Cahiers Du Cinema in English 2 1966

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FILM CULTURE Ilo. 36

SPECIAL GRIFFITH ISSUE
TII
2 commemorating the anniversary oi
* DAVID WARII GRIFFITII'S

Revolutionary Masterpiece of the American Civil War
and the Reconstruction Period in the Old South
THE BIRTH
OF A NATION ('l9I5-I965)
The Violently Controversial Story of a Violently Controversial Film
By SEYMOUR STERN
A Treasury of History, Information, and Photographs
x o The Story of a Film that Began as the Cinema‘s First Super-Spectacle, and Became an Explosive Political
and Social Event in Modern American History
0 Why It Could Not Have Succeeded as It Did Without the Powerful Ideological Musical Score that JOSEPH
CARL BREIL and GRIFFITH Compiled and Edited for It
I The Film that Gave Birth to the Screen as an Art in Its Own Right, with Its Own Techniques of Acting
and Production
x 0 The Film that Shattered Forever the Erroneous Dogma that the Stage Is the “Mother" (or the "Father”) of
the Screen
ac 0 The Screen vs. Stage Conflict from l9I5 to I965 -The Creative Film vs. Reactionary Stage Snobbism —
The Ku Klux Klan as a Form of Psychological Terror and Warfare -
The Global Impact of Griffith's
Spectacular Masterpiece on Motion Picture Production from that Day to This — and Other Aspects of
the Story of the World's First Great Film, Featured in this Rich Commemorative 50th Anniversary Issue
272 pages 56 pages of photographs $200

ON SALE: Leading Newsstands and Bookstores
II WIIII I0:
FILM CULTURE, Dept. C, 414 Park Avenue, South, New York, N.Y. IOOI6
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Number 2
X BUSTER KEATON
’ I _‘_ . Adieu Buster 5
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~ Y LUCHINO VISCONTI (CdC =174 Jan 1966)
Drama Of Non-Existence by Luchino Visconti 12
S The Absences Ol Sandra by Jean Callet 18
X Hm |Mm_ H ;,m,_ _ I.‘H_‘_ BUSBY BERKELEY (CdC :l74 Jon
1966)
""" -"1"" “"""‘ -‘“"' Dancing Images by Jean-Louis Comolli 22
Interview by Patrick Brion and Rene Gilson 26
x l Filmogrophy by Ralph Crundall 33
>= l COMDEN AND GREEN (CdC= 174 Jan 1966)
x l Interview by Jean-Francois Hauduray 43
Filmography by Patrick Brion 49
3
' ALFRED HITCHCOCK (Cdc :39 Oct 1954)
x Hitchcock Versus Hitchcock by Andre Bazin 51
g _ Skeleton Keys by Francois Truaut 60
Hitchcock Confronts Evil by Claude Chabrol 67
l"' x cmnsas cnmouss
x Godard: Pierrot Le Fou by Michel Caen (CdC :l74
Jan 1966) 74
lPH X Donner; Nothing But The Best by Jean-Andre Fieschi and Michel Mardore
(CdC :'l74 Jan 1966) 74
Mg Donner: What's New Pussycat? by Michel Mardore (CdC ::174 Jan 1966) 75
K Fellini: Juliet Of The Spirits by Jean-Andre Fieschi (CdC :17-1 Jan I966) 76
it Antanioni: L'Avventura by Jacques Doniul<Vu|croze (CdC: 113 Nav I960) 77
°' onus AND ENDS
Council ol Ten (CdC :174 Jun 1966) 4
'- x Ten Best Lists (CclC :l74 Jon I966) IO
"5 x Editor's Eyrie by Andrew Sarris 79
of Paris Openings (CdC =174 Jan 1966) 80
,1; 7‘ umsns nu CINEMA IN zuousu
Administrative (ma Sub\(ri|;Iian Oke ass Madison Av», N. v, N v 10021. USA
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Edits! ||\ ch-1+ monsw SARRIS
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Trumlutur. JANE FEASE, ROSE KAPIIN

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~11:11|111\' :11111 1114111. 111 1111~ 1'1-\111'1'1. 11111'1- 1
"1"‘1"" 1“1"1'- \_1‘*"’1111 ‘1“‘1‘ 111’ 1111' "“'11“"11 "1' 11“‘11- 111:1_\ 111
1-\i1 111-l1:1\'1-111~l \111'111'1~1-11. \11-;1111_11< 11-];1111111~|1111 1111111-1111 ,1!/-/111;-1//1 211111 1 1111/1

11 i~ :1 11111111 11111111111 111111
1111-11-1" ~-111' 111-"-» \ -‘111 .11.-//.-1/.1//'1111.1~.1.. .; 111-111 11-11111.111111111111111.11-1-1111111

11 i~ :1 ~1---1'--1 111=11 11=1~ 1~>~1
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.'~'1'?\‘1'1".‘~’ 111 X" """‘11"'1"‘ 1" 111111 11"‘ 1"‘|"'1"l' 1-""1" 1" 11_\ 1111~ ~:11111-\;11'111:11111g:1111-1'11;11111111>|'111:11"11:11111\\11111
11~1-111
11:11'1\111-~~. 111 111' :11111 l1'11111. 1':11111'111
1"'1' 11"“" "“:‘.\ 1“ ‘1"“1"11 ""11
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1‘5“’1\~ X" ‘“""1 1" 1"1
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W, Hm’ I1“/,>1m_,\, “1,,1‘.1,,.\_' 11,1
I1 i~i111111-1-11>\1-1111i1~1-11'111:11 ~111- i~ :1 11111111 11,," |,1.1“‘.1.“ 11:1"
:1111-11111111.
~:11111 11~:1_;111~~ 11'11111 1111-1111111-1'11.111:11 ~111-1~111111~.~11~ i111|1:~111*11':11111- 111111-11111-\~_
1111- 11111-11111; 111 1111- 111111 1~ :11111111-;11111- 111-1-:111~v 11 1~ \_ :\1“:|_\_ “ml \N.|_“H1 “W1 IM.1mI_\ m|_1.4_ 111
111'1~r1~1-1\ 111111-111111':11'\ 111-1111 11111-11111j;_ 11 ~1-1~1'111'111;111 NH.‘ 11“, 1n|1m.|m. U1‘ m111‘.u4 U1 m‘“,11v H1 $11111
111:11 1.111111“!
:111~1-111'1- I1 111'111;\ 11:11~l\111-“_ 11 1~111:11 1111111 11-:11- “vi--]1~11111111111:111111-i11g~
> \11111-1‘1‘:1 1~ :1 11111-1,1
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1111111111111-1-11111~1 1111111111?11111-1111;11-:11'111;11 1111111

1111 H 11H1__ 1“-M. mu lmw “TH 1111111111 1,111.1,“ [1|__ 1‘:
11111 1':11'1'\ 1111 1111-1-11111‘1- ‘1“""1 "1 H“1"‘1
111111 .\1 1111
' 11111111 111' 1111- |11111~1- :1I11| 111'1~1'1~1~1\ 111-1111'1- 1111- 111-; ~1-1
~ ~ '.\: M11"‘: : “"11" -
11111111 1111~1-11:11':11-11-1'~:11‘1- :11 1;1~1 _-4111113411-~11.1111111

--
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\ mu 1‘ ' 11'" “"1 11“ ' '1 hm 1"‘

1;.
~; 111
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.
111111 11:1~ :111'1-:111\ 1‘:1~1 1111. 11111 1111~111j;111\11'1111Q 1|11:11111 .
' ' 111- -11-11-:111-11 \\1111 ~ 11-1-11
I
111 1111- ~1111'\ 11111-11~i1'11~~ 1111- 1'1-1-1111;; 111' 1111-~r \1111111-11
~11:111111\. 1111- :1111~~. 1111- :1 11~11111
- 111 ‘ 1.111111
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~11111~. 1111-~1- 11111~\111~1-11-11
1
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1111-1101-, 111\1' 1111'1-1~ :1::1111
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.
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'\ 1
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11111’ : -11 _\, 1111
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-1 11111 1 -
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:111\:1111-111\ 1 . I1111\1-
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' 111‘ 11111~1- I~ 2111 1*11111 1\ 111111111111-4
.
[11:11 1111111-1~ 1111- 111111 111:11\1-~ 1111- 11111111
1111-111
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~111111-1'~ 111-11» 111111 11'1~11111|1- \\111-11 .111 111111
1 \-' '~
11.1 1111
' ~ 1111- ~1~1-1'1-1 111'1111~ 1 11111111 ~1-11~11:1111v\ 111111 111.1
' 1
,~1_
Michael Craig, Jean Sorel
\.\
l
l)('L‘ll alilo lll t‘t>lllllllllliCI|l\' in

his ititor|>rt-tor, Tho tlosli 'l‘rat'l<iiigs' iii Zllltl iiiit currospniiil tn s':i_\' that horo.
is prosoiit. a thuiisaiiil tiiiios Illltft‘ prt-soiit \\'hoii tho thoro is nu liiiigor oithor oiiiiiplaisaiioo ur itItlll‘it‘l’k'l1k‘('.
spirit is ahsoiit_ whon tho o_\'oliils \\'t-igh on a lust gaizo. hiit :i |i:issiiiii:ito striigglo at a iiill_\' iiiastoroal (liSl(\l1Ct'.
\\‘lioii tho \'<iit"os ilio lltll all ari|iiiiil_ lii>ll<i\\'iiig tho That is \\'h_\'_ l‘lll‘l1\'l|I'_\' tn _\“rn.m_ tho hig sooiio iii
i-iii|itiiios~ hi-si<los this skiii sn living. so sriisitivo. iii |'ii_i/Iii‘ .\'Ii'Ili' . . . ttho l>tl(' iii which lirutlior Ztllll sistor
L‘ its iiiiiiiuhilit_\'. haro it uiit with oaoh nthor) iiu luiigor has tlraiiiatic
.\t tho t‘l](l iii tho rst sooiio. Saiiilra is aluiio iii hor \'aliio. lt gin-s tn .\'aiiilr:i aiiil (iiaiiiii a last uicozisiuii
iis
r<miii_ nit hor l>o<l. Tho t'atii\'ra :i|i]»r<i:iolios hi-r izior. lib pit tlioiiisolws against each othor. It toaolios
iiutliiiig. rosolvos iintliiiig. N0 startliiig siirpriso. Tho
Hi Tho \\':i\'os iii Fraiiok liroak, ltissulvo. \‘iil;_':ir iiiiisic
nd iriiiii a traiisistur railiii. 'l'lir<iii;1li tho \'it-wtiii<lor iii stzirtliiig siirpriso w:is at tho hogitiiiiiig. .'\|Itl tho tilni
.\|iilro\\"s oaiiiora. it is aiiuthor $aiiili'a—civqiiotto. 4 liko tho raiiiora iii tho rriioial shuts ~ |>ri|i‘i-oils
wo aro
llootiiig. lziiigliiiig ~that wo aro luukiiig zit. Tho szitiiv lixickwzirils. .\liuiit tho iiiystory uf tho up:-iiiiig_
Ono can lIlll_\'
"“' laugh as attor tlto ilopartiiro uf ilio giiosts zit tho start. t<iI<l 4illl\‘ that it is a poriiiam-iit (l.'lll§_{('l'.
oo it_ (‘tr fall iiitn its iiiforiial trap. l'u_i/lit‘ .\'li'lli' . .
nii‘ Tho laiigli of siiiiiooiio who oniiios uiit <it' :i hail tll't‘.'\lH.
is tho tlight aiiil this tall hmh at tho saiiio \llI\('_ Tho
.\ll tho liliii is tlioso |i:issa_4os. thc-so rt-\'orsals.
' .'\lI.\'('lIL‘t', l'rt'soiico. Tho $I|lllt'1|llXi\'l\'—CTl’Z\lill;{ altor- "WI "-*\'lll?\li"'\-*' ‘hm ""l|""l1‘ \-"l"'\"'1\i-" l-!l1"*"-‘ -""'
Fr‘ lI;\[i||]] ;|_< _<h;|¢|',“- “mt ]i._ih!_ ~-] mink ’|'\-0 __-W" ,-,,""._ thoiii at :i tlistaiioo niio t'runi aiiiithor \\'llL‘ll ll1('_\' uiiglit
tn iiii\ tlioiii l.ittlo ll_\'t littlo l'Z\t'll uiio takos his <lis-
ml“ IIIK sa\s ' .\ll(ll'\'\\ ‘ iisitiiig
-'>' : tho oliati-.iii.
- .\t that iiiu- -
“-ll“
~
' . .
:t-no .'
iiioiit .\aiiilra li-:i\'os hor hiishaiiil tn go iiitu tho (lZ\I'l\'
. .
"""'*' ?\!4=""- \ "l“""'“ 1-‘ l'l\"' """l\.‘ '" “lmll

"“g' park. Tho voilotl statiic of tho fathor hoats at tho \\‘ilIll """l‘-‘ lhlllk ll"‘.\' "Y" f""li"§~' |l"‘l|' >""ll!-il"~ ii l"‘)' "I"
l lll\t' xi ghost. .\:iii4lra stups. Giaiiiii s face oniiios uiit nt l""’1\\'ll l"" \'l"~“‘l.‘ ll“' “*\l"' ‘|‘““"-‘- ll“ >‘""ll$-Zl“ '-‘
-
11"“ Q“. ,|m(|,,“-_ |m.(.l_\- _<;m,im'§ f_-|c(._ _.\mh-0“. “m“.:".__. "m_ ilriiwiioil. tho niirrur is liri>koii_ lu aiiil lI('l14llIl tho_\' ari-
lll\t‘(l at tlii- liiiokgriititiil of tho gariloii walk. Fiill shut. ‘lri‘4('“ “fr l" l“"'-“lll “f "‘ill“|' ll£!l‘l*'-
r tho tiiaiiiii _4nos ti» shako .\ii<lri-\\"s ltillltl, .\'amlr;i jniii; Tliiis tho ('lltlI‘(‘ lm is liko tlto sci-no iii tho cistorn.
it st" tht-iii. \\‘ht-rt‘ is tho triio .\'aii<lrai' \'isouiiti takos caro (hio iiiiist I't'2\l'lI this iii-r\'o ooittor. pliiiigo ititn this
:tiliii not tn ro|>l_\'. llo liliiis .\'aii4lra \\‘hu stziggors at tho gulf, tn ilraw fruiii it tho stroii;.{th tn osoapo it. l:.at"li
\\'t‘ -ill"l‘ tilttv its tho \\'|Il'ltl in \\'hioli sho liolniigs. Tho will attoiiipt this tlight: t\1I<ll'l‘\\' gut-s xiway. (iiaiiiii
liiirtls tho iiiaiiiisrript. §aiiilra loavos Ciaiiiii. l’»iit Gian-
_
,\.i_-‘.|_\' hill sliilos liko tho hill iii tlliirir/. “l.ot‘s li\'o hero al-
~liml)' \\'i\_\'>"' $:iii<lr:i was sa_\'iiig a tow I'l‘l0l11(‘lI1>‘ earlier. Rut iii will nut ho ahlo to liro Hll\Slll(' his ca\'o.
ill \l\i.~ l"'“' "3" l" llli \‘1\ClllF\1l"2 \l"i\T‘T~*°?
.\'"" l-1k“ "ml 'l'lio |llI\'l‘l that ht-ars tho titlo iii tho tiliii is i-\'i-
iti has \'isouiiti liliii is tho histi>i‘\' tit an illitsiuii_
|'I\'ot'_\' iloiitl_\' tho tilni itsolf -i \\'liioli irriiii tho start \\'ill.~
Tho passago thriiiigh ziiipoaraiicos. juiiriio_\' tu tho itsolt sn ilistaiit t'ri|iii tho s]iootatnr_ Tho olt:ir:iotoi's
ahsoiit tlioiiist-l\'os. tho lilin iiii|\'os tarthor a\\'a_\',
(hit-
oiiil nf night. .-\ \'isouiiti horn is suiiit-iiiio \\‘hu lit-ars
tliiiiksui tho lIl<l\'('|Il('Hl that giiiilos ,lIIII'it'I. that st-arch
rnioos aiiil oiiiharks iii soarcli tit tlti-iii o\'on lib sliiii-
\\'rocl<. llo |>liiii_4os iiitn his ilroain l'\'t‘tl to iailiiro. fur a coinor \\'ll\‘l't' uiio iisoillatos \\'lll1<tl1\ l\'iin\\'iiig it.
iig. Uiiiiitoss $a|iiori tloos lior luror tn tho oiiil nf l>:iso- that srattoriiig uf oliaractors. that shattoring [U ]Il('Cl'.~
iii-ss. lll\'ll at last onnios nut tho uthor siilo tn llll‘illil\'. that sooiiis to :ilTi~t‘t tho work itst-lt'_ llvt-r_\'uiio loa\'os.
oi l Tl‘i(‘Tl'\‘ll tn .\'t'i|.m a littlo :it raii<lii|ii, l.i-t's tako a<il~ liiit that is porliaps liottor tu roach tho l‘t'2|ll_\' alisoiii
.;s \'aiita_4o iii it. l’<-rltaps starting iruiii that llllll niio will ]I\'l‘_s1Ill. tho t'athoi'. Siiiiil:ii'l_\'_ tho tiliii \\'itliilra\\'s fmiii
l ho ahlo tn soo tho ra<lical iiowiioss cit I'u_i/Iii‘ .\'/rllo its iHIIt'|H' tn giro tho iiinst osaot iiiizigo vi hiiii.
Q ; 'l"”.”"""" ' - I" ~\_""~‘_" “"' HY" ll" ill"-‘l"" “llll ll" li tho |lll1\l(‘('T\'l\1ltll_\' ut' tlii- iiiivoiliiig nf thi- statiio is
\ll iiinviiig it is nut t|lll_\' liocaiiso tho hiiiiiaii \'niot- has
l
~4‘ l \'ll2\l‘ilk'lt'|‘.\. .\ll llio tiliii is lt'tl tuwartl tho high scoiio
‘li"il]‘biU‘l “hm! ilIlllI\\'l'tl tho iiiiisir, tho vuiro iii tho rahlii, tho vuioo
"1.
“T ill“-"Wr ll“.with Franz
‘mi.tho at H“. ,,f Q“. pm.‘ “in, “tum. um n.j‘,;" u. ‘mq “-mwul
‘illltl’ lllIl\' as tho Ciiiiiitoss. \\'i~ aro oliarartors
"“ ll"' *"l" "1 ltssiiiii iiiitil tho liriital tall. ili'u\\-nitig iii it. This scoito o\'<ikos tho i2\lIlil_\' ])l!liln—
l" _/'".'II‘ .\‘Ii'l/i" 1Ii'lI'Ur.\‘ii . . . wo aro cniiipli-tol_\' alioii ;_'r:i|ih zii tho oiiil of I1i'riiii‘I'i'.i" |'i|i'iiiii"i'.\'. Tho oziiiiora
Q
lit (iiaiiiii'_s ]ti\.\>i(lll for his sistor. Hottor _\'ot; ll()[ a is J\ll'l'Iltl_\' rt-r_\' far iruiii tho hiiiiiaii hoiiigs. lt is a
‘ .slllhl(' oliaraotor is this passii>n's iniil, (iiaiiiii trios ilos- iiiuiiiont int lifo that is ruckiiig iii tho iiii-iiinr_\'. \\'o fool
3 lit-i'a'i-l_\' tn t’('\‘;\]Illll't' $:iiiilr:i, .\'ho slips, thinks sho is hi-rt-. as iii l.i-oiiliar<lt's filiii. that uiio fiiiils iiiil_\' what
iiiir t‘I\tl li'a\'o. Tho grout i>ara<lt|x iii ahsi-iico is ro~
W
37 siiikiiig iii tho ah_\'ss. l’-itt slio is alri-a<l_\' far I\\\‘i\\' irniii
; it. .\tl(lrow trios In tiii<lorst:iiirl_ thoii >ll'llfJgl(‘s’ :ig;|iii§t sulvi-<1. .\iiilro\\- has iiovor hoon iioaror his wifo. Fho
‘
F,‘ -Y tho :ul\'orsar_\'. llo liliiis. .'\ll(l liiaiiiii liiinsolf ziokiiiiii-I» has iii-\'or l)t'('ll iioaror hor fathor_ Tho liii oaii with-
»:" I ~ otlgos that ho has frootl hiiiisoli imiii his passiuii h_\' |lt'a\\' iii its tiirii. lt is in this \'(‘\'_\' IltI>ltl('|'Ii that it tiiitls
-1 _; \\'HlItl_{ his iiu\'ol. lliiis ('\'t‘l’_\‘lbHL‘ l\lt>\’(‘$ a\\'a\‘ frrini its nrilor Zttltl its sploiiilnr.
tho ah_\'ss wlioii it has sc:irool\' nponoil. Fast‘iiiatiuii-
_l(‘l1 COl.l.l7.'l‘
rt-piilsiuii tnlluw oaoh ntlior in :icoulor:iti'<l iiiutioii. (lm uecms on Page 78)
21
P
Lloyd Bacon: 42nd Street, one of Busby Berkeley's
_
bu|\eI numbers.
_ “-
1}
' ,_4__*
l Imleetl. it is like .1 kaleidnscnpic iniage 4 with its tlu nut tli$(\|i])t>ltll e.\|ieet:tti<m and (in nut re.~'train the
re\'ersaI.~' ut .~_\'|n|netr_\', its regular
its rh_\'th- euntr:|.~'t.~_ ll|].{ill nt the e_\‘e.~" and nt the ntintl_ hut .~nlijttg:tte them
ntieal :tlternatiun.~", with, tun, the tletianee of tlte urtler and enn.~'train them tn p:t.<s through the euurse the
ui tin|e and of that 17fS])1\L'(‘. of its repetitintts, its mn|- itnztges tt>ll<v\\'. tlteir arhitrarine.~'s ehanging the trttth.
ti|>lie:ttimi_~' anti tli\'isiuns, its tele.~'en]tie lap lll.\'.~'lIi\'(‘$
aml the retIueti<m.< or enl:trge|nent_~" it ltriitgs iurth —
that e\'er_\' one, ur alntnst e\'er_\' une_ t>t' tlte t':t|titm.~' .~e-
th:|t is heean.~'e the cinema of Ht-rkele_\'. if it _~'unieti|ne.~'
<lr:tw.~ t‘lu.~e tt| the cinema of uptical aitintatimi aml tn
"pure eine|na." (Ines nut ha\'e. as they ttmst uften (ht,
‘
quenees enneeivetl. set antl uiten lihneil h_\~ l’,u.~'h_\' |§er- as its only ulvjeet that of |irn|m.~'ing tu the sight antl to
l\'ele_\' itt ]'Iull_\'\\'t>utl_ a|i|>ears :lt mice and remains in the mind an uninl<lin;_{ — t|ecessaril_\' l]]t>l1tIl1)ll4ltlS aml
the ntintl. |tnin.~']iire(| at length —t>f /*/tt.\‘Iir <lispla_\'s tii eatletteetl
_\“-H-n|“-la,-_<_ ‘|,,-,0 ;"mK¢_, _'|],,\“.,-__- Hf L,;r|§_ ;‘,r_ inia;.{e_~'. of luminous litanies or formal re.-pu|t.~'e.~. hut
e.~ts nf wmnen in ntareh with a .~in,.,.1] e n|n\"e|nent. tli\'i<I- aims. rather th:m at this result, at shnwin;_{ the m:uI.~
ing .~u<l<lenl_\- intn equal |ii:\.~'.~'t-.~, t>he_\'in;{ in a meehan- that lead there. at ft>Ilu\\'ing the pltaiittistttagoric hirth
ieal en.~enth|e the same :tl>ru|it .~'tart.~' and .~"tu;i.~", l>re:tk- till“ u’ l‘l"<"ll“ ‘l““rl"‘“ '“"""' ‘lm“*"
-‘“'t~'\‘ l'.\' ~"l"§l“3
ing one atttvther h_\' the tttost ahrttpt angles or the enn-
trar_\' lluwingalong Stllllttllt t"ttr\'e.~ these intages tlii-
t'er frnm tltt|.~e oi the k:ilt-i<lt»st'i>pt- in that they tlu nut
f ll’ -‘“""‘l~'lh “ml ll‘ |"'i“‘l." "X“'l'l l-r‘"" lll“ l'li\~"ll\'ll_"
l"""'l-“'l.\'3 it L‘ i" ll" “mil il~""" ""1." i‘ "i‘"-"ill"" l"
ll-‘i ""llr"l."~ 1' l'llll\lll'e antl a t'(’tllfll ‘ll '~"l"lm"'i""‘~
‘,n.,»‘.m ‘.m;n.t}- H“. __-mm. |,]“)- U; |;g|“_ H“. “um. iri, nothing hut mu\'t-ment. linked rli.<.<ul\'t-> uf times and
and ridges. nur the elmuletl z<ine.~ and inter»
tle.~'eenee.~' >‘l'"“'-*3 ""'li“""rl'h"*"5-
ierenee |m>per tu the prujeetintt that a retleetetl
frin;_'e_~ Herkele_\".< einenta is nnii|ue itt ha\'in;.{ seizetl this
light. hrnken and repeatetl h_\- the [1lZl_\' 1-t' n|irr||r> itt :t truth ni a ilream and having iIItt.~'tratet| it dirt-cII_\'.
triangle. t"att.~e.~ tn alipear. That is In sa_\' that the.~e i\lt>n-n\'er. it thereh_\' enineitle.~ Ilt4|t'(' naturally atul
i|nage.~. nmre learne<| than tlte l\ttl\‘|ll‘(l retleetiun uf the IIIlIT(' ex:|etl_\‘ than the uther :|tten||it.~ at eine|natn-
euneeal the threatI.~ that animate them
|<=\|t'ill<I.~'1'II|>e. ;_{raphie “|mrit_\*" with that which can take the place ut'
and sn.~pe|i<l them un the .~ereen; their ht-:tnt_\' in tn|- .~|>eeilieit_\' in rim-Ina: ]>l‘l'\‘l_~'t'l_\'. nm\'e|nent alnne. .\lar-
interrn|>tetl gt-tit-sis. the .~nl»tle |ila_\' uf their \'a|ne.~' antl r_\'ing the |neehanie_~ :>t eittenia — ur. rather, ut' .~]»ee~
of their .~trnetnre_ nia.~'k \\'illtt|tt! apparent e'<irt tlte taele i to the nieehanie.~ ut' a ilreatn. he tinil.~ again
teeltnieal arsenal that is their t'nnn4latiun antl the |le- antl re\'eals 4lireetl_\‘ the tlrealn nature t|t' the ei|te|natt>-
\'iee.~ nr tleeeptimis that ennier mt them their |>:>wer.~ ;4ra|ihie .~||eetaele,
‘ll lull-"l"ll» Rather than a >t|n'e.~.~int| uf in|age> like thu.~e ut' tlte
Yet thi.~ einenta that re.~ul\'e.< it.~'eIt' tnta|l_\' into .~pee- ltaleitlt-.~'eupe. the L‘iIl(‘lIIZl ut' Herkeh-_\' §ilIl\\'_~’ lime these
taele. the.~e i|na;.{e.~. ‘II('4\‘- .~l|nt_~', these seette>' that have in|a;.{e.~ ari.~e antl take iurm. t'<i|luwi||g their ennstitn-
nu nther t'tnt\'ti|||t. nu uther meaning ztntl nu nther ex- tiun element h_\' element. tn the ent|i||u.~'<-ll antl eont- l
i.~tenee hut \'i.~nal he:tut_\'_ tines nut eun.~'titnte an at- ||lex intage: then. .~tarting again frmn this itnage \\‘ht-re 1
a
tempt taml it \\'t|tll<l he the unl_\‘ attempt hrunght 1-if mie \\'t»nl|| he lt'lII|)lt'|l tn _<tu|», either he tleeutn|m.~e.~ it (
~neee.~.~fnIl_\‘t at pnre einenia. ui |metr_\' antl ninsie lIIZttll' element h_\' element ti» the nriginal t'ur|n>'. nr he eun- I
\‘i>na| art. \\'ilt>.\\' pt-rt'rt't j{t'2tltlil_\' and eun.~e¢|nentl_\’ ~itlet'> it itself as a .~in1ple element aml intt-_4|'ates it in~ d
\\'i\tt.~e |mret't_\' in a eertain periutl wa.~ likenetl I-_\'
— tn the e|uitpn_~iti<i|t uf a new whnle which, in its tnrn. Tl
the eritie> tn the \'er_\' nature antl |nn.~t .~]>eeitie eharae- will he .~een either hn-ttglit hack antl tletailetl tn its 5‘
ll'l'l>ll\"-* ‘ll llll’ l‘llll'lll1l- original hutl\'. or taken it.~eIt' a.~ <let:til tit a new whnle. st
There are a tliu\t.~'antl ueea.~iuti.~ tu u||.~er\'e that e\'et'_\' whieh. in it.~ tnrn ~— ete. Sn there i.~ :1 .\'_\'.\‘/elltt" Herke- m
t|t'ill‘il1|II, tntee lilnn~|l_ unee tixetl in in|a_ue.~. znnl the It-_\'_ a> there i.~ a .\'_\-.\"I¢"nn' Ri|_\'ll\tlH(i |{uti.~'.~'el_* with Se
inure if it i> a t|ne.~tiun vi :t \‘i\t|al tleliritnn. h|.~e> in which the .\nteriean eint’-a.~te, <'\t|lut't't' mt’ tlI't'l|tIL\' antl gt
"""l|""'- l" ~‘ll"‘l'!~'lll illlll lll Fi\‘|llIl'\~. ill ]>ru|>t>rti<m tn ui eineinattigraphie la|tf4ttaj4e ~ ur. rather‘ of the lan- pi‘
the lit'lIl <|t' thing.~ |m.~'.~il||t' fur it: ini|m\1-ri.~I1e.~ it.~eIf _L,lmg‘. Hf ‘-;m.,,,;\u|;_;rapIIic Ih‘eani~ __ t;,|,,;, in ‘hm ‘my
the inure, the inure that it u|lt't‘> tn the nnagjtnatinn. __mmw. |,(,m|$_
. . . . . . the
ant] th.~a ItItlll> tatallr nt the tnea.~'nre to which ll an
1 . . .
H i |.|ke that ig.
4
‘_ _ |>t the .~\'.~ten| nt Herkelev |n‘u-

|\'|tn.~~t~l.
|>re.~ent unl_\' une nna;.{e trntn the ernwtl ut thu.~e that '. ‘
thnm“ in it “ml whirh mm“ lw .
-_ _' ‘
“_(_h_mm_ “TH t'ee|l> h_\ ttut e.~~entt.|I .t||prn.ttlie.~. either anal_\'.~'|.~' antl {m-
. "‘ . ' .~\'nthe.~i.~_ n»||i|m.~itiutt and tleentii|>u.~itiu|i_ the :>ne re-
ltllllltlrll tthat
.
'
is to .~a_\' a.~ httlet as the ('h<t.\l‘H nne. ' 1
There in e\'el‘_\' extIre.~'.~i|m nf a visual ilelirinnl §1l\'-

i.~ mhmg mm ‘W M “if m dminmnun i "I “W Pun‘ uni sic‘
en a.~ .~ueh a t|et'e.~'.~:tr_\' .~hare of ar|>itrarines.~" whieh. Piaii U" 'nm‘4‘i\ mm L‘ 1" ‘“-‘i ‘ht Hhml Hh""i5h |’r"' Hut
far frutn ripening tl<mr.~ tu the itnagination, im|>ri.~nn> thei
it anil niake.~ it a.~|>ire tn an exprt-.~’>’iut| at unee inure ¢[{;|_\-mum] (].\'7T-lll$3|_ poet antl exlit-1-i.
|{t,“_~q-1 in l‘
i""5"k"'li'| “ml l"»*~" i\\‘*"‘ll""“|- mental writer (I/ltfI't‘.\3\'iun (I'. Ifriqm'. l.un1_\' .\in1m") It ei
Xmr, the ntatl chains i>t' itnage.~ of ]'>erkele_\' not t>nl_\' —_I.l’. \\'ar
Z4
‘tart-tl jttttttt t't‘t>nt um» ttrtlt-r tn zttt tttlttt ' llt.tt
I
‘ ' i~ ttt ~.t\
Q l|:tll<~t ttt tttt:t;<t~~ t~ ttt»! tht' |>:t~ <lt~ tlt-tt\ Itttt [hr tt.t~ th-
that. agaitt likv tltt- art t-t' Rt»tt~.~\-L that ttt l'-t-t'l\t~lt-_\ tttillt-. thr t|:tttt'<- ut :t th-ttt~atttl, .\tttl <>ttt~ czttt ~tt~|tt-vt
ttt h:t\'itt_; gin-tt hittt~t-It thv 1-all:-t :t~
tl:t\~ at tht~ ~atttt- tttttv <-tt tht- tzthlt-att ttt ltrgtt‘ atttl tut l§tt~lt_\ |lt~rl\t-]t>_\
1
"
tltat ttt tttttt~t-tt~t-. l -la4\.~ I-tt :t cut-.\ t~ttt|tt ttt nrllvtttltt"'
- " att ahl-t tut" ht~ tttatl trt-um :tl:t~. tttt|~|tttttt tltt~ ht»
all tl ~ut' l tt'i~t~, \\'ith tht- t>ttt~ :t.~ ttttlt tht- utht-t". It-;_-iv t~ ' t--t‘_\ t-t' vtttvttta tn ~h~|\\ ttt all ttt-~~tl|lv |:t~|ttt>tt~. ttt
tltt~ l: tt"
"ht -~ t | |t|~~iItlt
Q tlt-lit"ittttt_ tar tllv l>l|||t|\ll\'§ tht~ rt|tt~lt'tt\‘lh>t\ wt lht- tli-t :tll ~i1 t tati ttt~ zttttl ]»l:t_\tttq
1 I all t-:tt't~_
in
rt t lll‘~l' INN l th t’ l'\‘§\ .~tvttittj_' ht a||alt>j_'_\ tttt-ttt-tntli/.v all tttttttht-t' ttt ttltitttt'tttl_\ 'lt't~~~t~tl ltlutttlv _tIil'/,\", tlt<- ~t|lt-tt~
~lt-t‘ ttt an |ttttt<-c\':tl>l<- ztltgttttttttt --t tht tr tttaltttta

1:-;\~.
tht- ztllvtttintt. ltttiltl. hit ht hit. an t>tlit'trt- that <>ttt~ at»
rt» pattit ~ tn tht- tut: ttithuttt ttttticittg that. \\hilt~ it l--\t' itt all tht' tan 4»! ttt».-\ ttith :t .~lt:ttttt-lr~~ ratttt-t':t
\\':t.~ ri~itt_4. it .~ltit'tt-tl t|tt- t>l:tt't- ttt tt~ tut|tt<l:ttt--tt~ and

tha: tttt't*t<~ thv itn:t_4itt:tti-ttt ttt thtt |-ttittt --t |t:t~~itt;, tI~-I
|ttt\\ t~ ’ \\tth
’ tt\ lllll ttt' phttttlt,' \\t.t\t
" '~~ :t \\<-It that, hit:-t_, itt. tttttlt-t" lllt' arrlt wt tht-it’ thi_<h~ ~trt'tt'lt~-<1 t»ttt
trttttt tltrt-atl ttt tItt't':ttl‘ g_-i\'t'~ all th<~ ]tlt-tl;4t~.~ ttt ~tattttt"lt’ itttlttitt-l_\‘ t1tt‘tttitt_-4 a tttttttvl ttt 4lt't~:ttt|~ \\ltt't't- it \\:t~ -lv
' ~tt.tl-It '. tttttt'- ‘at ha -' ~ I, that tl tr rtttt-ttta hv 1-ttgttltt-tl.
ttt-~~ atttl ~t-rttritt, atttl tlttt~ ct-ttu-;tl~_ Itt-tutw t't~\'<-:tlttt_; -
-
t|I't>Qt't‘~~l\'t'l\ ttt‘ :tl|t‘tt|ttl\. tltal. ltlw tht- tl_\ttt}; rttrttt-t lt-att—l.t|tli~ ('1 >.\l( ||.l.|.
\
\ ttt th<- t':tl\ir~‘ it h:t~ ltnt; ~ittn- tlt-t:t<'ltt-<1 tt~t~lt trt-ttt tht‘
H latttl~ ttt tht' t't-al_
t. llttt tllr ttt Ht-t‘l\t'lt-_\ (:ttl\:tttt:t;v ttt‘ -lt-t't‘t't :‘|
~_\.~tt'ttt
tl tltl't't~r~ in t-ttt~ tn-ittt at lt-:t~t t'r~-ttt that ttt l\t-tt~~<-l: ttith
xlt-ta-tt |t--ittt --ftlt-1-:tt'tttt't-t-f thtt
/O
tht- tn:tni:tt' \\t'itt't' lhv
1-It-t i~ a lahlv. rt-t'taittl_\‘ httt _;i\itt;4 |\~t-lt' tht- It-t-It ttt an
tt~
t\ a=l\'rtttttt‘<- ttt" ttt att ":|rt|utt_ \\htlt-_ ttt thr ht-~t ~t~
tltt- ttr~t th<~ ~|trrt:tt"lt-
tttl '| ttt-|tn>~ u" lit-t‘lwlt'_\. tt |.~ ft":-ttt . . I.
H_ thv .\‘/m.'t' tht':ttt-t‘ atttl hall:-t. \\htt'h t~ thv |>t|tttt ~-

U‘ <|t-].ttttttt-
'I" -at tht tt tttlit
I
- '_
ltltttq tttttl ti tlthtt;
'_' \\.ttttl<
' -t"ttt--,
M_ truttt thrtl mt :tt|ttvttg :tll. _4|tl<l_\ att<| ht-atttttttl u\'t t‘ all

,‘_ nl ~ttt-t't:tt‘lt- ttttutt ~|-rt't:tt"lt'. It t~ a \t'rit:thlt- :tl<'ltt-ttt_\ ~-I-
tht~ .</|tt.'.'tt; alt‘|It~ttt\ thv \\rtttt§; \\':t_\, h:tt‘l\\\:t|'tl~. ~ttt'lt.
aitt
\._| t t» ttll th t- truth. a\ i.~ tltt~ initial ~|tt-t~tat'lt-
1
:ttttl ltattal
. :t~ .~ttt'h; ltifi l|<tll_\\\'tttttltn:tt‘ltit\t‘~:ttt1ltl:ttt\"t'~ that <|\\r
all thvir t't'|icit\ tn tht- :ttttttt~|tlt<-t't- tti tltv titttv. ttt lt-_;~
\l\t'
atttl r-t~ttttttt'.~ ttt trtghltttllt ~tt-t'<-ttttttt-tl tl:tttt-t<t‘~
\\ lttrh t:tl\t-~_ ttt tltt~ <-t>ttt.~t- ttt tt~ tt-l.t_\ tau. tht ttt.t-l
ttttt’ \\'lt|\~h_ ttttcv <>ttt- \‘uHIt\ lt:tt"|\ ttt tt~ tt‘:tttt<-
<lt-~t l<tttl\~;
'--ttt’
aml it~ t'lt~tttt-ttt~_ ltttrtlt-tt~ i\~t-lt' \\ith all thv t't~t'ttil~ I-t
at ttt'~t tar frttttt atttt--ttttrtttgq lltt
ht't't-
tlt-Iirittttt that it \\:t.~
..-~ tt
llIl'l't'lnI\HIll, itttltt-cttttt".~t-->1 tllvllrllg \\:ttt<lt<t'tttj_- ttt tht~
t-ttt
t
th‘t-ant. tt lta]t|n~t|.~ that I-ttr tall~ tut at ~ttt't'r~~ttttt ttt
It ttt
tttttrv "t't-:tlt~ttr tat It-:t~t. l>_\ t"-ttttt':t~tt tttt;tg4t~~ ttt
atttt.
~t'<-ttt'~; \\'htrh tttaltt-~ ttttv <lt-ttht tht-tt tthvtht-t' ttttv t~
.
tt~ . .. .
~ttll tttt thv I-tht-t‘ .~ttlt~ ttt tltt~ t|ttt‘t'ttt', |lt|tt_<~ ltrn-tttr
. .
ll . .
mm tnt>t't- rt-ttt]-ltt*:tt¢-tl an-l tttt>t't- ht~atttttttl ~t||l tt --ttt- ml»-

“' ‘ ~t~r\'t-~ that tht» .~_\ ~tt4ttt ttt l.<-t~l<t~lt>_\ ]tttt~ ttt tlttttlrt :t~ tt
ttitlt along tht- ttttt~t tzttttthat ~]t:tttI>—tt-ttttn-t'a| t-t'tttt't'
-t-~
“ “ml |tlt-~. t't~:t.~<-lt~~~I_\ tt\'vt‘l:tt-1-ttt; tht- ttttltttitt-l_\ grt-at zttttl

"' l““' thr itttlttitt-l\ ~t|tall. thi~ j_'t'\>tt|| wt |t:tt't=~it'ltut'tli~t~ ht~
H \‘".‘ rt-tttitt_ lit-t~~tl<-tt cltttta. that l)rt-~tlt-tt rhttta ttt\':t~ltttg4
tltv ~t't't~t-tt atttl :ttttttt:ttttt_-4 tt~<-It ttt :t gar-lt-tt ttltt-rt~ ~ttt>\\
-t tn» i~ fallittjgi t|ttt~ |t]a_\itt;4 --tt th<- tl:t~lth:trl\ atttl th<- tl:t~h'
|. :ttt~l it-t'\\:tt'-l in a ~ttat't< :t~ t-la~tir :t~ t|t<-tttal titttt-.

