 12 Penthouse videos. She then won the Pet of the Year in Jan 95 and had covers with both Charlie Sheen and Jay leno, “Penthouse has been a eat experience, the me my whole nest eg financial core so { could start my business and run it by myself and that’s exactly hat 1 do. 1 agent myself, manage myself, call all the hots and say when and where, and how much. Julie's popularity wa: rowing and she was about to realize her next step, some thing she envisioned at the age of five. She sent som photo's to action movie mo Bul Andy Sidaris.. he liked her, wanted her, and she could write her own ticket Her first movie would be Sidaris's FIT TO KILL... “My favorite movie that T'we been in so far is FIT TO KILL,” Julie admits, “the Andy Sidaris’ fin where 1 made my introduc tion as the big bad, big boobed lady... T played Blue Steel and worked with RJ Moore, who's Roget Moore's som, and it has a real James Bond feel to iT got t0 shoot guns, wear high heel boot and black leather tops with the silver studs in them, spi ‘on people and drive remote control helicopters, We were out in the desert in Las Vegas filming, staying at this Rail road Pass Casino thing, going down for the buffet asf, lunch and dinner we had Casino buffer out in the middle of the deser... okay that tells you what we ate macaroni and cheese, scallop potatoes and ham’ carved Fight off the hedge hog. It ting in the motor home talk ing, getting to. kr people... all kinds of great people This was to start a sting ‘of movies, in fact, one could say that Julie cuns the B-mar ket. "This month T have a fon that film hel, FIT TO. KILL, ENEMY GOLD, DALLAS CONNEC. TION, SORCERESS, CAL: ENDER GIRL... all kinds of movies on every channel, 1 felt like it was my time T had finally made it Lw-budgets, quick sched ues, and the pitfalls that plague the B-movie market jeem to have no effect on Julie's attitude towards the industry. "h's great, is enter aining, it gives a whole dif ferent core of people 2 plat form which to perform. 1 myself like the short shand the quickness and campiness of it. the erazi hess... It just makes it a lot more fun than doing the same take 30 times. These poor people spend 2 whole Gay on a page, we breeze through 10 pages a day. Rock 1 ll Im attempting 10 find something Julie found dissat: isfying with the industry, Julie could think of only one time when she was somewhat dis content. While shooting, UNNAMEABLE 2 she was fic ted with a monster costume that was somewhat time con- suming to put on, and thea very consisicing once it was. Just getting the costume made and fitted and all that was a 3 oF 4 day process, to tal alginate over your face contact lens, teeth molds They made stilts with hoofs fon the ends of them and T had to learn to walk in those, and just all this crazy stuff. dee sets of horns, wings that were fon a back brace, I had to do three hours of facial prosthet ies every other day for month and a half. 1 just re member being really isolated fn the m fit, not be ing able to eat, not being able to hear properly, couldn't make phone calls, coulda’t drink out of a glass. People would be at dinner out in the woods, we were shooting all night long in the Santa Monics mountains, and people we're barbecuing sibs, i. eating beans... and here Iam just prying my mouth open to get a piece roll in there... So that was f= aly sad because 1 couldn’ et, and I like t0 eat a lot... 1 got slender in that movie But even in admitting that she was in discomfort mak- ing the UNNAMEABLE 2, she went on to say how she watched it the night before and liked it. Julie tends to coll with the punches, and seems to always come out on tc 1 find something great in every movie - even if i's a bad experience - meaning ong hours and aot enough food - when its done irs done and i's in the can and you fot that great film. Ie fe age whether t's campy, sleazy for not the greatest quality That's the beautiful thing about film, that i's captured forever... $0 let's preserve our classics America Sex scenes seem 10 be the selling point of most Julie Strain movies, we asked If his ever became ... uncomfort able... “By the time they star filming it people are bored with it. you make it work that’s what acting is. 1 don’ mind doing them, 1 prefer things by myself, like the Penthouse videos are really wonderful and