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Continuous Ghost Notes - Part 1: John Xepoleas (SDVL5)
Continuous Ghost Notes - Part 1: John Xepoleas (SDVL5)
This is the first in a two-part lesson on "Continuous Ghost Notes". In this part, I'll teach you how to
apply a variety of bass drum patterns to the continuous ghost note sticking. We'll start with simple 8th
note bass drum rhythms, then we'll play some 16th note rhythms. Begin by playing a two-hand 16th
note groove on a tightly closed hi-hat. Be sure to lock in the bass drum and hi-hat on beats 1 and 3.
q = 96 R
%R L R L R L R L %R L R L
L R L
! $ $ $ $ # $ $ $ $ $ $ $ # $ $ $
1.
" !# #
#
Now, take the left hand part from the 16th note hi-hat groove and play it on the snare drum to create
a continuous ghost note sticking. Be sure to play all of the ghost notes ( ) as softly as possible,
at about 1" off of the head.
R
%
R L L
R L R
R L R L
%
R L L
R L
$ # $ # # # $ # $ # $ # # # $ #
2.
" # #
Let's apply some simple 8th note bass drum rhythms to the continuous ghost note sticking. Be
sure to lock in the bass drum and hi-hat parts and play the ghost notes as softly as possible.
% %
$ # $ # # # $ # $ # $ # # # $ #
3.
" # # #
% %
$ # $ # # # $ # $ # $ # # # $ #
4.
" # # #
% %
$ # $ # # # $ # $ # $ # # # $ #
5.
" # # #
% %
$ # $ # # # $ # $ # $ # # # $ #
6.
" # # # #
Continuous Ghost Notes Part 1 - page 2
Now we'll play some 16th notes with the bass drum. The biggest challenge will be to lock in the
bass drum parts with the ghost notes. It's a good idea to start out playing the groove using
two-hand 16th notes on the hi-hat. Ex7.) Then, when you are comfortable with this approach,
move your left hand down to the snare to play the continuous ghost notes. Ex.8)
R L
$R L R L R L R L $R L R L
R L
# # # # " # # # # # # # " # # #
7.
R L
$R L R L R L R L $R L R L
R L
# " # " " " # " # " # " " " # "
8.
$ $
# " # " " " # " # " # " " " # "
9.
$ $
# " # " " " # " # " # " " " # "
11.
This is the second in a two-part lesson on "Continuous Ghost Notes". In this part, I'll teach you how to
apply some additional snare drum accents to the continuous ghost note sticking. For the first two
#
examples, we'll add an accent to the last 16th note of the second beat. Be sure to play all of the ghost
notes ( ) as softly as possible, at about 1" off of the head.
q = 102
R L
%R L R %L R L R L %R L R L
R L
! $ # $ # # # $ # $ # $ # # # $ #
1.
" !#
% % %
$ # $ # # # $ # $ # $ # # # $ #
2.
" # #
For the next two examples the additional accent is played on the 2nd 16th note of the 3rd beat.
% % %
$ # $ # # # $ # $ # $ # # # $ #
3.
" #
% % %
$ # $ # # # $ # $ # $ # # # $ #
4.
" # #
Here are some nice sounding two-bar phrases that incorporate the additional snare drum accents.
As in part one of this lesson, start by playing the groove using two-hand 16th notes on the hi-hat.
Ex5.) Then, when you are comfortable playing with this approach, move your left hand down to
the snare and play the continuous ghost notes. Ex.6)
% % % % %
$$ $ $ #$ $ $ $$ $ $ #$ $ $ $$ $ $#$ $ #$ $ $$ # $$ $
5.
" # # # # # #
% % % % %
$#$ ###$ # $#$ ###$ # $#$ ###$ #$ # $###$ #
6.
"# # # # # #
Continuous Ghost Notes Part 2 - page 2
$ $ $ $ $
#"# """# "# " #"""# " #"# """# "# " #"""# "
7.
$ $ $ $ $
#"# """# "# "# """# " # " #"""# " #"# """ #"
8.
% $ $ $ $ $ &
#"# """# "# " #"""# " # " #"""# " #"# """ #"
9.
$ $ $ $ $
#"# """# "# " #"""# " #"# """# "# """""# "
10.