ttttv t'~~ tht- ~tat't ttt hi.~ t':tl-ttl-ttt~ ~ttt'\'<'_~it>tt ttt at‘t'ial. ttttt’
.\t
-tut. tht ' ~tt":tl -tr tt:ttttir:tl th‘t'atH~. tltt~ 4l:tttt't- tltt>tt_ th<- l-allt-t.
Q-h ttt‘: |'»ttt |ltt~lt\ l'tt~t‘l\t-lt-\ ltt~ ~a\~ ~t| ltttttwlt .t httlt t.tt
ttt.. .~ t.--t _. .t,t-V.‘-=...,»t,., ,-..-,-t. .t.. ,...t
ttt ht~ tthn~. tht~\ multt-, thrt ttttttt‘ ztltt-ttt. tht-_\ t|t.'t|tt-
t'\l\l‘l'
a \'it't"lt'_ th<- t"it't'lt' tiqlttt~tt~ ttt" i~ t't'l<-:t~t'tl. l>ttt'~t~ tttt=
.\'ttl|t.~|
ttartl atttl tt-rtn~ agqaitt. '|'lt<- ~)ttt:tt'tit~:tl tttttt <tt' thi~ Busby and some of his girls.
Z5
1?--|
Busby Berkeley: Gold Diggers of I935
26
(_\I||I'R\ \I
IIII- II|lI\' \|>ll \\--rI- 4I|>|lIQ III!‘ I~III»I
I-I>QI‘:IIIII\ IuI' IIIIII1‘ |III‘I-I'IIII'~, I~I ~ ~'.|\ IIII' l'\I\III[II"
-
|.I|l\II II:IuIII, IIIII \lIlI I'I'I-:III~ IIII- llIII\|\.\I lIlIIlIIIl'l~ I-II

III'l'I\ III--IIr --I‘ IIIII \lIlI I---II:II-<-I:III- \\IIII III!‘ -III-I-I-I--I'~
I1I'.~II\ III-.Nl\l-.l.l \ IIl\'I'\' \\;I~ III: \I|II~|II||IIlIlI|l|_ I
IIIII I-II-I'_\lIIIII_4 III_\~I'II, I'l'lII|| II|l' II>I|n-|>III>II ‘II III:

l'\l‘\'HIIlIII, ('\l'I'\ ~II-II IVI III!‘ \\:I\, IIII III:IIII-I' \\I\Iv III-
'IlI'(‘\'IlII' --I III!‘ IIIIII, IIII- IIIII~Ir:II IIIIIIIIII-I~ \\I-II- I'II
III'\'I\' III\ nun. I \\i|~ZlI\Il\1'|IlI III!’ ~I:I;4I-_\\IIII I||\ --\\:
In lIII\IlI lI'i\l' Ir».
( \I|II \\I|:II IIl~II!l\'II|IIl <'i\l| _\~-II l||III\l III-I\\I-I "I
I:.~
IIII- lIlllllII\'l'~ \llll IIHI IHI .\II-II‘I| l.IIIII\\_\II .\I:I\I-I’ :IIIII

IIIl|\l' \l|\[ IIiII I'I»r \\':\I'III-I‘ III‘-IlIII~I'~;
II!-|{|\I'.l.l \ IIll‘l'\'\\i\~IlI|~l1\'IIII|IllQI\~iI4IIII1'I'1'II\I
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-IiIII~I‘rII\'<'~ \\I-I"I- III-II~I‘II|IIII--I I>\ ll: I ' ~II=I'\ IHI\' III!’
\\ :II'IIvI"~ InII~ir:II~ \\('I‘l‘ ;_-I<IIvI':III_\ IIIIIII ill'II\lH\I :I IIi\\'I\
~I:I§_1I' |>|uI. IIvIIu- :I rI~I‘l;III| l_\]n~ |>l IIIII~Ir:II IIIIHIIHI
III:II \\:I~ In-I'IIII"IIII~II I>II ~I:I_4I- :I~ :I IIIHIIJI ~|II-I'I:IrIr. \I
.\I<-'rI-, III] III!’ IIIIII-I‘ II:mII. lIl\' IIIIIIII>vI-~ \\l *I'I~ _I >I’l I-I
~li]-|w=l Illlu III!‘ 1-IIII. II IIll‘l'<' \\:I~ .I Il|\\' ~\l‘lIl' III 4|
II\'Ill"> l'IrIIlII. ‘Ill!’ III III!‘ :I\"I|>I'~ Iu~_;:II| In :I|I<II'r~~ III!
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II ulIlI~I' I"II:II':I\"l<'I'~ \':IIII<' III III!‘ ~\'1'I|<' I'\'I|\J|IlI\'II \‘\'I\
IIIIIIHIIII‘. I -IIIIII'l II:I\I- III!‘ IIIIgI- ~I|:I\'I- IIIJII \\:I~ III
I|I\ <|i~|-I-~:II \\II('lI I lIIIIII~II \lI\‘II :I ~I-=|III~IIrI- IIII \\'I!.lI
\\I|\ ~IIlI|Il|\\'lI III Iw ;I IIll‘llII'l‘ ~I:Ig\-_ It Ill I||\ \'I'I'.'|II\('
u gl ‘- ‘I
:|clI\Il_\ IIIII.IIII~ |>II III: ~.II||I
(II-III-I':III_\ I \\~»I'I\ \\IIII :I
'
Iill'_;‘
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- - - -
II\IlI\III'l' I-I ]>l'Il‘II('. [III

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- §\Q\¢ Il|\ IIII~:I~ IIIIIIHI III!‘ IIIIIIIHQ III III\'~l' IIIIIIIIII-I~ |'l‘I||1\IIl
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l|I.lII1'l' III II II|l\ \\IIH Il'II Illlllll III ; II~IIII|g II|l'I|'

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II'II II ~ III-I ~II‘II"II\ ~]‘l"|I\III" |||\ IIlI~||III|I l|l\’IlII-'|IlIIII
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I-:11--I'~ I I||II~I :|~I:|]~I HI\ ~I\I<' II» IIll‘ I\|ll --I \~-nu
~\'l'II!" :III-I ~~-I-II :I~ II \'IlIlll ~ III-IIII; ’ I IIII~. III!’ |-I II|I'III:II
llIll\IIII'I' III II IUIIIII /-III \\IlI‘II II|I~ III\l’I\ II:II|r-~ I~
)/
1111~1'1I11111 ~:1\ 11111 11114111" \\.1~ .1 ~11111.11111.11 1.111.1111
~1-1-111- \\1111 1l11I111'1-\ 111-1 R111 \\'l111 \\:1~ ~11|1|111.~1-11 111 111-
:1 1111111-1-r 111 1111- 1-111111 r1-11 111 1-r1- \\'1-1'1- 111 :111111111111 ~1\1) 1
-11- ~1-\'1-111\ Q11'1~ 111 1111- 1-I111r11~. _\111l I 111:111;1g_11-11 11
111 111:11 :1111111-111‘1-~ 111111 1111- 1111111‘1~~~11111 111:11 1111-1'1- 111-1-1-
-1 111 1111~:11111. I 11-11111, 1 1-1'1-:111_ \11I1~1_\ 1111' 1111- 1-111111-1':1.
1*-11' 111:11 1-1-:1~1111 1111- 1r1111~ 11.1\1- 1111111 1111111111111-11111
1111‘ Il\"'1('\"1llIQ
~ 1111- 1‘1111\'1-11111111~ 111 111111- 11111 111.11'~ .111
1111- ~:11111~ 11- 1111-. 111111-111111111-1~1-1111111~1:1~111-.1111111-~11'1
-.\1111111 -r \\-111-1111-r 1111- 1111111111-r 1111111-1 11:1\1- 111-1-11 11111111111-11
1111:11'1-111 ~1:1_;1-111 11111 111.11 1|111-\111111111-\1-1'1-111111-~11|1.
\11 1 1-11111-1-1'11 111\~1-11'1-\1'111~1\'1-1\ \\11111111-1:11'1 111.-11 111\
\\'111‘1< 11111\1 1.-1111- |11:11'1- 111 :1 111111:1111111111\1 111- ~111'1'1-~~ 1111
111 111:11 1111-11111111. 1 11:1\1- ~1:1 -41-11111:111_\ ~1111\\~111| 111‘11;111-
\\1| \' :1~ \\1-11:11111 ~11 I 11'1111\\' \1-1'_\ 111111'1111_;111_\ 111.-11 1111-_\
1'1-1|111r1- :111 1-1111r1-11 111111-r1-111 111-111111|111-. 1111- ~1:11_-11134
111 II H111 ~11" 111111 ~|11-1*1:11"11-1~ 11111- 111111;, 111:11 111 :1 1-1111--
11111111-1r.
_\ -1111111" ~|11-1‘1:11'11- 1~ 1111111111-1'. I-1111' 1111- :\1‘1111‘~_ 1111-
111111-1‘1-|11'1- 1~ ~11--11
'__ 1. 11111 1111 11-1-1111111111- 11111~1 1111111341-
1-111111-|\. \1 1-\1-1'\ 111~1:1111 1 11111~‘ 111- 1--111~1-11-11~ 111:11
'111-11111\ "\
\\.1 ' '- '1111'1-~~111g1111~|11111111'1~1111‘1111:11
|11.1\1111~.11
1111- 1-\1- 11111 1":11111-r:1, $11 11 1~ 111-1-1-~~.-11'\ 111 1-\|111111 1111-
1111 -1-1111' ]1r11111-r111-~ 111' 1111- 0111111-1':1 1-_\1-. '1'l111~ I 11:111-
111-\1111111111111-111111111-1'1111|1|111-1111111'1-~1111~11'111111111-\\:1\
1111111:1g111111: 1111- 1111111111-1-,111' ~I111111111;_- 111111 ~1;1;\1111_-4 11
.-11111 1111111, 111:11 ]11-11]111-11:11-1-1-:1111-11 "1111- 111-1111-11-1. 11-111- \

11111111» 111111 111:11 1111-\ |1:1\'1- 11-11-11 111 1-11111. I11 \:1i11. 1
1111- <1111'1-1’1-111'1- 1\ 1111- \\:1_\ 111' 11112134111 2

111111111
.\ 111111, 1-111' 111
111;; 11. R1-1-1-1111_\ 1'\'1- \1-1-11 \‘1-1'_\ 111\1-1_\ 11111~11‘:11 1111111-
1111~. 1-~111-1'1111|\ 1111 11-11-\'1~11111_ 11111 >\11111'1111111 ~1-1- 1111-111
;1~ 11-1-11 111 :1 1-:111:1r1-1 111' 111 :1 1111~:111-1'. 111:11 11111-~111 111
11-r1~1 1111-, |111r1- 1~ 1111 11111_\1-1 .111_\ 11l.1111111 11 1111
\'11ll'1 11:1111g;r:1111111- ~]11-1-1:11-11-, \\1111-11 1111- 1111- \\:1~ 1111 1-1
~1111 I 11-11 I 11:11l111111-1111-\-1-_ \\11:11 I 1111111-111111111~11111111
111 \11-\\ 1~111111|111- 11 1‘1111111111~1111111~111111 111 111111~ :11111
1-\1-11 111 111111~ 11 11:1~11'1 111-1-111111111~~1111'<-.
(‘\1111.11.\ \\11\ 1~ 11 111:11. 111 1111~ 111i1l11l1~ 111 1111-
11111 ~11-:11 111111~ 111:11 1-1>11\1111111- 1111- 1~~~1-1111211 ]1;11'1 111 _1.11:11-
1111111 11111 111:1111- :1 11r:1111:1111- 111111; //11-\- 1111111 1/. 11
( .
111 1111111/J‘
1'1 1111111.1\' 11 \\:1~ 111 1111 1-111111':11"1. 1‘1-\\ 111-111111-
11111111 11, 11111 :111 111\ 1111- 1 1111-:111 1111111 \1111111 1-~111-
1-1:111\ l 11:1\'1- 111-1-11 11111-1'1-~11-11 111 111-1111111111’ \\111‘11~. 1
11:1\1- 1111'1-1'11-11 111‘:1111:1111' |11:1\\. 111:11 \\:1~ 1111 |11‘~1 111-
11r1~1. T111-11 1 1111-1111-11 11111 ~11-:11 1-111111-11_\ :11111 l 111~1-111'
11111 1111.-11 1 \\:1~111 :1\\: 11'1~ 1 111:11 11 \\:1~ |111~~111l1-
1111' 1111- 1111-1‘1-:111-1-111111-11g1':1|1|1\ \\111-11 | 111111 111-\1-1'1:1111-11
111. 1lI\'1llf\‘ 11-~~1111 111111_\ 1111-. \ j;1'1-:11 |1:11'1 111111_\ \\111'11
11.-1~ 111-1 111-1-11 1111~ 11-11r11 111 :1 1-11111-1-11:1-;1|1111-1' ~11'11-111
-111-:111111_-4. I11-1-:111~1-. 1111' 1111~_ 11 I 11:11-1» 111 ~.-1_\ 11, 11 1~
1111- 1-111111-1'11 111:11 11111~1 11:1111"1n '|111~1'1~ 1':11111~ :1 111111111-111
11111-11 1 1’1-111111-11 111:11 111111.111\ :1~]11~1'1~111\ 1-111-1‘1-11q1‘:1|>11\
\\ :1\ 111111'1- "111':1111:1111' 1111111 "1'11111‘1-11Q1':1]11111'. 1-1'11111
111:11 111111- \\11\ 11111 11111111-1111 11\\'11 111111 111~11-1111111 1-1111
:1111111q111\~1-If \\'1111 :11-r;111j_'111j_'11 1'1-11 ~1-11111-111-1-~_' I'111-11
1111 l11‘~1 111111 \\:1~ 1/11/1/ /'I_1I_1/1‘l'_\' 111 I’/.*'.':. 11111 :11'1'111‘11111;
:11 1111 1'111111':11‘1. 1 \\':1~ 111 111:11\1- 111*:1111:1~ :1~ \\1-11 :1~ 1110,10" F,ee|und: wh°°Pee' Busby 55,-ke|eY'5 woqer
28
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lloyd Bacon: Fooighl Parade, James Cagney in one of Busby Berkeley's production
10
cnttn-<Iit-.~. Sn tht-\‘ IIZNI tnv n~atI a ~tnr_\' that \\‘a.~n't
a (‘<IIlll'<I_\', Imt which I Iikcrl :m|I wltirh I tilmt-II. I
~t|II ha\'|- tnml nu-mnrn-_~ nt IL
(.\nn~.|<>'— . _ . 1
inIIn<-nn~|I tItn.~1- nf />’tnnI:.'n3/nu nr nt' .\‘ir|_1/in' in I/n"

I\’uiu .'
It|-:u|;|~'.t.|-.\'~.\'n_ I H‘irt~Inng~ tn <-\'<-r_\nn|~.
I clnnt th|nI\ tht-rr \\'a.~ :nt_\' .\|><-c1.tI |nlIn<-mu-.
('.\|tn-'.te.~' ——It' _\"nnr |1r~t cltnn-n;_'ra|»I1ir ~<>ttiu;;~ WIIIIII

hr I('I’|II\'II |'.~>t'tllIi|II_\ "iI<'cnrati\'\-." i~n't that |»:n'tI_\
Im":|t|.~t- )\-nn .~tiII 1IitIn't h:t\'t~ at _\'nnr 1II~]tn~i\I \--r_\
gri-at IIa|m-r.~, Irut rathvr actnr~", Iikr .\II(‘I(t'} Rnnm->\.
\\hn lIS|II\‘('lI nn r>cr:\>"|n|1.’
Hick|u<;t.r:\'—-Utttttrtnnatt-Iy at that tnnr III IInII_\‘
\\'nntl \\'I!|| II1|Il\‘t'lI :t\ I
\\'i.~It\-II. that \\'a.< Fl'l'tI .\.~'tairt-. \\'Itu fnr tttr i~ III!‘
gr:-att-.~t ilzntcvr \\'1~ h:t\'¢- t'\'('l' knnwn. Tn .~\-t- him
tlanrv with (liitgvr Rn;_'\-r.~' \va.~ trnI_\' .\'tIlIl\'IIlIlIf_[ <~x—
tr:|nr<Iinar_\' and nm-1|uaIIr-<I. Ihtt tItt~it' ~t_\I<-. \\'hich
cnmI>i|n~<I cn|m~|I_\' .~t‘('lN'.~ and cI:tttct~.~. \\':t~ 1~ntir|~I\' 1Iit'-
It-rvnt frnm lItIm'_ Fur ntv it \\'a.~ a <|n\-~tinn nnI_\ nt'
\\'It:tt we have talked zthnnt and that I ha\'<- rt|IIn~:I
".~|u-rt:trIt-." Tho mn_~t .~nrpri_~in;_; nu"ttr|‘t-tin-~ t'nIIn\\'t-:\II(‘t.< in a \\'a_\' that \\'a.~ m_\ n\\'n.
anal that was what the pnhlic Iikt-II. I‘<-nplv ha\'t~ nftvn
I\.\I\'('lI m0 hm\' I wt-nt ahnnt crt~atin;_- lIlt'$r :|It‘1-rt.~'_
hn\\' lIl\- iclc-:1 for thvtn rantr tn mr. :tn|I I h:|\'\- n<-\1-r
I(|lu\\'|t hnw tn an.~'\\'rr. Xnt that I tInn't want tn, hnt
I n>t ran t. Im t‘l>IlI|lIl‘ll'I_\' at a In.~~ tn t'_\]|II\|Il m_\
tm-ttn|I_ Thv nnI_\' r<~|\I_\' I rnnI1I ;_{i\'\~ ~nvh ~|nt-.~-
t1nn.~ \\'a.~ (nnn- >11‘ mv \\'nrI\'. |ti:nIn- _\'nn \\'III nn|I\-r~
~t:m1I hn\\' I gn ahnnt it. Itnt m‘\'~\-It' I r:m'| I-r an)
In-I]: tn tnn. I (Inn t I<nn\\' an_\tInnj4 ahnnt n. .\mI nnv
rIa\'_ .~nnu- :uI|nir<-r.~’ tnnk III!‘ up nn m_\ ~n;4_4t-~tinn.
ra|n<~ In ~11» nu- ;n||I t‘\|bIJ\IlIt’lI tn mv Itu\\' I \\'t'HI :\Itnnt
n. It \\a.< :|~tnni>Inn§_'I .\II that I \\'.|.~" ('4bIl~\|lIII~ nt \\‘a~
" l'\'IIl| \\'Itat IIIIII :|It'<-a|I4\ In-rt! <Inn:-. |tt_\'
I- rl't'nrt tn tnakr .~ntnt-tInng nt-\\'_ ~4mt<'lIIIItf_{ ~nr]>ri~iitj4.
“ Int-thing tn-\'\-r ~<-1-n In-t'nr<-. .\'n||u~tinn-~ ]|t‘\||>I\‘ a~I<
d/:/' ~ ntv "If ynn Il:||I tn <In it 1|\'(‘I' again. \\'h:n \\nnI~I _\nn
rIn:"' I am tht-n nhligwl tn :tn.~\\'1-r that it'~ r':|~_\ inr
‘ ntr tn .~:t\' \\'h:n I \\‘nttI|I |In I-nl that t||_\ -|m-~ttnm~r~
/ "1{iv, 45.
, , \\nnI4| In‘ cnm|>I:-tn-I_\' nnaI»It- tn \‘i~n:|Iiz:~ it ;m|I tn
|'i-rn;.gniz:- thr i|n:|;_'v~ that I ha\'t- in m\ miml. ‘Pitt-n.
-.~ '\\ ‘-\ |n~>nIt~.~_ |>rn:Inc:~|.~ \t\\'lI tn :t.~I< mr \\'h:n I \\:t~ gttlllg
r ‘I i tn |In and I \\':t.~ III(Il‘('lI nhligt-II tu tn-II th<-m. Itnt tIu~_\

vIi|In't mtth-r.~ta|nI a \vnr:I nI \\'I1:|t I ~:ti:I_ :m~I \\'In~n
tI1v_\' .~:|\\' thr rt-~nIt nn thr wt‘:-vii th:-_\' 1a\t-Iainn-<I aml
~:|itI tn mv that thc-_\’ \\'nnItI lI\'\'(‘I' I1:t\‘r thnn_-_'ht that
It \\-nnhl Iw that \\':|_\'. Ihr nnI_\ nnr \\‘hn can I\Itu\\‘
‘ \\'It:|t thv _~]n't'|:n‘I1' \\‘iII I|1- i~ tIt\- nnr \\'Itn ct'v:tt<-~ it.
X
' I-nt It t~ nn|\n~.~|I»I<- t'nr hint tn II\‘~C!"IIlt' n --tIt<-r\\'|~t~

tI\:n\ in mnunting it.
. I L'.\i|11~:t<s ’I)icI tnn |naI\'<~ n~<- nf ~t-\‘\-r;tI rznm-r:\.~:'
*<»\ Ii|-.t<tt|»'t,|-.\' Nn. .\t thr timr. m:m_\' 1Iirt~vtnr~ n|»cr-
31
IIIWI III:II \\:I\ :II|<I lIIl'Il cIIII~I- II\I\\'.~ III I|II- \'l|IlIlIf_'
I'|Il||II 'I_II:II \\:I~ lIl‘\'l‘I' IIII‘ \'I\\l‘ \\iI|I KIN‘. I I‘I'I~:III‘II
-III ‘III-
.. ~I‘I-II‘
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\\III~I I III:IIII- II /II-II/~I'I‘, I II:III IIl'\I'I' IIIIIIFII Ill‘IllI'l'.
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I»! .I ‘I-\~. IX\IIllI\'llI~ I IIII~II'I'~III~III III:II III<- \'ilIII\‘I'Il \.|ll
II:I\I .InI\ IIIII‘ \'\(' :IIIII I ~:IiII III III\~I‘III "IIIIu, \lIlI
I'.'|lIIIIIIIIIIIIIIIIIIPI|(llIIIIl‘I'1IIIIIIl|§\ \\iIII :I I‘:IIII<-I‘.‘I. II ~
IIIIII ‘II~I IIIIII. _\I*lI IIIIj4III II\ \\<‘II IIVQIII :II IIIIII.“ IIll'
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~<-I I" IIIIII-I'I-III |lI§I\'\'\ Ill qI‘I :I \':II'II‘I\ I-I Z|llQI(‘\. IIl|‘I|
.II II.- I’IIIIIII;; _\~III III'f_{JIIll/.(' II :I~ _\IIII ]IIl'I'|>('I IIIl‘Il I

\Z|Il'I\ lII;II \\:I\I I IIllI\ IIIIII \\iIII
I
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I
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IIII-II .III~I III<‘I'<‘_ :IIIII I II<‘\'I‘I' II:III :III_\ II'IIIIIIII- IIII, I
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I ~.IIII-|£.\ IIII _\IIn III':I\\ _\IIIII' l|lllllIN'l'~:'
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\(‘l‘_ .-.II:II I III|:IgiII<‘_
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\l'I\ ]I~II_-4.
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Busby Berkeley: Gold Diggers Of I935, "The Lullaby

of Broadway" number.
7
‘M
witlt sixty girls, each witlt an illttntinated violin. had ever done. $o after -/.'ml .\'trn-I l enjo_\‘ed total
Li.\t[‘tF.RS7H0\\‘ long did the "l§crkele_\' tiirls" work freedom. Zattttck said: "(iiire hitn e\'er_\'thing lte wants
and how mtteh were they paid? itt e\'er_\' department: that tellnw knows the camera
l’-t-".tu<t:t.t~:\'—l had sixteen magnieent girls" under and he can tnake innovations-." I was 7.anuek's fair-
enntraet and l engaged others for each tilnt. .\l_\‘ heanr haired buy. Mind _\'ott. V/lml St:-er! cost \'er_\' little:
ties eaeh earned sixt\'-tour dollars a week. which 379,000 dollars. which is tttthelievahle in relatiott to
wasn't had if yon consider that we were then in the today's budgets. My musical numbers at \\'arners
‘middle of tlte depression. lhtt they worked long honrs. eame to 10.000 dollars a tnittttte itt the lihn and sottte
There \\'as Ito ttttion tltett to tell us to stop at six of them lasted 7 to l0 tnintttes. 5o my ntnnlters eost
o'clock. l rememher the sltntttittg nt' "l5_\' a \\'atert'all." hetween 75.000 and l15,000 dollars.
I took close-ups oi girls in the water at tltree-tltirty
in (".\ntmts4\\'asn't "P-_\' a \\‘atert‘all" one oi your
the morning. .\ttd that didn't keep me from calling longest se1|nettt'esi'
tltettt haek at eleven tlte same tnorning to go nnl l l‘il-IRKELl~IV~—Yk'_s'_ The l had the idea. I let
da_\'
\\'arner know ahottt it attd he tohl ttte l would
think the people with whom l worked all liked me in _Iaek
rnin even tlte l’-ank ot' .-\nteriea. Xe\-ertlteless; some
spite of this hea\'y work. attd they were all \'er_\' niee
to me. \\'eeks later, he asked me if l still wanted to ntake it.
(",\1||r,|t,s"i(';|n _\1|\| talk to H, al>m|t ]{¢,m.m From then on he let nte work with the teclttticiatts.
_\'rumhtl.\‘.' design the enortnous aqttaritnn witlt glass sides to let
the light pass through, There was extraordinary |_.
l$t-;kt<|~‘.t.F.\'~T\\'o iantons ztetresses ntade their

Smn__ i" ii‘ Fir“ uf ML p:mk_“(_ (;mMm.‘|_ I mm hm. e<|tnpntent to tnake the watertall. lt ltad never heen
in the elevator of a Hollywood apartment hnilding and ‘llmc l"'l"r"' Tllcni ll-0"" ll llunllrml girls wh“ “Mk
| “__.k‘.'t hm. if Sh‘, hm] “.“rk| in nm\,i‘_S |K_fm,(_v _\~|“_ part in the nntnher. \\'e rehearsed titteen days and
shot itt six. 'l'oda_\'. l wottld do it in tltree. llttt "l§_\' a
answered no. \\'hett l sttggestetl a screen-test. she was
\'er_\' interested. attd we tnade an appoittttnettt for the
\\'atert'al|" would eost a t|ttarter oi a tttillion dollars
In,“ '1“). m 1|", _\.mdiU_ She “.a_~_"-l H (|um.._ hm 5|“, a da_\'. That was the most difcnlt tttttnher of my career
|m-mm. Hm. "f the (;"M“.\." Girl‘ Rmmm _e-m"d"I_\_ to tiltn heeattse oi the shots ttnder water and heeause of
“-3, H15“ ]_uCme 153]“ rst‘ mm; SI“, um “.35 ‘me Hf the ph_\'sieal etTorts' that the girls ltad tn tnake in the
water, _-\nd then there was the et|tti|ttttettt1 it was
the l§ol<l\\'_\'tt (iirls. Une da_\'. (ioIdw_\-n asked me to
look at some tests he ltad asked some girls to ‘i"'lll'“r"l'l" l" lb" l»-lllwll '\l“r-‘4i'“'
(i»\llll'iR$—llo\\‘ |nan_\' takes did _\'on need?
make. He liked some of them. otlters ttot at
all. l.ttt‘ille Hall was one of the latter. Me. I lh~:kt<t:t.|-:\'—| have never in my entire eareer called
liked her \'er_\' mttelt. $atn respected n_)_\' opinion fora second take, The only thing live happened to do
and that's how l.neille made her start. That was the was to rewrite a scene aml then, of eonrse. retiltn.
nto\-ie in which Rttth lilting sang :t nntnlter ealled lint second take: never! The secret of ttt_\' work is
"No .\lore l.o\'e." lt took plaee i|t a slave market preparation, It _\'on don't kttow what _\‘on're going
wltere all the pretty girls were to he sold. 'l‘lte_\- were to do, hetter not hegin. .\'e\"t-rtlteless l'nt going to eon-
shown on .~e\'eral le\'els ot' a huge pedestal. l thought tradiet ttt)'>t‘ll lt_\' talking to _\-on ahottt ll'umIer I>’m'.
it would he tttztreelotts if they were all ttaked witlt long For that tiltn l asked the studio to eonstrttet t'ot't_\'
hair to their knees. l asked them it the_\' were willing. or eig_'ltt)' mnhile eolttntns hetore l knew wltat l was
taking into aceonnt that it would he tihned in an going to do \\'itlt thent. .\ll that l knew was that the_\’
Ztfllsllt‘ manner and takittg eare to arr:tn;.{e their hair would tnake an etieet. l tttade use of them during the 4
well o\'er their hreasts. and so on. Tlte_\' attswered that ntnnher "l)nn't Say tinodttigln“ ntaking use, too_ of
the_\ agreetl, on condition of doing it at night, with mirrors that gave the impression that lntndreds of 1,
the stage iorhidden to all visitors‘. ()nl_\' nt_\' t'antera- people were dancing the minttet. 'l'he |nit't'ors were [,
11 h_\- lit feet. (tn the stage, people tltonght that l '|
man attd nt_\'selt' were present at tlte tinte of the .~ltol>l—
ing. Few people realize today. seeing tlte senptettee. was er:tz_\' and that the eamera would he retleeted 1‘
in thent attd would he seen. .\le_ l knew that l ennld T

that l tnade it with girls eon\pletel_\- naked. That was
lihn Aon degrees with the eatnera. l had experimettted H
the onl_\ time that an_\'thing of the sort ltappetted in
in m_\ otitiee with a little tnittiatnre stage. mirror and “-;
it I1tll~t\‘Itl \‘HI1t<‘Il_\'.
:t pencil. Yon ntnst alwa_\'s invent‘ l'nt'ortnnatel_\'_ it'~
;| |
e‘_\||||.-_k,i‘\m1 .;_I,,,] 5'/,-,~,~;_'
hard to explain in an altstraet ntanner how l pro- tn,
Ht~:tu<|-1t.t:\'4.\ftt-r havint: signetl tn_\' eontraet with \\'l
eeetled.
Zannek. l ltegan rehearsals for that tilm. .\ttd int-
ntediatel_\' they made me sign a se\'en~_\'e:|t' eotttraet (i.\|||t<:t<s—('ottld _\on talk to tts ahont sottttd rt-r 4
\'IIl'tlitIg teeltttiqttt-sf’ ing

not lveeanse they had seen the rnshes" lntt lteeattse
Ih»:Rt<t:|.|~:\'—-I made sotne lilttts in which the ot'- ]
Zannek was \'er_\- in1pres'sed. He thott;.{ht my i|nagina-
tiott was e\trar>rrlinar_\' heeanse l did things tt<tltu<l_\' ehestra was on the stage, the singers ott attotlter side snq,
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36
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1
1111 1'1';111_\ 11» 1\111'1\ :1g:1111. :11111 1~ |11'111>:11111- 111:1111111-

