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Lesson 2 Principles and Protocols of Judo
Lesson 2 Principles and Protocols of Judo
Jigoro Kano was not only a capable martial artist, he was also a respected educator.
He was determined to develop Judo as an art that would provide a healthy and safe
way to develop oneself based on a rational and logical principles. In his study of
Jujutsu he set out to discover a single unifying principle that would apply to all attacks.
This is how he described it:
“Judo is a study and training in mind and body as well as in the regulation of one's life
and affairs. From the thorough study of the different methods of attack and defense I
became convinced that they all depend on the application of one all-pervading principle,
namely: "Whatever be the object, it can best be attained by the highest or maximum
efficient use of mind and body for that purpose". Just as this principle applied to the
methods of attack and defense constitutes Jiu-jitsu, so does this same principle, applied
to physical, mental and moral culture, as well as to ways of living and carrying on of
business, constitute the study of, and the training in, those things.”
The second principle is “mutual welfare and benefit”, in Japanese “jita kyoei”. That is,
by working together we both learn and benefit. This principle takes the form of
showing respect for one another, our teachers and ourselves. It also means that when
we practice together we give each other the opportunity to practice and learn
techniques by acting as uke, the person who “receives” the technique (is thrown,
choked, pinned, etc.).
Other principles
Ju- Yeilding A main feature of Judo is the application of the principles of nonresistance
hence the name jujutsu (literally soft or gentle art), or Judo (doctrine of softness or
gentleness). Here is an example to explain this principle: Suppose we estimate the
strength of a man is ten units, whereas my strength, less than his, is seven units. Then
if he pushes me with all his force, I shall certainly be pushed back or thrown down,
even if I use all my strength against him. This would happen from opposing strength to
strength. But if, instead of opposing him, I withdraw my body just as much as he
pushes, at the same time keeping my balance, he will naturally lean forward and lose
his balance. In this new position he may become so weak (not in actual physical
strength, but because of his awkward position) as to reduce his strength for the
moment, say to three units only instead of ten. Meanwhile, by keeping my balance, I
retain my full strength available for any emergency. But there are cases in which this
principle does not apply. Suppose for instance, my opponent takes hold of my right
wrist and I do not resist him, then there is no means of releasing it from his hold. The
best way would be to move my arm so that my whole strength is used to counteract his
hand grip, the strength which is of course far inferior to my concentrated strength and
therefore gives way to it. In such a case I used my strength against his, contrary to the
principle of nonresistance.
Kuzushi-Off balance. This is the principle of moving your partner from a strong
balanced postion to the point where he loses his balance and becomes weak before
attacking. The eight basic directions of kuzushi are: forward, right front corner, right
side, right rear corner, straight back, left rear corner, left side, left front corner.
Apart from just good sense and good manners the reasons for Reigi are safety and
awareness of your surroundings and getting in the correct mental state to train and
learn. It is also an expression of the principle of mutual welfare and benefit.
Sensei
Teachers in Judo are addressed as sensei (sen-say) or using either their first or last
name and sensei (“Bob sensei”). The word sensei means teacher. This title should be
used when addressing or referring to senior black belts, especially those that actively
teach.
Bowing
Though unfamiliar to most westerners, the bow is a common show of respect among
Japanese and other Asian cultures. Bows in Judo have no religious meaning or
indication of subservience and are meant to show respect to ones peers, teachers and
dojo (club).
