Professional Documents
Culture Documents
Edgar Allan Poe - The Purloined Letter
Edgar Allan Poe - The Purloined Letter
All new material ©2009 Enotes.com Inc. or its Licensors. All Rights Reserved.
No portion may be reproduced without permission in writing from the publisher.
For complete copyright information please see the online version of this text at
http://www.enotes.com/purloined-letter-text
Table of Contents
Notes.....................................................................................................................................................................1
i
Notes
What is a literary classic and why are these classic works important to the world?
A literary classic is a work of the highest excellence that has something important to say about life and/or the
human condition and says it with great artistry. A classic, through its enduring presence, has withstood the test
of time and is not bound by time, place, or customs. It speaks to us today as forcefully as it spoke to people
one hundred or more years ago, and as forcefully as it will speak to people of future generations. For this
reason, a classic is said to have universality.
Poe's stories and poems are remarkable, not only for an unusual anxiety about life, a preoccupation with loss,
an all-consuming terror, and a unique perspective on death, but also for their rich mixture of beauty, the
sensual, and the supernatural. Many readers wonder whether Poe's odd perspectives were the result of his
unconventional lifestyle, but the debate over whether drugs or alcohol fueled his imagination and caused his
death is inconclusive.
Most modern critics recognize the emotional difficulties that Poe experienced in his life, but they also doubt
that binge drinking and opium use were the inspirations for his fascination with the macabre. It is just as likely
that Poe's series of wrenching losses contributed to a lifelong struggle with depression. His mother and two
other women who served as mother figures to him, died prematurely. His wife was ill for years before she
succumbed to tuberculosis, and a fiancée rejected him.
It is obvious that an artist as sensitive as Poe would reflect this pain in his writings. In addition, it is well
known that he revised his work painstakingly. The hours that Poe spent revising his work also belie any claim
that his work was the product of something other than his own innate genius and craftsmanship.
Poet, storyteller, respected literary critic—Poe was and still remains one of the defining contributors to
American literature. It is our hope that this collection will not only afford you the opportunity to revisit some
of your favorite Poe writings, but also give you the chance to experience a side of his genius that, perhaps,
you never knew existed.
Edgar Allan Poe was born in Boston, Massachusetts, on January 19, 1809. Both his mother, Elizabeth Arnold
Poe, and his father, David Poe, Jr., were employed as actors in the Boston Theatre. After his father abandoned
the family and his mother's death a year later, Poe was taken in by Mr. and Mrs. John Allan, but they never
adopted him. While they lived in England, Poe and his stepfather began to argue fiercely and frequently. Mrs.
Allan died, John remarried, and he and Poe became even further estranged
In 1826, Poe began attending the University of Virginia, but was expelled later that year. He attended West
Point for a short time; while there, he accumulated some gambling debts. John Allan would not help pay them
and Poe left the Academy. He went to Boston in 1827 and, finding that he could not support himself, enlisted
in the United States Army under the name Edgar A. Perry. After two years, he was released and moved to
Baltimore, Maryland, where his maternal relatives lived. During this period, newspapers and literary
magazines began to be published Poe's work. Tamerlaine and Other Poems appeared in 1827 and Al Aaraaf in
1829. His Manuscript Found in a Bottle won a literary contest in 1833.
Three years later, however, his life would change drastically. In May of 1836, he married his 14-year-old
cousin, Virginia Clemm, who convinced Poe to settle in Philadelphia, where he obtained regular employment
as an editor. In 1844, Poe moved to New York City, taking a job as editor for another literary magazine, The
Evening Mirror. His most famous and popular poem, The Raven, was published in this magazine; through this
one poem, Poe finally achieved his well-deserved reputation as a great writer. In January of 1847, however,
Notes 1
after a long illness, Virginia died of tuberculosis. Poe's grief, combined with the stress caused by years of
caring for his invalid wife, caused him to collapse emotionally after her death; it is believed that this loss
accelerated his drinking problem.
Yet two years later, in 1849, he moved back to Richmond and planned to wed Sarah Elmira Royster Shelton, a
woman Poe had been engaged to marry earlier in life. (John Allan had forced Poe to abandon any thoughts of
marrying her because of a lack of money.) Poe and Shelton, both now having lost a spouse, renewed their
relationship. They would, however, not marry due to Poe's untimely death, the circumstances of which remain
a mystery, even today.
He had left Richmond for Baltimore on September 27, 1849, and was found unconscious in a gutter there on
October 3rd. Poe had collected approximately $1,500 for subscriptions to his literary magazine, The Stylus, but
no money was found with him, leading to the speculation that he might have been robbed. He was taken to a
hospital where he regained consciousness a few times, but Poe was never coherent enough to explain what
had happened to him. Edgar Allan Poe died on October 7, 1849.