11 111’;1111:1111'1 1~ 111~ 111-~1 111111 \1111 1111 11 \\:1~ 111~ 111'~1
111 1111~~1- 11:1\~ 1 11111. 1 111111111 111\1- \1-1'_\ 111111‘11111:1I I1 1 11111~1 11.'1\1' 1:111_4111 111111 11111111 11111 1111 11:111 111]-111111
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Mervyn Le Roy; Gold Diggers of 1933, Busby Berkeley's "Remember My Forgoen Mon" number.
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lhc pin) Ivy (iv:/.1 llv.-rnnI;;_ Karl |";|rku~. 1);“
mr_ .\lurri¢ R)~kim|. Dzniul I-'rcc||\:m. .nnl In-in: Al l)\||\i|\. ||.|rr3 \\‘.|rn-|\
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(.1\/4 liddiv (..|nlnr_ (.h.|rlulu~ (incur (.1\/.- \\'.|r|\\-r lhun.-r. Dick Pmx-cll. Ruby
vsuukl. <;.-..r_L-\- lhm. |<.-.1.-r. /I/V113‘ l&l'$Y manuu-:u=\'. (.nl: nm. ,,m_
as
Powell. Al Jolson. Dolores del Rio. \Ikln lrom the story by Ralph Block Daves. I__irir.r.' Al Dubin. llarry \¥'ar-
I‘);-I lASHl()l\‘S OF l‘)_5~i. ‘N min. and \\"arren Dull. .-lrluplalinn: Ralph ren. Johnny Mercer: (./mrel/;.'rup/u'r:
I)iru|‘I0r.' \Y’illi.im Diererle. I’rmInrer: li.0ck. \\"a|'ren Dull. ,\lmir: Leo Fnrb- BITSBY BERKELEY. (.u1I: Dick l'ow~
tars; National. \re:mrin.- l-I llugh ller- stein (D). I._\rir.\: Mort Dixon. Allie ell. Doris \X'estun. Lee Dixon.
birt. (Iarl Erickson from the srory by \\'rui1.l. Al Dubin. llarry \¥'arren. I95“ \'/\P.$l'l'\' 5ll()\\". IZI min.
ilarry (Iollim and \\"arren Duff. I._|'rirx: (./Jll!‘('!Igl'J/)('I'.' Bl‘Sll\' BERKELEY. Direalhr: Y\’illia|n Keighley. l'rIn/m'¢-r:
.“ lning Rahal. Sammy Fain. (./1I!!‘t'ng< (.-Isl: Dolores del Rio. Pat ()'Brien Leo \\"atn|.r Ilros. Sir-n-.u'in: Jvrry \\"ald
I 1:1]:/Ier: Ill‘$lI\' BERKELEY. (furl: Bette (.arrillo. Richard Macaulay. Eid llcrzig. \¥’arren
llaviv. \Yillian\ Powell. Reginald Owen. I955 l LIVE FOR LOVE. Pl reels. Dull lrom the story by Warren Dull
11);,‘ -|-\yE|\'-|-Y MILUUN $wIEE'I‘_ l)i:-erlnr: BUSBY llERKELE\'. l’r/uIn- and Sid llerzig. l._|-rir.\': Johnny Mercer.
H}-j,\R‘|'§_ 4) ,,_.,,|,_ |;,-n.(,,,,_. Rm Em rir: Bryan Foy (V(’atner Bro»). Scz-u.:- Richard \‘~"hiting. (./mreugnijr/.rer: l!l'S-
righn p,.,”]m.H__, Hr“ Num"m|_ >§‘_‘,”d_ rin: Jerry \¥'aId. Julius J. Epstein. Rob- BY BERKELEY. (I-III: Dick Powell.
,.,-,,_. \y;/“rm [yum ||a|-U. guhcr [mm Lfl AnClru\\~‘ lrom the story by Julia» Fred \¥’aring. Ted llealy.
‘ht. ‘mt’. M. Paul pind" Mu” and J. Epstein. Jerry \\’aId and Robert I93" H()l.LY\V()OD lll)'l'EL. Ill‘)
hr,-y \y'a|d_ (_"/,,,,‘.,,gmp/,‘.,._. Buggy 1\r.dnws. P/)lIIIIgI'il[lb_\.' George llarnes. min. I)irerInr: l<llI5l¥\' llERRl-ILEY.
|;|§|{K|;|_|.jy_ (j,_.,_- Dick p"w‘.||_ Ging" .\lmir and Lyrics: Allie \¥’rubel. Mort I’rmIucer: V€’arner Bros. .Sre/uriu: Jer-
Rogers. PM (YB,-it-“J Dixon. (ail: Dolores del Rio. Everett ry \¥'ald. Maurice Leo. Richard Macau
|i)_;.; |),\M|g5_ H) “.c|_,_ D,',-..”,,,_. Marshall. Guy Kibbee. Allen Jenkins. lay from the story by Jerry Wald and
Ray Enrighr. Prm1uq»,;- \\g/am" “mm Berton Churchill. llobart (lavanaugh. Maurice Leo. P/mlug.-up/1_\': Charles
\,-..,,_,,,-,,_. |)u|mar (D‘,|m‘. Du.“ {mm Don Alvarado. Mary 'l'reen. Eddie Con- Rosher. George Barnes. l"II.lil'.' Leo F.
‘ht ‘mt’. by Dulma, Dues and Rob"! rad. Shaw and Leon. Robert Craig. Mike Forbstein. Ray Heindori. I._\-ricr: John—
|_.m]_ ]__,\,,'.-,_- [H-5,,“ Ka|,,a|v 5.,,,",“. Morita. ny Mercer. Richard Whiting. t..m.~ Dick
Fain_ ,\1 [)ubin_ ||;“-Q» \K/3|-|-¢n_ Mm; I93? STARS OVER llR()Al.)\X/AY. Powell. Rosemary Lane. Lola Lane.
l)ixon_ ,\||;,_. \i(/ml-,,_-|_ (_/,,,,,_.,,g,-‘,P/,‘.,._. h‘) min. Din-liar: William Kr.i;.-_hley. Hugh llerbert. Ted llealy. Glenda Ear
myggy [;|§|{|;|;L|;\'_ Dick pm“
(_",,,,_. Prmlurer: Wurmr Bros. Snlnuriu: Jerry rell. Johnnie Davis. Alan Mowbray.
._-||_Ruby |(,_,_.|,,,_ Juan B|undL.||‘ Wald. Julius Epstein from the story by Mabel Todd. Frances Langlord. Allyn
|t)55 (;()|_[) [MGGER5 0|: |9Y;5_ Mildt-.d Cram. .~liIrlilirnuI iliulr/gnu: Joslyn.Gtant Mitchell. Edgar Kennedy.
‘)3 min, [),',-,,,-,,,,-_- Buggy BERK|;|_E\'_ Patsy Flick. l._\rir\: Al Dubin. Harry Raymond Paige and his orchesira. Ben-
Pr,,,/,“-”; grin; N,|im,|_ 5‘-¢.,,,,,-,-,,_. M“. V’arren. (Iarson J. Robinson. (.'/mreng ny Goodman and his band. Louella
um-| 5,_.ff_ pu" Mum. {mm 1|“. um.’ up/zer: BUSBY BERKELEY. Robby Parsons. Jerry Cooper. Ken Miles. Du-
h) |{(,l-K." Lord and pm“ M;|",_._ p/,,,_ (Ionnolly. (.-11!: James Melton. Jane ane Thompson. Perc Westmore. Frill
/,,l_-,-,,p/,y_- (ggmgk. Barnes‘ ]'_‘.,.,".L. M Froman. Pat O'Brien. Feld. (Iurt Bois. Eddie Aculi. Clinton
Duhjm Haff)- \V;,-L.n_ (A'_,_q_- Dkk P0“, I956 STAGE STRUCK. ll) reels. l)i- Rosetnond. William Davidson. Wally‘
,_-||_ ,\d0|ph,_. Mcniom G|m.;a swam rm-tar: BUSBY RERKI-ILE\'. PI'lI(IlI&'l'I‘-' Maher. Georgia Cooper. Libby Taylor.
,\|i“- Brad)-_ Gk-nda pa,n.||_ Frank M‘, Warner llros. .\u-uurio: Tum Bu.'king~ Joe Romantini. Paul Irving.
Hugh. llugh l‘l|:rl'|erl. Joseph <3.“-ism-. hm- PM C- Flivk fwm the awry by 195x MEN ARE sucn roots. 10
‘ Ill‘. com rind“-1|. Winifred sh“.
Dmmh). Dan._ -rhums Jm_.kmn_ Ramon
and |(‘,5;m_
Robe" I-wd- P/1'/1'4-r¢1>/av: Byron Ha»
kin. Music and l__\~ricr: E. \'. Harburg.
min. lam-mm nusuv BERKELEY.
Prmluu-r: Warner Bros. Srelurili: Nor-
Harold Arlen. (.'.nI: Dick Powell. Joan man Reilly Raine. Helen Jackson from
u. ||)_;=, GO |NTQ yQUR DANCE 10 Blondell. Warren William. Frank Me- ow “my by paid, |1,|,_|win. p!,,,;,,l_-.
LB n_,e|s_ I),-H,l.mr_. Arch“, Ma)“ p,.,“Im.‘.r_. llugh. Jeanne Madden. (‘arol Hugh.-5. mpby: Sid llickox. C-Isl: Wayne Mor-
.er. First Nlillal. .\'cumrio: Earle Baldwin Cm!‘ R~'>'"<>l*|§-"vl'=1r=C\'=m=-\1|=h~Th~ ris. Priwilla Lam-. Humt>hr->- Bowm-
lrom the novel by Bradford Ropes. Yacl" clul‘ B°)'>- J"l\""l*' '\"l""'- Pl-'"")' Slnlillln. lllllill Hvflwrl. Mar-
lln . (.'lmr4-rigrdp/,4-r; BU§B\' |4|;RK|§[_5\'_ Spring Byingrnn. Thomas Pogue. An- cia Ralston. Gene Lockhari. Kathleen
qe Curl: Al Jolson. Ruby Keeler. ‘-l"‘W T‘""lK'>. 1-lllll MI-‘cmll. Vl Lockhart. Johnnie Davis. Donald Briggs.
mp I955 A TRIP THROUGII A H()l.- Smnlonr Edward 63783". Ed (Ihandler. Mona Barrie. Reine Rialln. Claude Al»
the LYWOOD srumo. 10 min. l)ir4'tInr: I-ibhv Taylor. Mary Gard-an lister.
g||\- Ralph Sraub. (Innnm-uI.1r_y. iliulngm-: Joe I956 GOLD DIGGERS OF I‘)-l_~ I953 GUI-D DIGGER5 IN P1\Rl$-
Lyle Trauh. I’rmI1m»r.- Vitaphnne. Inc. (.'.uI: “II "\5"- Di"‘"'"-' I-I0!‘-I “=Il‘""- l’"'- ‘)5 min. Direrlnr: Ray Enrigbt. Pru-
llugh lle|'l'u:rl. Winn.-..| sh“, Ru,_|,- =/Iwr: Warm-r Bms- M-‘Mr-'~: Warren r/ucer: Warner Bros. Sceiuriu: Earl
1M Van“-_ pm ()'|3|-i,_.,,_ Am, [)\»,,,ak_ _|,,,,,, Dull. Tom Reed from ihe play "Sweet Baldwin. Warren Dull from lhe story
yrer: Cagney. Dolores <1.-1 Rio. utvsnv BER- M>"~==o' "i L"~"' by Riflmd 1\h"'“""'- by J-try Wald. Richard 1\1awuh-v and
sell. l(El.E\'. Mlfhmfl \Vll"¢'h- G\'0l‘Sl' ll‘-llbillh Mlliif Maurice Leo. Lyrics: Al Dubin. Harry
lhal. I95? BRIGHT LIGIITS. X5 min. Di- 4'11] L.\'"'iI»‘ Al D\ll"l"- Hilff)‘ Warreii. Wi|frU". Johnny Mercer. (.'/mreogr.1-
rren. \
rermr; lll?§|;\' B]-§R|(E[_|§\’_ p,,,‘1m-..,_. E. Y. llarburg. Harold Arlen. (.lmn-u- pbrr: HUSBY IlERKEl.EY. (.1111: Rudy
LEY. Warner llrns. Si-r-n.1riu; Ben K||f_ l~":~lP/14"-' BUBBY BERKI-§Ll‘§\'. L-MI! Vallee. Rmemary Lane. Carole Landis.
Ruby ‘ llargy Ruby [mm ‘ht. M0,)» by L05, Dick l»‘owell,Gl;nda Farrell. Lee Dixon. “)5” GARDEN 0|; -I-HE MOQN_
Leeson. .11/.1/Ilulinu: Ben Marksnn. Ben- I95“ THE GO-GETTER. ‘)1 min. 94 min. Direclor: llllSll\' l!ERKEl.E\'.
reels. "Y Rubin. I’/mlngrup/;_v: Sid Hickox. I)irt~rIur: llUSll\' BERKELEY. Prmllr Prmlm-er.- \¥'arner Bros. .\'l'eu-lrin: Jerry
53,“. ,\'Innr.~ Leo Forbstein (DJ L_\'rics: Bert cer: Hal B. Wiillis (Warner Bros). Wald. Richard Macaulay lronl the story
iuriu; l\almar. Mort Dixon. Grant Clarke. Al- Sci-u.u-in: Delmar (Delmer) Dl|\‘kh lrom by H. Eedlord-Jones and Barton
ll ‘he lie Wrubel. (.1411: Joe E. Brown. Ann the story by Perer B. Kyne. I’/mlog Browne. published in the "baturday
mi E. Dvorak. Patricia Ellis. William Gar~ rap/13-: Arthur Edeson. 1‘III.lil'|' Leo E. Evening Post." l'I.mIn1.'r.1/2/v_\‘: Tony
;,_.m-gu gun. Joseph Cawthorne. llenry O'Neill. Forbstein. ([411: George Brent. Anita Gaudio. .\I/nic: Leo Forbstein: I._i-rirs:
Na; Arthur Treacher. Gordon W’esrcolt. Louise. Charles \Vinninger. John Eld- Johnny Mercer. llarry \ll’arren. V. Rose.
_B[-1|}. Joseph (Ihehan. William Demarest. Jack redge. Henry O'Neill. Joseph Crehan. Larry Stock. J. (Iavanaugh. (I411: Pat
*
‘Gm,-1; \¥’ise. Phil Ryley. Tom Kennedy. Hovv— Gordon Oliver. Eddie Aeufi. \X’illard O'Brien. Margaret Lindsay. John Payne.
ard Hickman. Gene Morgan. William Robertson. Pierre Warkin. Helen \X'al- Johnny Davis. Melville Cooper. Isabel
3|; Di. Jeffery. Eddie Larkin. Irving Bacon. kis. Herbert Rawlinson. llelen Lowell. Jeatn. Mabel Todd. Penny Singleton.
First Grace llayle. Sam Ash. Charles Kalcy. llarry lieresfortl. Minerva l'recal. Mary l)ick Purcell. Jerry (Iolonoa. Jimmy l-id-
fwm Mill Kibbee. The Maxelles. \Y'i'liatn Treen. Edward Price. Edward Gargan.
"k,,_ ler. Curt lioi. Granville l$ate\. Edward
Davidson. August Tulare. George llumber. M4.-\ll’ade. Larry \‘(’illiams. Joe Venuti.
Lyrics: I955 IN (IALIENTE. 84 min. Di- I95“ SINGING i\lARlI\'E. Ill‘: min. Ray Mayer.
wink r¢'rI0r: Lloyd Bacon. Prmlurer: \Varner !)irerIur: Ray Enrighr. Prurlm-er: \Var- I938 (I()ME'l' OVER BR()AD\V/\Y.
Dick Bros. .\‘i'elI-iri/1: Jerry Wald. Julius Ep- ner Bros. .€l-euiiriu: Delmar (Delmerl
~
(I9 min. Direclur: lll7Sli\' lll~lRKl-ILEY.
39
Prru/mer: \Y’arner Brt». \reuurin.- Mark Ralph Morgan. Rita Johmon. Bonita I942 FOR Ml-I AND MY GAL. NH
llellingtr. Robert Buckner from the Gramille. Diana l.r:wi.s. Nydia \Ve>t- min. Direrlr/r: BUSBY BERKELEY.
~tory by Faith Baldwin. Pbulugrup/ay: man. Margaret Early. Martha ()‘Dri>- Prutlllrer: Arthur Freed (Metro-Gold~
Jme\ Wting llowe. L'.t.rl: Kay Francis. coll. (Iharlotte Munier. Louiw Seidel. wyn-Mayer). .\t'euurin: Richard Sher-
lan llunter. John Litel. Donald (jriap. Baby Quintanilla. wood. Frtd Finkleholle. Sid Sil\'er.~
Minna Gnmbtll. Sybil Jason. Melville I940 STRIKE UP THE BAND. lZl lront the atnry by Howard Emmett
Cooper. Ian Keith. Vera Lewia. Edward min. Dirt-r/ur: IIUSBY BERKELEY. Roger». P/in/ogr.1/1/)_y: W’illiam Daniela.
hlewade. Clem Eeyans. Linda W’inter>. I'rmll1t‘t'r: Arthur Freed (Metrt>Gold~ ,.\‘!‘it‘I.‘ Seymour Brown. Milton Ager. H‘
Jack Mower. Jack Wise. Leona Marieltl. wyn-l\lrtyer). .\t'l~u.:rin.- John Monks. llenry Creamer. Turner Layton. Gus
Ray Mayer. Nat Carr. (Ihentr (llute. Fred Finkleholle. P/lnlugrup/1_\': Ray Kahn. Joe Young. Egbert van Alstyne.
I95‘) THEY MADE ME A (jR|M. June. Mlnrir: George Stoll. Roger Chris Smith. Sam Lewis. Walter Don-
|NA|__ 91 mgn‘ Din.‘-1,,” Blysgy BER, Eden». Arthur Freed. lra (ienhwin. aldson. lloward John>on_ Percy \\Uen-
K|-j|_[5y_ pr,,,],“-(.,-_,_- J3.-k |__ \yrm.m.,_ (Jul: Judy Garland. Mickey Rooney. rich. l\|u.rit-.' Roger Edena. Conrad Sa-
||a| B_ ykniumin G131" (._,,_,Ly
W/a||i§_ Paul \¥/hittman and his oreheatra. Wil- linger. George Baaiman. Leo Arnaud.
(Warner Bros.). .\t‘t'IIJriI;: Sid llerzig "=1"! Tn“?-.l\1"'~' |’Y~'i>>\*I‘- I-11")‘ Nunm Gwriw 5w"- f-'/>"~"I.l:r-IP51"-' B1155)"
rmm the “my by B,_-|-"am 1\|i||h;“,,,, Margaret Early. Ann Shoemaker. Fran- C0n"")'- 1-‘"11-‘ Jud)‘ (3"1"d- Gm“
and "L-u|,,h 1\|“5,_. [);x_ p/,,,;,,g,-_,p/,,-_- t'i\' Pierlot. Virginia llrisxae. (ietirge Kelly. George Murphy. Martha Eggerth.
Jan];-g \!/‘mg ||(,“-L-_ ,y|,,,,',-_- Max 5mg“. Lune)‘, Enid Benltett. Howard llick- Ben Blue. Richard Quine. Lucille Nor-
.-rl (,'.,_q_- john (;a,»¢|.|_ (;|.,,,,4,_- Rag,-,_._ man. Sarah Edwards. Milton Kihhee. man. lllvraw Mr:Null)'. Keenan Wyn"-
Anti Sheridan. May Robaon. Gloria lh-I-n Jerri-iw Eddy. l‘)i3 THREE (Illl-II-IRS FOR THE
Dirkaon. Billy ||3l0|‘i_ Bobby Jordan. I‘)-ll l!L()Nl)l{ lN$l’lRA'l‘lON. "1 GIRLS. 10 min- Prwluw-' Warner
Leo (ioreey. Gabriel Dell. Huntz llall. tnin. Ilirerlur; IQUSBY BERKI-1l_l£\’_ Brm. "Broadway l-lru-ities." (.'/mrt-ng-
Bernard Punaly. Robert Gleckler. John Prmlurer: ll. P. Finentan tMetro-Gold- NP/11"-' BUSBY BERKELEY-
Ridgely. Barbara Pepper. Louis Jean wyn-Mayer). \'n-uarin: Marian Parson- |t)4_4 (;|R[_ (j|(AZ\'_ 99 min, |),‘,,-,.
lleydt. Cliff Clark. Raymond Brown. net front the play by John (Ieeil Holm. ;,,,-_- Nm-man T,|umg_ Pm¢l,,;¢-,,- Arthur
\_Villianl l)a\*id~nn, \¥’ard Bond. Robert .\lu.ril.': lironislau Kaper. (.usI: John F“-,_-d (M_(;_M_)_ _§;a,Mr,',,; Fl-rd F_ n.
strange. Frank Riggi. Dick Weasel. Sam Shelton. Virginia Grey. k|,_.|m§;.. [mm [hr ,,“,,5,_»,,| "G5,-| (j,-y"
"">“< l‘)4l 7.lF.(il-'l£l.D GIRL. ul tnin. by Guy Bnlwn and John McGowan-
I95‘) IIROADW/\\' Sl~1Rl~INAl)l-I. ll ')irt‘t‘IlIr: Norman Z. McLeod. PrInIut'- 1.;-riri; Georl‘ and In Gershwin» 5/1"-
ntin. I)iret"mr: Rohert 7.. Leonard. I'rn~ rr: Pandro S. Berman (Metro-Goldwym rengmplat-rs: (Iharle\ \X’alters (for Judy
tlut-er; Merro-Gnldw)'n-Mayer. .\l‘en.1rin.' Mayer). \'rt=n.trin.- Marguerite Roberth. Gl’|"d'> ~'~"~|\"~'"\"~'§)- EUSBY BE-RKF-'
Charles Lederer from the story by l.ew Soyna Leeien from the story by W. LE\' (for the aequence "I Got Rhy-
Lipton. Hans Kruly and John Taintor Anthony McGuire. (Imr-eugraplier; thnt"). Casi: Mickey Rooney. Judy
Foote. .\lusit-: Herbert Stothart. (.brn'e- BUSBY BIERKELEY. (.u.\I.' Judy Gar- (3ill'l<|- ,l""'~' 1\|l!'5""-
hgru/Jeri BUSBY BERKEl.l-I\'. (ml: land. lledy Lanlarr. l.ana Turner. James |\).y_; THE (}AN(j'§ ,\1_|_ HER]; 105
Jeanette l\laeDonaltl_ Le\\' Ayre». Ian Stewart. ,,,;n_ Di,-a.-;,,,, grlggy B|=_R|(|51_|-j\'_
"\"""- "HI l-/\l)\' "Ii GOOD. IN) --tin. PI‘!/lIIlt'I.‘!‘.‘ Willianr LeBar0n (Zlllh (Ien- 3
1959 |;Am.;§ |N A|(M§_ 9 min Ilirerlnr: Norman Z. McLeod. Prmlur ml-y.F0x), 3'“-,;,,i-ir,_~ Walter Bullock
lliret-lur: BUSBY l$l~IRKFl.l-IY. l»~..I”.- 1"-' Arthur Fwd (M=rw<G~ldw>"n- from the atory by Nn()' Winter. George
,.,_. Anhu, iMcm,_G"|d“.).n_Ma),
|:|.,_.'_.d Mayer). \ten.1riu: Jack McGowan. Kay Root and Toni Bridges. Plmlngrapby:
er). .\t't'IIJr/0.‘ Jaek Madiowan. Kay van "3" RlP'~'- J"h" M*'c|i'l" ‘lm ‘hi’ 5""! Edwfd Cl’""iilH'~‘l’ lT'-’d\"i¢"|\'"’i- ‘~.\'T'
Rip.-r {mm [hr mu_.im| by Ri¢|,m-d by Jack l\lt(iowan. .\lmit": George Stoll it-1: Leo Robin, llarry Warren. .\lu.u'r.~
ltmjg.-r, and |_.,n.m "ML p/,,,,,,_l_.,-,,. (D). Leo Arnautl, George llaawnan. Allred Newman (D). (Iusl: Alice Faye.
/./»_r.- Ray Julie. .\Iu\it-: (jetirge Stoll (Ir-nrad 5"|i"l=" <0» (-/1"r¢"Igr-IP/Mr-' Carmen Miranda. Phil Baker. Benny
(D). Roger Eden». Leo Arnaud. George "USHY BERKEI-E‘: (-'4"-' El¢""l’ Goodman and his ()rt:he.~tra. E\lll'~‘"'~'
lSa.~atnan. I.yrit'.\: Riehartl Rodger». Lo- |’"“'1'"- Ann §olhern. Robert Young. Pallette. Charlotte Greenwood. Edward
relll llart. (..n!.- Jud) Garland, Nliekey I‘)-H BAIH-IS rm llltoAl)WA\'. mi lrlwn-tr Horn-n. '|'1my dv Marw. J=-me»
Rooney. June Preiswr. Guy Kibbee. min. l)i.~.-./i.r.- l$l‘SliY BERKELEY. Elli»-n. Sheila R!“"~ D1-\'~ Willi"-"R-
Betty Ji|)'t|t:\'. Douglax Mat'Phail. Charles I’;-mlmt-r: Arthur lireed (Metro-Gold- Mifiilm |-i\\\'|le. Charle~ SaHl~5”“~ G"""b-'\’
\\"inninger. (iraee llayea. Margaret wyn-Mayer). Srelmrin: Fred Finklehol- |)"H“- I-'~'"" “L'll'"-
Hamilton. Rand llrookx. l.e|\i Lynn. ie. Elaine Ryan from the story by Fred l‘)-$6 (YINDERELLA JONES. ‘)2 min.
John Sheffield. llenry llull. lfarnett Einklehofle. I’ImIngr.l]lll_\-: Lester \Vhite. l)ir¢'t'Iur: l‘ll‘SB\' BERKELEY. |’rmlnt'-
Parker. Ann Shoemaker. _]t).\e|!h (Ire- llmit itutl I._\v-lei; Ralph lined. E. Y. er: Alex Gottlieb (\¥’arner Bros). Steu-
han. George McKay. llenry Roquentore. llarburg. Roger Eden». llarold Rome. urilr: Charles» Hoffman from the story
I-vl=-II 'I>"l-r- Al stillmaii. Burton Lane. Vll"lCL‘nlL' by Philip Wylie. P/Jllfllgfd/I)‘: Sol Po-
|t)_;t) |.-A5-|~ AND |.-UR|()|~5_ -_; m;,,_ Paiya. (.'.1rl: Judy Garland. Mickey lilo. L_yrit.r: Jule Styne. Sammy (Iahn.
I)ir4-|-]1”>_~|{[l§B\'|§|{RK|{L|§\'v [r,~,,,],“_ Rooney. Fay liainrer, Ray Mt'Donald. .\|u.\it-: Ray lleindorl. Frank Perkins
t'r.' Fredric], _\';._-p||;mi (1\|un,.(;,,1d!-“-n, Virginia \Veidler. Alexander \¥’olleott. (()). Leo F. Ftirbalein (D). (.151: Joan
Mayer). \t'eu.n-in; llarry Kurnitt. I'/m- Rivhilrd Quine. r\"" R"""l)'- Donald Lealie. Robert Alda. S. 7.. Sakall. Ed-
lu_er.1/1/iy: Ray Julie. :‘|II\iL'.' Daniele Meek. Lula Alberni. ward Everett llorton. Julie Bis-hop. “Vil-
Aiiiriili.-.-tr-»i_ (it-iimiiitiii llakeleiniktiff. 1‘)-il HORN To SING. R1 min. D11 Iiam Prince. Chi-rl-~ l>im:l~- Ruth Den-
(..nI: liranebot Tone. Ann Sothern. Ruth rellur: Edward Ludwig. I’rutlm'er: nelly. Eliaha (look Jr.. llobart (lava-
llussey. John Milian. Allyn JtI.\|)'n_ Ber. Frederick Stephani (l\let1—Gt)ld\\‘)'n- naugh. Charle~ Arnt. (Iheuer (Ilute. Ed
nard Nadell. Mary Beth |ll.||:he.\. (jlifl Mayer). .\teu.1rio.- llarry Clark. Pram. Gargan. Margaret Early. Johnny Mit-
(Ilark. Jame\ Burke. Frattk Urth. Mar (i. Spencer from the atory by Franz (i. chell. Mary Dean. Monte Blue. Mati-
gitret Roach. Glady» Blake. Granville Spent-er. Marie; Dave Snell. Lennie anne O'Brien. Marion Martin. W
Kurniu. llaytori ID). \X’al|y lleglin, Leonid I94‘) TAKE ME OUT TU THE Kt
l‘)~80 l"()R'|'Y Ll‘l"||.l{ t\l()'l’lll§RS, Raztb (U). (./.mrt'01.'r.l[I/)er: HUSBY BALL GAME. (til. etlmplete note in dit
‘M min. |)irl't'Iur; l‘lllSll\' BERKIELEY, BERKELEY. (.411: Virginia \¥’eidler. Betty Comden Adolph Green lil|nogra- vet
l’rurIut't-r: Harry Rapl (Metro-Goldwyn- Ray McDonald. Lu) Goreey. phy). sit
Mayer). .\L't'IIJl'ilI.' Dorothy You. Er- I942 CALLING ALL GIRLS. 20 l‘)5(l TWO \VEEKS--\V|Tll LOVE. Cot
neat Pugano lrutn the \tory by Jean lnin. Pr!/tlnrer: \¥’;trner Bros. "Broad- ‘)1 min. Dirt-rlur: Roy Rowland. Pr0- mp
(iuitton. Plllllllgrilfl/)_\'.' (Iharlea Lawtnrt. way Bfe\‘itie§.“ (./mrm/_gr.1/1/Jer: BUSBY tint‘:-r: Jack Cummings (M.(3.M.) Sl't~n- nict
(d.II.‘ Eddie Cantor. Judith And;-f§()r|_ BERKl~Il.E\'. arin: John Larkin, Dorothy Kingsley Lei‘
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(GIMDJA \a|IIuriII: l;\r.'n'll Mull.
\\'v.~l\~lu_ Runlulph l-'riml. (iuurgc
Palm Rugcr
Hun“! -l\ (L Rnilvy. Lucien Dunn). \i:: Adolph l)L'\ll(l1. (/YIn'l'I;gI'.l/I/H'!‘.' Ulln
.\lu\u: Lulu .-\ma|ud (U). (icurgc llv:rl1L'l'l ll-llun‘, ()s\.|r l|L\lllll\£'l'\lLll\.
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"1\l\u l).1l*»;\ lln|w}n\lmn" with S.\l/\Ll.'l‘()\\'.\ (EIRL. ‘)§ min. l|u\\-.|nl Km.-l,
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l'lcchni<.ulur). l.1\!.- _|;||\u Puwv.-ll. l’;|.~n.-rnnl; ll\l.G.\\l.I. \u‘u.|rin: Dnrulhy
l\lnnl.||l\;|n. Louis (Inlhnrn. dw.
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1951 (§,\|‘|_ 3"; ‘\||5'|'|-j|(_
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‘ \‘.A\._ Hm ‘MIL ')‘.'_u/M’: JM“c_ \. 1:1...‘-la.-|.|, mm. $Ll|\nur. King
l)|)lI\>- \\‘|\|l \V;|ri|\g. Lynn \\"4NIll, <:|...r1.-~
‘mm \\':m~. 1".‘-u (.lmmllcr_ R-my
(‘L llurum_
Mm mm," \:u_\. Pillll llryur. <;.m.-1|
Hukur. umi.-
M, KM, U,;,,Mm',,_ \|‘:,,,:l_i,'f_,h;idlLi;_ Rubin, (:}\l (:h.\ri~~u, \\"ilsnn \Vnml. Nurnmn l,¢.n|u_ (|r.ul\
1-u\-
“_“_ “HI “Alum "mu my
I“ ()lnc_r. l‘lu\r_\y
Sulnm, Rnllwrl u_ \va|1a;-...~_ Run
I'll-n’
1-)», mm-1 .\1,\|u|=._ Inn _|l\i|\.
.\1l-.--
mm“ MM mM__ “mm
mm. in Mjhm "n\.- I».-.11.-1.“. 11..
m-.|<- n|\_ '1 1\.- (..1rli\l;~.
,,“,,.,‘.. \_\.. |_..-R.-,. \m,7,./ m,,1.- m>1s\_"
(,"n_l;min IUMMHMH ‘D, (/WNW: ln- \V.|1/.u|~. Hilly l$.|rum_ (_nrL§ (.r|~lm1||.
‘4 ‘I ~ I\l-.l.l-.\' (who dun-clul llu: vnnrc \,iL'lUf _lLlll;ll'l. Rinlmnl u.-m. 4|.,.-
.\1......,
' _f h, _In.u\ "|'..,1.»n.
|_Q\'|-_, '
'"_/"""-' 1“ >"‘ V!"-'“\l'-U‘-‘_~ "*'*"" nli.|n h..1m \lAl\n'&'d

lM.(i,M.). lulu. Mi» Lnni. zhlulplw Dulnlq. l’.|\
,.,v,,.
|m:nlur)._ (_.1\I: lung Murlm. Ji"“" "I‘UA,IIAl‘I'I l\lcr\)n Lu-Kn)
l'ruh;\~l-..\, “J!
\'\""_ \A'l'lI.II'll!I Ru|\.\l\l Millur. m-<,r,;.~ Fl’l>L'\'
r\nll\u|l). ].|n0~ "1 nu»
I-~"»='\~ <'|*"~* \|~'l'-'\~’"- ll.|m- mu.-~. ml.-.-,.

¢h¢| lrnm the ml-~a...1 h; ()~c.|r
Xi|\g\l\'}
|-m .\u|.1.|n_\ nm.|.,u< .\u<.u-
41
4
Deny Comden and Adolph Green.
~32
VI’ Illlllg 1 (I! 1v1||J|u.||.I
InlrrrI}'II' \\’I'I/J /§¢'Il_\'

(fmm/I'll um] /11/0//>/J (lmvl
/fy jmrl-FnI1I¢L'n!'.I‘ l'IuIu/nmy
|| \\:I~ ;Il X11 i.\|. ;|I'=-IIIIII ]»I'<nIII\'<-I‘ .\I'l!IIIr PI": I] I
||I~ ~lf\'lIl|l\'i\l|\’l‘ ~|I~-Ill-I I|I'\I‘l' In‘ lI\'l'I"llll]\l‘4‘ III.»

|i<'II\ (lull-II-II :II|I| \1l"][I]I |Illl'Il \\X‘III1'lhl ~\<-II:II'II-~
lhinl |lZl1| I||lI<'|I Ill IIII \\IIh lllr \lI\'\'('~~ III Ihv !lll|~Il‘I
]Iiv\'I-~ uf .\IiI|I|I~|1i, lh-In-II :IIul |§r||_\ III Ill: IIIHII
I‘H\'l' --II |\I~ll\ ~ III\I~Ir:II~. I|h'II' r:II':-I-I‘ llIlI'I'~l'\ l~ }vH~|r\
lZrI‘l\I-I:~_\\_ \'~I \\\- Ihl-IIj4|Il II -I].|II»I'IIIII~- 11- I--III I-I
||I~ 1lII~ \:I|II:I!:l-~ \l'~IIll|IIll\ --II ll|<~II‘ \\I-I'\\. II-. .II.|IlII.
lvul IILII HI] 1| Q:-III‘v :III~] 2|h'l‘ll1l\. :III v|n»rII .
l'\||I| |:.~ ll--\\

4li1I_\--II ~l:II'\§
H1II\ ('II\II»|\ \I |II'~l \\<- \\;InII-I! III }Il\'Il|||l
.'II'I~|I'~ :IIIIl \\<- ll|l'I \\|n'n \\’v \\<-I'<- I4I|Il\III;; I111 \\-II'l\ II,
I|1l'l|Il'llI('I'. $|IIII'|l_\ Ihl‘I'l‘l|l‘ll'I'_ \\:~ \'Z|ll\l‘ In LII‘-\\ _|nII\
HI-lli~l:I_\. \\ II|| hr!‘ and \\\u ullu-I‘ _\II\II|g ;I<'lIII_; ;|~|-II
:II1l~. \\\- flIl'lll('I| :I .4I'<IIl[| rznllwl "'|_|I1- |\'('\'ll\'l'\ " _\II|\I
\\l' \'I-IIIIIIII ~
f4:-I :III I'II_;:Ij4vIIu~||l nu I-I'1>I\l|\\l|_\,
D
\\I
~I:II'u--1:11 I|n~ \Illugv\:II1gII:|I1l,:| ||Hll‘\'|\l|ll|l l|I1'Il|
uich \ i]l:I;;n- l|I:II \\:I~ I|I<-II I--Ilgv-l in :I \'\'HIH'. ll \\:I~II‘I
.'| nigh! rlulv III IIIIII |illll'] lhl'_\ III-|II'l \l'|'\l‘ :Ih"~-h--I
Y-:IIII_; ]I1I4'l~ll|-11H‘ _fll‘~:III|I .§l|'~ r:I|III- IhI'I'I- ll» Irrill

Ill! II‘ \\nI'l\'~,I1|Il (hr 4r\\'IIl'I' \\;|IIIr<l 1|» \'l\:III_;I~ ||I~ I‘=|I'
I|I:II, Zlllll l|I:II \\:I_\ \\<~ In-gun In In-I'tuI‘In <IuI' ~h~I\-.-
.§\ll\llH_\ <-\I-niIIj_I~.
\||1I|.l'Il liI:I-I-.\ \\ \\nm- --ur ll\\!| lHI|I\'l'iZ|| I--
1-
<':|\I~r \\':- \'I-IIlIlII'l :||lII\\ \I|II'~1~|\'<-~ \|In~ lII\III'_\ 4I| |-:I_\

Inf; \\I'iH‘I‘\ Tho ]II'l|I>l'il‘\4>l', .\l:I\ (}~>nlI>I|. \\|\|I ~[IH
~-\\II~ lhv \ i"Z|_L'l‘ \‘:m_~_-\I:II'|I, \1|ll|| ‘ml H~ Hll III<- I-III
lI\I- vw-||III§_'~ :I \\I-\'|\, III l:I\'I. ]ll'll]I|l' Irnm ‘>r||:|41\\4|\
:|II'l \I~\\ YI>I'|\ llII~;IlI'ir:I| ;|II<l lih-I':II‘_\ riI‘rII-~ Iw;-;|II
I‘\I~|Iing Il4>\\'Il lu\\i\1\‘|!1IHI' ~|I|I\\'~_ \\'\- hml in [hr \ II
1;|_;:~ :III IIII-:I1 Z\llI|i1'll\’('. \I~r) I'l'|>l'\'~l'lllZlli\l' --I‘ \I||I-I
Ivzm uIl\III'~-. .\'~- um‘ \l1IX'_\, III :I \\:I_\_ ~--uII~\~ lllu‘ -l

IIIII~ir;|| rI>IlI\-<|_\ III’ I]I:II In-I'i|-I1. H('\llIl‘\ ~I~\|-I':II II|III~
\\:‘ I'<':Ili/.I~-I II lull-I‘ \\<-I'<- iII~|»iI'I<|l \I_\ I-III’ I\I|\l‘lI
lurv. \I-II \'=>IIl-1 |I:I\'I- rnllv-I II ‘lhp |lI'1'Xl\\ I1 II \ II
4
lngv |\'i|\~" . .
(‘II\||-I \ . .1-I‘ "|1~|_\~ Illlll 1IIl']~ III .'I l'I>||:II"'

HIII I \ llul \\r |I:I|| II» 5;“ llll ~lI‘IIj;_;liIIg I1-I" ~I'\--I.II
II-.'II~ \\l' \\I‘~-1:-:III|1|I|;I\m1I|I:III\ ~I|<-\\~ \\\ ‘.\_|IY\\| I5
.'I|~~ III YJIIIIII. l'|»I‘ :I _\<'I|I‘ IAHKI :I IIIIII. \\|- |>I\-~|-IIII-I ~
lI;I|l'—||-IIII' ~\|--\\ I1-I’ \\|Iir|| \\<' \\I'|II1' II||~ I||:IIvI'I:Il_ III:

II|II~I\' :IIII| lhv ~=-II_;~ :III-I uhlrh -IuI' ;-I'IIII|- II-I'I-IIIII-I
:IIl IlI:II. :I\ Ihzr Iim-. I1-1' \1-I'\ 1II:lI IHHHI \ '| -..‘I:II
\\IIlII\-1|-\I~II»II \\<- \\I-III-I IlZl\l' |I4'\"IIl\\\ I:u|I|»II~ III -nu
[Ir
F
4»
WV I Hills 1 U! 1v1n.uu||.I
IIIlI'I"I'l}'II' \\’iI/J I3I'Il_\'

(fvnn/I'll um/ /11/0//2/J (Imw
/fy jmrl-Fn11u;n!'I' l"Iulu/Ilrqy
ll \\:I~ :11 H1 ]>l'4ll‘ll\'<'I' .\I'lhIII' |"I'I-III

i.\|, :II‘--IIIIII
||i~ ~i~-III|Ir:IIIrI~ ~|II-IIIII Hl‘\('I' l>I~ I~\'I-I'lI-I-LI-4] llI.I1
.~
|i<-II_\ ll-III-II-II :I|III \~l--I]-lI llI'=~I-II \\I'--Iv lhl‘\\’1'lIIH'llI‘

IIIJII |I:II| Xllllfh In III» \\IIh Ihr \H\'\'l‘\\ HI I|II- II|:I~h-I
I-II~I'I'~ Hf .\|iI|I|I~]1i, |)lIll\'l| :InIl |\I||_\, In lhl‘ IIIHII
l‘ll\'l' --II |\I~ll\'~ InII~iI~:II~. Ihvir \'Ill'l'\'l‘ ill\I'I'~l'\’l> }IlI~||\
III~I'LI-I-~_\'~_ .\1- \\l' IIII-|Ij;hI II II]I]I1>I'llIIl\' In I--in I-»
|II~ llIi~ \.'lI\lI|’I]l‘ Ir~IiIII--II\ --II lhvir \\III'\\. II-I .|'IIIIII.

|»III :|]\l| III] :I _§l‘lH'l‘ :IIII1 2|h‘l‘Z|1l_\. :II| I*|nr\’]I .
l'\|||| I:> ||lI\\ ilill _\1|ll ~I:IrI?

HI-|I\ (‘I-\II>|.\ .\l ||I'~l \\<- \\§H]l\‘4‘ In MI-I-IIII
:II'I~II‘~ ;IIIIl \\l‘ lIIl'l \\|II'II \\’I~ \\1'l'\' IIIIIl\IIIg; IIII' \\I¥Yl\ III
I'll‘ l|Il‘2ll('I'. .\'h<-rIl\ III:~I‘I-:IfII~I'. \\l‘ r:IInI~ In kn--II _|IIIl\
H-vl|iIl:|_\. \\'iI|I ]H'l'I|lI1| I\\u<IIlII'I'_\uIIIIg ;I<'lIII_; .'I~|-II
:IIII~. \\'\' f1-I'III<-II :I _;r<-III- rznllwl "'| lII- RI-\'I|I-I'~ " .\Inn
\\l' I‘:-IIIIlII'I 3;:-I IIII I~II_;:Ig,-<'III~'||l IIH |iI'4>:I-l\\:I_\, \\I
~I:II'n-=1 II! I|II~ \illzngv\‘;IngI|:II'Il.:I|ilIlI~<"|I1I»I|IIln-I-II
uirh l|I:II \\':I~ I|Ic-II lwljgx--l in :I \'l'HI||', II \\:I~n'I
\'i]|:Ig4I~
:I nigln rluh IH I|I:Il lI|I|<-; lhl‘_\ 4lIIIII'l ~I-|'\I~ :I\I'I-II--I
\'uIIII_-4 |IlH‘l\ III Ihv INF :In|I .§li'~ \‘i|lIl(' Ih('I'I- III II-I-III
Illril‘ III-I'k~_ lllll IIII~ I-\\'II<~r \\:IIIII~¢~j4:III In In-I'IurIII IIIII' ~lIu\-.~
.<IIIIIl:II' l'\l‘lliHfl\.
\||1II.|'|l lIlI‘I-l-.\ \\(' lI\\l| lHIH<'l'il|| III
\\I'<»I<- lIlH'
\'Zl\l~I‘ \\'l' I1-IIIIlII'\ [hr ]II.\III'_\ uf |-:I_\
;IH~»\\ I>III'~I~|\'<-~
inf; \\l'i\('I'\ Tlw I>I'<I|>I‘iI~II>r, .\I:I\ (§<>I‘IlnII. \\hll ~IIH
--\\II~ IlII~ \'ill:I§4I~ \':IIIgIIzII‘Il. ~~~-II ]ll|l H~ UH IIII- lull
II\I~ I-\'v|IiIIg_'~ 1| \\'I-I~l\. In Incl. ]Il'll‘lll' f|'nIn |1I'~-:III\\;I\
:IIIIl XI-\\ Ynrk IIII-:III'ir:II :III<l liH'I'2|l‘_\ \'il'("|('~ ‘Il'f\'l|l\
I'II~|IiIIg l‘H\\'ll III \\’:IIr|I lIHI' ~|III\\'~_ \\ I~ |I:IIl III lhr \ II
1J|;~'l‘ :In iI|I':I1 :IIIIliI-Im-. \I~I'I I'(‘|>l'('~l‘lllZlli\l‘
I-f \ll|l'l'
Kill] (ll|\\lI'1'. .\'II IIIII‘ Jill‘), in :I \\:I)_ \IIllll<‘~ 1ILI~ :I
|IIII~i\':Il \'H|lll‘1‘\ III’ I|I:Il I-I-I'iIIIl. H('\Hll“. ~I~\I-I':II II|In~
\\'l‘ I1-:Ili/.I'Il I1 I:Ih-I‘ \\'I-I'I' III~|>iI‘I-Il |I_\ IIHI' I\l|\l‘H
Inn‘. YIIII I'I>lI]I\ |lI|\'l' riullwl It "'|'hI» l}I'I~I-n\\I~"|I \ I1
I:Ig;<- |\'iIl~". . .
('u\I|-I-\ . .--I" "H--_\~ :III~l 1}iI'I\ in ll 1'I>II:II"‘

<iI:I |- \ HIII \\l‘I|IAl‘I|lf\'|II|II‘1|‘l|§§]|ll;|llT~l'\l‘1'I\\
II-:Ir~ \\l' \\I'~|lv:IIII\ lIIII)l'1} In:In_\ ~||~-\\~ \\‘|“\' I4 \\l 1
.'lI\|r In rzulin VIII’ :1 II-:II‘ :In-1 :I h:I|I_ \\<- |»I'I-~<-Inv-I I»
|I:I|I'—hI»II|' ~I|I»\\ I1-I‘ \\|IiI’h \\\' \\I'I|I\' lllv |||:IlI~I'I:Il. III:

I||II~I\" :III-I lhv ~I-n_;~ :In-I ullirh IIIIF j;!'IIII]I IIvI'I'I-IIII-I
n
' :IIl IlI:II.:III|I:I1 IIIIII-. flI!'\1'l‘_\ IIIIII- |\\llH\'\, 'l I.I'I:I_\.
I \\lI]ll\']1'\i~iII!L\\\'\\'|HII||II|\l‘|I<'4‘IIllII |:II|II»II~ III 'IHI
4a
pl?
t'ttt|.~|tt't'ttt.~ uf Xx-\\‘ Ynrk set-n lay tht- throw sailurs. \\‘:t.~

t-wtting antl our t'urtunt- wuttltl h:t\'t- l>('L'Il tnatlct nr
shut ht-re. itt X1-\\' Yurk. l rctttetttlwr hztving gtmc ltt
\\'t~ wt-ttl<l haw tlisappeztrt-tl witltuttt leaving a trztw.
I |7in:tll\' ttttr gruttp ltrtiku nit. 'ltul_\- Hulli<la_\' sttun ltt--

t'amt- :t f:t|ttt>tts xtrtrcss atttl at last we \\'rutt- ttttr ttrst
.~ht»\\ tur tho tht-alt-r. lt was (ht lltr Itriun, tn \\‘hit:h
\\'<- actt-tl atttl \\'htch \\':t.s s\1\{.{l‘ll itt t-ttllztlmtxttiutt
with
st-c tht-tn wttrk at the l§rnul<l_\'tt .\a\‘_\' \artl. itt thr
grt-_\' <1! tla\\'n. lh'.~itlt~.s pt-rh:t|ts it \\‘:t.~nt tl:t\\'n_
ntttl
it tht- sk_\' \\'a> grtcy. that \\'as lit-t~.ttt.st ot tug t . . l‘l0\\'-
t-\‘t-t" that nta_\' ht-. tt t-xprt-sst-tl tht- |tt|t'tl’_\‘ wt .\t~\\'
\ t|rl\
”
‘ |_t-ttttztrtl Ht-rn.stt~in antl _|t-rtttnc l{tthl»itt.~. ttturning ntar\‘t-lt>usl_\' \\'t-ll, :nt<l i. \\'a.~ \'<-r_\' t:t.~t'itt:ttitt§4.
(}tu~1t~;.\'—'l'ltt-_\' .sta_\'c<l ht-rt~ nltl_\‘ tht‘t~t- ttt‘ fttnr tl:t_\ s.
(_\"'|"-R-"*0" //1" r”i\"' “'“-‘ i“-‘l’l""‘l 1'." I:‘““'_\'
["1 *3 l\"’l'l‘i"»*. l’"ll"\:' ltnt tht-_\ hatl hzttl ttntch tlil't'ttlt_\' |tt-rsttatling the stntlitt
c||i‘.f_\ U, ‘Huh. H“. U-iv U, Xv“. \-Mk’ ||‘,||_\ “.m,(| |,._.,,,
liRl.li.\' —( )nl_\' tn tht- t-xtt-nt that it \\'a.~ ahuttt tltrt-c
~:til~r~. antl i|l.~<I ht-c:ttt.~t~ lllt-t1\lt'tI1.~ul' H<~t't\.~tt-itt zttttl ‘,|‘. hm] _,-nit] U, ||“-m_ -~\\'t1)- mu __|,,,,,| 1,“,-‘.}" Am]
ltw). hm] n.‘,1iH1 ,.ig|“]). ‘hm it “.“_\_ \.‘,ml,|k.“.|.\. i"(|i__
l{--ltltins hatl lIt'l’l\ tliscn\‘t-t't-cl \\'ht~n thc ltnllt-t \\a_~ ct‘t'-
tn sltttttt in .\'t~\\' Yurk. Tltu.st' ll|‘>\ ton tttitt-
="“'l- ' m" cl" “W ‘hm ll‘ ‘hi-‘ “'=l" H“ ”"' ‘I-"7"" “'i‘-‘ |>t~tts:tl|Yt~
l"‘l""‘l l"-‘l‘l""'l l'." I:"'“',\' /'_I'4't'. ttttas tho lihn a tuno tltat rt-ntztins tn thr t-tttl.
;_{i\'t~
lA"“'"':x"| I'll‘-“ill ‘hr ‘mu “l U“in" "W “min-U‘ ('t».\t|tt<:x <\ntl. at tht- t-ntl. tltt~ shuts that \\'t~rt~
l"'l"i"l‘l' “ml '\'l"Il'h “quill mm "f Univ‘ ll“. ":'""'.' Iilntvtl un thu s|utt lt~a\‘t- \'t>n with :t \‘i.si<ttt ul .\'t~\\
In thtt |ttu\'it- ‘lttlt-.~ .\|nn.~hin tlitl (tzzic antl .\|tn .\lil- \-Ml‘ M um“ “_|_\_ I‘Wm_'m“| n_"‘ii\,_
' . . .
lt-r -litl Cla“ |tt- . .
L\||||=.t<s'—lt was alstt nnt- ut tht- ttrst tttut-s \\'ht~tt
, . .
<mt:t..\' '—l»ttt tht~tr nntttltt-rs tut tht- .~t"rt-t~tt \\"t-rtttttt
t .
tht- cltaractt~rs ttt at nttt.stt'al cuntt-<l_\' thtlnt ltt-lung

_ 4
\t>
tht- ~:ttnt' as tltnsr wt~ tlitl on tho stagt-.