Standing bow- proper bowing form- stand up straight, maintain a straight back and
neck bow to about a 30 degree angle, bow in a calm non rushed fashion (no head
bobs) The hands start on the sides of the thighs and slide toward the front of the thighs
as you bow.{helps focus the mind, projects a strong confident image, maintains the
body in a strong position to be ready to defend ones self}
Bow upon entering or leaving dojo {shows respect for the place, your teacher, and your
fellow Judoka, something to help you switch from thinking about the outside world to
thinking about Judo}
Bow before entering or leaving mat (also make sure sensei sees you){a signal that you
are joining or leaving practice on the mat, helps sensei keep track of what is going on}
Bow to greet your sensei {He or she is a nice person, be polite and greet them, didn't
your mother teach you anything?}
Bow towards front of dojo and to sensei at beginning and end of practice {shows
respect to Judo and sensei, as well as marking the official beginning and end of
practice] Bow to your partner before and after training together {safety-signals that you
are ready to practice, or are done practicing-once you have bowed, you should be
ready to be thrown, choked, etc. at all times until you bow again at the end of your
practice together}
Kneeling bow-proper form-stand up straight, go down on left knee, then right, toes are
curled under- lay feet down flat and settle back on your heels-knees roughly 2 fists
apart, back straight hands on thighs, to bow place hands out in front of knees (left then
right) about 1 fist out, bow without lifting your butt off your heels, imagine an
equilateral triangle with your hands as the two angles at the base, when bowing look at
where the apex of the triangle would be, bow in a calm unhurried manner. To recover-
toes up, right leg up, left leg up, stand {The systematic method of kneeling moves from
one relatively strong postion to another with a short transition time, this maintains your
readiness if you are attacked, placing the left knee down first and up last keeps the left
side open so a weapon could be drawn, all of this is to help train you to be alert to your
environment, body position and situation}
A bow is sign of mutual respect and should never be a hurried bob of the head Always
bow at the same level (i.e. both standing or kneeling) {different levels implies one is
inferior)
To open or close practice we do two bows, one towards Kano sensei’s picture, and one
to the head instructors. These indicate respect and gratitude towards the instructors,
and towards Kano sensei, and all the other people who have contributed to Judo. We
will do either a standing or kneeling bow (usually a kneeling bow). A senior black belt
will call out “kiotsuke” (kee-oats-kay “attention!) and then either “rei” (ray “bow”) or
seiza (sayzaw “kneel)-sometimes seiza is called without calling kiotsuke. If seiza is
called kneel in seiza according to the manner described and sit with your back straight.
Then “rei” will be called twice, execute a kneeling bow (zarei) each time. Sometimes at
the end of practice while you are sitting in seiza, the command mokuso (moke-sew
“meditate”) will be given. This means you should sit quietly with your eyes closed and
think about the things you learned during training. Then the command “moksuo yame”
( moke-sew yamay “stop meditating) will be given, open your eyes and sit up straight.
Then the command rei will be given twice. After the bowing is done people rise in order
of
{some of the reasons for these rules are given in brackets} Keep all of your street
clothing neatly put away, bags zipped up, etc. {looks bad, dangerous, people lose
things, shows respect for yourself and the place}
1. Show your sempai respect out of gratitude for their guidance {they are
helping you to learn, don't be an ingrate}
2. If you see a sempai (or sensei) cleaning the dojo, carrying a heavy load,
etc. offer to do it for them or at least help them {same as above} Listen
to your sempai {they are trying to help you learn}
3. Ask when you do not understand something {otherwise you will never
learn, also helps prevent mistakes and accidents}
1. Make sure your kohai know proper dojo behavior {Set the example and
make sure they know so they are not embarrassed or injured}
2. Do not allow your kohai to behave badly or make mistakes without
correcting them, {they may not know, and if allowed to continue bad
behavior or mistakes it will be bad for them and the dojo}
3. Make sure that you provide the opportunity for your kohai to learn, be
sure they do not miss opportunities that they may not be aware of {Jita
kyoei}
4. You are not to “boss” your sempai around, they are not your servants
5. Only sensei teaches
If You Need to Leave the Dojo During Class (or if you need to leave early)
If you need to leave the dojo during class, notify Sensei prior to class. At the
appropriate time, bow out after the set. Stand in front of the exit door with feet
together, heels together, toes pointed out and hands at your side. Look directly at
Sensei. When Sensei motions for you to leave, bow and then exit the dojo.
1. Whenever you’re told to move from one part of the room to another, do it
quickly (i.e., run or trot, at least). Also, don’t pass in front of anyone – go
behind and around.
1. Whenever you stand from a sitting position, switch to kneeling, bow, then
stand.
1. If you ever need to leave a class early, let the instructor know
beforehand.
1. Every time you get a new partner for any exercise, bow. Every time you’re
about to switch partners, bow to your old partner before moving on to the
next.