One doctor reported to the newspapers that Poe died from a “congestion of the brain.” Poe was known to
have a tendency toward binge drinking; this, along with the subject matter of his stories and poems, caused
many contemporaries to speculate that alcohol or drugs played a role in his death, but the truth may never be
known. Some modern critics speculate that he might have been an undiagnosed diabetic. Other theories
include the possibility of a brain lesion. One historian theorizes that Poe was kidnapped, given alcohol,
beaten, and forced to vote time and again for sheriff; this was called “cooping” and was a practice in
Baltimore elections at the time. The possibility also exists that Poe encountered a spurned lover, who
wounded him in the neck. What is certain, however, is that Edgar Allan Poe left behind an enduring legacy of
work that will long outlive the circumstances of his death.
Notes 2
Reading Pointers for Sharper Insights
As you read these stories and poems, pay attention to the following:
• Death is not only inevitable, but it also can be beautiful, especially as it is portrayed in the poems.
• Death can be horrific when someone realizes it is imminent.
• Guilt, hatred, or revenge are appropriate justifications for murder.
• Impending death can be postponed, but not always.
• Death may actually enhance a loved one's beauty.
• Words are frequently used for the way they sound, as well as for their meanings.
• Poe's rhythm and internal rhyme becomes almost hypnotic in many poems.
• The difficult vocabulary reflects the style of Poe's time period.
• Every important word is intended to evoke a mood or atmosphere in the reader, and Poe aimed for the
same effect regardless of whether the work was prose or poetry.
Poe's ability to instill fear in the reader, primarily in the short stories:
• Poe builds suspense throughout the stories, revealing some facts while withholding others.
• Because the element of danger is usually present, the reader can feel the intensity of the emotions.
• The narration is frequently first person, which makes the reader's connection to the story more
intimate.
• Poe's descriptions are usually minutely detailed to give a sense of verisimilitude to the stories, despite
their supernatural atmosphere.
• The use of irony and black humor is common.
• Gothic elements are usually prominent in his writing: the supernatural, evil animals, and dark, gloomy
settings
• Poe's depictions of how the human mind works heighten a reader's connection to the story.
• The surprise endings provide a reason to go back through the work to look for clues missed on the
first reading.
Seneca.
AT PARIS, JUST after dark one gusty evening in the autumn of 18—, I was enjoying the twofold luxury of
meditation and a meerschaum, in company with my friend C. Auguste Dupin, in his little back library, or
book-closet, au troisieme, No. 33, Rue Dunot, Faubourg St. Germain. For one hour at least we had maintained
a profound silence; while each, to any casual observer, might have seemed intently and exclusively occupied
with the curling eddies of smoke that oppressed the atmosphere of the chamber. For myself, however, I was
mentally discussing certain topics which had formed matter for conversation between us at an earlier period of
the evening; I mean the affair of the Rue Morgue, and the mystery attending the murder of Marie Roget. I
looked upon it, therefore, as something of a coincidence, when the door of our apartment was thrown open
and admitted our old acquaintance, Monsieur G—, the Prefect of the Parisian police.
We gave him a hearty welcome; for there was nearly half as much of the entertaining as of the contemptible
about the man, and we had not seen him for several years. We had been sitting in the dark, and Dupin now
arose for the purpose of lighting a lamp, but sat down again, without doing so, upon G.'s saying that he had
called to consult us, or rather to ask the opinion of my friend, about some official business which had
occasioned a great deal of trouble.
“If it is any point requiring reflection,” observed Dupin, as he forbore to enkindle the wick, “we shall
examine it to better purpose in the dark.”
“That is another of your odd notions,” said the Prefect, who had a fashion of calling every thing “odd” that
was beyond his comprehension, and thus lived amid an absolute legion of “oddities.”
“Very true,” said Dupin, as he supplied his visitor with a pipe, and rolled towards him a comfortable chair.
“And what is the difficulty now?” I asked. “Nothing more in the assassination way, I hope?”
“Oh no; nothing of that nature. The fact is, the business is very simple indeed, and I make no doubt that we
can manage it sufficiently well ourselves; but then I thought Dupin would like to hear the details of it, because
it is so excessively odd.”
“Why, yes; and not exactly that, either. The fact is, we have all been a good deal puzzled because the affair is
so simple, and yet baffles us altogether.”
“Perhaps it is the very simplicity of the thing which puts you at fault,” said my friend.
“Why, I will tell you,” replied the Prefect, as he gave a long, steady, and contemplative puff, and settled
himself in his chair. “I will tell you in a few words; but, before I begin, let me caution you that this is an affair
demanding the greatest secrecy, and that I should most probably lose the position I now hold, were it known
that I confided it to any one.
“Proceed,” said I.