beautiful You just kind of float around in your own litle tance and jump on the bed and spin around in a chair bend over the fireplace and go "woo" You can move and groove Je winding down their career at the age of 33, Julie is busie than anyone else in the bus ness, Trading cards, maga- zines, an up 1° coming photo book, the cover of the up coming September issue of HEAVY METAL painted by Olivia, a new comic based on sd FAKK Il, and of course movies, and more ‘movies, When we asked Julie how she felt about starting this ype of career in her cearly 30's she simply stated, I's probably better that it happened that way (laughs! Tedidn't look too swift when 1 was real young, kind of too skinny, gangly and my hair 7was bad. bad hair, Now Pm happy with my look. My hair is long, Tm sill in shape a Tim just kind dialing in on everything, Even though most would feet that Jules rein at the top it etched in stone, Julie real ines the dog eat dog industry and still perfects her abilities to make her movies look good and her photo's 10 look appealing “Til tell you what, Tve shot in lot of people's garages and in their front yards and came home with Some terrifying shots to learn hhow to really do it right and make it work to get the most Out of your film, Its always a learning process, try and learn something new... stay ahead of the game doing shoots all the time so you an stay as sharp as a razor, because you got to be if you want to slice them up around here, les vicious town, and its kind of mine right now Like a cat, 1 got it by the tail and I'm swinging it around and I'm the Wonder Woman of the 21st Century, so don't fuck with me. TIl see you on the Silver Screen Julie Strain belongs to the SEX SYMBOL DYNASTY along with celebrities Monique Gabrielle, Linnea Quigley and Rhonda Shear To receive a Julie Strain cata log send $1 plus a sell ad. dressed envelope (of for all Tour gis catalogs send $3 and 4 self addressed stamped en velope with 3 stumps on iD. fo. PURRFECT PRODUC TONS, PO BOX 430, NEWBURY PARK, CA 91320.Though from the insurance under ended 195 James Dean's life ‘on September writers after the wreck in 30th, his 1955. Spyder’s reign of terror was animals even Porsche Spyders were ra then Conly just beginning, ninety were ever made), so First of all, fellow stars Barris figured the wreck warned him they felt “bad would be a good source for Vibes" about his Spyder just parts, And since the wreck days before his accident. mainly ruined both cars Ursula Andress, Nick driver's fenders, many good Adams and Alec Guinness parts were still in abun all commented that they dance. When Bartis’ me felt the car was dangerous chanics were unloading the and that something bad car from a truck, it some- might happen if Jimmy how came loose and persisted in driving “that landed on one of Barris sports car breaking both employee! En route t Dean's crash his legs site, the Paso Robles ambu The engine went 10 a Dr lance was involved in an ‘Troy McHenry. He was an accident. The driver of the L.A. physician whose Ford had his car towed hobby, like Jimmy's, was car away from the crash site to racing. Another doctor ‘2 junkyard where it simply from the area, Dr. William rotted away, The fate of Eschrid, purchased — the Jimmy's Porsche wasn’t drive train, Dr. MeHfency ‘nearly so ignominious, In- installed Dean’s engine in deed, as the events un- his own sports car, but was. ‘urled, it seemed as if killed when he crashed Jimmy's car was inhabited into a tree after losing con- o1 of the car in 1956 on 24th ai by an evil spirit intent on ar in harming all who came near October the ut Pomona Fair Grounds, Dr The $7,000 car was pur Eschrid, on the other hand. chased by customizer wasn't killed, but was sett George Barris for $2,500. ously hurt when his car Fe eh utilizing Dean's transmis: sion, turned over at the same race at Pomona Eschrid told the press he felt the car had a mind Souvenir hunters were dealt with harshly, as well by this seemingly demor possessed car steering wheel off the Porsche while it was in res: Barts’ lo In his haste, th ct his arm open on agged metal venile was hurt as he tried a piece o! Another ju! > remove some bloodied upholstery Next, fan pu: chased the vo undamaged the week tires from Within a the blew out and this caused the driver to be run off th Spyder