1. Don’t make overt displays of how tired you are, no matter how tired you
are.
1. Finally, these aren’t strict rules followed by every dojo. Some don’t follow
them exactly, in which case, you should start off erring on the side of
being overly courteous but avoid doing anything to stand out, since that in
itself can be interpreted as rudeness.
If You Need to Leave the Dojo During Class (or if you need to leave early)
If you need to leave the dojo during class, notify Sensei prior to class. At the
appropriate time, bow out after the set. Stand in front of the exit door with feet
together, heels together, toes pointed out and hands at your side. Look directly at
Sensei. When Sensei motions for you to leave, bow and then exit the dojo.
The Judo practice uniform or “Judo gi” was developed to provide safe and sturdy
clothing for Judo training. Originally, people trained in street clothing, which did not
last long under the strain of Judo training.
Components of the gi
The judo gi comprises a jacket (uwagi), belt (obi) and drawstring pants (**abaki). The
uwagi is held closed with the obi which is passed around the body twice before being
tied in a square knot. Judo uwagi are heavier than those used for karate, with stitching
that increases the strength of the fabric. You may purchase a gi that is adequate for
Judo training through your sensei.
First put on your pants. The side of the pants with one or two loops attached should
face to the front. Tighten up the pants by pulling alternately on the drawstrings (himo),
pass the himo through the loops, tie with a bow knot and tuck the excess inside of the
pants. You may wear whatever underclothes you find comfortable for athletic activities
under the pants, a protective cup is not necessary. Put the uwagi on with the left side
over the right side (never reverse this as, right side over left is the way they put
kimonos on the dead). Men do not wear anything under the uwagi, women wear a t-
shirt (must be white for competitions) along with whatever additional support they find
comfortable for athletic activity.
Tying the obi (belt)
Find the center of the obi. Place it in the center of your body at your natural waist (a
few inches below your navel). Pass the ends behind your back and back around so you
are holding them in front of your body in both hands. Cross your belt at the center of
your body, pass the end of the top tail under both wraps of the belt (tail a). Then cross
the ends, with tail a on bottom. Pass the end of tail b through the space formed by the
crossed tails and pull the ends straight out to the sides. You should now have your belt
tied in a square know with the tails sticking out more or less straight to the sides.
The sleeves should end within an inch or two of your wrists, and the pants legs within
an inch or two of your ankles. Rolling up sleeves or pants legs is not acceptable
because it presents the danger of catching fingers and toes and causing injury. There
are specific rules governing the fit of Judo gi used in competitions.
Traditionally, the white Judo gi represents the ideals of simplicity and purity associated
with Judo training. Markings or patches are kept to a minimum, with typically only a
small patch or embroidery showing club affiliation. In the last few years, blue gi have
been adopted for competition. However, these are only required at national level or
higher tournaments. If you have a blue gi, it may be worn at practice. However,
mixing different colored pants and jackets is not acceptable.
The Judo gi should be washed, or at the very least hung out to dry after each practice.
Never come to practice with a stinky gi. Using bleach on gi is not advised as it weakens
the fabric. Since Judo gi are 100% cotton, some shrinking will occur. If the gi is
washed in hot water or put in the dryer it will increase the shrinkage. Hanging the gi
up to dry is also preferable to putting it in a dryer, as rolling around in the dryer will
cause the gi to wear out faster. Any holes in the gi must be repaired before practice as
they present a safety hazard (catch fingers and toes). This is also true of any loose
patches. The Judo gi should be neatly folded and placed in a bag to be carried to and
from practice. You should not wear your Judo gi outside of the dojo. If you are
practicing at a place without dressing facilities, rather than wearing your Judo gi to and
from practice, wear shorts and a t-shirt (for ladies) under your clothes so you can
change without embarrassment.
Judo Hygiene
You should show up to Judo practice with your nails (fingers and toes) trimmed short.
