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Assignment

II

     
David Diehl

        
                  
3

  
       
  


   
     
 
  


  
   
     

F#7 E7 D7


C

A set of plagal cadences of chords a whole step apart

             
                       
9
3

  
        



      
        
EQ5 F#Q4 E WT DQ5 C#Q4 C#Q5 DQ4 EQ5

Built off of alternating tension and resolution via close voice leading

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