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So Long A Letter
So Long A Letter
LBST 2102-H93
March 1, 2011
So Long a Letter
“The Senegalese writer, who was born in Dakar, Senegal, in 1929, was educated –unlike
many other women of her generation –at the École Normale for girls in Rufisque. Brought up as
a Muslim by maternal grandparents, she studied the Koran during school holidays. A school
teacher and inspector by profession, Bâ promoted the crucial role of the writer in a developing
country. She believed that the ‘sacred mission of the writer was to strike out at the archaic
practices, traditions, and customs that are not a real part of our precious cultural heritage’.” This
introduction tells the audience so much about the background of the writer and how her
sentiments play out in the theme of this book, So Long a Letter. It sets the scene for the battle
between what is the traditional method in handling duties and what the modern way is and which
would be better in determining the result of a certain situation. It also discusses wich parts of
tradition are truly worth keeping around in terms of defining a culture. The main character of the
book has power, unlike the traditional woman of her culture, because she is an educator.
Although she has this strong-will she must still recall the strict ideologies that govern her society
The theme of the modern woman struck me most. “Modern mothers,” Marima Bâ states,
“favor ‘forbidden games’. They help to limit the damage and, better still, prevent it.” Throughout
this book, the main character, Ramatoulaye and her friend Aissatou, were strong women who
were unlike the status quo. They stood up for women and the role the woman must play.
Traditionally, polygamy is an accepted lifestyle in their culture but these women were married
for years and their lives were completely changed by polygamy. Aissatou was forced out by her
spouses’ aunt and Ramatoulaye, by her own spouses’ love and adoration for a younger woman;
her daughter’s friend to be exact. Albeit the two women handled their situations quite differently,
one uprooting her family and leaving, while the other stayed in an imbalanced co-existing
relationship, they each accept the position of not becoming a submissive wife. These women are
victimized by traditional customs but they don’t let that ruin their lives. Aissatou works for the
Senegalese embassy in America and Ramatoulaye has worked hard to raise twelve children on
her own and is now on her journey to find happiness within herself.
Ramatoulaye stood up for every woman. She even described the positive nature of
her enemies in various parts of the book. Her fight symbolizes all the fights of women. She gives
a voice to these women’s anguish. By comparing herself to other women in the story she shows
that all women have a story to tell and they should not just sit around and wait for independence
to dawn on them; things don’t happen that way. Instead, they should consciously try to unite the
prominent traditional ways with that of the modern world and find a common ground amongst