Though you will probably get sweaty and stinky during practice you should not show up
for practice in that condition. No rings or other jewelry or any other hard objects or
things that form a loop may be worn during Judo practice. Hair should either be short,
or gathered up in a fashion where it will not get in the way during practice (pony tail,
bun, etc). Facial makeup will likely end up smeared all over both partners during
practice and should be removed before practice. Open wounds or other injuries should
be covered with a bandage and athletic tape. If you are injured during practice and
start to bleed, stop immediately and bandage the injury (if possible) and clean up the
blood with a spill kit. If you contract a contagious skin disease such as impetaigo,
athelete’s foot, or staph infection, you should not practice until the condition clears up.
You should also notify the sensei of any sort of communicable skin disease you think
you might have picked up at Judo.
Injuries
If you are injured at Judo you should stop immediately and notify a sensei. This is also
true if you simply do not feel well, do not wander off to the bathroom by yourself
(where you may collapse with no one the wiser). If you are injured and cannot practice,
you should still try to attend practice. Much can be learned from watching practice and
how people do throws and there may be opportunities to help with the kids or
beginners classes.
Judo Ranks
The familiar system of martial arts ranks indicated by colored belts was actually started
by Kano sensei for Judo. Old-fashioned martial arts (koryu) used licenses, only
awarded after long periods of study. Kano sensei adopted the kyu (“white belt”)- dan
(“black belt”) system from fine arts such as calligraphy and music to provide a more
structured approach to teaching and learning Judo. Each step in the system indicates
that the student has grasped certain skills and techniques and devoted a certain
amount of time to Judo training.
(Japanese) (Japanese)
Gokyu 5th kyu Green Shodan 1st dan Black
Yonkyu 4th kyu Blue Nidan 2 dan
nd
Black
Sankyu 3rd kyu Brown Sandan 3 dan
rd
Black
Nikyu 2nd kyu Brown Yodan 4th dan Black
Mudansha (white belt) ranks Yudansha (black belt) ranks
ikkyu 1st kyu Brown Godan 5th can Black
Rokudan 6th dan Red and white*
Shichidan 7 dan
th
Red and white*
Hachidan 8th dan Red and white*
Kudan 9 dan
th
Red*
Judan 10th dan Red*
Judo technique is divided into three major divisions: nage waza-throwing techniques,
newaza techniques applied on the ground, atemi-waza striking techniques (only
practiced in kata). You should never “try out” techniques that you have not been
taught on your partner, this quickly leads to unexpected and dangerous situations. If
you are curious ask your sensei to teach you the technique.
Nage waza: Judo throws are based on principles of leverage, balance, and timing. They
use skillful manipulation of these factors to throw your opponent rather than simply
relying on strength (there is always going to be someone stronger than you out there).
There are 67 officially recognized throws in Kodokan Judo, each with a number of
variations.
Ne waza- Grappling on the ground. The same principles as standing are applied in
newaza to immobilize your opponent with a hold down or gain a submission through a
choke or joint lock. Newaza is typically divided into three categories: Katame
wazapining or hold-downs, Shime waza- chokes, Kansetsu waza- Joint locks (only
applied to the elbow)
Types of training
Judo training is divided into three broad categories: kata-pre arranged exercises,
randorifree practice, and shiai-contest. We start learning techniques with each partner
having a specific role, one partner is known as tori-this person tries the technique, the
other partner is known as uke, they allow tori to practice the technique without offering
resistance. As skill increases, or to explore specific situations uke’s role may become
more complicated, adding movement, slight resistance or a specific response to tori’s
actions. On of the most common types of this practice is known as uchikomi. In
uchikomi uke stands still or moves as tori practices the movements of a throw (in this
form of training tori stops just short of actually throwing uke). The more formal forms
of kata, typically learned at brown or black belt, involve uke making a specific attack, to
which tori responds in a specific manner.
In randori, partners move about freely, usually without either partner designated as uke
or tori. They may freely apply any technique that is appropriate. Randori may be
practiced at all levels from alternating throws between partners to practice contests.
However, randori is not just a watered-down contest. It is a chance to practice
applying your techniques, one should never be afraid to be thrown in randori, just get
back up and keep going.
Shiai, or contest is the part of Judo that familiar to most people. In shiai, the first
person to score a decisive technique (throw, pin, choke, or arm lock) wins. This is the
competitive aspect of Judo, but also serves as a place to test what you have learned.
Can you apply what you have learned quickly and decisively under the pressure of
contest?