Themes in The Second Coming
Themes in The Second Coming
Yeats had a deep fascination with mysticism and the occult, and his poetry is infused with a sense
of the otherworldly, the spiritual, and the unknown. Mysticism figures prominently in Yeats’s
discussion of the reincarnation of the soul, as well as in his philosophical model of the conical
gyres used to explain the journey of the soul, the passage of time, and the guiding hand of fate.
Mysticism and the occult occur again and again in Yeats’s poetry, most explicitly in “The Second
Coming” but also in poems such as “Sailing to Byzantium” and “The Magi” (1916). The rejection
of Christian principles in favor of a more supernatural approach to spirituality creates a unique
flavor in Yeats’s poetry that impacts his discussion of history, politics, and love.
Yeats’s devotion to mysticism led to the development of a unique spiritual and philosophical
system that emphasized the role of fate and historical determinism, or the belief that events have
been preordained. Yeats had rejected Christianity early in his life, but his lifelong study of
mythology, Theosophy, spiritualism, philosophy, and the occult demonstrate his profound interest
in the divine and how it interacts with humanity. Over the course of his life, he created a complex
system of spirituality, using the image of interlocking gyres (similar to spiral cones) to map out the
development and reincarnation of the soul. Yeats believed that history was determined by fate and
that fate revealed its plan in moments when the human and divine interact. A Tone of historically
determined inevitability permeates his poems, particularly in descriptions of situations of human
and divine interaction.