.
. . t
tht~ \\'t>rl<l ut sltntv ltttstttt-ss.
.
t tntltt-1.\' — I ltat \\'as tltv last t|ntt- \\'t- pla_\'t~<l a .~ltu\\'.
t-.\rt»]-t int“ “.\ l':u't_\"' \\'hit"h was ]II‘('>t'tllt'll in .\'t-\\' u"“'“”‘\’ U‘ I Ml “M vm'“' I W "‘_l“h‘: lv"_';'l“
Y-trk a it-\\' _\'t-nrs agt». lt was a unv man, ttnt- wuntatt Ilmhill “"l‘m““ ‘ll H’ nnfl “H1 ‘U H“ “h'“‘ l
Jtnn itt \\'hich .~l<l'lt"l!(‘_\' \\'rittt~|\ uwr the \'t-ars \\t-rt- d':\r_:K“'r'\ an’ l*m'"l*' m *‘"?~'_““" “lulu. '_" "W ’\ ruin‘
nttl tht-n, lt\'l‘tt('\ ut ntustcnl
tht~ lllltts sun"" znul
uttr \‘illagt~ \ an—
- - L ‘ '
extracts lrum
“
'
t-~>llrctt~tl, .\'u|nt' \\'t~rt-
§4\t:tr<l ~ltt»\\'s. the utht-rs frunt unr tnttrc 1"('CL‘l\l .sltt|\\'s_ llmmill ‘ml-‘I ml ‘hr slnglij "_‘““m'd ml ll?“ wnlmli-\
tit<|-l~;.\ \\'t- hatl an astttttislting sttcct-.~.~_ as nntt‘h W "h““~ Hm“ m me “c“"'g M vwr-WI“-‘i mp’
with tht- t‘l'lli\‘.~ as with tho ttnhlit". t\.~t<tnislting tn tht~ C“""':"~*' '|)"".\ }“‘" 'hl"l\'- l" ‘hi-‘ "“"""\“li“"~ mi“
t~\tt~nt that \\'t~ hatln't t'urt~st-t-tt an_\'tltit|;_' uf thv ltintl. 'l“""' 3"“ l" -\'"\"'i"“ "l""“"“<‘ l" "“\"'."‘l".\' lift‘ "I"
\\‘v hatl s|>t~nt \'t-|'_\' little titttv |>rt-paring; this .sl|tt\\': l""'l"l"“' l“ ""‘~"l*‘“l ""“""l." '“'hi\'l‘ i’ l"custtttttvs. lh“ "ml
inure realistic itt its colors. its >('\lilt}{s. its
Um. m'“.rm,,,“ “mt an H-¢"i"g_ u." mu. “-|,,,|‘. (|“)-
"Hm. {Ur I-l.|“.;\r,-mg ;‘_ aml so on. tltan peuplc ]_'t~nerall_\‘ ltelie\'t*?
(1-\|m;.\ *\\'0 hatl rst thttugltt uf ]>rt~st~nti|tg it Ctt.\tt>|-1.\'4\'t's. that is nu tlttttlrt tht- t'a.~t*, lntt \\'t-
ttnl_\ t\\'u §tttt<l:t_\' 4-vcnings itt a small thratt-r in thv tttzttlc no cmtscitttts e'ttt't tu ntakc ttsv of the elvlttt-tits
\'ill;t;;t-. hut tlw tlirvctttr <-t‘ tht- 'l'ltt-atcr Httiltl .~;t\\- it ,\‘tm'r<- talking nlmttt. lte-cztttsv wt“ tlilllfl \\'=\"t In full
atul vlrritlctl tn rtastztgr it on l{ro:t<l\\':t_\'. lII|" l11ll<l‘"‘l'-

t‘\tttt-1R.s—'l‘t> t'L'lll!‘|t In (ht Ilrr 'I'¢m'tt_ tlitl _\'t|tt titttat-‘.x4\\'l1at we watttetl was tn tttakv <lt~liltt-r:ttt-
l\nt-\\ tit-ttr l\'t~ll_\' antl .\'tanlt:_\' l)unt-tt at that tintt‘? nsc 01' the resnttrccs ttt' nnt.sit"al ctnttctl_\' atttl of cntnt-tl_\‘
lituit-:x—\'t~.~. \\'t- had kttmvtt tht-tn ft-r .~utn<- _\'t-:trs. ttt c.\'|trt-ss tvhnt \\'t- had tn .sa_\'.
'l'lt¢_\ :trt-\*<-r_\‘t>l<l t'rit~ntls. C.\|t|t~:t<s~\'t>ttr tznllztltttrzttiott with |)<tttt~tt ztntl
U-\||I1-LN ~'l‘ltt-y \\'t-re alrcatly nntlcr t"t|ntr:tct tn |\'t-ll)‘ cutttittttctl thrt-c _\'t'ars latt-r \\'ith Silt;/irt' in t/It‘
.\|(i.\| ltt-fttrr \\'t- uttr.st~l\'t's \\‘t-tn tu Hull_\'\\'t»t|tl. (it-no /\’t|in . _ _
l(t~ll_\ hatl :t grvat sttct‘cs.s as an actnr. .\'t:tttlt'y, \\'ltu

L't>.\tm;.\ ~\'t-s. .\n<l ztgaitt it \\';ts a grt-ztt |>lt~a.stn't~
hatl ht-t-n a tlanct-r. was his assistant. .\rthttr l"rt-1-tl ttt work with them. This script \\'a.s itt fart lttll 01'
tlt~t'i<lt<t| tu lt~t tht~|n mako a lihn tugt-tht~r. That was sliglttly tnatl things \'t-r_\' tlithrttlt tn stttgt-. Nun". t~\'t-r_\-
tht- tirst tihn that .\'tanlt-_\' tlirvctt-1|. ttr ratht-r t~u- thing \\'t- hatl itttagittwl was kt~|>;t~tnttpIt~tt-1}-_ X0 tlttttltt
tlirwtt-tl. that was one of tht- rarc uccztsitttts \\'ht‘|t a sct-n:tt'it
tit<|.|-'..\* \\'t- gut on tttgt-tln-r \\'t>ntlt-rt-ttll_\' \\'t-ll. was tihnt-tl t-xat"tl'\' as it \\'as tvrittvn.
'|'hr_\ ha\'t* a grvat tlt-al uf talent. antl as l was tolling tit<t~1t-2.\'»~\\\- alntust crit~tl fur jtt_\' tht- rst time \\-t-
.~a\\‘ the tihn. ;\ tlrt-am hall c<tntt- trttt- . t . t\s
is al-
_\’t-tt a little \\'hil<- ago. tht-_\' arr \'t~r_\' ttltl frit~n<ls. Tltt-_\"
ntust al\\'a_\'.~ tht- cast-. \\'t~ hatl \\-ttrkvtl alttnt-, 'l'ht-1|.
l;|tt>\\' t-nr .~t_\'lt~ as wt-ll as \\'t' kttuw tht-irs. $4» \\'t~ ttn-
tlt-rsttmtl tttlr antttltcr \\'ithunt t*tT<>rt. \\'lIL‘l\ the .s¢ript was tinisht-tl_ \\'t~ rt-zul it tn tit-nt~ antl
('\ttt|-Lks That was tht~ rst tintt- that a nntsical tn .\'t;tttlt~y whu as _\'t~t knt-\\' ]tractit":tll_\' nntlting almttt
rt-tnt>:l_\ \\'a.~ lilntt-ll ]tat'tl_\' out t»t' tluur;» . t . it. (It-nr likctl it wry tnttrh atul it \\';t> tht~n that tt-—
, t H . - . . . . t A _ .ttt- ..t.........t .-...-t-.;.t t~ttrn-rlitttls
p-1
e\'etlitt;_{ atttl our t'urttttte wuttltl have been tnatlet nr uf Xew Ynrk seett lay the tltree .~:tilur.~. wa.~
eutt.~t|eettt.~
we wt-ttltl have tli.~'appearetl witltuut leaving a trace. .~huthere. itt New York. l retnetnlter ltavittg gone tn
ttttl’ gruttp hnike ttp. 'ltttl_\' Hulli<la_\' mutt he- we tltettt wnrk at tlte l§rnul<l_\'tt .\'a\'_\' Yartl. itt the
|7t|tall_\'
grey of tlztwn. lie.~itle.~' |t\'rlt:t|t.~ it w:t.~n't tl:twn_ :ttttl
w
I
t'atttt- :t t:ttttt>tt_~' :tt"tres.~' antl at last we wrute nttr tir.~t

if the wa> heeattse of tug t . . Hnw-
grey that was
.~ht»\\ tur the theater. lt wa.~ (In the 'Iiu:t'n, itt which
.~k_\'
e\‘t-t" tltat tna_\' he. it expre.~".~'etl tlte ‘lIl\'l|'_\‘ of .\'ew

\'url\
we aetetl att<l which was .~ta;.{e|l itt ettllalmratiutt with
nturnittg tttar\‘el|>tt.~'l_\' well, atttl i. wa.~ \'er_\' t:t.~eitt:ttit
t
|.t-ttnartl lit-rn.~teit| antl _Iert>nte l{t>ltl»itt.~.
T”i\"' “'i‘-‘ i“-‘l’l""‘l I:‘"“'_\' t}ttt~1t~;.\'~'l'lte_\' >ta_\'e<l here nttl\‘ three tn‘ lull!“ tla_\ ~.
(_\"'|"-R-"*0" //1" 1'."
I~r. .1 l\‘<»hhin~' ballet? lllll tlte_\ hatl hall ntttelt tlil‘tiettlt_\' |ter.~tt:ttlit|g the .~ttt<lit-
ctm.f_\ U, m“k(. H“. H-iv U, Xv“. \-Mk’ ||‘,||_\ “.m,(| |,._.,,,
it
,
tint-;.\' tn the extent that it \\'a.~ ahuttt three

)nI_\'
~:til~r~. antl al.~<| heeatt.~e tlte talent» ut llet't\.~teitt antl ‘,|‘- hm] _,-“ill U, 1|“-m_ ‘~\\'tt)- um __h,,,,‘ tn.‘-‘.1-“ Amt
ux‘. hm] n_“1i‘,(l l.ig|“]). ‘hm it “.“_\_ \.‘,ml,|k.“.|.\. im|i__
R--l>l»in.~ hatl heett tli_~en\‘et'etl wltett tlte hallet \\a_~
\'t‘t'—
ltt >ltut-t itt .\'ew Yurk. Tltu.~e tir.~t tett ntin‘

i"“'l- ' l"" "3" -‘i\}' ‘hill i" ‘hi-‘ “'i‘§ H" ”"' ‘I-"7"" “'i‘-‘ |>ett_~:tl|Ye
ttte.~ give tlte lilttt a tune tltat retn:tin.~' tn the entl.
l"‘l"“‘l l"-‘l'l""'l 1'." I‘i"'“',\' /'*I'|'t'.
l"“'"'ix '7' l'k‘-“id ‘hr Wm "l U“""" "1"lltr“'“I"_"' ('t».\tnt<:x <\ntl, at the etul. the .~ltt>t.~' that were
ttttlt-g4t~t, atttl _\|lultth aeteel that <n (')z7_te, .~:|tlIt"- tihnetl mt tlte >|mt leave _\-on with :t \‘i.~iun ul .\'e\\
ltt the ttttttte thtl (lime .nttl .\|ttt . ltl-
‘lttlt-.~ .\|tnt.~htn \-“TL M “mp \_H__\_ vwlic “ml n_"]i>‘i\,_
. . .
wa> al_~t- nne ut the t|r.~t tmte.~ \\'ltett

.
let" -htl L latre. K \||||=.t<>" —lt
.
t.t<t.t.x —Itttt their ntttnht-r> mt the .~ct'een were ttnt
t . t .
the cltaraeter_~' nt at ttttt.~tt'al eutne<l\'' tlttlnt lit-lung tn

_
i
,
the ~ante a.~ thn_~e we thtl on the .~tage.

. .
. . t
the wurltl ut >ltn\\' htt.~tttt->.~.
t tt\t|>t-1.\‘ I ltat wa_~ tlte lltsl tnne we |tla_\'e<l a .~ltuw.
.
(ll"“m”‘\’ Ml “M _"v“' I W \“\‘_l“h‘: lv“_';'l'i

0'“
t-.\n»]-t int“ “.\ l'at't_\"' which was t|t‘e.~t-tttetl itt .\'ew
I
Y-trk a few _\'e:tr.~" agt». It was a utte man, nne wutttan l"“‘mI ""i“m“. ‘ll H’ nnfl "ml 1" H“ h'“‘ i “ii
eltaraeter> are gntttg tn stttg ant] tl:tttt"e ttt the .~ t'et*t.~.'
~ht>\\ itt which .~ketelte_< writtett uver tlte _\'ear> \\et't-
Lnttl lhetl, the In-rm-.~ lhl ntttstextl t|Itn~ .~ang; atttl
ettlleetetl, .\'unte were extraet.~ lrutn uttr Village \'att— tlatteetl nnl_\' nn tlte .~'ta;.{e: \\'e-watttetl on the eutttt':tr_\
gum.“ _h"“.A\ ‘IR, m|“_l____ '-mm mu, "MW n__m __hU“_\_
tittl-t;,\ \\'e hatl an a.~tntti.~ltittg nttteh
.~tteee.~.~_ a.~ W "h"“i Hm“ “cm"l'i M (‘wr-WI“-‘i mp’
in Hm
C~"""ik~*' lhl"l\'- l" ‘hi-‘ *""""'\ili“"~ mi“
'|l"".l }“’"
with the eritie.~ :t_~ with tlte ptthlie. t\>t<ttti.~ltittg tn the
e\tettt tltat we hatht't t'4|rt~.~’t-t-tt an_\'thit|;_' uf the ltintl. '|“""' 3"“ l" -\"“"'i"i\ "l""“"“<‘ l" "“"r."‘l“.\' lift‘ "I"
\\'e hatl .<|>ent \'et'_\' little tittte |>ret|:tritt;1 thi.~ .~huw: l""'l"ii\l" 1“ ""'~"l*‘“l *"'“""l." '\"hi\'l‘ i’ i" lb“ “ml
“W. m'u.rm,,,“ “mt an H-c"i"g_ u." mu. “-hut‘. (tn) more rettlistie in its enlttr.~_ it.~ .~etting.~. its eu.~'tttttte.~.
"Hm. {Ur n.|“.;",-tug ;‘_ and mt. than tteuple t_'enerall_\‘ ltelievei‘
st»
(1-\|t1t;.\ *\\‘e hatl tirst tltuttgltt ut' ]>re.~’entitt-g it ('n.\tt>t-1.\'4\'e.~. that is no tlnttlrt tlte t'a.~e. ltttt we
nn]_\ twu §tttt<Ia_\' 4-\'cttittg.~' itt a stttall theater in the
tttatle nu t"t>tt.~\'it>tts ettnrt tu tttake tt_~e of the elt~tt\ettts
\'illa;;e. httt the tlireetnr of the 'l'heater (ittihl .~aw it _\‘"lt'f\' llllkiltg nhuttt. ltefiltlik‘ \\‘\' tlillllil \\'Il"1 1" lit"
atul vleeitletl tn restat_'e it on liro:ul\\'a_\'. iII|" l"ll<l"fl'-
titttzt-‘.x4\\'lt:tt we wantetl tn make <leliltet':tt\'
wa.~
t‘\ttt|-1tt.~‘—'l‘t> return tn Un the 'I'men_ tlitl _\'lI\l
tt.~e nt' tlte re.~'nttrces of ttttt.~'ieal enntetl_\' atttl t>t' enntt-tl_\'
ltnt-\\ tiene l\'ell_\' antl $t:tttle_\' l)unen at that titne?
lituit-lx—\'e.~. \\'e haul ktt<|\\'n tltent fur mnte _\'e:tt'.~. tn e.\'tire_~'.~" what we hatl tn .~'a_\'.
'I'he_\ :tt‘t*\'et‘_\‘ul4l t'rientl.~'. C.\tttt~:tts~\'t>ttr t't>llalt<tt'atit>tt witlt l)<ttIe|t aml
U-\||I1-LN ~The_\' were alreatly nntler rntttraet tn |\'ell_\‘ euntittttetl three _\'eat's later with .\'i|t;/in‘ in t/ti‘
.\|(i.\| ltettvre we uttrsel\'e.~' wt-ttt tu Hnll_\'\\'t|||tl. (it-tte /\’t|in . , _
l(t~ll_\ hatl zt great .~'tteee.~'.~' a.~ an aetur. .\'tanle_\',

whu ('t>.\tttt;.\ *\'t->. .\n<l agaitt it wa.~ a great |>lea.~ttt'e
hatl ltet-tt a tlaneer_ wa.~ his a.~".~i.~'t:tttt. .\rthnr Freetl tn wurk with them. This .~t"ri]>t was in fart tttll 01'
tleritletl tn let tltettt make a liltn together, That wa> .~liglttl_\' tttatl thitt;_'.~ \'er_\' tlitttettlt tn stttge. Nun", e\'er_\-
the tit'.~t tilttt that $tattle_\' tlireetetl_ ur rather en» thing \\'e intagittetl wa.~ l<e|>i eutn|1Ietel_\-_ Xi» tlttttltt
hzttl
1ltt‘et‘t\-vl. that wa.~ one tit the rare uee:tsiutt.~ wltett :t .~eenat'it
tit<|.|-'.\*\\'e gut on tnggetlter \\'t>n<lert-ttll_\' well. w:t.~ tilntetl t-xat"tl'\' as it was written.
'|'ht-_\ have a ;_'t‘eat tleal uf talent. atttl :t> l wa.~ telling tit<t~it~2.\‘»~\\\- alntust erietl fur jt|_\' the lint titne we
i.~ al-
_\’t-tt a little while ago. the_\' are \'er_\' ultl t'riett<l.~. Tltt-_\" .~aw the tihn. .-\ tlreant hall entne trtte . t . t\.~'
l
lcttttw t-ttr .~t_\'le as well as we know theirs. Ft: we tttt- tttu>t alwa_\'.~ the t"a_~'e. we hail wnrketl alunt-. Then.
|lt'f~\4n|tl lI|I\' attnther witltuttt ettort. wltett the seript wa.~ lini.~'hetl_ we rezul it tn tiene antl
('\ttt|-".k>' That was the rst titnr that a nnt>ieal tn .\'tanley whn as _\'et knew ]traetit":tlI_\' nntltittg almttt
rt-tttrtl_\ wa.~ lihnetl ]tat'tl_\' out tit tluur;» , t . it. (iene liketl it very tnttrh atttl it w:t.~ tltett that tt-—
5-‘ ('t>\tlIliX7l helie\'e itt tact that that hatl never heett getlter we plattttetl eertaitt eurreetiutt.~',
C.\tIH-IRS ~Thett _\'nttr exelt:tttge_~ of itleas with the
Vi
trit--l lteture, The .~'et|ttettee at the hegittnittg, that .~'ttnt~
tttt the >|tit‘it of the tilttt. that \'t-r_\' einentatttgratthie tlit‘eetnr.~' take tilaee itt general after the .~eri|it ha~ lI\'t‘tt
44
,_
.
.,'
|‘.~
Hm-
\lIA\'\
11
L
"rm.
> :\\\
:\\-w\\-,
:\\ \<1
\v
v.
:\’\
I
-
'\‘\'
\\vr'u
Vincente Min
e
II
.
I
=
The B°"dW<1qon,
Fred Astaire
zxij
' , v11w_»¢-:;==%‘:z=I*i»
;=A
_, ,,; 3
*
45
1'111i.~l11-1lI' 11':1.~ 1'1-r_\ 1li1111‘11lt 111 lit tho111 i11t11 :1 .~t11r_\'. ll1or1~|'11ro.
1}11|».1~..\ ~'l'hat \\':1.~tl1o o:1.~'1- fur .\'i11_1/ir|'. 1-\t 111'~1 11'1- l'111:1ll_\' 1lo1'i1l1-1l 111 write :1 .~\'o11ari11 \\'h11_~’1' 11l11t \\'111t|1l
111- 11'1-1'1~ 11~r1'it1o1l. fur .\rthu1‘ l"t'oo1l l1:11l :1.~l\1-1l 11.~ f111' l11- .~ot 111 tho 11'11rl1l 111' .~h11\\' l111.~i11o.~.~. l11 1hi.~ 111-r.~11o1'-
:1 ~t111*1 i11~11iro1l |1_\- tho .~1111g.~" lto l1:11l \\'ri1t1'11 11'itl1 ti1-1- 11111- 111' tlto .~1111;_;.~, “l’-_\' t\l_\’.~olt'." 1-x11ro.~.~o1l 1111111-
.\'. ll.
:1'11\'
ll1'1111'11 t'111'1h1- t1r.~t 11111.~io:1l 11l111~ _~111‘h :1.~ /1’r11111l-
,l/-'I111l1'.
tho
\\‘o tl11:1ll\' 1looi1lo1l
\\':1>
that tl11- 1111l1' 11:11
1lo1'1'11ll1'
l'111i.~l11-ll.
\\'1'll tho 11111111l 111 tho :11*t<1r \\'h11 tl1i11l<.~ ho'.~
‘l’
11134111 11111 111 1li1l11~11lt_\- 111 1*1111~1r11o1 :1 .~t11r_1' .~1~1 (111121-',.\' ~'l‘hat \\':1.~ :1 1'11r§4111t1~11 .~1111f4
I’) $1'l111':11‘tx
in tho 11o1'i111l 11'h1~11 tho.~'1- .~1111;_'.~ t‘11ll 11f1'l1:1r111 l1:11l I11-on :1111l l)i1-tr._ I1 l1;11l I11-on 1'1r.~1 1l11111~ i11 :1 .~h11\1‘ th1-_\ haul
1"1'1~:111-1l_ 'l'l1o11. 11'o 1':1ll1-1l 1111 11111" 111o111111'i1-\_ \\'1- l1:11'1- \\'1'ilto11 111 W311; I,',~(;,1,~(-11 111,- /1.17-il, lt'.~ :1 \'1~r_1' 111111--
:1l11':1_1~ l11-1'11 :1111l 111- :1ro .~till~;41‘o:1t 11111\'l1- 1111t~, \\'1- 111;; \1111f_( a111l .~111l1l1~11l_\‘ it >111-1111-1l 111 11s that it o11r1'1-~'
~:1\\’ thou :1 t111i111|o 11111111rtt111it1' 111 .<l11111' tho 111:ul111-.~~ 1111111lo1l 111 1l11- .~il11:1ti1111 11or1'o1-tlv\'; .\.~t:1i1'o 1'1~t111'11i111;
l 111' 1l1:1t poriml: that 111' tl11- 1r:111.~iti1111 tr11111 .~ilo11t 11l111 _
1111'g'111t1~|1 1r11|11 ll11ll_1'\1'11n1l :1111l .
11-1.~.~’i111_' 111111111i1‘1-1l :11
111 ~1111111l. .\> H1-tt_1' j11.~t 111l1l _11111_ (Q1-11o :1|11l .\'t:1|1lo1' l1r:1|11l L1~11tr:1l.
r1-111:1i111-1l :1|1.~11lt1tol_\' t':1i1l1f11l 111 1111r .~1'1~11:1ri11_ o\'1'1| ("11\t|1|<"_x ~'|'l1:1t tho 111-riml \1‘ho11 thon-
\\':1.~ :1l.~11
_411i11;_( 11.~ 1111c hettor 1111 tho .~li1;htl_1' 111:11l tl1i11g.~ \\'o h:11l 1\'oro111-1111l1- in tho 1l11-:1tn~li|\'1-_|11~1- F1-rror, \1'h11 st:1;.{o1l
i111:11_'i111-11. $111111-tl1i111; r:11hor 1~11111i1' l1:111111-111-1l 111 tl11-111 f1111r 111 l1\'o _~l11111'_~' :11 1l11- .~:11111- tl1111-. Th1-11 1l1o lll('i\
in thi~ 1-1111111~1~ti1111. 'l‘ho_1' h:11l11't 1111i1111-1l 11111 t11 tho 1":11111- 111 11~ 111‘ ;111 ;11~1111- 111' tho 11l1l .~ol11111l 1':1ll1-11 111111
o1li!11r.~ tl1:1t tho 1li.~11|:11"o1111-111 111' ilttago fr11111 \1‘11r1l.~ i11 tho h:1111l_< 111 ;1|1 :1\':tt1t—;_{:l1‘1lo 1liro1"t11r who \\'a11t1-1l 1l1-1»
tho 11ro\'io11' >1-11111-111"1~ \\':1.~ i|11r11ti1111:1l. .\ft1'r l1a\'i11f; 11or:1tol_\‘ 111 111-1-rl11:11l :1 .~i11111lo 11111.~11":1l \\'itl1 l1igl1-l11‘1111'
11-;1i11~1l f11r that .~o11111-11o1- .~'o\'or:1l 11'1-1-k.~. tl11~_\' r1~:1li7.1-1l i11to11ti1111_<,
1l1:1t. 1l111'i11g tltat ti111o. 1l11- 1-1lit11r.~ l1:11l l11-on tr_1‘i11_g 111 (]111£|£.\' l|1 tl1o t\\'11 1'o:1r.~ that 111ll111vo1l T/11' l1'11|11/
111:1k1- tho tho i111:1g1- 1~11i111'i1lo!
_~1111111l :1111l ll'111/1111. thoro \\'1-ro sovott 11l:1_\'.~ tl1:1t 111:11l1- ttso 11f tho
('11_\||11-1.\' I 11'11ul1l lil\'o 111 .~:1_1' :1 1'1-11' 11'11r1l.~ :1l111111 l~';111_<1 1111-111v in 1111o \\':1_1- 11r a1111thor.
,\rtl111r l~'roe1I . . llo'.< :1 man 111111 1~1111111l1-11-l_1' l1:1ok>

1 f_\““_;k_\.__111(1 ‘Wu £1“. H ;u.m,ri,, 1‘, _\1;"m.111,m.
1111 1l11- 111~1111I1- h1- hir1-.~. 'l‘l111.~_ in tl11- 1':1>1- 111 1\'i111/i11‘ ],11.u.1.\- 1'm;__1m1j»
\\'l1iol1 i111‘l111lo.~ :1 lung; 1l:1.~l1l1aok :11 tho l1ogi1111i11;_g 1\'itl1- GREEN i“-0 aw 1‘ M him mn_m1 pun 1,\_ pan and
um cnmmng “H ‘he "hl':ml1\l "Hz-‘I illm“ in which ‘W thoro \\'oro 111:1j11r o.\ol1:1|1;.{1-.~ 111 i1l1-:1.~ \\'itl1 \'i11o1-|1to
l1:1\'o :1ll111l1-1| . . . \\‘oll, ho a1"1"o11tt'1l all 1h:1t. :111tl_ .<i11- “Tm n1“_:“1 in “_m_k‘
1'or1-l_1'.
‘lmw
l 1l1111'1
“Huh
l1oli1~\‘o 111:111_1- 11r111l11o1~r.~" 11'1111l1l h:11'o C _7|
.\11|1.u.~A 11 .111
.
111t1r_\11\1
H._]
111111>.1u
‘I .
111
0|.11t11:..
._
(;k|_:|_:N 7“? M work “_hhm" hm_n._i“g' |.\l111111-ll1-.~':1|1l 1h:1t tho 1_1:1I1r‘11-1 I\\"r1tolr.~ Zlt‘[1.1l l1_:.>(‘)T1.1r
.\111l ho :11111r111‘o1l all tl1:1t \\'o 1li1l. l:t't'r1l 11':1>*:1111l l1o A"-‘din “ml »““-1“: |'.‘_| ,r_‘|'\ Fl,“ .M:“ l>"i€g(i\u;. “I
\llll i.~ ~:111o\o1-111i1111:1l 11r111l11oor, Ho l11\'o1l tho 111~1111lo '\"u M "W “Ml K‘ (mrhml “mm ‘ml “tn lur-
l1o 11111 111 11'11rk :1111l l11- :111111‘o1"i:1to1l thoir 1:1l1-11t.~, R11g1~1' (I“"_' ' '
|".1l1-11.~ 11'a.~ h1~ rigltt :1r111 at tho ti111o. '|'11;_-1-tl11-1' tl11-1 ('kH'1‘\‘ "\““I“ "ml" mu “Kl mm Rm“ fnul I
11,1111, an inmm I ,“m1,1l. “Hm ' :1r1-11’t 111:1rri1-1l_ it's 1111r.~'t~l\‘o.~ tl1;11 \\'o \\'oro th111k1ng
.
\\ . . .
U,\|m___\_1 l1]1"1\."m. 1“ “,|.1‘,m_‘_ 1" 11u11\.“.“m1 "1
1
:1l11111t. 1- 111-\'or 1>:1t1or11o1l :111_1'1l1111g
.
1111
.. .u11l
l\:11111t
.
l""“'l"m-‘f \“
1
1 tl1:1t 111111- 1'1-111:1111> al11111.~t 1111111111-. lt l1:111111-111~1l al11111.~t ("'r‘I"“‘ I" MU‘ “n‘“" lh‘ 'm"’"n ‘n
:1.~ 111 tho 1ho:111-r. \\'1~ 1'1111l1l gi\'1- 11111‘ 111111111111 :1|11111t i'!“'“~"\ "um" ll“ MI "|c'_""'§_"f “Hr _lwr"-‘Mal 1"-W‘
':ll_\'
H.(,,._“1I1“g “W1 In ‘,\..~“,m_) 1_:“_r_\.1"“1_\. 1\."““,__. mm ll111.~'._\\'l1o11- l'ro~1l .\.~'t:11ro_ :1t1or‘l1:1\'1t1gT' $11111;
~or1~1~1111~rito1‘.~ :11'1- g1-111-r:1ll_\' 1111.~tr1~:1t1-1l ht ll11ll‘\'\1-11111]. '\|-"""h'" “rr'“'S '" lhli ]_"M'-Y “f f'r“"'l (f'mmI‘ hm’
.\'1"ri111~ 11:1.» 1'r11111 h:1111l 111 l1:1111l :1111l i11 tl11- 1~111l 1'111'1\' m." “"‘| l<l'\'ll"l art" \\'a1t111;_{ 111r h1111_ 1*:1rr_\‘111g 11l:11“ar1l.~
:111tl111r.~ l1:11'1~ 11-11rk1~1l1111 tho ~a|11o >t111'\' 1 . . l"11r 1111.1‘ ‘hm Wm‘ “T""-\' Hum" PH" (_l"l"“
1m.1_ ‘H. m,\.‘,l. 1\.m_“. 111%.‘, Pm1|1‘,m__' I11 ll11ll_\'\\'11111l. l111|;.{ ag11, llot1_1‘ :1111l l \\'1~ro \\'a.~l11-1l-1111
1;R|__|,vx ,\\~il1| '\H1m|. M, m.um11\. m11\m1 Hm ‘,“_r\,_ :1ot11r_~, U111" gr111111 l1:11l l11'11ko11 1111. :1111|
\1‘o
11'oro l1111l<-
~
1h111g_-. \\1~ 1l11l11't l1:1\'1-
-
tl1o 1
111111r1~.~>11111
'1
111
1 -
111
111" \':1i11l_\ 1111' \\'111'k
> ‘
I11-tt_\‘ canto hark 111 .\'o\\' Yurk 111
1111rl\111;4
.1 I-.“.h,|.\ >1-o hor 111-r1~11t.~, 'l‘l1o11 1111' 11111th1~1‘ toll tll :1111l l 11111
1-\HH_R, -11",“, ‘Uh H" i|"rn.“1 1“ Mu". (.“11“1M.“_ 1':11111~ l1:11-l1 111 .\o\\' \11rl\'. l ar1'|\'1-1l at (1r:1111l ( o11t1.1l.
111111 11itl1 l)11111-11 :1111l l\‘1-ll\'. ~i111'o it \1:1.~ .\li|1111-lli 11'l111 l"'|"']"“]-‘l ‘l“l’n'”"‘|' hm Ill" "“'"“'m I ""“"-“I ll“.
'1in_‘_“_'1 -H“, I‘-um, 11-‘Wm, l11|1l1_1' 111 tho >'t:1t11111 l .~:1\\' llt-tt_\', \1'l111 \1':1.~ 11111111111 1111'
L.l'\||'|_:x 7\.‘\>' Agni" giwn that -.11“, ‘\'1U|Ph
__n":\,__ 1“ H 11111, 1-;11'1--\-111!-I :1 11la1‘:1r1l 111'1111I;111111-1|
11111111 111 1lo11:11't11r1~ .~1111_4_~ I11 ll1111‘:11'1l lhotz :1111l ("“" I'll"
I ‘"1 (
\rtl1111‘ .<1"|111':11'lz 1hi.~ 111111-. l'1‘o1l t11l1l 11> “(111 :11 it. K “hm “'5'-‘ ll"' ‘""3~'|" "1 IL" -H‘-\'".\'-‘ /'"”'
\'“'*R-"
1‘l1il1l1'1-11, 1l11 .~111111-tl1i111_- with 1l1:1t t'11r 1111:“ .\l~11 111- ”'*"'//""3 ."""' 'l'll"l “"‘l I“-‘l ml" “'“l‘ l)‘""'“ "ml
11'1~1-1-111 11ri11~ 1l1i> lm 1‘11r l~‘r1-1| .\~1:1i1'1-, ;1111l 11:1t111':1ll1 l\'1-lI4\'?
11o 111~ro 1'1~1'_\' l1:11111_1' :1l111t1t that. .\ll th11.~o .~1111g~ h:11! ('11\1|1|<:.\' \\'o \\'o1‘o §_'11i11;_' 111 ll11ll_1'11-111111 :1111l \\'1'
l11-1-11 11‘1'i1to11 111r >111-1"t:1o11l:11' ~l111\1>~ :1111l 1'1~1'1111.~. .\11 it 11'1-ro t1'_\'i11_-_- t11tl1i11k 111 :1|1 i1l1-:1 111r :1 |1o\1' >'l11111‘. Tho
45
:-
- 0
Stanley Donen and Gene Kelly; Singin’ In The Rail 1, D e bb'ne R eynolds, Gene Kelly, Jean Hagen.
l
Vincenle Minnelli; The Bandwagon, Fred Asluire, Nclnee Fclbru
I
ll
UL‘
lull
an
l-¥'.\
ill’
l\"l‘
Ayn»-
...-L
w\
l \""
u\\'nl-
H, '_h~
lL' l"l
‘.\_..1\»h
\llll
ll‘ ma
u.\-l \‘~
'l lu
r_-—
three imaginetl tltat a service of thi.~ .~urt nn|.~t he .~et up

idea then came tn ns of writing suntetlting almnt
those we hail shu\\'n same _\'ear.~' in plush inmlern stirrntttt(li|t;.(s_ anil that the u|verat<|r
ser\'iL‘e hn(ltlies—like nnr
must he the etlieient secretary type. Sn <lri\'en h_\'
hefnre in On Ihr Tmen. \\'e hail tleeirletl tn write this
.~'hnw fur the theater, we alre:\tl_\' l1§\(l the
a plot and smne el1araeters in nnr
ht-ginning vi
heatls. when, lt_\'
euriu.~'it_\'. we went tn have a look at .\tlnl]1h'.~
ing .aer\'iee. Tn unr great snr]>ri.~'e_ we
an.~wt-r-
<li.~eu\'er\-tl that 0
tilt‘-I the .~'er\'|te in qnestiun was l1r>\tsetl in .1 tlark. tlirt_\'
ehanee. while we “ere trying tn tlnnk ut annther
l)1\.\'l‘llIL’l]l, The uperator was in a lt<u|.~eeu:|t antl
wear-
for (lent-_ we tultl hitn this _~'tnr_\'. lle liketl it and. in
her tinn-
it was nu longer ing enrh-r.~'l ln this .~'ini.~ter setting. .~he .~pent
his tttrn. he tnltl it to Freetl. Then for theznt-r pen-
reeei\*in;,{ antl tran.~|nitting lll('.~$I\§{\'.\
a I|ll\'§llUl\ of the theater aml we stayeil there tn write aml .~n1>n_ The eun~
re- ple_ like Noel Cnwzml. uur.~el\'e>,
the tihn. lt was nut shut in New York. which is rather a~tuni.~‘l1-
n]\t-ning tra>t hetween these twn wnrl<l.~ w:|.~
grettahle. For exatnple, it's uh\~i<m.~' that the up-
tlanre ing antl we were intt*re.~'tecl itt the character uf an
.~e1|nence—tlte .~'t*ette.~' in frunt uf the har atttl the uf well
eratur living that wa_\' throttglt the 1-xi>tt-tiee
with the garbage c:tns~w:t.~' slmt in a stntliu. 'l'he_\'
knnwn people.
wunltl have liketl \'er_\' tnneh tn entne here, hnt in the ll'u_\- In
L'.\lI|t-1ks—\'ut|r la.~t tihn was ll'/ml u
"ml ‘hm “'i\5"ll PO55ll1k‘~
(,‘,,
C.4\Illl~ZR§4-ll1(' |nn\'ie’.~' relative laek uf .~‘t|e\'\-ss
\\'a.<
Cn.\tt:r1X—'l‘l1:\t wa.~ a .~tnr_\' that tiene l\'ell_\' ha<l

'l‘“'_'“"l““l“ l“ "S llmcrmissf In
given tn a |>rutlneer_ whn then eunnni.~.~in>n<~|l n.~
('m”‘E‘\*_\\_lml Pm "H lh“ lmmlfi “ii” llml M ‘hm “,riu_ "W §_“m_in_
tnne—hnt tsnt it al\\'a)'.~' the ease .'—the rtnt-|n;| w:t.~ .
t. Kl re \'er. II‘:
. 4
.
"1 in' thrnnvh : erintl f tr:n.iti< .
(.\ttn-:k.~';\nn tnnst nut he \'er_\' .~at|.~|n~il wnh the
l
“i L l" li 0 l \
.lI:t'a_\~.r Fair ll iulltrl \\'.t.~" relea.~e(l \|nietl)' and
H U 0
wa.~
\
.
nlnt?
. .
re- . .
nut .~'tntahl\' exploit:-tl. lt l\J|(l, hnwe\'er_ excellent

. _
(0_\i|>t-IN-—()\|r |eel|ng.~ are \'et'\''. inn:-tl. l lat-ltere
_ .
'
\‘|ew_~' antl we appeared on all the Ill-hest
.
.
lists. l.
l- .
that the at‘l't|)t wa_~ gu<ul_ l>nt the <ltrt-etnr .~ltnwetl
ha<l
. . _
.
tnnatelv. l think people
.
nnagtnetl the\' hatl ah'ea<l\' , _
_
wa.~ terrthlv <~xay_'get'~
_
' ta>te tn his wnrk. l'.\'er\'tlnn)_{ '

X‘ .. . . ' .
l\ell\'_ llan ' _
.~t-en ll. lhere were (wl ('lt:tr|.~".~'e. ht-tie

.
>1 uneune \'er\' .~"nn]>le
_
_
'. ateel. l hns. the girl was to l't'lllZllll

' __ , '
. .
Uh rt-.~'. l \'e al~ .
men who .~nr-
llailev antl tht-\' .~:ntl tn tl1e|n.<el\'es . ' . . wlm.~'e character was itn enntrast tn the
' ' ,.. .
that hlnt. she eltan;.{r.~ at the
_
reatlv seen that. lt wzts. like the .~er|e.~' ot t|ln|.~

_
' runnlletl her, \uw. tn the , .

were matle in the -10>" with (|ett_\' tlrahle and that are
. .
ea )l'lt‘(' of ett'e\t|n.~'tat\ce.~". |hn.~'. in the "l .n.~h Hntl vet"
. L’
Hnt there are penple \\‘ltu
. I
her Ill .~ht>rt .~eem-.~.
.
ltl1\(l(' tmlav \\'lll'l Doris Dav. ' <eqt|et|t"e the itlea was , tn see
,_
'
still ntnnrn the failure, antl whu want to. see it ' ' , .
tlre.~.~"e<l each tttne in a |hlTt-rent

<lre.~".~‘. lhe laughter
til|n'.~"
‘
again. \\e have
. .
.
some
.
.
fr|en(l.~, (nruttclto .\larx tnr ex-
atnple. whu have it pI'f\](‘Cl(’ll fnr them frt-:|ttentl_\' . . . “ i‘ -:.t.‘
wring U
f
mm “ R H Um tr:~ttl-r»-
tt-f:~1tl:\‘
_.~’ln-
W" U I‘ P i
\\‘||rt- ||n|>r1|l»:\l|le <lre>.~e~ In the
\""l"_IL' -'t‘l('lteIIet'.~:
l think that it was the rst tilm in which telt-\*i.~'imt_
the
antl nn. \\'ere \‘iulentl\' mnnml Uhnmxi Hui call“ ‘W inn‘ “mmlll M "him"
tnethurls of Ma<li.~tm .-\\'enne. Sn
"Wk. hm ‘four
was lm-l' hm“i“ir' litmus? “W (hnicmr
.~atiri7.erl. ln that emttteetimt there wa.~ Dan l):\ile\':.~
‘ eeeentrle that. came l>etin'e:
civ.~’tt|tne.~' tn the $('t|\I(‘-ll-t'l'S
munhcr‘ ,,Simmim‘_“i$(_ and S;m"_mhm_“_i§‘_~..
prugrznn. in- Sllrlirm-' '\lm‘-uuiri
mung ‘hi.hea\‘tl_\'
"NW"! ‘ll <lre._~'> ll“-r'\
CIIMDI-IN-—\\'\' .~ht>wetl zt tele\'i_~'iun eliatttge nt was Ttre.~p~"et'l and the name
_\_Pin_d h-\_ "This ls Ymlr I.“-(2.. in
whkh P(_Upk_.s
l4‘l|\ll Hntlget \\'as reps-ateil Intlt>ertnnnat|-l)‘.
.~1>t|al tragetlies were inure nr less exploit;-tl fur a eu|n-
(nu-:|=..\'—\\ e wrute a letter tn the ll||ll)'\\'mul tratle
m(_n_i,\| u‘
papers‘ tn ]>l‘||lt'.\l agatttst the altt-r:n|un_~' ntzule lll
our
(;m_:H.\.*l |Mi‘,\,(_ mm did mnwlhing ml‘ ‘hm
.~eenar|:> :nt:l~al.~n tn repntltate the l>a<l t:\.~te znnl \ttl-
has um hem n_p(,:m_‘| mu “mm _\_im_‘_: inwriur mmm_
lngne to tnttsie. The frientlsl at the re.~'tanrant. ill at
gilm-‘i l" “ilmih llm mmiui hm‘ 'l"““"l“l‘
(..\lHl-ZR$'—l'lt>\\‘ Ill! _\-nu t"1>llalt|n'att'.‘
ease. singing tn the tnne nf the llllle lilanuht
*- -
l , . _
('nxt|n~'.X nt-\'er wnrk alone, withunt mte an-

