William Collins's poem "Ode to Evening" personifies evening as a goddess. It describes the setting of the sun and the arrival of evening over three sections - an opening salutation, a request for guidance, and viewing the beauty of evening from a lonely hut. The poem depicts evening as a chaste, reserved figure who brings peace. It represents a transitional point between Classicism and Romanticism in its themes and emotional language.
William Collins's poem "Ode to Evening" personifies evening as a goddess. It describes the setting of the sun and the arrival of evening over three sections - an opening salutation, a request for guidance, and viewing the beauty of evening from a lonely hut. The poem depicts evening as a chaste, reserved figure who brings peace. It represents a transitional point between Classicism and Romanticism in its themes and emotional language.
William Collins's poem "Ode to Evening" personifies evening as a goddess. It describes the setting of the sun and the arrival of evening over three sections - an opening salutation, a request for guidance, and viewing the beauty of evening from a lonely hut. The poem depicts evening as a chaste, reserved figure who brings peace. It represents a transitional point between Classicism and Romanticism in its themes and emotional language.
William Collins is regarded as one of the most skilled lyric poets
of the 18th century. Collins’s style is formally Neoclassical but represents the themes of the Romantic period. His poetry is an epilogue to classicism and a prologue to romanticism. His love of Nature makes him a great precursor of the Romantic Movement. Thus Collins occupies a very important place as transitional poet in the history of English poetry.
“Ode to Evening” is one of the finest poems of Collins in his
collection 'Odes on Several Descriptive and Allegorical Subjects'. It is composed in a single stanza of fifty two lines with unrhyming pattern. This beautiful poem is addressed to the evening who is regarded as the goddess, nymph or maid. The personified evening is chaste, reserved and meek opposite to the characteristics of the bright sun. This poem has mainly three parts. The first one is the opening salutation to the evening, the second one is the center where the poet requests for the guidance in receiving peace, and the last one is his personal point of view and a return to the universal dimension.
When the poem commences, the speaker invokes the spirit of
Evening to compose a pastoral poem to sooth her ears as the murmuring brooks. The day is almost done and the sun is descending. There is silence everywhere except for the cry of the bat and the beetle. The speaker prays to the quiet Evening to teach him to sing a soft song. He says, “Now teach me, maid composed, To breathe some softened strain” The speaker’s song passes through the valley that is becoming darker and it suits to the quiet atmosphere. The song greets the return of the lovable Evening. The evening star folds up the day and announces the arrival of the Evening. At this point, deities termed Hours, accompanied by elves who sleep in flowers and nymphs wreathed in sedge and shedding freshening dew, become attendants preparing Evening’s chariot for her entrance. Thus it is said: The pensive pleasures sweet Prepare thy shad’wy car.” The speaker aspires to go to a ruined building in some lonely valley to watch the beauty of the Evening, but he is disturbed by the rain and the wind. So, he decides to visit a hut at the mountainside to see the gradual spreading of darkness over the earth. Collins then takes Evening through the year. When spring comes along with showers of rain, it drenches the sweet smelling hair of the Evening. When summer comes it loves to play under the prolonged light of her. When autumn comes, the leaves turn pale and yellow. The autumn loves to fill the lap of the Evening with heaps of dry leaves. When winter comes it shouts and howls through air and frightens the shrinking days and does a lot of damage. In the end, the speaker admits that the charm of the Evening should continue to bring peace and harmony and to inspire friendship, poets, science and lovers of peace. Thus he says, “Shall Fancy, Friendship, Science, rose-lipp’d Health, Thy gentlest influence own, And hymn thy fav’rite name!” The application of femininity in describing the evening and characterizing her is one of the strengths of Collins. Words and phrases like ‘chaste Eve’, ‘fancy’, ‘rose-lipped’, ‘nymph reserved’, and ‘maid composed’ are some of the illustrations of the use of femininity in the poem. These traits of the evening add the concept of an eye-catching woman who is reserved and patient. The evening is the merging point of the sunlight and the sunset, in a way, it is a transition from light to dark, day to night. Depicting the negative side of the evening, the poet says, it symbolically hides all the faces of the daytime whether good or bad. In its darkness, everything is same and mysterious. It is the eve that makes sure that the next day is certainly going to be bright and sunny. In that sense, evening is the seed of the hope and life of the next day. Collins personifies evening in this poem as ‘chaste Eve’ which is a Biblical allusion to Eve. The comparison of the evening to the Biblical Eve is ambiguous. If the fallen and flawed state of Eve is associated to the evening, then the evening becomes something negative and cursed state of the day when the bright light of the sun is missed and set. But, if the poet is comparing evening with the innocence and purity of Eve, then the evening means a beautiful time of the day when everything comes to the resting point with peace and harmony all around. The intention of the poet is still ambiguous. “Ode to Evening” is a transitional poem as it has the elements of a strong tradition of Neo-classicism as well as Romanticism. It is transitional because it consists of emotions and imagination more than the reasoning the Classicism.