This was the final straw for Barris, who de cided he would no longer part out the Porsche for en: thusiastic car buffs who un- wittingly were signing their hospital admission papers by piccemealing this haunted automobile. Baris decided to lock the car But a “mothballed” Porsche $ not to be. The California Highway Patrol asked Barris if the could use the Spyder as an integral part of a travelling highway safety exhibit. To censure the safekeeping of the car and all who might Barris welded On the whistle-stop the car together there were no further inci dents, and it shat briefly he dark spell Bur the fire in Fresno changed any good karma that had been engendered. When the housed in 2 Hi trol garage in Fresno, broke that down the building and the as well. EY Porsche was hway Pa a fire burned the adjacent one ery ear in the garage completely destroyed. is, except 1 was slightly none the From Fresno’s debacle, it was off to Sacramento for mayhem A teenager's hip was crushed when the Spyder tumbled from its display pedestal when on exhibit Perhaps the car's app ite grew as all points FILM STAR KILL france Orders U.W. Delegation Homenas was “Bast of Eden” gy ROBERT R. REES country and was Dean Fe yomes den ela cf lime of his demise, ‘This lime the unlucky recipient of the Spyder's wrath was one George Burkuis, an employee of the State of California, It was his mis fortune to be hauling th death car on his flatbed Did this curse extend beyond the car, itself, to include James Dean's companion on that aw ful September day? Rolf Weutherich sat beside him as Dean drove to his tuck when he lost control death, was thrown of his vehicle. He was thrown from the cab, bur Clear oF the wreck: But invisible emo was killed when the cursed wreckage tore loose from onal scars can still ring and pinned him beneath its ct destroy. Were these om wounds indeed mmovtt? By 1968, Moth had murdered ‘on ¥ weight After that horror, thi his wife and he pleaded were eelatively calm @S Fe incanity. A few years later gards the Porsche's course fairly routine showing, the c emoniously erated up and sent by freight car back to Bars, A week passed and never be the car had not arrived in High-doll LA, Miami told Barris the done nothing to turn up car was on its way, but sill this Houdinislike car, no signs of i in California, Whose oddly “mysterious Even though George Barris Teputation rivals that of its hired a private investigator enigmatic owner By destruction tn: 1957 he died in a car accident 1958. But the tide changed in Oakland in 1959. The wreck: was alone in the cas, oF Seat nce was he? And what can’ be in 1959 and has seen again rewards. have Ae se ce sti of the driver of the Ford? Forty years later, he toe agian broke speculate on the toll his into two pieces on the high way. Time was running out for this early day “Chis guilt might have taken? The Spyder’s unplanned swan Song” took place ia Miami in 1960. It seems the to trace the whereabouts of __A9_@ footnote, Dean's transaxle has again sure tine” when it appeared in New Orleans in 1959. ‘The apless wreckage broke this time not into two Florida Highway Patrol had petitioned Barris to let them use the wreckage for a safety exhibit to caution his cursed car, it was no use When the freight car was faced in the 1990. It is cur the boxcar fently involved in a The clusive Porsche restoration. It can be yours-for the right price Would even Lloyds of Lon pieces, but eleven while it young drivers about care as sn repose on as display OO TNT potas on Porsche vanished en route stand between Miami and the highways. After this Ml aeRecently, 1 had the opportunity to meet and spend Some time with the multi-talented, multicdimensional Actress Deborah Dutch, in Hollywood, at GIAMOURCON 4 and again at THE FAMOUS MON STERS OF FILMLAND Convention, She has appeared umerous times on television, film and stage, having worked with sch actors as Goldic Hawn, Steve Guttenberg, Tommy Lee Jones, Vanity, Carl Weathers, Sharon Stone, Martin Landau, Telly Savalas, and Pamela Sue Martin. Her range of specialized skills ex tend from dancing through astrology. During her free time, she also teaches yoga, A tnily Renaissance jwoman with a psychic flais, DRACULINA: When did you decide to become an ac tress? DEBORAH DUTCH: Well, it was a natural thing for me. When I was four years old, I was up on stage danc- ing a8 a prima ballerina performing little plays in my neighborhood. 