~\\'e
(',\||||-;R,<__’|‘l|p|| yml \\'|‘()[(- _|,,;|/i,- 4tI4|,,|,»
ntht-t‘. l‘lut.~ and tlialugnes are wurkt-<l nnt in
tu;_{ethet'-
(‘u.\t|n-:x—Tliat w:t.~‘n't nne of t>tll' i2t\‘nrit\' tiltns. hnt
it wa.~ a great emnlnereial .~'t|ree.~.~'_ \\'e had cnme tn
t|es.~'.
(‘.\t|t|-ins ~\\'hu are the 1lireetur> with wlmm
_\1>n
know l{n.~'alin<l l{n.~.~ell in ll'umIrr]nI 'I1m'n. a llru:ul-
tn innsie wnnltl lil\'t' tn wurk?
wa_\' shnw fnr which we llll written the l_\‘rit'.~"
lttl tnatle a big hit in it antl ('n.\|t\l-ix ~\\'e wunltl enjn_\’ eull1tlu|t':\titt;{ with
h_\‘ l.ennar<l l§ern.~‘teitt. She
.\'t:tnle_\' l\'nhriek, Tltat wunltl eertainl_\'
he an exeitin;_'
later she askezl its to write the .~'eenariu for .lHHll"
ex|u-t'it-tier. \\'e wunl<l he ltapi-_\' al_~u tn eullzthurate
.lIntm' whieh_ like lhumlerjnl Tnren. haul given her
:1higl’§r<»a4lwa)'smash.
with l{iel\at‘<l <__)t|ine antl with 'l'un_\' l{iehar<l.~un *4 Jen
"
fur Ilrllx Trntnan Ca|>:>tt~ tultl n.~ there were tIH\tt_\‘ gnnrl things Va
C.-\ttt|~2k.\'——'l‘ltt~n _\'un rejoined .\linnelli pre- LII
that >een:\t'in:‘ in The 1.0’:-ml Om‘. l7inall_\'. it the opportunity
.'lrr I\'ii|_|;in[/. \\'hat \\'I\.\' the origin of work in l'Inrr>pe with
GI
ll“
sentetl itself. we wuulrl like tn
Cmtm:.\'~\\"e had wnnrlcretl what tt-lephune an- tn,
Fr:n1qui.~" Trnllaut anrl .-\lain Rcsnztis .
swering services conlrl really he like . . . .\t rst we Tm
43
~ ‘I
Ff/mogra/)/)_y
/fy /’¢1Ir1'r/¢ Brion
. ,_ _
. , ;., ,
l
Stanley Donen and Gene Kelly: H's A/ways Fair Wealher, Cyd Charisse.
b llcny (lurlldun was lmrn Hiz;|lwll\ cr um Uym: lll), Dnnmld Mcl‘lri|.lc clued) — U‘lSriun in Ryan I0 Guldlwrg
l (luunlwu in lirunklyn May N. l‘)l(: and
uudiud an ll“: Brooklyn Ethical (Iulturc
((I0.n'h ]0h|\.\0n)_ 'lum Du l~um (l'uu|.'h), —— ll\
FZIIU. llzlhy. lt'.~ Fulc — ‘I ho Righl
.\_ Clinton Sundhcrg (Prul. liurnm). Lnnn Girl For Mu.
.f\'chunl._hr_ll,L‘~n ha‘! hlYc‘v\'d\',urk| ::lni\'cr:ir‘)". '|'lnd;|ll (:30.-of lunyur )_ (Innnic GilC|?rl\l “M9 THE BARKLEYS 0|,» BKUAI)
rum \\ It .s 1. .|».1 xgfam. _rum I). ) (Cum). ‘lilIffl§ An ru‘m (Dean ‘(;l'|.~~ \vAy_ H19 min_ D,-,.‘,‘.,,”.__ (:hm,|m. wa|_
>1‘ u>_ I944, \lm ;|;'>'!w.-uru.l m nqfht clubs wold). (.|u)l'g|;|.l.cc (I-lu]._]unu (m.-mu mm ',’_mIm,m,L_ Arthur |_-“_L_d_ Rug“
my vulh (ha: gruup lhv: I(c\'ucr>.' (Mrs. Drcxcl]. llw wng 'l‘rcm'h L4.» Ed'__"_ (Mrwcoldw)_n_MuycrL _\“,,N,._
,- Adolph (in-cu wan horn l)|.-crnubw 2. son." sung by June Allyson and l’¢n_~r - ~ , , ~ _
l‘)l$, in New York, 'l'ugc:h::r lhc?'Yl\u\-.,- l-flu»-ford i», by licuy (Ionuh-‘n. Adulph lsrcixfl |lZZ;,g::‘I:;,)‘._.
‘ wl'|I‘un for Brmu.lwu')-5 On I/Ju lI1_u-u. (fru-n (lyncs) and Rugur lzdcm (|nu- ‘-n_L.hni‘.“|m,)_ Du.m._. Cedric Gihhonx
;|n‘. Ii:/lmu 121,11.” mm, l|l‘0 UH I/I1.‘ .|,./.- \n_I. Edward Camgn0_ Edwin Wmim Ab B_
,~.-\~\ " "'"""""/ '""'"- """"A"',"~ ”" R" ""- TAKE ME uu"|"1u'r|u-: n,u.|.
no-w um Kmnus. .\Iu1i1: Ilurry Warren. Lrr-
W". -“ """‘- ""”? ~""" ""'¥"'~*'- »"”""">" <;,\m:= 95 min. Di:-1'1 1”,-; Hu.\hy BL~|-l;L-- in: Ira Glcrahwin. :s.1m».- Allxrl Aka.
' -|"l' """ \I*"'/1"’-K’-l-':'l_"-\ "\f"~' ah" ‘hm |,_y_ IF,-,,,lm-11,»; ,\f|hu|> |i|-cu] (}\1¢“-U. (flnllllllvs: lrcnl: (for Gingcr Rogcrsl.
""1 “_l‘P?'“'""¥ I"‘""" "‘“"' "“'f' **‘"" Gul\l\\')'n-l\Ia|yur)_ .\A‘l‘I|llI'l-0,’ llurry 'l'u|:' vu|1.~> (M). .s/“ml 1-Ilerlx: Warren New-
‘-;\|\p llllrlull ll‘ 'lh_"' (/T;-‘Pr, l";“a;““_', lflllnl und. Georg‘: \Vcllx_ lnml lhu >101-y by Unmhc. I’rr{xlm'Iir/u n{u:mgu_r: llugh lim-
J "Pl" L " "W “”“ '15 '”f (Q;-|\c Knlly ;m<.l Snlnlcy l)nncn. l'Im/ug- well. Sir!/)1 ;11p¢':-ruin‘: lzyllzl jucul1u.\4
‘ml W4} (‘DOD NE“ 5‘ 9‘ '“'“< D'“"' r.1p,'|\~_~ (;‘_0mL_ Fl“! ‘-|‘u-h"im|¢,;;A AnI.: \Vullam.- \Y/oral;-y. (.1/lur mum!!-
\'“\, I01‘: (.hurlc~ \¥/ullurs. Prmlmcn: Anhur D‘_‘.,”., Ccdr“. (hhnlm l)ank,| “v (:mh_ J,,h_.Nmalic Klmus‘ ||cmi Jul (_/),”.‘._
l'l"~'l'\l~ Rllvl‘ ‘|”:1l\"\* (l\|\'ll'"-U"ll“'?'"' ,_~un_ Ed“-gn |;_ \yr;||i,_ ||L.m-Y \y/_ (_;n“-L. ngr./]|ln'r\: Rohun Alum, licrnmx Pun
-\l=~>-‘H4 \v-~~rM1:‘Iv’-“IR--I-/\*|"|P*‘ ,\|”-,1.- Adolph l)uu(>ch. |.wm.- mm Ifur 1h- >-qu-n¢- "Shin-» Wilh \'4’im:~
,, --
(jn~_'n from uhc mu~irul by l.uwr|.-mu nundu‘ . Add 9|, (u-"_ Rug;-r ~ '
him».' < ‘-1 ¢IIuIw
On ). U/1/14.:
~- . .- f ur "gh
_ .
|_w.\ \V‘|
>111
l
:“n;":::r 'l.'.t::"::.;'::::.£ir.:“*;:,,f:;
' '4 ‘g ‘ nur. mrvlzgrurlurs: -nu ' '. I‘ n- ;nrc 2’; llvlrlllllllf/1(l‘)R?%~I\p.€;“ll|:l.:.c;l
§':"+"
.s 1 . . I '*- '- ~
1*“l““‘ "'_~=""/""-' ‘-'""=~ §=""f~'"**;-'_""' "|='*jh- n..,,..._ _\I!l‘('iJI 1-1/.A.‘,l= W;-lull N:“~ (Dinah liurklcy), (ml: Lculm 11;".-
_‘,
1..-,‘
M‘ lnu (.i'i'.l‘:"
z'r(.hm"L‘_':‘ll::]
A
J‘-~"*""lL ‘-\-¥'*'f*-'-- '=*'-
\‘|\I:?‘..
1. "l'.P=l
U“, ;"";“4
<..,/¢,,- .,.,,.,,1~..,...~ Nillillilt M1.
|l1:u». jllnnur’ Goxh. .\IunI¢ge .H'q”KyyIlAr1;
_ .
1~1iH~=>- mm In-rk~ <M=~. u\i--~~w--
l"hln|.)l. ‘gal; l{ul\r||\> -
'
s»|\¢.
' '
l‘ll’ll\\'
' ‘ ' ' ‘ ' '
‘M ' in usc . (full/nlulul/: nu-rt "'~"l"'~" ' i""~'"l‘ *"~"l"'~' ' ' K‘ -' \"
' (:umu¢n ' -.
llv.-nd|:r.~0n ..
I “'\\l\
_ : ' . '
bra-cu. lzclcm. Manna. lilunu. R0<l|:vr~.
. l'runm-r.
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Betty (mrrun (Shu-luy
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Du-lwyn)_ Edward
'“ '"‘- '*"* 3 >-
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lm} \-n-~ |.,M.,‘ Mm-.|,,,|| (pm Mt-(;|¢|_

pang‘-5;, Anmld (jun.-l.urg;||ll.]ulc~ Mu~hi|\ (NM In-Goldwyn-Mayer). »\rvII-Iri": _B--ll!‘
N“, “§\\\ Lm), _|0;l l\lc(jrnckcu llfulv: Ihulinluy, Goldberg), Richard Lun¢ lMi¢h-.n.| Gil- (Innulcn. Adulph (in-cn_ from then’ mu~
Ray Mcl):muld (liuhb) '|'u|-m.-r), Ml-I hcmlry). ‘Inn: l)u|;un lSl;|p|-:3 liurkv.-1. sicul zuul _Icrn|m- Ruhhimi hullu "l-lune)
'lnrmu ll);|nII Y l. Rolwrr Slrickluml (Pun l.\'!'i:\: l(Iumd-:n/Grccn/lidcmI: \'¢~ ln— Fn.-c." I‘/InIv_a'r.llI/1,\': llnmld Rmmn
49
(Technicolor). Ilevnr: (jedric Gihhons. llunt"). lialilur: Alhert Akst. .-|:>!.: Jerry \'eazit' (.\lr~. |iu!'t‘_\it.lL'). lltnry l-Zran-
Jack l\lartin Smith. lidwin H. \X’illis. Thorps. (Ir/lnr musull-mls: llenri jalla. don lAcacius |’:\g(.). Margaret Dztmont.
Jack l). Moore. .\In.n'.-: Leonard Bern- Robert Browcr. l.0sIIIIIlt'.t: i\lary Ann |t)(,(y BELLS AR]; R|N(_;|NG_ |1-
stein. l.vrit'.\.' Betty (fomden. Adolph Nyherg. (.'/mrengr.1/1/u-r: Michael Kidd. m;n_ |),',-1.‘-;,,,»_. \v;n,_-..m._. M;nm.||;_ [1,--,.
Green. Iftlilur: Ralph F. \ll'inters_ .~luI.: (..1\.': Fred Astaire (Tony llunter). (Iyd ,1,“-L,,_. Arthur |;ru_,d (ML.u."G“|d“.\.“_
Jack Gtrt.-man. I'rmlncIinu nmu.1_et-r: Charisse (Gobi (iirard). Oscar Levant Mi“.L.n_ \‘.l.,h”.,~”_. Hun’. (:“mdL,“_ Aduiph
llu;:h lloswell. (_'.um-r.m1.m.- Robert l\lar- (Lester Marlon). Nanttte l~'uhw)' (Lil! (;m-n {mm mt ||\u\iy_';|] "|;._-||. an Ring.
li"- -\I'"'l'! 1llI!t'I‘t‘iiIlf.' Jack Aldworth. Marton), Jack liuchanan (Jeffrey (Ior- inn" .llu.tir hi Jule Sty-ne. Bonk am!
(.m/nnn't: llelen Rose. (.uIm- 4'n|I.\II/I- do\a).James Mitchell (Paul |(lyrdl.Rol1< In.’-H by Hm“ (:“mdcn and I\d"|P|‘
tn/It: llenri Jaffa. James Gooch. _\lu'ci.:I ert Gist (llal lienton). Roy Engel (Rc- Grutn |:l,,,,,,L;,._,/,/,‘._. Mum“ Krmncr
ef]z'rI_\: Vl'arren Newcomhe. (fail: Gene porter). Steve Forrest (Man in the (murmnlm (;;nL.|m|§‘.0p‘,,4 ”“.m._.
K'~'ll)' lG"l"¢')'l- Fmnk Sl'“'“" l(IhlPl- "“l")~ D“-'l¥l"»‘ l:"“'l"l lA”'~"l““'~""'l' George \V. l)a\is. Preston Antes. llenry
Betty Garrett (Brunhild F..\terh-azy). Ann Jimmy Thompson (jimmy). Stuart (;m,_-‘._ Kcngh (;|L.;m,n_ E,1,',,,,_. ,\dm.nm.
Milhr (Claire Huddt-sen), Jule-_\ ]\|un- llolntes (Old husinessman). l)el Moore |:uzL.“‘ _.|,__. \yi||ium M'_.Gm.n._ (U/0,.
sllin (Ozzie). Vera Ellen (Ivy Smith). (Tony llunter‘s servant). llerhert Vigran ‘~,,,,J,,[”,”_. (:hm.|,_., |:_ ||.m,_.d(,rn_ ti“.
Florence Bates (Mme. Dilyouska). Alice llnterlocutor in the train). .|"l‘" l-"l""‘“ ciul e!]et'!.t: A. Arnold (iillt:.\piu_ Le, L...
Pearce (Lucy Shmesler). George Mtader and Ava Gardner playing tl\t'tnsel\'t.s. mum; (_',,.,”,,“.,_. \y/inc‘, |.y|“"|“.“_
(l’rofes_~or). (Iarol Haney (Dancer in (1)11 (ll11\I'i§\L' l ""\'*\ll)' ll"l"l"~‘l l‘)' l"‘-ll“ t.'/uwmgrup/n-r: Charles O'Curran. Casi:
green). llans Conried (lleadwaiter). Adams. _Iudy Holliday (lilla Peterson). Dean
Robert I‘. Williams. TU"! Dllll". Plrlt-‘I’ l‘)5i IT'S AL\Y’AYS FAIR WEA'l'll- Martin (Jcllrey Moss). Frtd (Ilark (Larry
(Ih-mi: (Asia-lit l~urm'=mI- I->‘ri~= ((Ivm-
‘l¢‘"/Gl’\'\'"lI N¢'“' \i°l'k- l\'L‘“' Yfk
“l“' 'l'\"">lll'~'-* — pl'l"l\5-\l"Yil‘ Mil" —
- I-lit.mz min. Direrll/r.\: Gtne Kelly.
Stanley Donen. I'rm///cur: Arthur Freed
lMetro-Goldwyn-l\layer). .\reu.1riu: Betty
Hastings). Eddie |=n,~ Jr. lJ.()tto Prnntl).
Jean Stapleton (Sue). Ruth Storey
(Git-\'nne)_ l)nrr (jlurk (]n\|\c(‘tOf
(1\"I\'-‘ ll!‘ I" M)‘ l’l=“‘@‘ — M115" 5!“-"I-'1 — (Iomden. Adolph Green. I’/Jnlogrup/J)‘: |;;,m.-,)_ prank (;,,,_.|,;n (|<||,k,_- 14“.
Y"\l'f¢' I\Wl\Il — 0" ilk‘ T\'"\'" — (:00!!! Robert lironntr (Eastmancolor-(Iinv. ma- mn)_ Ralph Rnhent (Fmm-i5), \'a|¢i-i;|
"'1 M“ Swn-1. Decor: Cedric Gibbons. Arthur Alltn (Olga). Steven Peck (ram gang-
mz SlNGlN' IN TIIF. RAIN. nu?» L<m-n:=-n- Edwin It Willi» H-uh ll-mt ster). Bernie \w.n-1 (Doctor Joe Kitchell).
min. I)ire:Inr.t: Gene Kelly. Stanley Do- Illllilf-' Allnlfe l’l‘l'\'il\- l<.\'"\‘>»' mil)‘ (:"I- Nancy Walters (Actress). Gerry Mul-
nen. I’rInlIn‘er: Arthur Freed (Metrtr den. Adolph Green. Iitlilnr: Adrienne ligan (Ella's escort). Oliver lllake (l.ud-
Goldwyn-Mayer). Sn-iluria: Betty (Iom- Fazan. .-l.\sI.: Al Jennings. (III-\lIII!Il"-' wig Smiling). Richard Collier (Man in
den. Adolph Green. Pbrllagrapby; Hgp llelen Rose. (.Imrt-ngnl/J/u~rs: Gene the street). Frank Richards (Man in the
old Rossen (Technicolor). I):-cur: Cedric Kell)‘~ 5l"l¢)‘ Ct"/-' G'-'"(-' Kc"!
l)""¢"- street). Joe McTurk (Man in the street).
Gihhons. Randall Duell. Edwin B. \X/il- (Tu! Riley). C»-d Charisse (Javkiv L~ii:h- Lenny Bremnten (Man in the Slttletl.
lis'. Jacques Mapes. .\lmit'. Nacio llerh ton). l)an Dailey ll)""b’li" ll1'll'~'"""l~ Stuart “()lrl\I.'\ (Old man in the park).
mnn-n. Roger Edens. I._vriu: Arthur lhlures Gray <l\l=d-Iim- Br:-d\"illeL Hal Linden ("Midas"), Jacqueline Green.
Freed. Al Hoffman. Al Goodhart. lietty l\ll*'l“‘"l Kidd (Anllie Valenlint). Jay (L Harhara Hines. June Kirby. Suzanne
Comdtn. Adolph Green. Iirlilur: Adri- l:|iPl"-‘" lChi1"l"‘ 7'- (:"“""*"l- D1"'l¢l Antes. Sandy \Varner. Karen Scott. Susan
enne Fazan. C/Y0l'l.’I|[:I'ilP/)(.'!'S.‘ Gene ll"\‘"> (Tim). l'l'l’ l-'~‘\'(-l>- I\l'~‘K G'-‘")'- Avery (Seven girls at the party at Hast-
Kelly. Stanley Donen. tfntlun/e.t: \¥'alter Millllic B|“k'~'- H='l Mi""~'l‘- 5"-"'° Milclh ings'). l._\'rirt: I.\I_vut-/(.'0uulen/Green):
Plunkett. (.a.tl: Gene Kelly (Don Lock- ell. Paul Moxie. Frank Richards. Lou ()\-erture (chorus) — It's a Perfect Rein»
wood). Dehhie Reynolds (Kathy Seld- l.uhin. I.1‘rir1: (Previn/(iomdltll/Gl'I='!"l= tionship (J. Holliday) — Do It Your-
en). Jean Hagen (Lina Lamont). Donald March. March (G. Kelli‘. D- l)“ll(¢)‘- l\l- sell (D. Martin) — lt's a Simple Little
O'Connor (Cosmo Brown). Millard Kidd) — Once llon a Time (G.K.. Systtni (Ii. Foy. chorus) — Better than
Mitchell (Simpson). (iyd Charisse (Danc- l).D.. M.K.) — lfahy You Kfli Ms‘ a Dream (J.H.. D.M.) — l Met a Girl
er).Rita Moreno (Zelda Zanders). Doug- 0"! — 5llll"\'='"'> G)'"\ ll~- l-"hi" and (D.M.. chorus) — Just in Time (D.M..
las Fowley (Roscoe Dexter). Madge chorus) -— The Time lor Parting lG'K-- J.ll.. chorus) — The Party's Over (J.l'l..
Blake (Dora Hailey). Kathleen Freeman l)-D“ M-K<>—lll\1l‘ Dill"-\l‘(-' (G-Kn D~D-- chorus) — The Midas Touch (H. Lin-
(Phoebe Dinsmore). Dawn Addams (Te- M.K.) — Situation \\l’ise (l).l)) — l l-ilsl‘ den. chorus) — Finale (chorus).
Myself (G.K.) -—— Thanks a Lot. hut No 1964 WHAT A WAY To Go‘ In
resa). Rohert B. V('illianis (Cop). King
Donovan (Rod). Paul Moxie lBusincss- Tllanks. m;n_ D;,.‘.,,,,,._. J‘ Lu. 1-|mmPwn_ pm.
man). Stuart llnlmes (llusine.-sman). 19514 AllNT||-j MAME, 143 min. I)i- ,],,,(.r_. Anhm. p_ Jacob. 410“, c,_.mun._
Ra)‘ Twl (E"‘Pl")"~'"l- Jl""")‘ Tl\"mP' rermr: Morton Da Costa. PI"I(lIIt‘t'I'1~' Fox). Srnurin: Betty Comden. Adolph
*9" "ll" \'l"¢'|' "l "W"-I\lli7\ll Glfl"l- Rohert Fryer. Laurence (Iarr (Warner G,“-n [mm mu 519;)» by Gwcn 1).“-i§_
Del Moore (the speech teacher). Charles Bm_.»_)_ _Y.-p;,.|ri1,,- B1,-1;; (jmm_len_ Adolph p/,,,,,,g,,,p],)._- La," ghammy ‘[)e|_u,“_-.
Evans (the irascihle spectator who does- (3;-.1‘-n {mm [hg tim-y by Patrick Dgnnig Com, (:;m_.maM_.0P‘.)_ l)",,,; lad‘ M".
_
ll.‘ apl"°“' ‘ll ‘he wad‘ M lh" dmlwzuc "ml ll“-' Pl")' ll? .l'~'“"'“: I-"“'“"“"' and tin Smith. Ted Haworlh. Walter M.
writers). The lm includes stockshuts in Robert Ii. Lee. l’lmmgr.1pb_i'.- Harry 5.-‘,"_ gman A4 R.-5“ .\|u;i;_- N|;l§()n
black and white lrom T/re 'I‘I1ree Mm!» 5"-idling ('|1.¢hn;.-o|‘,|- . T“-ymi,-am)_ Riddm ‘Jr,-U_. Be"). cnmdL.n_ Adolph
""4"! l‘! G""Yll'~’ 5"-l"¢')'< 0"" l’*'l'"I-!- I).-enr: Malcolm litrt. George James Green, Jule Styne. liililnr; Mariorie
nizes in them. besides. in addition to Hopkins. .)lmit': Bronislau Kaper. lirIiI- |:"w|,_.|._ (_"],,,,-,.,,l_,,,,p/,,-,_. Gum. |(L.||y_
K'~’lll'- L‘“:“' T"_"“'l" Th" “ml: "l‘l“’f""‘" "'5 WlllliI"\ 7-il‘lll'~‘F- -41"-~' D9" P“ll"- (.'usI1m/es: Edith Head. .-lnI.: Fred R.
“mll_h)' (-"~‘"*-' l\\'_ll!' "ml l)""l\l U_(-9"" (,u.\IIIn|e.t: ()rry Kelly. (.-It/: Rosalind S;mI“0n_ (JUL. Shirley Ma‘-Lain‘. {Lmr
""'_l‘ l‘)' ll"")' (-""\_d¥'"- Al-l"ll:’l‘ ('“"~'" Russell (Auntie Manic). Forrest Tucker MIL Paul Ncwman (Larry Him)_ Rm."
ll)"l'"l "ll lil-‘l’ l‘-ll¥'">l"\\1-\Il')~ (Beauregard liurnsldt-)._ (.oral Browne tn Mkdmm (Rod And‘_rwn)_ Dm
I955 THE BAND W/$;()N. ||z min. l\'t'l".l (.harles). bred (.l;\|’l< (Mr. nnh- Mum“ ‘Leonard Cm“_h_),,_ Gum Mm.
l)irt-¢l0r.- Vincente Minnelli. I’rmlurer\.' cock). Roger Smith (Patrick Dennis). B‘ ) ROM" Cunuuin“ (Dr
Arthur Freed. Roger Edens (l\letro~(iold- Patric .'Knowles (Lindsay \Voolsey). ,
ljlgrrl “um ',
Stellainsnn). Dick
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van
L(hdgar
. '
Dyke
.
\$n»]\l;|)e|’). .\tl‘IIiII'III.‘ lietty (.omden.
_
Peggy (ass (Agnes Gooth). Jan H.\ndz- U. ,_ .
Adolph Green and \’incente Minnelli lor lik (liarticlt liennis as a Joaiin llvpuh Kék"R‘ll'l"5l ‘(','Mllm_'7r
the on ol the hallet "tn.-| llunt." I’/We llarnes (Gloria llpstm). mppn Scott (Pe< '“='"=*"" """“"" l_M'~- ""“°"~ 1""
Iu_e|-.1/Ihy: llarry Jackson (Technicolor). gten Ryan). l.ee Patrick (Mrs. llpsnn). N""“ lT"'~“"l""l- Hr‘ ‘l-0'-“'5' ‘ml’
l)t'rm'.' Cedric (iihhons. Preston Antes. \¥'illard Waterman (Mr. lipson). Robin ""“‘l- Mi““'l'~"~‘ M‘“"“*' lR""~’)- W31"
Edwin ll. \¥’illis. Keogh Gleason. .\lu\ic llughes (Brian ()‘liannionJ. Connie Gil- Vernon (Policeman). Jane Wald (P0l»
am! lyrirt: lloward l)iet1. Alhert christ (Norah Muldoon). Yulsi Shimoda lv). Lenny Kent (Hollywood lawyer).
Schwartz. Roger Edens (lor "'Girl (ltn). Brook Byron (Sally Cato). Carol Shooting title: II.r/rt-|.om'14.
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I triist tltat tht- ittllnwing accutiiit of ltl_\' ('ll\'<)ltlllt'l’ iiitrc in t>t'(l('l' lll cttittiiiiic to ziscrilio \t> \\‘yI('r acstltciic
witlt :\IIrt-(I Hitcltcitck will not iliszipitttiiit his wilili-st riilciilatiitiis. a l1_\‘]1tIll\(‘§i§ that ht- Iiiinst-ll lt2\(l il0—
partisaiis. 'l‘Iii~_\‘ ina_\' acciisc IIIL‘ cit hi-ing \ltl\\'tll‘Il1_\' of ll]l>llSl1('(l.
the pri\~ilt-go til cuiiliritiing all their insiglits. Ct-r- I ltavc \’l'I'Ill('tl the irtttlt of this i~<lif_\-ing ~llIl‘_\' mi
.~c\'t'r:iI ntht-r itcciisiitiis. 'l'Iit~rt- :n'i-_ 4ICk'Z|.\'I1ll1l\ll_\‘, gum]
tainl_\'. \\'ltl‘l'(' I ain in ilititht. I \\'tIlll(l itrct'<'r tit ;;i\"i-
tlirvvlurs. likv Rt-iié Cli’-iiti-iit or l.att\iail:i_ whit pro-
llt('Ill lllt‘ In-iii-lit of tltat ilunht. I l‘ZtltlNI\ sa_\' that tht~
\'i>tIlllIlIL'll i-iirtsitf Scliércr. .~\strtii:. l{i\"t-ttc aitil 'l‘riil-
Ivss a |>i't-t'isi- Z\('.\'lll('lIt' citiisciittisiit-ss aitil 1\t'L‘t.']I\ a
M
Iain ha\'t~ (‘llll\’l'l_\' l‘Illl\‘IllCL'll llll‘ HI .-\lfrt~iI Hitt'lit'uck's ilisrtissiuii on this It-\'t‘l, ltiit ittust of lllt’II' t'lIll(‘i|§_{\t(‘.\'
tla\\'lt*ss grunts. |>articiilarl_t' iti his .\ini-rirati \\‘lll'l(_
rt-act lll at-stlit-tic aiial_\'sis with an zitiitnllv raiigiiig
Illll tht-_\‘ have at least pvrsiiziilcil inc ti» iitii-stiitii iruiti l\>'lt>lll.\llltt(‘|ll IIIIITIIZIIIIIIL _\liti't~it\'i~r_thi-asiun-
lIl_\’ |>I‘('\‘lt>tl>' skqiticisiti. Citiist-i|iii-iitl_\'. I can rt-piirt
I>l'llII('lI\ is ]ti-i‘t't-ctI_\‘ .~iiici-i'i- aiiil vitiit|ti‘i-lti-iisiltlt-. .\s
that I Il[7]lT<l2|tlllL‘(l tll_\' assigiiiiiciit in guuil iaith aiiil zi for tltc irrit:iiiuii_ this Ill-It'll s]ti'iii;;.~ front an iii~tiiw-
t‘HIl.\ll"IlClI\’t' spirit l»_\' \‘l>ttS&‘IL‘l\lIUll.\l_\‘ assiiiiiiitg the tin‘ rt~sist:iiict~ to tht- ilisinantliitg iii a itii-cltaiiisitt
puint (II \'I\'\\' inust I;i\'<irahlt- tit the <lll'(‘\‘iUl' anil l>_\' \\'Il<|st’ |inrititsi- is tn rrt-att~ ait illnsiutt. anil <inl_\’
insisting; Ull his iwciigiiiziiig fur liinisoli aitil h_\‘ liiiii- iiit-iliucritii-s gain. in <~lTi'ct_ t'i'<tin itt:ilt'iiitctii>itiii;_' int-~
st-ll ('\'('l')' last int>rst~l iii int*aniit;.{ l:l'\'tIt'I1 critics hail
rliztiiisiits. 'I'hi- ilirt‘ctitr's irritaiiiiit sitriitgs also fritin
his i'i-st~iitiiii~itt at hi~in;_' |tlai'i~l'l'tl\'\'t', I \\'ll\Il(l ha\'i- ltt~t~n
ilt-Iiglttt-il ii ltis atiswi~r;~ hail viiiiliczitril ltis cltaniitiitits fort-igit tn hint. Tliiis, I ha\'t- sri-it a iliri-t"tni' as in»
antl il tho rt-st-r\':iti<iiis I hail fitriitulalcil aliunt such tvllitlrlll IHIHI i‘<tIlsi‘iHti.~'l as _It'i\" liféllllllll ]>ll\_\' ll"!
\'ill;i;_'t- ltlllll aiiil salintagc tIl_\’ ili~ltat<- itii I.iiiliil"I'¢'
works as Rn/it‘, Tlir I’iii'uiliiii' (‘iisr aiiil I ('iHi_[i‘.\'.t‘ hail
1/1511‘ ('\‘I(l('ltll_\' lit-t':iiist' hr iliil llttl agrt'i- with int-.
.~\n IlIl|lI|§.~l’
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\Tlllt‘1tl axiniits. \\'l'lIL‘lI the Ilitclictwkiziits itt:i_\' .\t'4It‘lt as
\\'l'lL’l'l' (iiistavr Lulivn ltail prt-st-titt-il his li\Ill1\Il\ cunt-
tl§('IL‘_\'.\' antl tiitilignilit-il aliliis-A
tiiuiitary (Ill (iiiii‘Ii1'ri‘ .lIiiri|i with a \\'UI"(l iii irititit"
I will ltcgin with an cinltarr:tssiit;1l_\- |>t~r.~i>ii:il ;tm-c- iinagiiiati<iti.' .\liist wi-
‘INN’ Um? “mo I mmklul “Twin in ziiliiitratiuit for the ]tl'Uf('S$(I1' s
utiitliiilt thin that I.\llll \‘<\lPr_\ is Ulll_\I an inttiniu
T,” LI-"ll, 1:,“-‘-A-_ ;h¢(,m- in “~hi¢]\ 31;",-]m|| i5 Sm,"
almiit tit tli(' on the stairway, iii the lt:it:k;.{rittiitiI_ whilr Him“ i)_m'\Nl .h'\ .d In M“ 5 “““mI.‘“M {ml uh“
Betti‘ Davis sits iiiiniohilc iii the I1II’(‘gI'lt\lllll 'I'ht' (IUHIIHIW "Inf," IS nuinily mnunmtw “n""l“"'
A-\> :i ntattcr itf fact, this :ipp:it'i~ii\ miitrzitlictiitii
lixril gaze nf the ('ZlllIk‘I'Z\ st-i-ttti-il tu IIN‘ to ltc Iltl(‘lI- ll('l\\'l‘('tI tltc critii: i|l\4l thr aiithitr sltniilil not ll‘(lIllIl('
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ranic trnni l)¢-nis .\Iariun) In" the fact that iit the
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' ](‘Cll\'(‘l\‘ anil Ull|('L‘l1\'l‘l\'.
-_
uttirsc (ll his iiiu\cittt'iit the actur iiiu\'t~il ntit of tht* . .' . ' ' . . .
.\ltlI_]('Cll\‘\'I\‘_ ltvcaiisc artistic izrczitimi ~
.
('\'(’I\ with
I. L. '. .
~
. .
llll‘ of tisiitii anil thcii t‘2\l'Il(' in agaiit :i lll\l(' Iurtlit-r . ' . .
is (-sst-ntialI\'
.. the most iiitt-lli-cttial l('lII]7(‘t‘£|llIL‘l\l$
.
a\\a_\. \\’l'lll(' thc lcns — \(l('lllllll'(l suiiii-linw with
. .
_ ., I ._ Iv
. __ f _, '
llt-tic l)a\'is' Il'll[ll2\l.‘(\llllII_\‘ — (llll nut ilcign ti» lul- In “,m“ ‘mi lm,“uh\ ' It L‘ A m'n_ur_" (nub ‘O
hm him attain and iiiatt-rials to miiiittt-r. ()l>_tccti\'1-Iy, Itccatisc
a work til art i-scatti-s its crvatur anil ltyiizissi-s his cun-
“_|
wn A ‘emu he rm“ ’ "i““‘“l m 1 4* I >t‘IIl\l.\' iiitctttinns, in iliruzt iirupurtiuii to its i|n:ilit_\'.
hm‘ ‘MIMIUII In Inc“ “imiam \\--"l‘ir' “‘h"“_" "“li“' Thv Iitiinilatiitii itl this ithjt-t'ti\'it\' alsu I'(‘.\'l4l('~ in the
U, nu’. (.x“."| __ ;,m],pr(-_
laii;_'ti:it.{t~ is l7rt~itclt_ anil I l‘X])l;\Illt‘(l lll_\' llll('l']>l'(‘lZl- 1,___\.¢|“,]‘,g.\. Hf ii“. .‘.m;(,"
timi tn hint. \\'yIt~r sot-itii-il :isti>iiislit-il. Ilv iitsistcil ‘-i;||,|k. 4 U, which U“, nrq dm___. "M n.“|1}. (“nut
ll" l““l ‘l“"" "\'l“'."lhl"l€ ‘l"ll*' -‘l"‘l'l." with "" l"l°l' hut st'ts liintscll tit crystallize, to I>I'll(‘l' tho socio-
l‘“"'l‘“\l l""“'“"ll"'ll""< -'\<" I-"r "IY *'r“"l“l l"'l"1 =\l'""l logical fnrt'i~s aiiil Iltr It-cliiiical citiiilitiitiis into which
-\l""-"l‘"ll'<" ‘l*'l'""l""" I""" Ill“ ll"l‘l "I "I"I""~ “')'l"" he is thrttst. This is itzirticiilztrly ll'Ill‘ itt tltv .\ini~rican
"xl‘l‘ll""‘l Ill" ~"I’*“'lll‘ “'3'-"“"7 -\l“l'-‘illilll l““l ‘I “"""l“" t'lltt‘lllI\ in which _\'itn ultt-it liiiil iiiiasi-aiiitiiyiiiitits SUC-
kg “ml l““l ‘lll"“ll§' “ll"‘l’l"!~3 ~"l“lr-‘ii Ill-‘ ""llI'*"'~' l“"" cusses \\'lii>s\- tttl'l'Il l’('Il\'(‘l>'. nut nit tho ilircctnr, htit
"'m“‘l 1' ‘l""l‘l" I" l"' -""l'~"ll""'~’(l ft" ‘Ill’ l=\>'l Il’\\' llll tht- iiruiliictiuii s_\'stt-iii. lhit ait ultji-cti\'0 criticism.
scrititils iii Iltt‘ scuiit-. iiii-tlt<ulii~all_\' igituriiig "iitti~iitiuits" is as ziititlirziltlc ti»
Tltc ziiii-rilittr was tun t'iinin' tit igiiui't- t-\‘<-n tliniigli tht- niitst pt-rsitiial wurk iiiizigiiiitltlv. likc :t in-i-in ur a
tlt<- jukc was mi Hit‘. I rt-purtt-il it itt “l.<- Filin |>I\"ltlI'l', fur (‘X2|llt|ll(‘,
‘|l‘I'>tilI-
<l'.\riatit-" tRmiiiiii Iluliiliiyt iii /fvriiii Friiiig-iii'.\‘ unilcr This (Inns nut int-an that kiiitwin;_' illt/l‘lI!'.\‘
tht- ciillt-ctirr sigiiiittiro til tho .\Iinutaitr anil ll('lll nt_\' all_\'. or what tht-_\' .~:i_\' almnt tltt-itist*I\'t's aiiil lIll'Il'
gritiiitil as iar as nt_\' initial aiiaI_\'sis was cutit"i~riic<I. \\'4tl‘l{. l\\2|_\‘ tint i'Iaril_\' tht- critic's cuitci-iitiuti. antl this
.\|_\' caiiilitr was rt-wztrilcil with an Ifltlllk‘ lrttcr almiit is pritvi-ii hy recently tapul intt-r\'ic\\'s tliai wi~ l1{\\‘C
critics iii .\'|iaiiisIi iiitis front suiiic sl_\' t_t'pc rvtttiiitlittg ptiltlisltvil. 'I‘Iit~st- ci>iitiilt~iict-s, llll thc cuiitrai'_\'. art-
IIK‘ of the .\liititt:iiir'.~: note which I was iitrceil to ig» lllltIlL‘l_\' prociuiis. lllll tltt-_\' are not on the same plane
52
‘i 4
’;-o
?"’?*\*
@,,~»w,/
The Secret Agent (I936): John Gielgud, Peter Lorre. Maugham, not Conrad.
H
The Lady Vanishes (1938): Basil Redford, Michael
h
Redgrave,
Margarel Lockwood, Dame
May Whiliy. Why didn’! the lady send a Oelegram?
I-A
1
[K
\.|
HF!‘
|||\‘
ix).
lhv
PH"
mu‘
mi“-
Mich
r\\":u\
\“\-'
I-\\\
|\-i\\\1.
Hr‘ \"
‘Ur ;\
|'\'~"\"
l \hvi\
“A \\n~ ¢ Y Q
-1 \\.|\¢
‘-\_ zm
|,- \»l:u\<
S3
y
:|~ th<- t~t'tt|t't.~tn I :tm <I1.~ctt.~>ttt;;; nr, n \utt \\tII. tht-\ tt nu l|t1t~]>n~\~_ 11 |\ t|I ltn t"t~:tI tt|IlIl||'[;|||\"~ H, [1-|'y]|~ nt
n-tt~tittttt‘ :1 ]|t't~-\"|'itit":tl, ttttrt-Itut-tI tI4r\’lllllt'ltli\II1|lI_ ztn-I \\'\It~r'~ _4Int'\ :ttuI th<- t‘\t'<-IIt*ttn- nf /'/In /_tl//I I 7| nu".
thv rritir ~tiII t"t~t:tin~ tItc' III|rt't\ nf itttt-t-|>r<-tzttinn. Ivttt I ztttt tttnrv |v:trti:tI tn thi~ t-\t-I;tn;ttinn !h:tn tn tn}
'|'htt~. \\ht-n \\'_\It~t' tnI~t-t'\:t1tntt~ nt nrtlt-r tn rt»
:1 tInttI>It~. tItntt_4ht tn m_\ ~<~II that tht~ lI:t\\'~ in tht- :t~~ttr¢- ;tn|I <-ttrnt\r:tg;<- tItu~t' \\hn, in thi~ ~;tntv I~~u<- n|'
Q
I
tt|:trItIt~ \\'t‘t't- tt~t'fttI uttI_\ tn _-_-nntI ~t'ttI|»tn|'~ ;ttt1I th:tt tlu ('iu.'lIm t;:.§"_ I Irtt-In-t’ I"54 I. \\iII rt‘:--Iit
('11/I|t'I'.\'
it \\':t~1-t'Iitt|\- i|nt|u|'t:t|tt't~ th:tt thr czttm-t':|'~ lt\it_\ \\;t~ \IIr\'tI IIItrItt'nrI\ \\itIt |tt<>t't~ t:tIt-ttt IIIZHI i~ i|tt|\IiwI in
i|n:\§_'im-II tn cntttv nttl nf zt trt'Ittttt‘:tI t"ntttitt,;<-ttt'_\. Iitn thi_~ itttt-nit-\\. um :tI~n ]-wft-\'tI_\ rnn~t'intt~ nf nnt
I
th<- t'nIIn\\ing <I;t_\ \\h(-u I ~:t\\ \\'_\It-t' :tj4:tin. it \\;t~ h<- I1Zl\‘IIIf§ ]>tt~Itr|I tItt- [ml-~m' nf '/ 11,- /.tn/_\' I"'"I.~'/It'.\' tn
\\'I1nt't~tttt'ttt-<I tn Ihr ~nI-_i\-ct :ttt=I t'\]-Iztittt--I tn tuv thzt: :11“-int \\Itt-rt- rt-ttI1I gt-t I-:t~t hi~ tI<-fmt~t~~. .\I\n th<-
I
_\I;tr~It;|II'~ ;4nit|_4 "III nf thv t't':mtt- \\':t~ ttnt ]-:tt‘t wt hi~ rt-I:tti\’t-I_\ ~t-t'in|t.~ |t:ttttn~ wt‘ t|1_\ tltu-~tit|n~ tttttlv-l|I\twII_\
:tt‘ti~tir itttt~ntinn~ ;tn~I that. in tttt'tt_ IIIt' Iight :tmI >nt't h:uI IIttIt' itt cnntmnn \\ith \\'h:tt h<- \\:t~ :tt't"tt~tntttt-tI tn
<|tt:tIit_\ |rI lItt' I1:tt'I\j;t’ntt|ttI 1tI1t-~t;tit'\\':t_\ \\It\-fr .\I;tt" in .\|t1t~rit';tn int\'l'\'it-\\~_ zttttl tht- ~tt|IrI<-It t'It:utgt- in
~h:|II i\ tI\'iu;_'> h:uI In-('tt :t~I\t*tI nt 4}t'<~j4;; 'I'nI:ttttI in t't'itit':\I cIim;tt<- n|:t_\ h:t\'t- u]-wt hint. I’-I-~itIt~~ ‘I('|lllIl'
nrtlt-r tn t'r<-:tt<- zm um-:t~_\ It-t-Iittjq in thv ~]-t‘t';:ttnr I>_\ ~:|_\' th:tt hi~ :m~\\'t-t'\ ;tn_\\\'I1~-t't- to-tttI |tt||t't' tn |n:|~I\
tht- int|>n-ri.~inn nt' thr :tt'tintt'.~ t-.~.~t-nti:tI ||||IIlI. Itt thi~ th:nt tn rt-\t-:tI. ;ttt~I hi~ ]tt'H\‘I\IHII f--t' ~it':ti;Itt’t':\rt~~I
t'nn'.t-.\t. \‘it'ttt:tII_\ tht- <-|ttirt- hhtt \\':t~ ~hnt in tlt-t-It jt-~ti||_4 i~ f:t||tiIi:|r t'ttntt_4-It tn It>|ttI t'rt'<I<-ttt~t- tn thi~
t'nt‘tt~. l__luitt- ]>|>,~~tIII_\. tht- ~01-I|ll'~\ nut] tht- <Ii~:t]>|w:tr— itttt~rtn‘t~t:t:int1.
:ttt\"t~ h:ttI tho ~;ttm~ fttuctintt: tn \':t|ttnt|II:|gt' th<- .~ttI>’ I’-ttl nn\\' tIt:tt I It:t\'t-|‘:ti~t-tI1-wrt t--t.~~ihI<~ nl-jwtit-tt
~tittttinn nf tho <InnI|I<~ Int" tIu- :tctnr. $im|>I_\ in thv :tg4:\in.~t m_\ \\ith IIitcIt\"nrI\_ I might \\'t‘II
ittt<‘t'\'it-\\~
t":t~t- nt tItt~ \t|IItIl‘.~~_ tI1t-tlirt-rtnr \\':t~ rntt_~rintt~ nt' thv ;uItI that ttttt 1-t-t'~ntt:tII_\ \'\lII\'ill\'l'lI nf t|t_\ intt~t=
I
t-I'll-\'t ztml tItt- mt-:ttt.~. \\'hi\'h ~ttl'l'|rt*~ tn t~I<~\':ttt' tnzm-ri:tI In\'utnr'~ ~itm-rit_\_ nut] I <In nnt ~tt~]>t-rt int" :t tttntnrttt
\t-r\'ittttI<- tn thr tIig4t\it_\' Hf :tt'li~tic \\'itttI|':tII. L'ttIt-.~.~_ thztt ht‘ itt‘t‘t-tttttt<>4I:ttt-1I ttt_\' ¢|ttt'~tintt~ in nrtI<-r that I
||f|>IlI\ltllII_\ Jt.~InllI\I]t'II that ~11 ttt:ut_\ tltiug-~ t'nuItI hr ttti_4ht jtuIg4t- Iti~ \\'nrI< I<~.~.~ .~t'\'t-n-I_\.
_~t-t-tt in thi~ ttttl'nt‘tuu:ttt> ~<-t|tu-ttn-_ Itt- 1It't'1|tttt'tI it up \\'t~ tut-t tht- IIr~t tItttt'i\1 thr tI<>\\'<-r |tt:trI<<*t in \'it'<-I
tlttring thv mg-Itt :uuI_ \\'ht-tt Itt- \\nI\r lt]> tIlr In-\t ntnrn’ 'I'Iu-_\' \\'t-t't- ~Itnnting :t ~t-tttIIt~. (':\ry Hramt \\';t.~ tI;_-Ittin_-4
iug. \\’:t.~ t‘t'Il'1I~|I\'l'|I\t'I\' ]Il‘l'\l]I|(Il'4I thzu h<- Itzul tInm~ with t\\'n nr tI|rm- |"ttt'lt:\tt~ :tutI rnIIi||j4 mt thr grnttutl
I
tm
Hill,
um
$_\'It
Illur
"Till:
lr:uIiI
inn:
('ritiv.~
Ilvlmirt
lI(~:(.l.l
\\'h:tz
t\ust
stories
_ - I'0II0\\-(1
-1":‘““ t I of the 1
The Thirty-Sleps (1935): Robert Donal, Peggy Ashcroft, John Laurie. More vinioge British period. ‘"'Iginal|‘
54
QIIIIII III>III'. IIllI'IIIf_{ \\IIII‘II II|III- IIII\'IIl'll\'I\ IIIII IIIII II;I\I- I-IIIIIIIII<II-II III III|_ III.I;IIII-I- II_\ :I \'ll\I\I|Il‘\\’|I|: III;I-_-,I
IllII|I1'|'\'('|Il‘IIIIII-1'IIIHII I\\II'I~. ~I'iIII-II III III~ _-II-IIII*II:I|I'. /IIII- III\lIIII:\'[j|III]('I', lIIII\Ql‘|I III ~I:I_\ III III» I-IIIIIII III
III‘ QJl\'(' III!‘ IIIIIII'I-~~II-II III IIIIIII_-4 |IrIIIIIj4II II~|_\ IIIIIIIIII .~;III~I- III. II‘: I\ III ;I I-;,\I Il.- I. :|I\|Y II. lI|~III\YI I
:IIIII III IIIII~III_; ;IIIIIIII \I||IIl'IIIII|Q \’IIIII]IIl'Il‘I\ IIIIII-I‘:-III I'I‘IIIII :IIIII IIII-IIIII_\ IIII- I'I'IIIIIII:II ~IIII-I_\ II-I IIII~I-I\III-;
II]l' £|~\I\IilIII\. Il¢I\\l‘\I'I'_ \\I-I'I- II;IIIIIIIII_-4 III\' ~\'\‘Il\'. :III-I III\' l‘lPl\\lI|§~ :IIIII III--~ IIIIIIIIQII III!‘ \\IIIII|I\‘.~ -II IIII
.' Q (.II\‘ <II.III1

' " IIIIII~III \\ 'll~ l‘\|IIi\IIIIIIQ \II-I- IIIIIII~I- IIIIIII
- ;I|-:II'IIIII-III IIIIIIIIIII; :II'I'II~~ II|l' \'II\II'I_\i\I'II IIIIIIII:
IIII‘ I-IIIII'I- IIIIII IIII- \'£II\‘I\'!'I| rI~III:IIII~ III IIII- IIIIII'II,III~I
II-rIII|II|III-~ Ill III~ II:II’II|I'I'~ \\lIII :IIIIIIII':II>II- |lI'\'\'I\IlI||.
-
I-IIIIIII :IIIII \\'1'\lIIII\ \\'IlI|I |II- I':III |>II\~II-:III\ ~I-I-. I-IIIII I‘

III!’ ~I-I|III~III'I- \\:I~ I"I-|II~:III-II IIII'I-I- III" IIIIII‘ IIIIIr~ III III\
|II'I~~I'III'I- In-IIIl'I~ III-IIIj4 _iI1IIf4I~II .~IIII~f:II'1III’_\. :IflI-r \\IIiI'II \\IlIl II\l' I!SII\l'I>I IIII- fIIIIII\\III_-4 ~I~I|III-II\"I' \\IIII‘II in :III_\ ('\'\'III :IIIII\\~ IIII' IIII- II~I- III IIIIII-I'I'II'
IIII lII~(‘l‘I III \‘I1l\l"\I|> I-I L:II‘\' lII:IIII ~ III~:III IIIIIII-I‘ I<'II,\\'\ II-II-~rIIIIII~ II-II~I~~ \\l‘I'l' IIIIIIII:III-[\ I'II|IIII'I-I I
:III iI\'Z\IIlIlL'IIl‘1II'|>lIII( tIII\\'I~I'~. II \\:I~ IIIII'IIIg IIII.~ II:II|~I' I\\‘(']Y IIII~ :II"IIIIII III ~I-IIII- \llrI III IIII-:IIIIIIg_IIIII III':IIII:IIII
III:I; |’:Iul I:('\lI\‘l'_ I*I‘I~III"II IIl'~l :I~~i>I:IIII IIII lIII- IIIIII. l'III*II~. '|'III~ I~IIII~IrIII"IiI-II III IIIV ~I‘I |III~I-II I-I|II:III_\ IIIIII
|II'I~~I-IIII-II III!‘ III II|I\'II\'lll'I\. IIIH‘ I'IIII\'I-r~:IIII>II I:I~II-II |>III':IlrII |IrIIIIII-III~ III I>I'III-I" I-I ]Il‘I'IIIII IIII- III"-II.-IQIIIII-I
NI III‘ IIII IIIIIIIIII-~ (IIlI-I'I- \\'(‘I'(' I'rI:II\'I-~I IIlII'III_; \\IIiI'II III IIII~I~I'\'I- :I~ IIIIICII :I~ |II>~~IIIII~ III IIi~ III-i_;IIIII-I‘ ~ III
IIllI\' I'II\'II\'lI\'I\ IIIII Ill: IIIIIrI- III:III IIH‘1I\\' IIlIl' III' I\\'lI IIIIII~ \\lII\lll1I I;II~II_\IIIg IhI~ {|I'\"IllI(‘\'llIl'l‘ III :III \IIII-I»
l|llH‘I\ g_-I:IIII-I~.~ III \\'II:I! \\'Zl.\ ;4IIIIIj; IIII. \\IIl‘l! I ~:I\\' IIIIII I\'Z\Il I"II\'. IIIII-IIrIII"I\ IIIIII~I~|I III~I.~II~II III:II IIIIII IIII
|III:III_\' gm III» :IIIII ;_-II l>\'\'l' fur :III I~:IrIII~.~I IIlII\ \\'IlII IIII- IIIIII'~ :II"lIIIII ~IIIIIIIII III- ~III~III IIl‘\'Z\II~l' IIII~ _\III1!'IIJ|II~I
~I:II' :IIIII IIIl' :I.~~i~I:IIIl~. I :I.~~uIIII'lII(' III~IIr:I1I~ £\<I]\l>\llI('l\I III III!‘ IIII~I' IZ|Il\'\' III- ~I-I~~ IIIPIH. IIIII~ IIII- IIII'I'I'IIIr II;III Ill I'II~III'I
VII .~rI-II<~; 2| IIIIIIIIu- I:III-r Ill‘ c:IIIII- llI\\'Ill'(I~ IIII- ~II:\I\III_; III llII- ;[lHI<' III “|IlII'I‘ I~nII'III:I" \\'IIl\‘ II III .IIIIIIIII
' '- III - .
;_-I-III-r:II_ III:IIII;4III~ i.~ :I IIIIi~:IIII'I~ III him III-I-:III~I- II II-

III~ Ill‘Z\lI. IIIIIIIuII;1 III III.~ \\'I'I>I\\'ZlI\‘II. :IIIII I IIllllIf\'III
III- \\I\\ II'\'iII;_- III ll'II llIl' IIIZII III('I'(‘ \\':I~ IIII IIl|I§('I' ~II'iI"I~ I~iIII-III:II-I;;I':IIIIIiI~ I-\I>I'I-~~iIIII. :IIIII Ill‘ II-|II-I:IIIII -
I~IIIIIIg;II hg-III tIII' I-IIII>r ~ IIII- ~IIII I><~IIIh l|IlII(' III\\'. ~l‘\'l'I'I\I III III~ IIIIII~ IIII' IIII~ rI~~IrII'IIIIII.
IIIII III~ I|IIirI<|_\ IIi.~:IIIII~I~II Il\\'1II III:II iIII-II \\iIII ll \'l'I'_\ \I ||Ii~ IIIIIIII I IIiII IIIII :III:IIIIIIIII I|,‘. ‘mm Hi’ ,,,._
I '>l'III>II ~uIIII~: "Uh! .\II_ IIII- hg-III l~ I-\I~I-III-III. IIIII _,,-;I\.i,,;,I ;,,I|";,-\ I,‘ I;,I\i,,_.\. H‘, ,1“. |’;,I|;“-i.,,,_ ,,|,|,.,_,
I\II\ll'I' (':II'_\ lII':IIII\ \'lIHII'Z\\'I I-;IIl.~ f-II‘ ~1I>II|'II\!< I" IIHII III I'III"III :IIIII \'I>lII\'III. \\II:Il IIII\'II\'II\'I\ I~:III~
'I I. I>'I~lIIrI\; II I~ \l\
III'II-I-II l‘\I|l'II_\, ~I- \\I' \\III I'l‘IIII\(' --m‘.;m;' Hm) |,,._ ‘M-|mI,\_ ,,n|_\ H mu,-‘. ;|,,Im.,-I ,;m,|
IIII‘ “"I“"""" I"‘“""""“~" I" III“ ""“I">" "I ‘hm III-‘I IIIIII'I- IlIl4‘lIIl\l'II|ll\I III:IIIIII'I' III fIIIIII\\IIIj4. if IIIII :I ‘HII
IIIIY'I'\'I\'\\' I II:III Illlll‘ III ]|Ii\l' III-:II'I_\ :III III IIII~ 4|IIl'~IllIII~ iI.‘~l_ M [HM I, l|H.m,.v I ;H\;\h. II IIIIHIIIII IIII IIII
‘ I II:III |I:III III IIIIIIII. IIIII l|II~ 2|I|~\\'\'I'~ II;III III-I-II ~II III~— mm‘ h;\ “U,-|\_ ;m,| 1“. ;|:\.,.‘.‘.,| “M, H". 5,, H ,,,_.\._I
,,|'
I'IIIIrI-I'I|II_-4 III:II. IIIII I-I I':IIIlIIIII. I III~I'IIII-II II» lI\l‘ :I Ii“. “M \|] I". ‘[‘.m;m,[\ H,’ 3 __~,.,|;"-I‘, i_ ||;;|I I‘
\‘IIlIllll‘l'*IlIIl'I‘l'<IQIIIIIIII 1I\ :I I'IIIIl|'III IIII' ~IIII|I- III I|II- IIIII~I III. “\\;I\_" I,l'I II~ ~IiI'I\ IIlIl' IIII-I III IIII I'I':II l\ III III.I'
'I"II"“I“ I“'I"I‘- ‘\I"‘I §\'I"“"'I"II.\~ IIII"I"""'I‘ ‘I"“'I"‘I IIIIIII' \\II:II I \\':IIIlI~II \\:I~ IIII~I\:IrI III-lIIIIIIIII|III'1III~
I|IllrIIll‘|' IIIIIII' III IIII- ~I-\'I-I':II II:I_\~ I:IlI-|' III :I I|lIIl'I I"III'III-I" ~“m \\ mmm |"._ilMi,,,,' ||iH-I“-,,,I\ 1,, lI\l III‘ I
"I III“ I"|'II"“ "I I5""""- \\ II?“ I"II"“‘ "'"'I"‘ "III I'II‘I:IiII I'l'I:|IIlIII\III]I IIl‘I\\l'('I| III':IIII:I l|I]1I\'|Ill\l'4I\ IIII-
--I ||Il'~l‘ I\\4> lI|Il'l'\'ll'\\~ IIIIIIIIIII. III _<I"I*"'1II- 1"'.\ '1'“ IIIIII I'I|III~ IIIIII l|H|\ IN‘ I1|I\l'l| II\ “|IllI'l' IlIIl'IIl|HI\
IIIIrIIIIII Ill'1\\\'('ll \\lI:II \\:I~ III III!‘ III'~I III" I|II~ ~I-nIII-I. MIN ;II-I- lI|||\1' In \._|,H|| |,, ],_, IN" J] .» - --. |_ I .. I II'|\
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55
11-»':Y1I11I1-;1~1>I11~11I1I I1:1I1:111111:111I I1_1 l:1I\111;_' I11-1" 111 ~1-1» 1I:11*|\i11;4 111 1|11- I-I111-11111-:111(1111-111;11 111111 1I11- "i111111-1'1'1~1»
11- /1'11'_\-1'/1‘ ///11~1, I111! :1II ~I11~ 11~I1 \\:1~ :1~111111.~I11111~111 111111" 1I1:11 11111114111 1111' I1|11-|'1_\. 11111-1'1-1*1~11111 :1111I. ~I1:1II
111;. ' 1111 ' 111 11'I\1-1' 1l11I 11111 1-1111 1111 11111111111111; :1 I11I\1<; 111- '
~:1_\.I1111111-r1I1:11 111:1I\1*~. 111' IIIi1‘I11‘11\‘I\. 1I11~ I7.11_4li~I1
\1.1r11*;1 1~ 1':111|1II_\ I11-1'111111|1j; I1~~~ 1'11I1-1‘111I_ .\I111'1-11\'1'1'. 1'i111-:1~11*~ 1111~i1i1111 ~11111-1'i111', ‘I'I111~ i1 1~ :1 1|111~~111111 I111‘
111 II1-II\\\11111I 11I111~:11'1-111:11I1- 1111‘ \\'111111-11; 11 1~ 111\1:11'1I 1I11- 1I11'1‘1'1111- 111 / ( 1111I1‘.\‘_1" 111 ;11-I111-1111114 1111» ;1l11111\1
1I111: ~1'111|1111'|11:1I 1:1~11~ 1I1:11 ~1"1‘|1:11'111.~ :11‘1- 1I11'1-1"11~1I I11- i.1,1111~~1I1.1' 111:11'1'1:1};1' 111 11:1'|1-1'i 1'1'I11111‘:1I 1~\1-1"11111111
1111:~1 11 1~1I11'_\ \\I111:11"1-1111111 1111'1I11-I111II\1111I11'I111\'

. 1
11.1..1 ‘>1-1'1-1111~_ I11 I'.11:I:1111I11I111~:11'1'~11II111:11I1-11-1'111<'11.

I1111 ‘E1111 1~:1I»11\\I|\ \11111:111\ ~1111I111~ 1*I11~1~ 1l11\\11_ ||1=-
I 11-_'1~I1 1'1111~111:1 |1:1~ 1-\1*1-II1-111 11~1'I1111r1;111~ I1111 I'11j;I1~I1
11I11.~ ‘11’1- 11111 "1'111111111-1'1'1:1I"1<111111gI1 :1111I IIi11‘I11-111'I\ 1I1<—
1'I:1"1~. \\11I1 11;11111111\1»1I \\‘l1I1 ~I1:11111-, 1I1:11 1I11~\ :11'1'11II1-

1I11 '1 \.\I1iI1~ I11‘ |~ \\111'I1111g_ H111 I1 i~ ~1iII 1~~.~1'11lI:1I 1111'
.1 11:: 111 I11'111;_' 111 11|111'1* 1I1:111 11 1'11~1.~; 1I11'1l11‘1~r1111" 1~

1'11~11--11~1I1I1- 1111‘ 111I11-1‘ 111~1111I1-'~ 1111111111, :1 _41'1-:11 1I1-:1I 111
111111.11. :1111l I11- I1:1~ :1 1I111). 111 ~11111-111 1-\‘1~1'\1I1111g, 111
I11~11-1111111-r1'1:1I. II111‘I11*111'I\ 111]1| 1111~1I1:11 I11~ "111-:1I1|11'~~"
I11>~ '11I11~111g1*1111~1"11111~111'I11>1'1~>1u11|~1I11I11\ 1111" :1II 1I11~

111-1',1\.
\\I1:11 I :1111 111~1-1111134 I11~1'1' 1~ 11:1|'1-111I11'111‘:1I: .\1 1|11-
11111 111 11111’ ~1-1'11111I 11111~1'\'1<'\\. III1‘ 11111-~111111 1":11111' 1111
:1'_';1:' II111"I11‘111'I\ 1111111-:11'1-1I l111111~ 111l11- ~1111111\\I1:11 1-1111
11-:.Z1111111II\ 1111|111'1111I \\11I1 111|"111l111\ 1I1:11 1111|1r1‘1‘1
1-1'1z:11~111 111 I11-1113; 1'1-1111111*1'1'1:1I I11 :11I1r111111_-4 1I1:11 11 \\:1~

1-:1~'. :11 111:1I\1- :111 ":11'11~1l1'“ 11I111, I1111 1I11~ 1'1~:1I 1I1l11c11I1\
I:1\ :11 111:1I\'1113_- :1 g-11111I 1-1>1111111~1'1~1:1| 11I111. :1 \1-r_\ 11~:1~1I1I1
11:11';.1I11\_ :1f11~1' :1II. _\'111"I1:1~i1 \\':1~. 1I11- ~1~1111'111'I1i~1'11'~:
~1-It 1'1‘1111'1~111 \\:1~ 11111~11111\'111":1I :1111I 1I11- 111-1'1-~‘11\ 111 1'1-
11111:'11'111§4 :11I11I1. 111Z\\\‘l1I11l1' I111111111' 111 111'1I1-1' 111 ~:111~1\
\1111"11':111 111'111I111‘1'1'~ \\':1~ 1I1'1'~1'1111'1I :1~ :111 1'\1|11l~111'

11-r1111'1' \\ I11~11 I11~ :11‘1'1\'1'1I 11'11111 I'.11§4I:11|1I. :1111| ~:1\\ 1I11-
11-1'I11111"1;11|~ ~l:1111I111j4111 I1111' \\'1lI1 1I11-11'1111-~~’I>11\\'I~_ 1111’
1I1" !I11~ rI111"I\_ :11 1I11- 1I11111‘ 111 \\111'111-1'5‘ I11- :111\11111~I\
:1~1\1-11 I11111~1-I1 11. 111 :1II 1|11~ I111I1—I111I1_ 11I111 1-1111I1I 1111»
I ~1I1I'. ~11II I11-1-1111r1~1'111-1I \\11I1:1 |'111‘111 111 1I11~ I‘1111~ \1‘1~.

I';111I1111I 111111\ 1'11I1~111 l)1-\1I'~111I\'11\-:111-_ I 1'1'111;11‘I\1-1I
1I1:1t. 111 1l11- I|11II_\\\11111| \1111Ii11~.111-1'I1:1|1~|11-I1:11Ig:1i111~1I

.1~11:11111111111~111-“11111-1'I11111~:1I1111~:111~1I1:11 111~1~11111-1Il11~
111~1~1":1111111. II:11I I11~ 11111 :1I\\:1_\~ I11~1'11 1'1>111'1-1'111-1I \\1iI1

111;111111111~ :1111I ~11111v111111-.~ 1‘111111-I1~\ 1vcI11111":1I 1~111~1-1~ 111
-11111"11111I11:11111'1-1'1:11110111-1‘l>1>l 1111.~1-1'11 ~1‘1'111'.' ( :111"
:1:1I:11|~\\1-1':'I_I11~i11111111'1:1111'1~1111I11-11'1'I111i1':1I1111<:111~
111111--I:11I11~1I1~1111~;1I1|11I11111 11:11'11c11I.11'l\ 11111-1"1~~1 I11111.
I--*1-1-1-\11-111 1I1:11 1I11~\ 1'r111I('1'1'1I 1|11- 111111 111111'1<1~11~1I\

..
1
1 . .
1I11-. 1\'1'11 ZllI§llll‘II:l‘|I 1"111|11111-1'1"1:1I \1-1'\'11111I1-. I11 ~11111
1I111~.I11~11|1~:1I1~‘11|11I1-1‘1I111\1-1'11111I1l11111~,111:11‘1"111|111I1~I|
111-1'111"111-11111"1I11-1111:1I11\1111111111-1'11-c111111_ |I11~1':11I11~1
-11‘:1111I:11’ I1111‘ \\:1~ 11111‘ 111 1I111~1- :1I111111 \\'I111'I1 I \\:1~ 1I1-
111-1111111-1I111~1<1- |l1:1~|11"11\-I;:1g;111111111111l111111I111111111:1
111101 1-1'1-1'i~1~1*1111|11'111:11i1111. .\I\ 11111-1'111'1-1111’. II111'I11'1=1'I\
:1111' I ~111~111 :1 _-_-11111| 1111:11'11~1' 111 :111 I111111- 1111 1I11~ 11111-
1--111" |I1~111:11111:11111'1I \\’I1:11 I11» I1:11I .~:111I:1111I1'-11111111-1111
1--I --‘1 11. I-111 11 111-\'1'1' I11'1':11111-111-1'11*1"1I\ rI1-:11‘. II1~ 1~\:11~1
11-1:-1~. in I*.11_;Ii~I1. 111-1'1-. “I 11"_\ 111:1uI1i1-\'<- 1I11-1111:1Ii1\
-11 1'11111-1'1'1-1111111." I I11-]11~\'1- I 11|11I1~1"~111111I 1I1:11 1I11-1111:1I’
11-. '1 11111~~111111 \\:1.~ .\1111~1‘11":111 11~1'I111|1':1I 111~1"11-(111111
The Puradine Case (1947): Ann Todd, Charles Luughlcr

56
Mn:-llulv ||l¥H\\\IHIII\IIlil‘|lI|\1‘I‘Uplift n|;u']m|:-|\ \\|Ih l:u\--u-|--1 Inn :|l~-» I ~tr~u-'l\ 1-I-11--M ~\u~ Hi I1" Y-
‘ln r|'::|I|\v ~I||v|||>|mQ I-I--(L, iln unl--I‘:-~=-<-11 \r1~ III \-v<'I\'~u|~un\'!|\<-11‘-vl|\ I"--1‘Ilu-\|r->11~--\1'1,|\:\m‘ ‘w
4|---I. :|~ |u |I||- |'||1'1»[-v:|\|<'|n<-||1:| I :n|| |-:||‘:||-]n:|~iuj; I.'|~Ir‘ fur Illr <'|r'_4:|\|I :m~l :|v||ln';u-n|~ f-»m|ul.\||--‘ ‘*-
In-rv ;n|-I 11-|"ri1|j; ||v_\~< If 11- _;1\<- :| |‘r~m|u'- uf :| \'~||\:-1' Q1,“ \|| |':u' :\~ m |n'\||||||' 1| |-|:\_\ \-1| \~.~n\~ (Ind-: \ --
~:\l|-v||llv:|I..|~l:u':\~lv:|1|~m-_\\:|~|-<'!'~1~lr11l|\1-l|~r||1'\' rznm ;|\\:m- --I !|||~ I'u~l:~|1r\ ~1 \< 1:‘! '||\,~ H ~ ' - v
rlm |-- nu Y;u'l\ I-I |1|\=H<-rlluul :|f;||H_\ \\|Ilv Il\:- |'nQl|~lv \\lu-|| |||i\'ln>-|rl\ |\|‘|-1| r||:-vl-v-;x<:|1 1-M‘ M\~' ‘
I 4'
urles U1"‘3h'°n‘
"1 Lml“ and "timul." This linguistic pllt_\'ittlt|L's'5 assur~ laxter is an excellent actress hut her persnttality is
etll_\' t-urrt-spniitls tn a east of mintl lutt ttntlnnhtetll_\' it nut st>eiall_\' trtte tn lit'e itt relatinn tn Cattada. He
is also a eertain fnrtn of intelleetttal eantnttllage. Fur wuultl have liketl ;\nita lljurk wlttun he greatly atlmir~
all tltat. l Ili<l nut have the iittprt-ssimi that this p|'ene- evl in .lli.\1\" .IlI”l', httt l‘llIll_\'\\'Utl(l llllll heen searetl u h_\
eupatiutt all'eett-tl nttt’ tlialugue mnre than marginall_\. lter extra-marital entangletnents. tlngritl llt-rgniati's
In general. the answers were elear. lirtu antl t"ate_4nt‘- ll‘llt|l>lt‘.~ still lingeretl in the stuthu s |netn<tr_\‘.|
ieal. The eireutnstanres were rare when, whethtr tu ln uppusitiutt tn this l retnarl\'etl that lte hatl. how-
eurrett the extessi\'eness of an .ill|r|natintt that was a ever. heltl un tn tlns suhjett. taken lrmn .1 little ktmwtt
little tun seaiulalnus or paratlnxit':tl. or the t|uestiun lireneh lvuttlevartl pla_\". given tn him iuttr years earlier
was ttartieularly entltarrassing. he ust-<l tltis sort til l|_\' l.t>uis \'er||euil t"s'ul<l," he eurreetetl). If he llltll
eritieal lnnnnr tn rectify something ur to piruuette his nut shut it ltefnre. he explained. it was <inl_\' heeanse
wa_\' uut ni a statement. The general sincerity uf his \\iarners was airaitl uf t‘t'lts't>l'sltlttZ there was thus
answers antl. l even rlare tn say. up tu a certain point. nothing tttysterintls almut the tlela_\'. (inntl: httt ntust
their niiiveté (ii I am not ntisjntlging how much is we nut assume tltat tlte lihns he prntlucetl wtmltl have
l»ra\'arln an<l huw mtteh paratlux ) was indirectly pru\‘- a lmhl on his heart? -- Nut at all. nut:tl>l_\' l'mIrr (‘up-
ell to me hy his reaetiutt tn nue uf my arguments. ;\l- rit'urn which. in spite of its failure. hatl heen pritlt‘i]t:tl-
wa_\'s pttrsning m_\' initial purpose ui having ltim ree- l_\' a ennunereial enterprise. .-\ll of his ellnrts tn s;t\'e
ngiiize the existenee and the seriousness of a mural .\l>tItk'lltllI].{ irtun tltis lilm were in vain. Hiteltt‘t>el\‘
tlieme in his work, I tleeitletl. itt default ui uhtaining eumplainetl th:|t heeause ui her fame lngritl Bergman
an aekuuwleilgnteut lrum him. to suggest one myself. was no longer Ililllll‘. ".~\ll the same." l saitl, “the
l>urrn\\'ing for this tlte perspieacity ul the fanatic hrilliant set|ttent‘es', cnntinttnus in time, that enlletl fur
lliteltet>ekians'. Thus. l hatl him notice that one theme the utmost itt tet‘ltnit‘al experience. in Ru/tr . . . “l.et
at least reappeared in his major lms that, l1€t‘lt>'r us talk almut that!" he interruptetl. “These continu-
|>t' its mural and intellectual level. surely went he_\'uutl nus scenes were horiug t-iiuuglt later (luring the
the seupe ni simple "sttspen.se" — that of tlte itlentiti- ittntttage: there was nothing tn cut l"
eatiun uf the weak with tlte strung. whether it he in the However, cnuting hack to I ('on]t'_i‘.\". l nhtainetl an
guise uf delilterate mural seduction as in Sluulure of t! important eniteessiutt. \\‘hen I praised the extreme
/tun/vl where the pltenotnetiun is uuderlinetl h_\* the fact teelmieal suhriet_\'. the intettsit_\‘ in atlsterity, it was not
that the niece antl the uncle have the same name. in unler In tlisplease him. It is true that he applied
whether. as in .S'Irm|5/t'r.\~ on 1| Trtliit. an in<li\‘itlt|al himseh here antl that the lm linlls lavur in his ('_\'k'.\
suinehuw steals the prntagnuist's mental crime, apprn- lur these lurmal reasotis. ltt urtler to eltarztelerize this
priates it lur ltiittself. cnmtnits it antl then emne.s to rigor oi mise en scene it would he ttecessary to etttploy
ilemantl that the saute he (lune fur him. whether, as in an epithet t'rum the "elerieal \'ncalutlar_\'." . . . l sug-
I ('n|tft'.\x\'. this trztttslt-r ui personality tuls a snrt all gt-stt-(l "_]anset|ist." — "\\'hat is _lansenistP" $_\‘l\'ette
tlieulugical eunlirmatiun in the sacrament of penitence. llautlrut explained tn him that the _|attsettists \\'ere the
the murderer cmtsitleriiu; inure or less ct>nsciuttsl_\' that etteltties ui the Jesuits. He fnutul the eniueirlenee \'er_\"
tlte euitl'essimi nut nnl_\' hiutls the priest as witness hut tlrnll fur he hail stutlietl with Fatlters atul, lur I (‘mi-
\U|Il('llU\\‘ justities his acceptance of the guilty rule. ft-.t-.\-. h:|(l been uhligerl to free himself frum his educa-
'l'he translatiun ut' such a snhtle argument was not tiunl l (llll nut tell him l wuultl have thnuglit him.
\'er_\' eas_\'_ Hiteltcuek listenecl tu it with attentiun antl ne\'ertheless. a ht-.ter stutlettt. .'\t least in tlteulu;.{_\'.
intensity. \\‘heu he tinall_\- nutlerstnutl it l saw hint \\'hit"h. then. at least among his .-\meric:tn lilms_ tlitl
ti-ueltewl. fur the tirst antl nnl_\' time in the interview. he eunsitler tu he the ntost exelttsivt-l_\' entnmereial antl
l»_\' alt unhtreseen antl ttttfurt~st-e:tltlt- itlea. l llilll t'uttn<l the It-Q,‘ “.Unh_\, 0; (_>.R_":, _§‘/v‘-II]|ulH|l/ antl .\'uInr-
the eraek in that llunioruus armnr. lle hruke into a iu||.\‘. 'l"lms'e that iuuntl grace in his eyes? .\'/nulme of u
-leliglttetl smile antl l euultl l'<tllu\\' his traitt of thnttgltt lhmltl aiul Rear ll'im!'u:t'.
l>_\' the expressions on his lave as he relleeteil and tlis- \\ie have alrea<l_\' spukett uf the last tine. \\ihat. in
mveretl fur ltimst-lt' with s:\tisl:tetit>it the \‘t|ltlll'lIIZ|lltIlI partiettlar. tlnes he like in the lirst? -- the truth. the
in the st‘e|t:tt‘ll>.~ ui /\'t'ur ll'imImt' anal Tu (iulrll 1! sueial antl tls_\‘t‘lttbltI§(lt‘1|l realism. in the lranu-\\'url<.
Tlticf. lt was the only incmttruvertihle point matle h_\~ mm"-;||]_\~_ of that tlramatic humur we ha\'e :tlreatl_\' <le-
llitelteuek's enthusiasts. hut if this theme reall_\' exists ned. He was ahle to Z\\'(ll(l the enneessions atul emit-
in hi~ wurk he <I\\'t‘.~' it to them fur ha\'in_-4 lli.~t‘n\'('l'\‘tl lll('l'ClZll "t'aittztsies" that mure ur less Il\'l>§\.\'('ll his other
it. .\tnt-riean iilms.
lluwever. l tlitl nut l(t’(']l the lltlllitll\'r \'e|'_\' lung att<l 'l'he interview e:une tn an eml. nut ltt'L‘itltst' m_\‘ inter-
the ~t‘li~t't’lll&‘l.~|It that he pursnetl was rather severe. / luetttur llllll the air nf hee<iu|in;.{ impatient, hut lteeanse
(it-r|_lt'.\".\". for example. was rejeetetl lot‘ its lack ui l|tt- l euultl see nu wa_\' tn luring: the tlehate hack lo the es-
ntnr the e<mietl_\' was not in step with the tlratna. sential. l eunte now tn the iorntal and see|>tular_\‘ ques-
lle is ltu longer eneltantetl with the players. .\tme tiutis: is it lrtte that he never lunketl tltrtvugh the eatn-
To Cal;-I
58
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3 pl:\_\' l>_\ , (lZ|_\'.sZ thr ])nlit"L- are following in tln- linst, nnul/|t'r (irnnt tin:tll_\' :|<l|nits his rt-:tl tl-clings for .\lici:\ :m<l
lli, etL'.| t\‘n.\'/tn"! wltnsv rntnittgs :nnl guings in thv tnwns \\‘ln~n- :|rri\'t-s jnst in time tn s:\\'t' hm-r.
1ik¢I7urriyn llw nntr<lt~rs wt-rc cntnntittrtl L‘lI!'ft'>]>lIlIll tn tltv tlillls ln I'|nlt'r(11/vrirurrt. wlmsv sct-||:\ri<>_|r:t|| llnntzxrclti
t (l8lt‘Cli\‘(' nn which tht-_\' wvrc L‘OIl\llllll('ll. tlt-scrilws in tlctnil els<-\\'lt<'rt-. l.:nl_\' Ht~nrit~t\:\ will inl-
'SCill:t l.:m\-. ll. 'l‘ht-n i<>llnw ITUU attempts tn Hl\lT(l(’\’ Charlie, luw the sznnc rnznl as .'\lit'i:\.tl1<- rn:nl which lrznls fmnt
3' wzntl tn l llmlvr thr gnisc of :wci<lt-nts. I \\'0 art: shuwn (‘nttt-n ztlcnhnl tn |mis<m. .-\t't"ttst<mn~tl tn thr t-lift-(ts 1|i:\l\":|ltnl
$||.t['irimt. ‘ s:n\'ing .1 stt-|1 in thr st:|irw:|_\-. n|n-ning the t-\h:\nst of .-\lit'i:i. ns wt-ll as llt-nrit-tt:|_ tlu nut stlspvct thzn tln-_\
isonf‘ ~:\i¢l thv cur untl lnclting thv g:|r:|gt-I. llnt nnv on-tling arc living pnisum-tl. :\n<l it is nnl_\' tltr ft-ztr nt' this
L'nclt~ (ihatrlir :nntnnnct~s his tlt-|»:|rtm‘t~. The nmn tht- pnisniting that is :|l|lt- tn rt-\'t-:tl tn thvnt thr ltnrrnr
M which is I-<||iu~ wt'n- t'n||n\\’ing in tln- l‘i:|sl. thv .~t't‘nH<l sits]-t-rt, ni tht-ir [inst lift-_ llllll t'li':tct- it fnrt~\'t-r, l)tn~ tlnt-s nut
rtnnt tilm. Iln-ll as tln-_\ wvrr nlmttt tn ztrrcst him at zm Zlll'lll'lll znnl p;\_\ rnnngh :mrntinn_ wht-n spt-nking of l'mIt'r (‘ti-
t tho tilm <lit-tl, t‘|'It.\'/It'll /'_\.' I/I1‘ ['ro[n'II<'r.\" of u /‘]tHlt‘. ['rit'm'|1_ tn |ht- t';n"t than .\':nn l"lnsk_\' ]>:t_n-<l t'nr tho
gm _<;\_\'_ hnt ll. ('nn\'inct-ll tum‘ nt l'nclt~ Ch:trlit~'s guilt. his mnnlcr that his wife cunmtittml. Ht-nrit-ttn. h:\\‘in;_'
to r4'1ll:n-\- it, liiwo still l1(‘$ll2|lt'.s tn <lt“||ottm't- him. "Ynnr ll1llllll‘I‘ kill:-tl ht-r l|t‘1|tllt’T to rlt-ft-inl .\i:nnt :n't"n|n|>lisltt-<l in t':wt
wnnltl <lit- if _\-tin tlitl." he s:t_\'s: lllll shv vntrt-:tts hint ,\':nn's tnnrnlt-r. i.t-. the nmrilt-r that Sznn cnnlrl h:|\'<-
S€(l.>|l'\'lt‘l!— tn tlt-0; he r<-l'nst~s. cmtnnittml.
h Cum-n».
I3. The <It>s-sivr for thv in\~t-stigzttimi is clnsml. lmt It is tho sznnr sitttzttimt in .\'lnu1_:/rt-_s mt 'I‘r-tiiu.
<1
right ni tlw \\'ill (‘lmrlic s|>t“:|l\'i' .\'t‘t'u|nl srt~nt- :n tht' stntinn: thv Rnhcrt \\':tll\'<_-r nt‘t'\-rs tn gut rirl ut' lhv tt-imis ch:nn—
(g-(1if_',ll .~lll\' i\'\-\\'tni| t':\mil_\' :tu~ut|||\:t|ti<-s tln-ir lll'i\l’ l'ncl\- (‘hnrliv |»inn's wit'<- fur him in rotnrn for which hv. l:Zll'll’_\
l" 'h\' "ill": ll" \'llll‘lr"'l \\'1\"| 1" K" ill Z\l.s1|4 (‘liztrlir tirznifgvr. has ulIl_\' tn l'lll him nt' his t':|lh\-r. :1 stnpill
u mnws nnl fs""'-* ill \\'illI thrill. Tllr train starts. thr rhiltlrt-n ultl |n:m. lt is thr sznno i|lt~:\ of |tnlrih-r-t-xt"l1:\t1;1r util-
6510 fnul thr ‘l“‘\"""‘l- l“" C"""" l""“""“-" Cllllrll“ f"'"" fs"'lliHf_' ntl‘ lint-tl in !'mIrr ('u['rirui'|1, lint tht-rc ztrv nn Hitclr
with tllvln. :nul as snun as thv trnin |lll‘l\'.~ up s|>t~t'|l lw cnck mttplt-s withnnt tln- ielvzt ni iluininztti->n. znnl if
e_(“]\\-.(1|-|-_~st~|l. l"l"‘ l" l'"‘l' l“"' "mi hm ~"l“' »‘l"lIs'.4l1'-* 1\"'l il l-’ l1\' _|tt<lith .\|nl<-rsnn. (':\r_\' (innit. Cnttvn. .\l:nl:mn- Kun-
e“.u,,_, ('|\-n~~;t “'l"' ""ll-’ "Ht. inul is rI'|I_\'/mi l'_\' lli \'IIIHi"L'
H Tl'<>lII stunin xnul .\l:n'g:m-| l.ciglnnn tt~rrnrizt- l‘t'.s|)('Cli\'t'l_\‘
at-“,‘.m,n Of ‘hi_thv H]I|I<|.sll\‘ <llI't't‘llllH. _|n:m l~1>|it:ii|tt- (.\lrs. <lt- \\'intt-rt. _|n:|n l7nnt:tin~~
-\\ C“m." “-3. H. l.:\st st-<|t|t~m't-. $t't"1|ittl scrtir in t'rnnt nt' tho 1l.inwl:||. T1-rt-sn \\'right 1Clt:|rlit~). lngritl lh-t‘§_'nt:nt
yang]: 1},-‘.,;\ Church: nnl_\- ('h:n'lit- :nnl _|:n'l< whn :tn- tn lw ntztrrit-tl. (_\]it~i;|)_ ;m<l ln;_vriiI l§(~r:_:||1;\[1 ( ]]¢m-it-|\;t y‘ Rt-ht-rt
ck an, H" H“. knu\\' the truth. lrflblll the (iltnrrlt nnt- ln-:trs the \\‘:tll\<'r :nnl Fnrlt-_\' lirzntgt-r in .\i/nm_|/¢'r.\" nu ll '/‘ruin
t'nnt~r:\l t-nlng_\' fur l'nclt- Clinrlir. thv lIl‘!ll'lil\‘llII'. lint zts _lnhn l):\ll znnl l":|rh-_\' lirztngt-r in I\‘n/H‘. ut't'\-r ns zt
sw$$iU““|- u. this s:nn0 Church hm-r nn \\'ill rt~\'<-rlrt-t':|t|~ tn thv _slIIl.\l('!' \':\rinnt nn thv :\hju"t nninn uf zt nt:nhn:n| nntl
inmiug \-m.|‘. $1l_'€\lIlS of n wc-(l<lin;.{ |n:n'rlt: Clinrliv will l>t~nmn- _|:n"l<'s ;| (0\\'Z\I'll. .\l:\l\'L' nn mist:\l\'t- zthnnt it : llll\'lttut‘l\' \‘1tIl—
sh“ h_m.‘_, wttv. she will lI(‘CUllR' :t wntnztn. 4l('llllIs [hr h(*l'lI\'.~' nf _\'lm||‘t/t'r.\‘ on ll 'I'I'<iin as t|tn'4|tti\'1»—
‘ am‘ u.“ 'l‘n ‘tho tht-inc nf i(l0ntit_\. which l h:|\'t- tlit'ti\"nlt_\ in c:|ll_\‘ :|s lllI>.~(' nt' l\’n/w.
Charm, H“. l\t~ln~\'|t|g is uncnnscinns hvrc. ntnst currt-s]>ntnl an I ('~|1_t't".\'_\~,;tti<lthusc \\’ll1)l"Z\lll'\‘Zllllil‘l\\'l'('lllll4'll\l('s
nltsrssiutt with [hr nnmher Two. lt is in incl in this will tnnl<~rsl:|n<l ,l:tc<|tn~s l{i\'t-ltt-'s 1-.\ct-llt-nt rrilicisln
Nl,“.m" |';"“i|y lnznnn-r that the ¢'xtr:1urtlin:tr_\' rh_\'th|n nt' tho tihn ni this tihn in (in/iit'r.\". t:tl\'t~s up ;|;4:\in this hzisit" tln-nn-
§““i,,"_ l-* \‘"ll-ll’l1\‘ll‘¢l- n|' (‘x\‘ll£\Il§('Z tln- privst lt-ts hintst-ll hr jmlgt-cl int‘ :i
ohm, ‘\~‘.“-H,“ ltlt-ntivztl prt-s<~|lt:\tin|t of thc twu Chnrlit-s. twn crint<- hv has nut vnnnnittt-ll. lhtt thv criminxtl .sIl\‘l'lslIHI
be “Ding \“.|| ; .~t:\'ll¢'s’ :|t tho Church. twn sccm-s in llll' g:\r:tgt-. two is Htuft‘ ill|lnC(*llt thnn tho ]bl‘l\'.sl lIl‘l'l|ll.~L‘. tztlwn l»_\
“hm t',“-\¢ \'ts|ts h_\' tllv pnlict-, twn sccttvs ui the Xt'\\'t<nis' snr|>t‘is\~ whilv .\ll'(\llll;{, he kills in st-lt'~1l\-t't~|ts<-. Thi-
tht~1linin;_' t:|l>lt-. twn nnn‘<lrr :|ttt-tn|its_ twu .\t'\'H('s crinir. then. \\':t,< nut Iiix l>nt tln~ /-rit'.\"I'.~", since tln-
ws whnm tlnnt
zn the stutinn, frnlning thu ntlinn znul. :|l|n\‘t- ztll this \'ictiin was l|l:n'l\'tn:|iling .\nm- l'>:\xtt-r lit-c:|t|st~ nf tln~
is lttlllllfllltll‘. Irm .r|r.\'/*t'rIt\"_ uttt‘ in the \\\-st, th<~ shc h:t<l lvwn lung ngn.
lll'l'l1\li$l.~_ ltn'\\'hirl1 I-rit»<t. whnsv ti;nn"1'-<~
‘O |". |,,,|i,n-.<itl|t-r in thv |{:|st. who l‘<' hnth crnsltt-nl In nlt-ztth, jl
/i,',;/ fur _lI”r,I.-r_ like ,$'Ii'ui|yt-r,\* on u Tmin. tlt-:|l\
f:nnil_\' :||n\‘i|Tr."i"3s' llK'il' .~’t‘\‘I't*t with thcnt. with :\ |it-rfcct critnc tltrnnglt mt intt-rtn<~|li:|r_\‘. l knnn
Fur tho rt-st. nothing pr:-\'t~t1ts ns irntn thinl\ing tltztt \'t-r_\' littlr nlmnt I\’t'ur ll'imImt', lmt thc .s\ll>j('('l nt' T.»
Gr:\lt:nn_ t:\l\'t'lh<' nlhvr sttstu-rt. nn his sitlt-_ hznl innnlt-rt-tl sunw nt' (lilrli tl 'I‘l|i.'t' tlt-st-r\'t-s tn lw <lt~<t'ril|<-:l in tlvtznl in thztt
thcy sit tlnwlh~»st~ witlnws, it run-\\'s with grt-in ingi-nnit_\' thu tl1rnn- nt i<lt~nti-
\X.]il~\~t~ in hr ln .\'nlm'inn.\- as in l"uI't'i;/it (]t:':'t'.\*[\t|ii4It'||! tht- lirzttinn: Cary lirzml is tltocltit-ti nf :1 gznig nt' tl\it~\-t-\
to sn_\ nut nnnrnnn 4 ' s]_'. N 1- npt-ttittg mt‘ whns<~ ZlCll\'lllt'.s tztkc on an intt-rn:\tinn:tl :n\<l <|n:|si-
'nIm'imt.v shuws ns i\lici:|. :1 ltigli-sncit-t‘\' \\'revl\'. with ntliriztl stzmtling. wltirlt s:|\'t-s hiln tin-nt living lI||lll\'l't'll
I1 lit} tlisruptt-<l li_\' nlcnhul, who ltL't‘lllllt‘.< :| sp_\' ln'— l>_\- thr |)uli\‘l'. Then t'nllnw_ nn tho futv tl'.\zm‘. zi
Cl\i\l'lll"I|\l.~L‘ of hcr ntnleclnrz-tl love fur llcvlin. llt-r ntis- scrit-s nf rnhht-rit-s which ht-:|r the mark nt' C:n"_\' (Zrnnt.
=inn lt-auls her tn tn:\rr_\' the Nazi sp_\' .\'t~li:tsti:n|. ni his pride znnl his gl<n'_\'. Tln-_\' itnitznv. in n >ul'l nf
thc |>nliu\'ltt~n. withnnt her realizing it she hns l)('('I1 t'nnnrl unt. w:|_\'. his h<il<l-u|i tt~cln\iqtn~. X:\tnr:\ll_\' tln- pulirr urt-
'\ it'tn<l .>\liri:\‘s hnsl|:n|tl starts tn pnisnn her sln\\‘l_\'. C:|r_\' |m\\'t‘l’l\'.~.~' :nnl In-c:\n.~o nt' the harm cnust-<l. C:\r_\ (irznit
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QIA“ H‘. “mm I-1-1‘\1-1'~_11_1 --1111-~ 111-1 ~111-~1~1 :1~ ‘11 11 \\'1-1'1- _1-1111- 111111-4
‘I 1 ( Um, _\ 111111_-4; 11 11111 111-1'1-r ;111|-1-:11’ l11-111r1- 411-111" 1-_11-~ :11 11 11
.11
Ml.11W1 1'1-11111 1-\1\11-11. 11-1' 11.111 1~ ~|1111-11 1111- 111~111:11 -11 11--11-1.
\.Hm‘.|,,11111.11\ .
.\11111
-.
1-.1~1I1 .
.1-111111 1111- 11:11
.h(.§1- ..,.m,|_ 1. 111 1-r111-1‘ 11- |-1-111-11‘:111- 1111- 11i11'111'1-1'1\1:111 11111\1-1'~1- 111 111111 11i\ 111Q1111\. 111111-1-11|1111111:111111-1'1-1'1-111:1111~:1111--11
1,
mu. 1-1' ~--111-11
:1-1-11 ~1\11~.
.
111- 11111~1 111‘Qlll
.
1-1 _
r1-11-1-1111q
_ .
1-1-1'1:1111 1111» ;>r1-11-111111 11'11111 111:111111:11 1-1 11-1-1';11 1:111'~_ :1 11'11111 111111-11
rm] NW, HA1 111111111-4 ~1111.111- 1111|-r1-~~11-11~ 1-1 1'11:-r:11-11-r~ ~11]-|-1-~1-1111' 1111- :1r11~1 1-:111 :111:11111-1111 1-1 1"i1'1-1111111-11111-1-; 1111\ 11'11111
1, ‘,,1,,, H11;
7“; 1 1'1-111-1-111-11 ~1-11-1_\ 111 11-1'111~ 1-1 1111- :1r11111'1:11 1‘--1111-11111-11~ 111;11 11:111111~ 11111111111111-1 111- |1:111111-11 11~ 1-11 :1 ~11\'1-1' 1-1:11
Hm |_ \._|,\_ _1_ 1-1' "~1|\1-1-11~1~.' 1111- 1l1-1'11-1-_~ 1-1' 1111- 111-11'1‘11\1- ~11-r_\' :1r1- 11-1': 11 i~111-11-11\.:-~ 11-1-11i~111-1'1-1' i1~ 1111-1':-1 ~i_;11i111':1111"-
W Mm 111 1111-11 II1\\'.'-_\~ 1-\11-r11-1" 11- 1111-1"11:11':11-11-r~ :11111 111111-|-1-11111-111 --1' 11- 11111111 1-1~|1i1111 1111- :11'1 1-r _-_11-~111r1- :11111 _~_11':1~|-i1~111-11111
“.iH.. ||11\»]1\».,\»1\ 1111-111, 111111 1111- 1-r1-1-11-111~ |-1-~1-11 :11'1- 111-11-1' \111-11 111:11 :1 1i11~ 1111~:11-i11_-4. 11-r 111111011 i1 11:1~ 1-1'1-11_-_-111 i1111- 1-1-i11_-4 1'1-1
111-111-r,:1111z1-11111-11-\'11\'1-~11-1‘) 1111111--1 1'1-~11|11-1111-111. :111 1-11-1'1111_\'. :11111 \11111'11 1':111 111-\1-1‘ 111- 1-\1-1'1-“1-11 111
1»1\1111--1111;-1111;11
“W-11 1111 111111 1111- 1-1-_i1-1'11\1- 111 1|i11"111'1-1'11 ~ 111|11~ 1~ 1-1' :1 -1111-1-1'1-111 \\'1-r11~. \\‘1- -111-11111 111-1'1-r 1'1-1"-41-1 111111 111i~ 1'.11_;|i~11111;111
hm‘ H“, 1H,~\1;,.\-1» 1-1'-11-r 1-1|111'1-1_\; 1111- 1_1|11- 1-1 1|111~~1111|1 I11-~1--I 1~ :11\\:1\\. ~111-111-11 111111 1111- _|1-~1111 I-‘:11111-1‘~_ .'1 1':11'1 111111-11 1-\|-1:1111~
‘m WNW] 11111, 111-111111111-1_1, :1 1111-1':11 11111-11111111 1111-~1 1-111-11 11111111-11 11- :1 111~ 11111-1-r1:1111 1111111-1'111':11 211111 1111-1':11 1'1-1111:1111 -11 1 11111
-111.1 1 111111 1 -1 111.-1|\11_1 ~111.111 11111111-1-r1-11-11;1r:11'11-1-1.:1111|1111-1111111-1':1~ ~111-11|111-111-1-1-:1~11-11i~111-11111:11 11i~ 11-1-1'11 l1;1~ :-_ 111 111:1111
.
“.11-;11| 111-111-1111 :11‘1- :111\:1\~ 11r1-11-~~1_1 :1||111'11 :11 1111-~1- 1"11:11':11'11-1‘~. :1~ :1\1~ .\|:111:11111l111- 11:11111-111-11111~1 ~11~1:1111, 111-11 1:11'1\
1-11_|1-1'11\11_\ :1\ |11-~~11-11- 11111-1'11:11':11'1111'\ 111 r1-1:111--11 111 1114 111 \1~1--11 1111- 111-1~1» 111111 1‘1-|-1'1-;11'11 111111 1'1-1‘ 111»
1111- 11111'1_-4111-1 ;111-1. :11 1111- ~;11111- 111111-. :1~ ~111-_11-r1111-11 1'11--11-1- -11 ~111-_|1-1-1~:111111111-11'1-1'1-111':-1'1|11-~~.:11111111-11 1111
1 | ~~11-11- 1 11111-111'--1'11 111 r1-111111111 11- 111~ 1‘11:11';11-1--1'~1. 1'--111]-r1-111-1111111q 1-1 1111-11' :11l11111':11111- 1'1-111i111' ' - -
~ ~:11 1111- ~1-1-11r111 :11-|-:11':1111~ 1111- 111111111 ~111‘111 - ' - - ~ ~ -'