1 would direct, star, and choreograph them, I loved it, D: What was it like growing up in Titusville, New Jer- DD: I love Titusville. If is beautiful, beautiful, coun uy. That's where my roots are, and my tots area part fof my imagination. When 1 was a girl, 1 would explore for imaginary pirates treasure in the woods around Bucks County with my mixed German Shepherd/Col- Tie puppies. Di Was your family supportive of your decision to become an actress? DD: Yes! My mother and grandmother were totally Supportive, The Wwood by myself, which I did, It was scary for them, with me being so young, but now that I've been gone and have been making a success of my career, they are very proud of me. were wary about me going to Hole D: What inspired you to making this your career? DD: Ever since T was a lite girl, 1 knew 1 was going 10 be an actress. When it beeame time for me to decide what 1 was going t@ do with my life, as an adult, it was a natural transition t© go fight into the theater profes. sionally, I worked theater on Broadway. Eater, 1 moved to Los Angeles to pursue my dreams in the movies. actually started making a few movies in New York City, but they were student films, like those made for the American Film Institute, but I loved doing them. I even produced, directed, and starred in one myselt. D: Do you remember the film's name or what happen to iv? DD: 1 don’t remember what happened to it 1 believe ft was called CREATION OP WOMAN, or something like it. 1 only remember I filmed it with me comingDEATH out of the ocean at sunrise nude, as Eve, 1 was the Diva Of all life. Iwas a very artsy artsy type of film, D: Tell me a little about your experiences in NYC DD: I learned my trade in New York City. When you see erying on film, Pm really crying. You not only have to learn your technique, you must also be able to play your character as if it were real, ‘This applies even if it is reacting to @ monster com: ing out after you. You have to be able to do the job and make it real, You have to draw on your personal ex periences. You must be able fo interact and react to the other people you are work ing with ina believable D: Do you 14 DANCERS own Tile experiences for mo- DD: Many, many, times Other times, like ina lot of Bemovies, you have to pla off the situation, Oddly enough, they are loaded with rich stuff to work with You almost always use something from your life as motivation, Like right now, Tam shooting a film called VAMPRESS: LADY OF THE NIGHT, and as a vampire when [am killed, 1 am still walking around even though Tam dead. 1 use all kinds of interesting things from my psyche. It is fun being able to communicate with people who have passed on” while still inte acting with the living as a ‘other worldly" being, hav ing the super natural pow cers of a vampite. Dr Will they be using any special effects in the film co show off these super natural powers? DD: They will be using morphing techniques 10 change my eyes and use other special effects to exag- gerate my strength, so when people come after me, 1 will be able to lift them up against wvalls and busl them through the air. They will be doin Tots of special effects like that throughout the film DB: Do y of oles? DD: I love them! As an ac tress, 1 can play anything Even though P've been in A. movies and what not, my parts in DEATH DANCERS ind VAMPRESS: LADY OF THE NIGHT are so rich with things to act upon, In DEATH. DANCERS, 1 hac to deal with having a miscarriage, making killing them for revenge. You Know it is just so amazin be able to do all these things with a part. Thars why I love doing H-movies. When you take the starring roles in B: movies you can let your cre ative juices flow, Not that won't get these parts in A movies, but right now Tam exercising my artistic talents by taking the lead roles in B- movies and going to town. swith them = I love st Tam as happy as 1 can be Starring roles in A-movies are hard to come by. ‘The studies want a "banking", name (0 recoup their investment, like Kim Bassinger or Julia Rob cents, “These people et all the meaty" roles. Now I'm notsaying f won't be in that po- sition some day, because I'm suce 1 will be in some co-star. fing role fan A-mow D: How well did you adape om the New York lifestyle to Hollywood's? Was it easy?” DD: Yes. They were so di ferent. Boing 2 country sil, | had to adapt 0 the city. My first day in New York city, 1 was standing on the Broad way street corner, where | had been attending the the: ater, and I was almost hustled idea. A prostitute came up fo me. [thought she was being nice. She asked if | needed a ride, and before 1 Knew it, a big guy came by and as hustling me into his limo. 1 quickly pot two-and- two together and got the heck out of there, 1 was re ally naive. 