1 .."1 . 1 _u .
~ 1 - - 11» 1 - 11411-~1 _111~111-1- ' -A r1-11111-1'1-11
|~_ ' 4 "' ' ' " ' - ‘~. :11111 11 11"1-11111 111- 1111-1'1~1-1111-1‘ Hi1c|11"111"1\'~ 11111111 11- 11111~
\1-r11-_ :11 1111- 111~1-1'1-111-11 1-1 1111- 1111/.-111', ~111-11-111111~~ 1r:111-_ 1111-1'1-111' 11-~~11:1111. :1 11:11 111 1111- 1i1'1-1-1 \i11--1-111
1~ 1|11‘1-1r111\1-~1111-111.11111 ~1-1111~111111-~:1~:111111\11'111111-111 111- 1':-111. 111:111 111 111- 11-111]-11-11 11- :1~11 - '-"
-1 1--111111 |‘l11- 1r11111- 11~1-11 11:-~ 1111 ~1;1111111':1111‘1- 1-1' |1~ 1':11:111 11- r1-1-1-1-~1~111 111111 111' 11i1111- ' *.
1111 11111~ 11- 111-\1‘1'11>1' 11111-111"--1-11' :1~ "~:1111~111"." 111-’ 111' 111111-11 111- 11:1~. 111:11-11' 111-11, :1 111-1r1- 1---1'1'1-1-1 --1-111-1-|-
~:111:111;1'1'--11\111:1111:11'\\--11111111-111-111i11g1-111 111-11. 111111 \\11i1'11 111~ 111:1~11-1'~ :1~ 1111|1'|1 :1~ 111~ 1-111
1-11111-~. ~111|-11111_\, 11111111111-~~ 1-r 111~:1_41'1-1-:11-11- 11:11111-- 1111-11;111l.~ 11:1\'1-1:111g111 111111 111-1 11-1r_\ 11-1-11111-r1-11/1-, ll-
1 1 - - -\ 1~ 1111- 111111‘-_@ '
11--1'11 1-:1~11_\ |-1'--\1~~ l1|1~: 1-11111-1' 1111-1'1‘11111- 1~ 1-1-11, 1'1-111]-11-\ 111-111-11 :1111--113 1111 1111- 1-111-~ 111- 11:1~ ~1-11j;111
:1\\:1_1 1! 111/1'1 1'11,‘-11'1’--1'11, /1'1‘/111111. 'I'/11’ /'111'111/1'11-' 1111'1-11‘-4111-111 11i~ \\'1-1'11. 1-11-\]-r1-~~:1~ 1'i;1-1'--11~1\ :1~ 1-11»
._
11.1'-". I 1 --1111'.1.1'1 --1‘ 11‘:111~1-1~111l1-11 1-1 11-1- 1-1---11- 1-1' 11:11'- ~11-11-_ \~ i1 11111~1. $1-1:111? 1\11i~|11-1'1'1-:1~1~11-~~ -' ' -
"
,
1 1\//11-11/1'1.1' -11111 '/1111111 1-1‘ |-1111-11 1111-1 ~11|||-1\ 111~ 1 - ' ' - ' '
~.11_\ 1/\'-1/-- 1 111111 111111‘1-1-1-111-1'11\ 1-\:1r1 ~\1111-1-1~'111-1~ 1111- |11‘~1 111111

\ .
1-1111 :1 11-\1_ -11-11111-1':111*1\ r111-~1-11 1-1-1':111~1- I1 1~ 1111- 11~ 1111111-111 1111113 1'1-111]-1-111-11 111 1--11111 11 1-111 1-\|-1'1-~~1\
~1111;1111-11 \\111-1'1- 11:11/:11; II-1~11-1-1'~1\1
1' ' ' 111"‘! \"11'f<111--11~ 111
.H\_._.,
~111-1"1~1-11111;; 1111~1'1-
,\.._, _.\
:11-11
"
111-1'11
.
11 1~ ~11'111111;_1 1|1:11 1||11"111'1-1"11 ~11-“1-11 111-11111_;~1-- 1111 1111-_1, 11- 1-11 ~111‘1-_ 1-111 111-1':111~1~ 111- 11:1» 111 11i~ ' '
11111;1111 1-1 1.111|1'~; I 1111-:111 111:11 111~ 1111-1':11 1'1-111"1-1-111-11~ 1111--1111111 -11 1-\|-11-~~11-11 \1'1111 1111- Q|'l'1l1l'~1 1'1-_11111'1'1-~ .'1
-1 _ - 1 1~ -- 1111~111-111-- - \ 1 -
t‘tn,
.> “hit ha\
an: ht-r \'--H11‘ -
Em]
1
U1 ]"_ n.ttt\-
‘|“.;t,1-..tTtlt ‘ Hztclococ/e Confront?
ltoltltttl :t “HI
\\|| luttl» :tt l\t\
H
By C/auzlo C/Jn/rrol
\\r|n-~lt:tlnf4\t=\
. t<li-:t t n I lnttl “lln nnt IlIllll\ nt |‘.\"t| a~ a tnatortal .~ttl|.~t:ttwo;
in r\‘tt\it\ clnt-~ nut \l||)\l\l :t~ it it \\oro .~nnt\' ltvittg
:13“ nt- \\:tt H. -
J‘ in I ( Hm‘ H tlnng: It \\|ll tit-\'or‘:||:tn-:tr ht-tnro _\nt|r t'_\'o.~ a_~ it tt
roall_\' t'xl.~tt*tl. tnr l‘.\'il i.~ ~int|>l_\' tho <l\tti.tl nf (lnntl.

tttl lllfllt t
Saint llasilo
;t rntttotttt-nl-\\_\ ~- -
|\~oott|l tltr l\;tt'

=-nnt~ i~ ln 1|t'4lt't' tn 1-ottotrato tho llttoltcnt*l\'tan tl\l|\'t“t'~\' lI\ \\'Illt lIl\1ll:llIl_\’. lint holnntl that thoro t"o|n:nn~ a tnnro
tltoir
- Y M mum} gt-nil ~t_\|o. wo tnn.~t In-;_gin h_\ rojootin_-g oortain ttti~~ |>t'1-tntttttl trttth tlt:nt that nt' ntnral law~. a trnth wltioh
t:t\'t'It'
ttal l‘-"trlittj; ~ttt'f:tct- itttprt-~'~intt.~ nf ol1araotor~ ~\ttt|>n~o<Il_\‘ tho arti~t oan attain nnly In rircttntvontinn; thi~ truth
roal than
,
tltat hattnt~ him cattnnt l>t' hantlotl tt_~ nn a ~tl\'<'t' plat’

-
(",/., H ,., ,, c-tttro|\'otl ~t||t'l_\' ttt tornt~ nt tho ztrttltrtal t'nn\'ont|nn~

Jul.‘ r
i H1.“ i_ “t,\_ M
.~tt.~pt-ttw. Tho tl<“\'ico.~ nf tho tlotoctivo _~tur_\' are
nt tot": it i~ tttl tn n.~. .t.~ wo tli.~tn\'<r it~ inntal ~ig_'ttitw:|noo.
i\l\\':|\~ oxtortnr tn tho oltaraotot'~ atnl itttlottt-tttlrtlt ni tn Innk hohintl tho act nr gt-.~tttro antl gra.~p it~ elolini’
lar itl oa in nthor
t‘ tltont. antl tho prnhlrtn.~ ]m.~'\-ll aro no\'ot" _~nt'h tlt:tt a tivo nit-aninj4_ tnr which it wa< In-nngltt intn In-inf; tnr
|lZ\\‘lI\f.[ l litrlwnt"
that - ‘ nlotvctive .~'tnt'\'. oannnt rt-~nI\'o thotn.
\\'t'll <\t'*‘1tlll7t'4l all vtot'ttit_\'. antl \\hit*h can tt<-\'t't' ho \'\|tt't'~~t-tl in
nttl\ nnt'ttt'.tl
nnl_\ Tho nltjoctiw in llit\'ltono|\'~ tiln|~ i~ nf a tlit't'or<-nt \\'nrtl.~. \\ o sltnttltl tn-\'or tnrgot tltat thi~ l'ittg_'li~Ittttan
t‘l\ont-k. tho
Hrllvr t-tttit'ol>\'; tho t_\|to nt <|ttt-~tlntt |=n~ot| i~ alwa_\ .~. ~ltt1lit-tl with tlto _l1'~nit Fatltor.~. a tart wltirh t-\]tl:tin~
'l|otl tho ltoritago
I-'-.1-_ tlolittiti\'ol\. .1 ntnral tliltnnna tnn.~t tttlttt lintitotl tn a hi~ intttnrtant ' vlialtctical
'
antl ntnral fnrtnatinn: nnr
hing zn l1lt'tl ' ' i
- -‘ml l'mI.'t' (lo l't'l:tlt\'ol\' ~ntall nnntltor nt t'hat'aotor~. atnl tho oantora~
~hnnltl nno ho I\~lt|lIl\lI\'Il that hi.~ wnrlt ha~ a~ it\ ntain
‘
‘ “-t-o-_“, \\oll tall an ' .|l\\.
' '|\~ tin-It-.~~l\ aintotl at tho~o t‘lt:|t‘:t\'tt't'~. a~
»~ - a\i~ .\latt atttl tlto ltattlo ho nttt~t _~'tt.~tain, lln\\ laolo
nltjootiu-I_\ a> |tr\\llIl(‘ ttho \'lt:tt‘:t\'lt't'~ in rolatinn tn in_-4 in \'i~intt arr tltn.~<- wltn roprnaolt ltitn tnr lti~
o in ~ - 1 ' ~ inn. :.\ ' tti\'- ' '\" ‘ ' ' ‘ 't " ' -~,_;m.1},.,“ ml,
.t. n|~~ It tt- t < 'tnnt ~ o t:tr.'wtor~t. cntn >ro It'll! tn; - - ' >\‘ttI\ItlIl|ll\'l a onn
‘l lto |~nhto_ nr lot n~ .~a_\' tho st-t'ttt'it_\' a|=|>:tt':tttt~. tho tittttity ~ttt-h that Htt wnrk i~ intlopontlotn nt tho ntltor~
tl.'||,r tat" tmn'/titm nf o\'or_\ tlotot'ti\'o ~tnrt. :t]=|-oar horo lllll it porpotttal tlooponittg. It ttorpt-ttt:tl onriolttnont_
at an in~irnnn-||t nf t'nroo~ alroa-l_\' .~ot in ]|la\‘t', lil\o ntttil tho ltij4lto_~t jn.~tico i.~ ltltittt:\lt'l_\' rotttlorotl.
rortain nlt_it~ot~ nr 1-~_\\'ltnln;;it'al olt:\t':wtori.~ti\"~. antl lt wntthl nn tnnro ontor llitcltonol\'.~ tnintl tn illn~
thtt ~or\'o. at tho <li~t't'otinn nt' tho tmIt't1I', ~ntnotinto~ trato, ntnro nr lt'.~~ tl:ttl_\'. a tl:t_\' in tho lifo nti \'inoont
trntoottvo ~lnoltl and ~nntottnto.~ a~ :nt tn~trntnont tlo l'anl_ than tn ho tontptotl tn a~l< vlttlo.~ |5ort'_\' nr
o. Tho rrnno it~olt' |ta.~ ttn .~igttitir:ttwt- nf it~ l':tlan tn rt-pt'o~o|tt' with nt‘ withnnt hnrn~ |‘.\‘il,
\\n |'ltn.~ tn tlowrilto llitrltonok a~ "~":i<li.~tit'." |>lt— nt' \\'ltit'h ho ha~. thattl\ lintl. a tnnro cnrroot t"nttu'l"
nt .t~ .t 1lan;4ornn~ ntattiat" \\'<tttltl ho nntltingltttt tinn_ atul wltich hi~ ttt:|~\or~ a~ tnnch a.~ hi~ n\\|t
~. ~tn|>i<lit\, hlitttltn-~~ nr tli.~:t~\'t'1-o:|ltlo ttatno- tltnng_'ltt_~ ha\‘t- tattgltt him nnt tn tr_\' tn onncrotizo. llv
I-'.\'on a ra|ti:l antl \ll]t\‘I‘ll\'iItl o\:nninatinn nf l\nn\\'~ that .\lt'[tlti~tn]tltt'lo~ i~ tho intago nf nnI_\ nno
wnrlt oa.~il\ prn\'o~ tlti~; oithor tho orinto i~ onn~ \'nttt]|lt'\ nntinn atnnttg all tlto nno~ ho lta~ ,~nnj_'ht.
"it I tnlor (]t,'*rirnt'||, /\'t'!u‘rt'-1, T/I." /'.n'.nIi|n~
4 tltrnttgltnnt lti.~ \\'nt'l\'. tn o\]>ro~~ a_~ rig4nrnn~l_\' a~ Illl\'
ttxo. I ('nttt]'.»'.r> nr tt‘an~oon<lotl lw tlto tnn<lo n|' nar- ~il1lo. .\~ it tnn~t. $atan'~ whi.~por t‘\':t\t'lt'~.~l\ trt-t‘\':|th'~
' ' my tttt ll Trttittt nr ntrolt antl ~itn \l\' hi~ lllttt~, lllll \\o will nnlv <li\cn\'t-r it lw ~i;gn.~, In tnnro
' tl tnnro :ortoctl\ oxact .~\'lIIlt||l~j ho t~ tho tn'.~t. \\’lllt'
lht trtnto ropro~ottt~ |'nr tho llitohonoltian t‘har- nut a tlnttl-t. tn ha\'o ~t|_-_'_-_-o.~tt-ll tho tntornal |-ro~o|wo tn
nttl_\ a to~t_ Ilt'lil><'t':ttol_\ rhn~on hooatt~o it i~ tho n~ uithnttt lroittg t‘t>ttt|tt-llotl tn pnittt it nttt o\]n"o~~l_\.
tlifliottlt antl tlto n|n~t \’t'l'llj4ittutt~ ~itnatinn in ~norot-tlittj; thoro \\'hot'o Halzac, l)l|.\lno\'~l\'_\‘ atnl l1orn~
.1 hoitt; tna_\' ho |>l:tco<l. an--~ ltalt'-t'ailotl ttnt ltt't'I|tl~t‘ ho ha.~ ntnro gonin~ than
It i~ ~tril\in-- that llitrltonol\'~ ll'~~t|ll l>olnn_4~ tn tho tlto_\. tn ho ~ttro_ httt ht-catt~o ho ha~ in hi~ han|l~ a
'~: l tttoan that lti~ tnnral \‘\ttt<'t*]>ti1t|t~ inotlintn nt o\pro_~~inn with tho _-_'roato.~t ro~nttroo~. a
ltl n|> hoin;_- int:-_;ratotl intna tnotaplt_\~io. It i~ qnito tttrtlittttt wl1n_~o ntiracnlnn~ pnwor ho i> ntto nl tho
that. nn tho hntnan .~t'alr. ninralit) onn.~titttto~ t'o\\ tn ha\'o tltHlt'l‘_~ttt1ul atttl knnwtt ltnw tn tttilizta
cnn.~trtwti\'o ntotaplt_\'.~io antl that tnan'~hn1»o 'l'htt~ ratltor than roongttizo in a oltaractor a .~atanio
t~ tho tnntif it.~oIt' nf tho llitoltoucl<i:\t| t:tpo.~tr\' |>ro.~t-nt"o that can nnl_\' ho a nntltin;_'no.~.~ nr a lack antl.
»i~, in tho tinal :\tt:\l\'~i.~. .~triotl_\ ounfnttntlul thoro itt thi~ wa_\'. rt-.~'i;.{tt um-.~'olt' tn in-\'or tt|nlor~'tatttling.;
5
1
ll 1 I 1
1
1~11111g11|1
1'. .1
- 1'1"! l11:11\
»_ ~.11111111\
.1 1111141,,‘
1111-1'1|111g
. 11111 11
111,11111.,
11111 11111
1111-11 1111
1111111.
11111111111111.
.\'111 111
1
11111111 ‘_ 11
~15 1.111111111 1
-111-1111-1. 1
.\1111\ 11
'§¥~~11v--
<, 1111111111
33*
” 111 11111.1
‘ =>|111’.'1111 111
,,~
1
'I_...-
1'1-11-11-111, 1]
11"11:1|11.1- 1
- 11'!‘ 1'1:11'1|11-
-4- “
1111111111 111'
1-011 111
"'1\\1‘1'11 /.11
A11, 1'11111
1\
1
Rebecca (1940): Joun Fonioine, Judith Anderson.

1111-
11111'l11'111"1\ \ \\111’1\, 11 1~ :111\1~:11111- 11> ~11-11 ;11111 11111111 111-111_;1:11'1111-11 11_\ 111~ 111111|111- 11;1|111‘1-_ :1 1111-\ 1111111
1111111':11|1111~: 1111'j§1'1Il11'|\‘1lIf_' ]1:11111- 111111. 'l‘111~ 1~ 111-1':111~1- 1|111'111'1>1'1\ 1\1111\\~ \1-1'v\ \\1-11
;11111111 1|11'~1-111111111-11
111_-4 111:11 |1:111111~ .\1111_\ I>11111':1 1111'1111_-41111111 /-‘/111"/.~111111/, 1111\11;11111-,1111»11|11\1 .l1~1-1\i11-1.11;“.-111111111111111 |
1111:1-1', 1\'1-111-1-1-11 ~ 1-111~11111~ 111111:1111:11-11-11111~1-1:11'11\,1~111111 1111-1111

|'1'11l1'~>1-1' |111'11:111\1111~~111: 1111111:11\\
1111- 1,-W.‘ _\]\11_ 1111-;1\i1111:111_\ I111
111~:1|\111-:11';1111'1'. 1111- 1/111.1111 111'11l.1I111-1\\1-1-11 1111- 1111~11:11111 1'1-111-1'1i1111 111 111-
. _
‘
.\11.1'[‘1111111, l11'1-_;111'_\ 1'1-1"1\ 1111111111111 111 11111111-1| 11. 1111- 1~\111- “1111 ;| \11|;_-11- ;\-1-\1111'1- 111' :1
111111 \\'111- 111 ~
.\'/11'!//'1111111/. \\11_\ 1‘_:11111-1' 111~111111'~1111"\1'11-i~1111'—11:11:1111'1- \\'111'11.T111-;1:1~~111111111\ 111.\'111"/11111111 i~1111-1:1~1 111
111:11 11111 1-11111-111111- 111111;-~; 11 111:1111-1'~ 1111

HI / (1-P111‘-Y1» 1111- 11111»
111 1-\1~11-111-1-. \\1111-11 1~ 111-11111~11111-11 111' 11111 1111 1:111. 11 1\111|111111-11 ~1r11
1111- (:111111111' 1-11111-1-11111111 11
1| 1111111-1‘~1:11111 111111 1|1111'1- 1"1|:11":11'11-1'1~111' 111:1! 11 11111 111-1. \\11:11 1~

1||11'111"1-V11 ~,1':11111111 1-11\'1~:1j;1- 1111- 1111‘1-1‘1
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A. JEAN-LUC GODARD: Pierrot Le Fou, Anna Karina, Jeun»Puul
Belmondo.
B. CLIVE DONNER: WhU?'s New PussycaI?,
Romy Schneider.
C. FEDERICO FELLINI; Julie! Of The Spirils, Alba C0nce||ieri, Lou Gilbert.
D. MICHHANGELO ANTONIONI; L'Avven1uro, Dominique Blcmchcr,
Renzo Ricci.
72
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E ', 0 , deliberate desire to experiment presid- rions remain exterior to him. How to
Jl l ing over the elaboration of each lm has seize the central phenomenon? How can
C Clan‘, succeeded in masking this essential one film the eye of a cyclone.’
y q"1|“!)' "mll "°“'- Tl1l§
refutes stylistic experimentation to make
llm“ Glxll Before this near-impossibility he as»
signed himself. Godard chooses to say
PIERROT LE FOU. French llm in Pierml le Iuu a continual questioning gv;-ryihing ng ,_.a¢|| imam-; nnxi;-¢y_ yin-
T'~'\‘l\"i§<°P¢' ‘ld Eastman ml"! l>)'.l|5AN- of the lm itself. Without even the lenct-. the wavelength of solar radiation.
Ll‘(§ GODARD. Srermriu: jean-Luc Go- tlimsicst general line in advance, Godard death and th¢ look of Marianne Renoir.
tlw"~l~ffvm I "Owl ll)‘ Uvnvl whim P/"P -terms sublet! w I v¢'~'§='it)' llm bsllh The Godardian art of digression here
Ingmpby: RaoulCoutard. Music: Antoine more to the lm than to the auteur reaches its culminating point. deliber»
Duhamel. Etlilor: Francoise Colin. Curl: confronting this worlt as it elaborates ar¢|y rgduqing the story tn an "inco-
jean-Paul Belmondo (Ferdinand). Anna itself day by day with a kind of passion- hL.n.m-- ‘Tb (im.“hu“,m in ‘ht cusmm.
Karina (Marianne). Dirk Sanders (the ate spontaneity that leads straight to the -dry in;-ning of (hi; wt-m|) by 3 sing“.
"brother"). Raymond Devos (the man essential. As Sam Fuller dened it to mind;-d win to qnptni-e the event under
of the port). Graziella Galvani (Maria). Ferdinand-Belmondo. the cinema is : n |-nnhitndn of ,-intnltant-nus lightings.
Roger Dutoit and Hans Meyer (the battle, and it is no longera question o an L-nnn-pi-int; scarcely easier than
gangsters). jimmy Karouhi. Christa Nell. coniuring away its ups and downs from phnmgi-nphing the other side of the
Pascal Aubier, Pierre Hanin. Lazlo the public. but on the contrary of show- n|_-|-in]; of Andi-nnn-dn, Nothing nsinn.
Szabo. Jean-Pierre Leaud. Samuel Fuller. ing its slightest encounters and rework- i;||ing_ in‘-n_ if this iti|-n_-i-ary in the form
Prlulurer: Georges de Beauregard-Rome ings to the point of making them the of [mu tn“ otters us on“. episodic pn|5a_
Paris Films (Paris)—Dino De Laurentiis very essence of the work. tinn5 an-responding tn the instants of
(Rome). l96S. Distributor: S.N.C.—lm- I don-t man ‘hm lb‘, mchniqu‘. 55 L-nlm_ Clearly it is to paint life that
perial. Length: I hour 52 minutes. lf the obvious he_n$ was ‘he my for 11,, Godard chooses to filmhthe dead times.
Callerlar for example—bul. on the con- deliberately chopping t e rare moments
bl'llll“'" °l P"¢’""! If /"I4 "\=l"=>
l‘"\")' trary, that the lm never preexists its of action. coniufill 'l"'"' BWHY. l’l-‘<llIt‘-
an impression at first viewing, it remains §hom5ng_ and ‘hm L.\»,_-ry imagi, it-t-¢n|§_ ing them to the rhythm of the thought
no less true that this latest (soon next to as ii, wan“-mni-k_ ‘he ;|u[guf'§ will tn which does away with itself suddenly
the last) Godard discourages analysis on Say ¢\'t;|'ythi|‘|§ and the rhythm of his to concentrate itself into gesture. like
accnunt of a dangerous obviotlsness that Own mm Whn; in‘-n ninm nan"-n|_ if an unforeseeable airpocker. to press a
has been begged too often. The im- ‘ha wmpn 0| [M5 “(inn lming 54¢;-in; trigger. to plunge a blade into an absurd
""~‘dl““‘ "":‘P""l°" ‘D am?" :¥‘lla"l'l)' to be the heartbeat of a being bent on ip?
the astonis ing ric ness o t e m. discovering, after il procetding that hes- A ter avlng crosst a rance
strike up a few aphorisms. and close inn“ |-MW“-n (j,;|in¢ nnd lint“-|-|_ (ht: changed for them to a tropical forest.
ll": Pl"illll’Pl\ fl"
3 l)'l'lC“l "m" ‘hill tangible proofs of his existence? Before Fefdind ll Mllfl" ("T "15" '1 "‘
§l"*"l*-l mw" Pmiibl‘ '~'°"'"dl'-1°" the lm tilts toward this "controlled Franz and Odile) recapture their own
ahead of time. So it is with a deplorable hnnp;-ning" that is the expression of life distances from which an articial tra-
unconcern that the commentator would n§i.|f_ ‘nu 5;-,1 seq“;-nqt-, make up an iectory had removed them. the interval
set out on at course of praise if only one ¢ni(nn(,|ngiL~n| dggcriptinn of a ¢nn- of one revolution. Marianne killied bi
question did not persist in disturbing g‘-an-d unit-,_-i-,1-_ ii kind of ni|--¢nndi- his hand. all that remains for Fer man
his moral comfort: why does this new iinnud nightmn; inn; ihu nun-nit (()|1- is to pursue this fall. suspended a mo-
Glllfd =PP¢'=" W be situated in it new templates not without fear. witness the ment. and now deliberate like that of
l"~'"P¢'l'll"'~‘ l" Wlilll" "l ll": '~‘l’ll*§' color lters that establish a necessary Ni!-‘lllii ll‘ Slvl from Ill" l’i*"\P""5 9'
works of this auteur? A second t|ues- distant-1,-_ To this spirit of St-it-ntic nnal. Antibes. With a frenzy that we care-
tion — aimed at the difficulty of ap- “is (spt-qi-3| dQ(on]p|_)§i[i()[\) t'()ffu§- fully civilized Occidentals will have dif-
proach to the work by the roads of pnnds a new vision, polychromatic even liculty understanding. mad l-erdln_and——
cririt'ism—brings a rudimentary answer. in §;1(ig[)" cgincidgntgl with I-‘i_-i-dinnnd‘\ Ferdinand le Fou—-dynamites himself.
lf it is more difficult to write about escape. But from the rst chapter of this masked in blue. like the sea or that
Pit-rral Ir /nu than about Lcr (.'ar.1/liuiert adt-l,-ntnrt-, before the (nlumn of hlngk nloon whose last inhabitant had_ run
('I'/;e Rillemeui or Una Ienmle er! une smoke rises. or before he discovers the “WHY I0 |0\'¢ Mflv. Hill-l Wiflll I
It-mule (.-I ll"anmu Ir .1 ll"!/man). this fatal signs in people's looks, Ferdinand ll'l£ll‘l|)' lll""“§‘I"'~‘ l“'l""-‘l "f TNT-
is not because we are confronting at knows that he is only a dead man on |’s‘flWl"> 3“ Kl"! mm l§_\‘°""*l"*d_l" 0""
resume-film or an anthology-—as people leave. lle does not satisfy himself with l‘l§l >'$"~‘0l\ll \‘\'l\\‘"_ F"f<ll"=!"d ll'~"i"l"§ W"
have been only too willing to say. It learning this truth. he actually assim- llllt‘ I0 ifllllllllll ill" l"$*‘~ p"l’l"=lP*
is not a new facet that is offered us. ilares it to the point of making it his Pivfx l5 "155 lflilinll of "“‘l‘"l!)' l'"ff°l’"
Not even the synthesis of the earlier reason for living. That is why one nlust Ills “Pl”-\"""~ ll\l'>'\' lil "l>"°">_'h°l m‘~'
works. but more probably a new dis- not smile (in spite of the ceaseless pas- Pl". the)‘ “Y. at l8(u.(l()li Il\I|t'~\ P"
closure that compels us to reconsider sages from the grotesque to the tragic) §'~‘l‘0"4|- P'~‘|’l'\P5 ll"! l"~‘§"il"°" 5"")! "P
the reference points we had ht-an nhle if he declares be wants to stop time be- ills‘ villi" Wfli #""l l1l_\"~‘$ "4-‘W "\l'"'
to believe were denitely Set. cause one morning. on the harbor. a ing Iv the sea. to this l"\l"‘°\’l§(~"-l 531'
ln the multiple \\'0l'k of J-L Godard. §']l=""_Y """l ‘,1““"- "“' "“"l'Kl"- *""“‘ "':‘.‘" "’ ‘,:“" ":|“'""“|.‘l‘l““'h“."‘h".""Iv!"Q"I-
lte. lin tde in .tn it-on
be,“ on L.xp|m.;ng new dngmmngmphic vibration of light and the presence of V.
regions. I’ierrul occupies a place apart Mf“"“'"“"' f°“"‘l “ga'“ '“ak"'_ ll"? Pu" ma“ n .a ”lgm“"n' W‘ '3“ “um
and mark’ perhaps the Sm" of ,_-nitrn mqfg-a(ufg|)' than Q‘fd||'|af||)' (ht; the horrible mask of a deat-b in a day.
p"iOd_ M A 1",”, J‘, 1,,”/I1‘, (B",“/,Ie_,” flow 0f'|lfE in his body. :l'h|s‘new aware- Michel CAEN
opened the chapter that would close on ""“ “"" h“ ““'°'_"p"m"'d !'““"“'l““il)'
/llplulille. \¥’orlt indeed multiple. still
. ~ ,. ""‘""" -.'b'l'>f
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"-
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llng In II iln
?.liI;?§.~“‘ IHCOIIIPYU el'l§l L‘
:f..;.: ;z::::;;:::..:...“ ' s,,,,,-.-
uniformity. but whose most immediate lf Godard has willed to rt-compose
aspect has been left in the shadow too an impression starting from its various NOTHING BUT THE BEST. English
often. Contrary to the opinion generally elements. it is to the opposite proceed» lln in Technicolor by Clive Donner.
held even by those who praise his work. ing that Ferdinand gives himself. hoping Scenario: Frederic Raphael. from a story
l have always thought that Godard ad- by analysis to identify a phenomenon by Stanley Ellin. Plmlagmpby: Nick
dressed the sensibility of the viewer be- that escapes him since he himself is its Roeg. Mutir: Ron Grainer. Decors:
fore addressing his intelligence. Only a center. Life is in him but its manifesta- Reece Pemberton. Editor: Fergus Mc-
74
Editor} Eyrie
A m/rt'n' Surrii
'2‘ I'he first issue of (..1I;ieri ilu (.iut'nm only scan the cinentatic horizon tach enthusiast. lltimately. cinéaste seems
in Englis/; was intended primarily as an month to ste what articles seem most to suggest some coittplicity between the
introduction to cinephilia on the Seine. timely. critic and the creator as if they were on
Now the hard work begins. It is still 5. I beg to differ with your appraisal the same level or. perhaps. even the
too early to assess the reactions to this of Astruc's article on mise en scene as ~ante person. (.'ubiei‘i (III (.'im"m.1in litig-
enterprise. but I will seek to answer two "gobbItdegook." It is about the best Iisl) will continue to translate "cineaste"
of the more interesting queries received piece of cinematic criticism I know. It as "cinéaste" and let the context take
in the mail. First, Mr. Edgar F. Daniels renders the intangible tangible and the care of itself.
of the English Department of Bowling invisible visible. \'et it is as coittpact ~ML.“cu|. cu “.;.m.-- Um he U-;m,|.m.d
Green State University. Bowling Green. as it is complex. and hence diicult on Quin, “mph. as ~-,_|i|.“_mr_-i |n “ruin
Ohio: "Some reactions to Cd(IiE No. I: first reading. ‘_.nnu.x'§_ hn“.,_.\-H-_ ‘ht. “rm M.“-,_., M J
l. I wish the ashback articles had 4- \If'" 11"‘ all l=l’1"¢""I I"~‘l’¢' ff" 3'0"’ critical diminutive. A mere "metteur en
been dated. I gather that Truffaut's ar- kI"d"“55 “mi f""~’h““‘*““‘ d“"i"F ‘|“'*" scene" limits himself to the technical
ticle precedes his lm-making. but surely r""I_ m""II‘~" "f ‘I"f§"")'- W" "ll!" 3'0"!‘ meg; ;;§signgd m him by |-,m4_lu4;|_-n_
"'d"'““ and f"I“~'“‘“'“"*- ”"‘I_“"~' Imp" “’
I
it would be relevant to have that fact writers. players and technicians. He is

indicated boldly at the outset. I“’I"I I'm" i"“~"'~'*' “"‘I F-"“" 7"“ '1" nontinally in command. but he fails to
Z. From the ads for CdCiE. I ttssumed "pi"? ph.l. 7_ _k ‘ _‘_0 L“ i"‘P">* hi‘ P¢"$°"3I_iU‘ "9 hi‘ lm_‘- I'll‘
it would be an English-language edition R NI 'p|x:I' ,':,';‘""Ri I; "H _. h"? fftl-l"ilts'I)'. even Truffaut and (iodartl
of (IdC. and from your opening editorial O:'.'0' . ""1 r " v";.n "P L B" (“fl !‘“““_ d'”'~"'~'"‘ '~‘""K'1'P"""\ "I “'I‘il_ '5
I'm still not sure whether subsequent U“ qu“ "m" m‘ implied by the term. In our very first
issues will contain la) the precise con‘ ' ..| ikh mkz"hk "umir '““‘~‘~ ""5""! Pi""f'~'d i1_l"l'""’¢‘ Oi lh"
“ms of ‘he currgnl French (;dc_ (M ‘ha; '_”:"I‘P‘_~ mere metteur en scene ‘with the featurts
articles Written expressly for (IdCiE. or "_ H ' 1' hf _j’ f_ hfd ‘h>_
ate ytt -I I ¥
of Jean n1'"=""Y and “esAll-i=_r-t- For
(C) both mu‘ (ht Ml ,4 pest i m‘n1ag.:int Godard. the mere ntetteur en scene was
m mm“, ‘hm du“,_) P'~;-l*\:\l"';‘u:| no less a personage than Luchino Vis-
5' Havmg b""" Puzzlcd I‘). Ih“ “'"“ transliterations of tlie I.oIIowing French cnmli . . ~ ..
“II”: en want" which I I““"" “Tn Im-“"d terms of which I have only a vague ‘Wu. WI." "uII".nuc ‘Ii. ‘IL-In“: "w"cu.r
‘“'"'“'d “'/I" '~I""i‘I""-I "aF""IY “I"P““d literary concept since some of the cel> "" Kim" ."'~ dmium. "".]"'N
a peiorative connotation involved. In
"1"" l"
myself to Astruc's article. I ant still no lulnid “.““im.,|ma. dim,“ {mm the
wiser about mise en seine. but I now din.“ d,_,nm“m. the latter instance. "ntetteur en scene
0 know that gobbledegook is not excIu- A_ Gm-..NL.' will be rendered simply and sneeringly
sively an American vice. |;_ |\i|Lm_.u|. L.“ §c5m._ as "ntetteur en scene."
of 4' I ‘"“ 3':‘“'~'I“I I“
III“ ‘5h""“' I" (I. Politique des auteurs. "Politique des auteurs" refers to the
policy at (.4/;it'r.i to be for some direc-
of "“'*"~I ‘hcsc 'I"“35' ""I‘I"I‘ migl“ "'h'~"' I). Mise en sci-ne.
“'I"° I"a“' """'-" I‘“'°"""' “"lI“hI'~' I“"'“ I ant grateful for your time and ef- tors and against others. That takes care
1' i" E“1‘i“’}_‘- B“! "f I“‘5k “'m‘ )'"“" forts and tvill be looking forward tn of "politique." "Auteur" is more per-
"“'5'“'“"‘ perusing through the forthcoming ediv plexing, as I should be the rst to rixogv
I. Henceforth. Mr. Daniels. all tions of your magazine." nize after all the cnntttl\'ersit.~\ the term
(Ia/Jieri articles will he dated. For the I would like to discuss this "celluloid has caused me. Strictly speaking.
record. Francois Truffaut's "A Certain terminology" less as a polenticist than "auteur" means "author." and we so de-
' Tendency of the French Cinema" ap- a_sa lexicographer. What do these words fine it whenever the critic is speaking
peared in January I954. The other dates convey in current usage? In English. par- of literary gures. \¥’hen Truffaut talks
for the flashback articles are as follows: ticttlarly. they have a certain ring. a of Gide or Giraudoux. and refers to
"Fire and Ice" by Alexandre Astruc: certain charge. that is far front being them incidentally as "auteurs." there is
l)eci.mber I952. "On the Politique des transliteral. Volumes and volumes could no special point being made. and "au-
Auteurs" by Andre Bazin: April I95". be written on the implications and con- thor" is both an adequate and accurate
' "My Experience" by Max ()phuls: March notations. the shadings and the nuances.
the ambiguities and the ironies lurking
translation. It is another matter. eit-
tirely, when Truffaut describes IIitch-
l*)5B. "Bergntaoorama" by jean-Luc
“I7 Godard: july I958. "Ambiguity of the in this terminology. Obviously my deft‘ cock and Ilawks as "auteure.." "Author"
Cinema" by Roger Leenhardt and "What nitions ntust be shorter and more tenta- is neither adequate nor accurate as a
‘ is Mise en Scene" by Alexandre Astruc: tive than those of the Messrs. Astruc translation into English mainly because
October I95‘). "Night. Eclipse. Dawn and Bazin. At rst glance. "cineaste" of the inherent literary bias of the
. . . An interview with Michelangelo seem; the least antbiguous of the terms Anglo»Anttrican cultural establishment.
Antonioni by jean-Luc Godard: Noveitt- under discussion. Stuart Byron. the lucid In terms of this bias. Ingmar Ilergntatt
her I964. American Cahierist of Pathe-(Iontenr did not become an author until his
2. I hope our second issue will answer porary. insists that "cineaste" should be screenplays were published in cold print.
sonte of the questions raised by the rst. (.IL‘IIl'1LtI plainly and simply as "ftln1- The notion that a non-literary director
(It:/sieri has a rich tradition which we maker" and withdrawn froitt the F.ng- can be the "author" of his films is dif-
do not wish to abandon entirely. On the Iish language. I am not so sure. ficult to grasp in America. Since ntost
other hand. (.'tlI1it'r.i is on the ring line "(Iint'-aste" does not happen to be one Anterican film critics are either literary
each month. and we will try to keep of my favorite svords. and I have never or iournalistic types with no aspirations
up with currtnt events as closely as pos- bten quite sure what it meant. It seems or even fantasies of becoming film di-
sible. (.11/)ierr il/1 t.'iuem.1 will therefore to connote a fancy filnrmaker. or per- rectors. the stvculled "auteur" theory
represent a fusion of the classical and haps. it film-maker the writer happens has had rough sledding indeed. Truf-
dynamic elements of (Ia/zit>r.\. the past to admire. Also. a secondary definition faut's greatest heresy. however. was not
_- and the future. How much past and how has emerged front English-language film in his ennobling direction as at form
ntuch future? Who can tell? \¥’e can periodicals. that of the cultivated film of creation. but in ascribing authorship
79
to Hollywood directors hitherto tagged improve Astruc's essay. and l won't try. the script being read aloud. Hence. the
with the deadly epithets of conimercial- There is no point. "Mise en scene" is specialization of Cubierr.
ism. Whenever. we translate auteur as what (..i/ners IS all about. what the Erna: The mu 71 should
auteur. the reader may besure that we cinema is all about, and it will take .
. . .. . .. . - . - have been captioned Tuba rather than
are describing a metteur en scene with more than one life-time to tag this , . . . ._
an expressive style and an emotionally transcendental term with a nite deni- '\w_/""'”"_Th"' error '5 so _ob“°u§_‘ '5 “
meaningful personality. When we trans- tion. lf I sound mystical. it is probably obvlously '":d"'"'”'“‘ bu‘ '5 ll“5"“ °'_'
late "auteur" as "author." we are mt rely because I am intoxicated by the impre- lug” ‘O “om T“'“‘”" 9' F"'“' 9' “'h“j'
describing a scribe like Scribe. or for ciseness surrounding the term. but if l Fl" ll"! ""l"°'- 55 ll Cimmi Hm"-’
that matter. the Shakespeare that is in- were compelled to take a stab at a de- Flillk OISOII \V¢llI-‘S ilwlllil lII\'¢ M9"
scribed in cold print. nition. it would go something like this: described by Roger Leenhardt on page
As for "mise en scene." it will be "Mise en scene" is what an inspired 50 as "a man of the word" and not as
translated as is. and the reader must "metteur en scene" (or "auteur") places "a man of the world." though. of course.
simply work along with it as we have before us on the screen. lt is that which Welles is eminently qualied in both
been doing ourselves. l certainly can't eludes most lm critics as they listen to spheres.
Pam} Opening;
From Nov. 24 to Dec. 21, I965
II I‘|~|l||q~|| hng uuiI.—M.M. Roger Pigaut. Jean Lefebvre. Guy Dik-
]‘., B,”/5,“-,,,,_ mm 0|’ t-‘mud, R5. La F5"; guldnn; |'I;"é‘rc"',l*‘;'*;f olo. Sophie M'Bali. Paul Kantole. I962.
mmd‘ “Vim Funds Blanche‘ Dan)‘ cowl‘ Rene Clair with Jean-Pierre Cassel —Mor.k Khan dour Pica“ old.‘ ‘his mu"
Jean Poirct. Michel Serrault. Pascale Philippe A;_m Jcan Richard Gum: ldv ll‘! lh (-9'15" "1 ill“ '_'"d'-H“ °‘_‘h"
}(,,|,,_.n,_ ||;.|&m. [)u¢_ Béngdicle Laos“-_ view cum“ Ma‘ric Dubai‘ I‘! A disturbances of decolonizatton. describes
_ Th" Inn" ‘nuuum is bufulli even a satire of the "folly of men " Face mg nlhal “rugglcs hmweim Lulu” and
l'““': S"m“k‘p"ir' ’wl"d|““ in ‘hr to face a fortrtss and its besiegers: From Baluiyi>' ll “Hm (0 ow” M -“Inn-c‘ “"-
s|;k'lmL.l hand trade. try to extort a XVlth one cémp m “W mm“, hop a “am, P"h||¢':l"d ‘"11-l I-|vlY'~"-l~ "1 l'"‘- """'" ‘"
ceiitury rt-table from Francis Blanche. ||ierc'~'"i"Y it f'~‘|‘"""~‘lY l\""\‘§‘ ":"a"m‘"I 9‘ ‘ht’ P"'
worldly lishnionger and vague heir of humpkin The ii" mcdimc
“ml(ouplc llncompmhtnding |l"¢3_l l'"'"hl¢‘"‘> '-'"‘:|§"ll'~'d ‘him l" ll“
the HI/llrgvuise Gel!/il/Jmlnne. About it. push u "'m"igk_ ‘hm Wm nd ‘he wan ‘l‘{"l"):- "imn '~l'~'r“"F"‘~ °f_ " ""5" ""
alas. not the least llesh, Someone should wkhm" \,i‘_u“_ or ‘nqukhvd Nm only f“’"'~’ "1 l"l'L!*'_l’i"" '_"‘P"“"5'~‘d d°P'~'"d‘
Priiiw‘ fur ll“: “udcnh 0‘ l'D'H'E'C' dues Rene (Ilair not concern himself mam‘ v“'m.§' Hi‘: mum“ 0‘ dntuillcnh
this anthology of failures. or the art of WM‘ bk pind hm um!“ ‘mm 0‘ fl?) ="'d‘ll"~'""" I> ""1 i1l“'il\'»‘ _l"1l1fP)'»"‘
not coming "rt successfully: 1) the ac- up‘,|.,g.,,'_. and giiing hintstlfall
the tn» 'f'"“'"“
"heroic '*"h~"‘ =->""\p=\th=~m" in -I-
,.._..; 4;
airs‘ o':i_nihers ll)arry tféiits-l.T;i_t;‘lablru. um.“ “nu all (he ..dq"L_‘__\.. inmgimlhlc.
.
=0
bareness.
coniedy; 5) the chasevpursuits of the C/""“* r'_l“‘ l" ‘"1"’ "l Pl‘“'PP'~' d“
*l=ll"*ll\'l\ “)'|"~ — “-M- ma, that shows]. aiid which poses as
I)i\-mm’ 1,”; Iner. lm
tie Périer.
in color of Etien-
with Mat~h:~|t- hltirgun. Paul
“_."“"'|“'_"' """°:']‘ “'.r'5"“"“§‘
21'5"" d‘_"‘*..F§“‘f _‘.'.“’_
if lF““d7;|'
"‘_“' h"_"§. “_'“_'."_
M“"" 'i““’"‘“' “ " "““""'l"“" "“""“'
tlid_~eh|t~t»i. botched ht’ the lack of u
lliibschniidt. Dario Moreno, Germaine . . ;;:"J,IwI;;;:;:”l)l"f' I‘Fhl_ '"““_|€'":" l'~"~'l"\l-l ‘"1’ l'h"\’1"-:"-"- /"/"“'"'3 and ll"
t\lt>|\tL'HY. in-tit‘: Eniilfork. Jean-Roget ::f':n _W;|“;m_hcd‘:;mu|:)u:":“:"‘::I ¢@_m'-J_»"- /1'/"law: Ir) ll“'_lll'""P vntr-med
('aus~in\on. — Pitiful attempt to rccon- my mgc Al hlm_lm_kin'.\ “"15 Illllfilllil ll: Tl"! df'lf1\"\'|\ of
cm. ‘ht. w.,u. gm. d,_.‘,_.iv,_. ganm._;._._‘ Eng, ~ - F P l- ' color and of complaisant exoticisni furn-
|;.h ,;,-|.- and |,,-.,.‘,,1_,-5 dg"‘ag(]g)*_ A ' * Mu}! lo" the lvwlv- of the nhvvllnll
treasure to recover. it German and a Nick Cur/i-r el le Trt-/I0 rrmge. lm |""l“‘ "0"? K‘mg' Nupal) an mu
band of young people seeking it out. of Jean-Paul Savignac. with Eddie Con- '*'""“Fh '0 3'“: 3“ “'"'m“m Pl lh" "l"“""“'
serse as nrelext for one of those "witty stantine. Nicole Courcel. Jo Dassin. “"l“"'“““" ""°' ‘ll V"""“§ m: "‘“""l'
comedies" in which every gag falls at. Jeanne Valerie. Jean Ozenne. — Badly "Pr m "‘“°“' ‘_h° "'l':l“'_'""‘"nl§_°l ll“
Michi-le Morgan plays the madcap. in recovered from his visit to Alphaville. li'l_‘_"‘lli“ “ml '"“""'“'“°“§ M "’ M“
pants rlt-ruier tri no doubt because she Constantine has kept his terrifying and “d'"“"" H°“""“:' ‘me "“"“ ml“ dc
linds that really funny. She is the only i\pil5i.\'i\‘L' mask of Martian Keaton. ln arm“ “"'m m gfcaf '“l"a| of "°uh_l°
one. — M.i\l. this adventure that takes up again the l::Krhi’l\l:l;¢\i‘€(.l;;l;b:7::;05:ll’Ii?'.5:1
., ~ , _, , tsee re. .0 . -
dhcrvl-Il‘;‘0f‘td::af,‘ulZ:_ 53::
—
l".nilnm.4i H’ ilirbiiinu. lm in scope perior toPI.'HImmle Ill‘ Rio !'I'/ml Mun

and in color by Andre Hunebelle. with K0 ':_‘Im_“ them‘ iniifour 33$,‘ mi‘. from Rial and more diverting. on the
Jean t\larais. Louis de Funes. Mylene "vh, Sm, rig“ chi"; and i"‘;‘wm_d whole. But how many bits of short»
Deniongeot. Jacques Dynam, Robert gh.“ um: "0 hm fl“; Ar; incohcmn; winded bravura (scents in fast motion).
Dalban. Olivier de Funi-s.—No elfort at und'Pnu_miuu‘ naadm; Wm‘ --m,“__;-- how many futile lickings of the lips
the scenario. but the proud announce- in mu “y|t,M'Rt.,mui§ dz,“ not pn':w;“ (idyllic episode at the water's edge)!
nicnt of "entirely original new adven- ‘ho di;'__0'\_‘_n_ 0f' a ;k_"m.i0u‘ dinmw The photography of Séchan. in his opin-
tures." Fantonias needles a savunt. Fan- made of "“_,|'um_ho|), and of 'PM"), if; ionaved sub~l)ecae. is even-where ag-
dor and Juve run alter him. mocking which ‘hr pa“,i0n kn, ‘he non_cm'k_a| gressively ugly. lf Belniondo is a re-
Jaines Bond, and find the means to de- i‘ wuh Ins ‘Hun a ("min ‘cndéncs, w spectable Arthur Lentpereur. Ursula
scend still luwer. Only one gag is anius» the m_0_F,__ui"“dL_ '__ap‘i‘.ang if il is Andress once more proves her marble
ing--since in our days, so it scents. one sinctrc _M M ' ' ineptitude for comedy. and the sup-
must laugh at Fuiilmlius, Max Douy has __ __' _ _' _'_,,_,______ poi-ting players are too often used for
composed for it his most consequential Terri-ur tur I4 Iilfilllt‘. lm in color their quirks. As often in this genre of
and ugliest decor since Murgllrile de la of Yves Alli-gret. with Nicole Courcel. lnt. the inevitable acceleration of the
80
rhythm dis erses and wearies the in- lers Andre Bullet and R0 er Deltiporte. .. . ' .. .
terest instea: of reviving it: it is a work —French western supeliior to ‘.4’! II”Blg '\'5b' ('1 ‘chunk Nun."
that will go very well. in a few years. Grinnli Cbemiui and Gueulet. No douht lm,“ Jowph loscy‘ USL ._ SW In
in ten minute slices on a third chain you will object that that is not it recom- (‘dbwrs M,‘ ml B‘/I” "'”“.lm"e” ‘Mun;
(that in color) of French television. be- mendation. but. with Andre Bollet and Ml) P‘ ,4“ "°' H1,‘ S‘°“"" I'M‘!-‘ll an
3'?
tween a remake of Tintin and the Roger Delaporte as the starring pair. rivlcw “idle no“
‘"2 i\I.4g.1:ine elei 4‘-\‘lII!‘ilI1’Il|'J. it was necessary all the same to make Blam] 0,, ,1“, ,1"-0“. (Him) ,],,[[,,,-,
.1... ,.....»..4 ti... .. .,. at; ‘P “"* "til""-1-“~

Rapiuu 0|-est rH'aId-up .1
. '11," *;;
ilnstga s:||)li,‘:"W‘:_::t_|| ac:,“_yl_,
-"
Malle, with Brigitte‘ Bardot_ Jeanne r/uur_!i_ere
Muteau. George Hamilton. Gregor von Ian/Ir! film of Filippo Rati. with Liiw- Curran‘ Paul Mame“ Robe“ carriwm
Retzori. Paulette Dubost. Claudio rence Montaigne, Mara Fie. Jacqueline Ted dc Cord“ If ‘he Poim 0‘ db
Brook. Carlos Lopez Moctezuma. Jose Rogers. l‘)(i$.—Nothing to point out ex- “mm ia n'“h' amusing “he bandit‘
Baviera, Alberto Pedre-t. cept ii respeuiihly lighted shot thirteen Zeal weapons ‘mm ‘he smdicrs w gin,
Ifor a
3 ]|a||an “|n|§ mljmua and _Ih'"y:o.m'. '*ca:n‘l_’l ‘hymn.
the nal hold up \\hlCh otherwise flops
them to the lndians in exchange"SI:
_mm bow It ls ah“ ‘O gwc w
3h‘. h ‘i ' . 0 I) (h_
ll ctnnpugno Dan (.il!!Iill(I (Dun
tjtuuillo eu Ruisie), (iliii of Luigi Conr
encitii. with Fernandel. Gino (Iervi, -—
Y
lam;-mgbly__A,_]_
i ~
I sellu rnulrn Sperm "A Riirulle rlc
2! g
“W” '1‘ if
Q‘ mu?fmm'
“ppcf"an"'“ 0‘ ‘hf nmmphum: mu!“-
n’ "
.
New and painful episode of a guerilla Spurle). film in color of Alberto De "m“’l‘_ 0‘ ‘ht pfnh‘ and offhc flnuw
warfare that is zzling out. and that Martino. with Tony Russell. Massimo f"ch“"‘“l "“'“'~ ‘"'"“l'il ill-l sanieranieii
this time again concludes on the l’t:(ip~ Se-rato. Helga Lin.—Milon tyrannizes m ‘ht lead‘ ’ha'p"n (he “"'"'mmn' ’m'w'
rocal recognition of the numerous merits Sparta. alias Lacedomia. Kyros. a de» “hm wmnmcm‘ O‘ ‘he ’pc“amr'__p‘B'
of the peaceful coexistence of Marx and prived person. _is going to set matters Cd, 54",”, ,5” Baum”, mm in (mm.
Saint Thomas. The low blows in it are in order; he stirs up the school .of the of Emm §i|“,n!L.;n_ Wm, June |:0m|,,_
1
- more numerous and more senile than
. .
gladiators and removes from office the Lu, Ma“.in_ Michael Culhm‘ N.“ King
usual. The noble duel of the crucix dictator. who is killed hy the iavelin of Calm Dwayne Hi,_.kman__5u. (I-I/,;,,,,
and the sickle concerns Gino Cervi and his friend Basso. And then. there are rm‘ I-|_ m,rI;,, (Dc|uha).._,)_ pi H H
Fernandel as little as it does the spee- many dc-tours. a temple. a vestal and k “Tn, nwcxsar). “gum m dcmon§n.im_.
tator. A misplaced allusion to the ad- the god Ares: nothing laconic.-_I.<l-‘.8. mm u, mg“ or the Wc,‘ Wppos pa,‘
niirahle .\'irmIe'/:l=.4 does not mend niat- ‘f mi). with diyficukn Cw Baum, is ex,
cn‘Ph"y Pm“. Where ‘he “n: and
tu-,_ ttlrvtttly badly nu; (if v,'|1;|(k_ ._ I ipie urculmm it Benn/t1Le.i !E.i/nuns
—l"A'F'
~———
”“'”””/ " B"'"'mI/H’ mm in “Pl” and
in color by Georges Conihret. Nino Loy.
boundless verve of a comic strip signed
Jam Duvi’. Ur ‘Wm Haw was m,cd‘,d_
Silverstein systematically suittles all the
Li. itI“?ll)Nil?“mrnslll
‘I him.”/:0 nr. ‘T’ ‘“‘:I'”’”‘}'i""
f4!‘ (,r_ipIe' u .‘tlI'I' Dominique Boschero.
Richmfd H.“.ris"n‘
semi? .“m-linu‘ with Wandisa buida.— Pmsihilics nmnud him and sh.“ birth
m ayrupy and anunlic “_mH'__‘_ -I-he
ll‘ < .Il'1'). film of (,amillii Mastrocinque Douhtless we go to Lehanon for some
reason of coproduction. Then it hap- rmurruaion of ‘he Kid___lhc mus‘ an
its
if
. ilhonias Miller). with Christopher Lee.
Audry Anib:r.dUrsul£ Davis,dVera Val;
-‘ruin er‘ t lpaeu paint ll).
pens that the place glues itself to the
\\.|h]L'Ll,‘ Beirut being the-_door l'?L‘(\\-'L'L"Il
Ixpmhlc momum U‘ me mm__shm“
dw)_ mung“ Wm" My “W “mm M
oiiias t i i.r is eonceae .viit amp) the Orient and the Occident. So it is L_“minuum_ mu“_ulm_ hurlcsqum Lee
Mani" H filly" Kungm" in ‘pm,
L‘II
de
tustilied prudence. il (.amillo Miistrocin-
que.. h,-.
.itt t iery bottom oi his-. form .and ,,,.
here that the spies of the world meet
and struggle as formerly at |ill'l[_|LI‘-
. . .». .‘. M shmmllcn him,mni(§_ docs "M _\m._
Q? vihose total indifference succeeds in The Oteident (Americans .\lLlll'\|_ with twain making m mm“ my aw“! kllkh
- ruining a rather good suhiect inspired Russians) will ward olf again this time M Gm“ i” I/H‘ A_"“,,,””,m_ hm, lmndm
F"; liy the (..n-milltl of Sheridan LeFanu. ln the yellow Orient and its l'\lO|"l(.lL’v\Q'l)Il1£l|\ wh“ lm dmlhl wum hm,“ Prcfcrrcd
spite of the eliorts of a conimendahly spy. It took three e|il’I:t‘l0l's to liliii this pwkinpah m Sil“_hn_,in Stun“ m div
ll“ the ultri.- reduced ' h .—.-
sla dash to P .B. .'
_._.ia}i‘r.
hudgu coproduction
eclectic , totally from
led M my mm . ‘Mn "whim: hm
.
P -l st>ei.ite, herself
, _ .
th_e
l'-lg/Ie Ilelle rIe!l'l)r.w I§tuu/re). si:|:. I‘ L‘ nm wudxh" will Sui ‘bu I‘ m i C

“l bring out the stylistic inadequacies that
wmng'—M'(“
m' lit-e-side-tl from all sides at its elaboration. in Cu/iierx no, l(il-Z Lellre do Rome
ing (:l1l’is(<I|1l\e|’ Lee. ill 2| role deinid of all (Miitandinil~ l‘~ l4l= in -w. I‘l. Vi» 1/» Re-lm'IimI .\'.:lure' Girl or
,\‘,mtl_i'
no‘ l'“'*'“""- ‘“'"“ §"'l"l“'" “Rh 1' P5171" '“"“l lm'~'l"'l““' P- “Ltexts “'P““ (Fl“*‘hl' 'I'/14' R4'Im'I.mI Nmlisl (Le Cri rles mul-
|m' doxical anemia. laid low no douht hy 'l1'1'hin(-I. p. 50; and in this issue. ,',“.,;_ mm 5" mlm of smnlt-y Gel;-¢_
casting as unconi-ineing as uninspired. ll- with Annette hriand, Jeremy Howes.
‘ah
"3 The few attempts at denionological
P-
l&(§ _,\‘ ; »- ld J 6 th-
"““:l_';:I"':""'lIf‘?:":I"p:€:‘7‘?:'g€{“r
- ~
m eroticism are doomed at once by the ‘\n“.rhq'n nhns |,n,,.Z,,..-“.li,...l:i,. itiuljl, (j;;,.nun1:
ls: tle Rulinul in the twelfth century. lt
bovine l;;'l;iI\]IfL‘h8I1>ll)I\ of the partic-
mum:-— -' ~ ~ " -
William V’itne'y. with Audie MurPh)'-

- -i h La‘ I ‘ndm';
rl)§r"l'I‘0(e 1.-li>tt|liIe1lI.ii'i§,,_.:,)..,,i,,;
. in
ill‘ Ifrrale ionlrn i linnmi rli Bu/lilrnliu Mlchi"-‘l Di"""- "'4" (:""Pl'|’- B"*“‘|' so ugh. ‘hm on‘. und"-“ands ‘hm phmn.
\ln'1 I_Hi'rt_'uIi' tuulre lei I_vriu:i zle BilI:_yIrn:_eI- cr.ahhc'_Ah"-r lh" >9"! E"/>4"/I I/ll nf Féndon. --Ha“: H honor "I nudidc,
the liliii in scope and in color of Domenico D'*'/'I"- P‘-'llIl'" I" "Ill"-‘I’ L504"! ‘Om! 9‘ of ‘he mm“ “ml an my“-r ;m,m,d4_-,»;i¢_\_"
iort- ~ llatilt-ll;t_ with Rog}; 5",“-n,-_ lldgu - Lin William \Vitney veteran of the serial.
_ _J__p_B'
on). Livio Lorcnzo.—Although one of the il‘\'3)'> hi"-l I" 51- Tl"-' "flllllllf "l
lips tyrant.s is revealed tyranress, l<l|_-t-cult-5‘ the script which makes Murphy. hy .\'/iell .\Imi'k IGruupeiIee~lme'I. film of
turns. one of the looters of Quantrill. john Patrick llayes. with Beach Dicker-
gel! adversaries are scarcely more attractive
ipin- than he. and this Bahylon makes one 3 w""5'~‘~ ‘Mn 4"‘ Aflmn“ Ri*""l’€ lb" son. Carl Crow. The 0&l)'~‘>\')‘- hs''~‘¢f"l'\l\
I8" regret the island where not long ago l""°d"¢li°" 0‘ \l""§""l fllifil-‘Iv-'f> (Ills classic. of some G.l.'s in Italy during
. re- the same Paolella stressed the much Yvllnli ldl Hill Wlw \‘\’i"\l> I0 he 11 the Second World War, The wealth ol
hull more convincing arguments of some lost """)i "ml-'i\Cll)' Of ll": Illlit-‘ k‘I\
and ih" precise notations; a more than usually
irhle girls.—j.B. scene. violent and rapid. connect this hon;-st “utly Uf L-lml-am,-r (the 1|-;|um;l|.
si;p- r r little Western with the niinor successes ized s-oldier. the sergeant with niurde-r-
l or J0/may ll 'eiI iI /mulrilm (Lei new of the genre. On the other hand . ln- nus intentions towards his own men!
ye of "Dy!/uIniIr"!. lm in scope and in color dians resort to an unaccustomed weap- and nally a violence at lulmostl every
l the of Gianfranco Parolini_ with the wrest— on. cactus.—P.M. "ttmietit make tine overlook the dead<
Bl
v
broke side of an enterprise that does
not have the strength of ll".ir Ih-rn or
of Purulrnn (Imu!n.nul.—P.B.
I Iillllnll llll
The ,\'./km! Brigat/1' (L1 Bri_e.ule nun
4’IH'|. lm oi Maury Dexter. wit‘h
Shirley Eaton. Ken St-ott.—Nth grinding
nul m thy g|m-y of [hg Gfygk r,_-,iq;|y|;~;~
in [M-L. “f (in. Na-,1,‘ 5“)-gm; 3“-M ha-.
- —
mediocre gadgets. Bond is iiist barely
still capable oi throwing a punch. For
the rest. a lethargy verging on helpless-
I|I:\'> destines the film to the agonies of
the diverse mechanisms that. after a
Fashion. Supply its inadequacies: lanta-
f 0 P ti: l')'- "
- .-submarine‘-scooter.
ftll\(‘Ll DB5
etc. If they were not so rigorously hen!
tin working for grown-up good ll(l|L'
hoys and girls. perhaps the gadget-men
(..nnie.r (Douchetl. p. _$'—l.ike three
out of four lilnis of the East In inm-
nu r/ul is a satire. would you believe it.
on bureaucracy. But. also a lahle danced.
sung. and tiiiiiied. on the lreshness of
simple feelings. the horror of hyprocrisy.
of wieltedness.
' etc ln short - prouiieiiil
-
and _|-iasttmil hast hide Story. jasny has

conviction and grziemusness. but all that
somewhat lacks a real freedom. at real
- _~_
‘ --
‘
K-,,,,,Q, 3 duty ht.‘-‘.__.p_1;_ of Eon I-‘ilnis would disclose to us the aptitude for dreaming aloud. Neverthe-
erotic zicccssories of Bond. whose per- less one vvill appreciate the cleverness of
\'o Rmul "mt (Let K-rllnmv/»< Jr sonzil merits lessen ii-uni lm to tilm.- the title (One dn ) a cat). some very sue- -
"""‘I"’5'- mm 0‘ “""ll-i“"\L'l’)' pull)? l\l.(I. cesslul passages. and espteially the won-
Wllh Skll‘ “"""~'l'~'Y- M=|l'l¥K"¢'| Ri|“'ll"l~!§- "'7 derlul setting of the little towii with
5'-‘Rm C"""'~‘f)'- l9§?l-—P\" '1" "'1"! 5"
the soliciting drawings or photographs"
2 ‘,?""'""'
_“
lms
“"////"'{"v'.4' 4'" MP” ""‘ O-""f"‘
pointed roofs. a true invitation to travel.
of James Bond which scarcely invite "1"" 'I” 'I‘i"H' mm ll‘ Jlnian zlimn““C' ‘;“'",\' Pvlr ll.'.-lt 1/1‘ /"'lI""L 5""
one to enter the theater. ln fact one “‘"l\ l'\'l'-'\'_ "1l[\_E)'¢l_<- Vl"-ll<'~' -\"l""\1'Y- (.'.1Iiier.t no. I4‘): '.!HiI!‘!l!! lliontempil.
can go there. It ls a iiiattet of a touch» "lillenka luitalinic. 'l0r| .l""l““"‘* _ P- 58; no. l(I()'_Z
nllnllen,
(imllillgeirl
l‘4.
Iii I .-I
ing English hotch. a mu-el (turnip). in NL‘“' K'~'°!-l"\l'l\|\' \'="I='fl"" ‘"1 1| _“"~'“ p. (it); no. French edition.
which 00‘ is very convincing as a stub l“‘"""“ ‘l"~’""*'~ Th“ -“‘h|‘“ l“ R"h"“"" critique. p. (tl.
‘ing burgh" cighwk“ and ‘hum. qunp seduced by a‘ little stutlent. amoral and
ters years old who quickly Pafli|_‘ip;|(t~§ llreedy. who is caught in her own game) | IRIISSIQII |III
5" ‘I shaggy duuh|“.m§\_ -H“, N“ 0; H“. lacks anihition. and the niise en scene Don Quit‘/)nIIt'. lilni in scope and in
dmm some un_m,m,). gmnniL,_\_ mu, M suers from the most widespread malady color hy (irigori Kozinisev. with Nicho-
whoni is deaf. duiiih and blind. comniu- "' ("~"'“"" "'""'““~ l'“'“'""““'“""'“' — lf“ Tcl'°'i(“§""'" Y" T"l"l‘f'~‘)'¢'\'- |‘)(i,s.—
ni,_-;",_- by upping [pm }m|]0“-5 qf on“ P-ii See no. _l(i0 ‘Mm \.iImrInul
(.4/ucrt
u|iother's hands. See it to helie\e it.— “iIif|l‘('!‘ iilil Fun] Tot‘/vlr'rn Il't'uf ll'l¢‘W-‘P. D. (\5.—'l he_ print shown last
J‘B_ M.“ ‘.1-"II lly”, mm U; Erich |.jngl.|‘_ year on Fremh television lizid allowed
with gumnnu (jn“m.r_ Eu“. ,\|,c,.k._ us to see that ‘IhlS ver\_. \L'|‘)' ili|I~I"\lN-
\uI/uug_BnI Illl'Bl'IIi'IJI1(lI{l mw), Chrmint, K“u;m“n_ 19;-_ A dd“! "M5,," in Wm. 1,; '|,_-|“.rk;|,M,"-\ “._
lilni of (.l|\'e Donner. bee‘ _(..l/Jlert Ito. Wm.“ 0" “.m.lh). _\,_.mimcnh and ‘ht. hiv tiiarkiilvle looks. \\-.is far from heing the
_l59i I-'“'"":' ll ill and (flllquc
In Hm Ehrhafd. pm“. (hm 5, hest lilni ol Rozintsey. At ‘leilst it spared
issue page 2. [hum ‘Km
mulli“ “W4 0; in dun Gum“
M llcinl us thje color. ii youdcan |{‘l\'c iat name
'l'/lumler/ull lOI!l'r.1Iion Inililerrrl. |,dmu,- hm “my Th.“

‘im_“'“.d)- ,\|hi.m ‘mu "“'l'
“kl .m|
‘hm ‘ii pct.. ."“M“ xluil ‘LL 'Ihe .. m0.p.“m-
"‘ Mtrt.itiiiuit of
.
.|dd;n H.’
r.iiii.i
dares to exhibit.
L
. , , -
lilni in scope and in color of Terence my ughm,“ M' [hr‘ “R,‘ ' ‘ " .0“ l“
"“R .i hlurrtd
'
_
,5,“ _
the theme suflcrs thtrthy front ,_ _ _ , _
\oung. with Sean (.onery. (.laudine "

)."ur“_l;__“rh. l‘ ' h.“.,
n. H," .t.."\ 3
wt. .-
.ind iinnretise
_ ~
aspect.
that hariiionizts
, -. ,. _ _
Auger. Luciana Paltizzt. Martine Bes- ' , 3‘ 3‘ ' ‘ l’

h"'“ll) “Ml ll“ llnmn “ml
. .- . ._ .- .
r“‘h'
~.
"“"'l
W--k Mm. P1. _ f h, been seeing only the tlrc-gs of (iL'l'l1\l|lI
“‘ ‘ __l ‘
I
""
— " "*p"‘ " l ‘
"~'"-In vl lvrvncv \'mmi:- who lurnwrls
. -
Pmdm-mm._p
. '
B
'
ness ol Cervantes. iiionstrously totiiured
““,_“. by ,h,..,_. |“,||,,“. and “,|g;,, 5,“.
showed a certain stnse of the haroque. 2 |'7.l‘l'|l |IIl§ 1 ,L.,'_J_,\ F
in spite of the 5.i0ll.l)(ll) dollars and the .1: /zrinle Knrnur 1l‘u inur nu c/ml). ‘L H I i I
use ol Panavisinii. this fourth panel will lilni iii scope and in color of Voitech These notes were drawn up hy jean-
appear more than ever false Ilond. and jasny. with Emilia Vasaryova. Vlastimil Pierre Biesse. acques llnntem P .s. Patrick
_ - . . . . e
00 . taking on age. nds hinisell reduced Hrod.sk)'. Jirt hovak. Jan \X'erich. ,laro- Brion. Michel (laen. jean-Andre l7ie.sehl-
to the dimension of one of the iiiost slav Mares. l‘)(i_l.—See (.1:/tit-rt no. I-H. Alhert Jurnss and Michel Mardore.
b6 an 3I1g€
'
‘\l “
~
V.
"7 '
;. I;
*‘
x.
~
,
\-
'
-.
_“ ‘t-7:-f*,,.
-
~
‘ix-‘/,/“\_.
.
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I
_.-
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gincturesl
_Send
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Iuhly tlmohtl to the lms _\ou lll\(‘.., 6658 Hollywood Blvd.
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I THE ENGLISH
" TRANSLATION 0E THE WORLD’S
MOST IMPORTANT FILM MAGAZINE
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DU CINEMA IN ENGLISH I $9 50 p y (D m I )
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a Shllckr An arresting and disconcerting picture...
following very much in the spirit of such memorable films about
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—Bos/ey Crowther, /V.¥ Times
“taut! $t|'i|le|'|t!...intriguing topical lm. One of

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-1./U0’/f/7 Cr/st, Hera/d Tribune
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Stanley Kubrick's DR. STRANGELOVE
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Cahiers Du Cinema in English 2 1966

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.

FILM CULTURE Ilo. 36

* DAVID WARII GRIFFITII'S

272 pages 56 pages of photographs $200

Trumlutur. JANE FEASE, ROSE KAPIIN

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