1am wiser, and more mature, but 1 have ever lost my innocence Within. T believe the moment you lose that innocence and lust, you become jaded, | fefuse to ever become jaded! Ive smartened up a lot since eft New York City for Hol Iywood. With all the wheel ing and dealing, and every body out to get what they fan. That is one thing 1 will never do, Even though 1 am always out looking for my next gig, s0 10 speak, I never lose the sense of innocence and purity of soul and spirit Tn the Tong run, I feel that is what the world wants, When they say acting, T come from the school where when you go out 10 do a role, you are Transparent, your heart and soul shines forth on the screen. If you tarnish your soul and spirit by compromis- ing, or just by being out for your own, you will not neatly neiress you could be. When you are ‘open and want to share your life with the world in a pure state, then you are talking D: Do you feel you have been exploited? DD: Oh Lord, have I been taken advantage off I've had doors slammed in my face, not been paid for my work, and avoided casting couch offers. However, all-in-all everyone has been gracious 1am feisty and be cause-and-effect work speak for tself and 1 am taken seriously in this indus ley. There are many pars out there that 1 may have wanted, but did not get. an easy struggle Thad @ co-star role in a major motion picture with an Acad: emy Award winning. actor There were only three women main roles in the film. auditioned for four months taving to get the part. They flew me to New York first class and had limo at my front door. 1 Was s0 excited. T got the par. the week of filming, 1 got “the call’, They replaced the i rector and my past was a “po: Litically vulnerable” role aind Twas out, I thought 1 was oing to die! It was devastar ing, but 1 stated getting leads in the B-movies angey that 1 used all that frus tration and changed “poison into medicine” and turned it around, To this day, 1 am still striving to get that par. Twas so D: Why did you change your professional (Grom Dare)? name to Dutch DD: My real name is Duteh, However, Dare is a family name. When I did a couple fof movies for Roger Corman, T thought t would change i just for fun. 1 felt everyone should have an alka, so that you never get stuck in one particular thing, 1 feel “what is ina name, that which we call by any other name would smell as sweet, So. Romeo, doth thine name and for thy name forsake all that In BRUCE LEE FIGHTS BACK FROM THE GRAVE you used the name Chaplin DD: I hacl nothing to do with that, Someone on the East Coast pirated the movie and changed my mame on the credits when they feleased it there, D: I always wondered why they dubbed your voice? DD: I saw it screened at De luxe studios here in Holly wood, and ever fine. ‘They did a nice screen ing of it. The next thing 1 heard was that it had disap. peared and New York City as a pirated film, D: Was BRUCE LEE FIGHTS BACK FROM THE GRAVE your frst “big” movie? DD: I think so 1 got paid a fair amount of money for a Biel Of seventeen, Ie was my First film in Los Angeles and Ts treated Hike a star 1 had 1 great time doing it, but it ‘was real rough, D: What was your first hor: DD: GRADUATION DAY with Vanna White and the wonderfull Linnea Quigley. Loved it! T had stars in my eyes and the time of my’ life Di What has been your most thvilling acting experience? DD: There were several 1 think knowing 1 had gotten the part in a featured film stands out as it was so exci ing being treated lke @ sir 1 wanced that part with all my heart and soul. 1 said “damn it, Lean do it? and drew all my courage into the final au dition. You have to he so confident and you have to rail your role down pat. You cannot be off the mark. You have to be able to impress the 15