“Well, then; I have received personal information, from a very high quarter, that a certain document of the
last importance, has been purloined from the royal apartments. The individual who purloined it is known; this
beyond a doubt; he was seen to take it. It is known, also, that it still remains in his possession.”
“It is clearly inferred,” replied the Prefect, “from the nature of the document, and from the nonappearance of
certain results which would at once arise from its passing out of the robber's possession;—that is to say, from
his employing it as he must design in the end to employ it.”
“Well, I may venture so far as to say that the paper gives its holder a certain power in a certain quarter where
such power is immensely valuable.” The Prefect was fond of the cant of diplomacy.
“No? Well; the disclosure of the document to a third person, who shall be nameless, would bring in question
the honor of a personage of most exalted station; and this fact gives the holder of the document an ascendancy
over the illustrious personage whose honor and peace are so jeopardized.”
“But this ascendancy,” I interposed, “would depend upon the robber's knowledge of the loser's knowledge of
the robber. Who would dare—”
“The thief,” said G., “is the Minister D—, who dares all things, those unbecoming as well as those becoming
a man. The method of the theft was not less ingenious than bold. The document in question—a letter, to be
frank—had been received by the personage robbed while alone in the royal boudoir. During its perusal she was
suddenly interrupted by the entrance of the other exalted personage from whom especially it was her wish to
conceal it. After a hurried and vain endeavor to thrust it in a drawer, she was forced to place it, open as it was,
upon a table. The address, however, was uppermost, and, the contents thus unexposed, the letter escaped
notice. At this juncture enters the Minister D—. His lynx eye immediately perceives the paper, recognises the
handwriting of the address, observes the confusion of the personage addressed, and fathoms her secret. After
some business transactions, hurried through in his ordinary manner, he produces a letter somewhat similar to
the one in question, opens it, pretends to read it, and then places it in close juxtaposition to the other. Again he
converses, for some fifteen minutes, upon the public affairs. At length, in taking leave, he takes also from the
table the letter to which he had no claim. Its rightful owner saw, but, of course, dared not call attention to the
act, in the presence of the third personage who stood at her elbow. The minister decamped; leaving his own
“Here, then,” said Dupin to me, “you have precisely what you demand to make the ascendancy complete—the
robber's knowledge of the loser's knowledge of the robber.”
“Yes,” replied the Prefect; “and the power thus attained has, for some months past, been wielded, for
political purposes, to a very dangerous extent. The personage robbed is more thoroughly convinced, every
day, of the necessity of reclaiming her letter. But this, of course, cannot be done openly. In fine, driven to
despair, she has committed the matter to me.”
“Than whom,” said Dupin, amid a perfect whirlwind of smoke, “no more sagacious agent could, I suppose,
be desired, or even imagined.”
“You flatter me,” replied the Prefect; “but it is possible that some such opinion may have been entertained.”
“It is clear,” said I, “as you observe, that the letter is still in possession of the minister; since it is this
possession, and not any employment of the letter, which bestows the power. With the employment the power
departs.”
“True,” said G. “and upon this conviction I proceeded. My first care was to make thorough search of the
minister's hotel; and here my chief embarrassment lay in the necessity of searching without his knowledge.
Beyond all things, I have been warned of the danger which would result from giving him reason to suspect our
design.”
“But,” said I, “you are quite au fait in these investigations. The Parisian police have done this thing often
before.”
“Oh yes; and for this reason I did not despair. The habits of the minister gave me, too, a great advantage. He
is frequently absent from home all night. His servants are by no means numerous. They sleep at a distance
from their master's apartment, and, being chiefly Neapolitans, are readily made drunk. I have keys, as you
know, with which I can open any chamber or cabinet in Paris. For three months a night has not passed, during
the greater part of which I have not been engaged, personally, in ransacking the D—Hotel. My honor is
interested, and, to mention a great secret, the reward is enormous. So I did not abandon the search until I had
become fully satisfied that the thief is a more astute man than myself. I fancy that I have investigated every
nook and corner of the premises in which it is possible that the paper can be concealed.”
“But is it not possible,” I suggested, “that although the letter may be in possession of the minister, as it
unquestionably is, he may have concealed it elsewhere than upon his own premises?”
“This is barely possible,” said Dupin. “The present peculiar condition of affairs at court, and especially of
those intrigues in which D—is known to be involved, would render the instant availability of the document—its
susceptibility of being produced at a moment's notice—a point of nearly equal importance with its possession.”
“True,” I observed; “the paper is clearly then upon the premises. As for its being upon the person of the
minister, we may consider that as out of the question.”
“You might have spared yourself this trouble,” said Dupin. “D—, I presume, is not altogether a fool, and, if
not, must have anticipated these waylayings, as a matter of course.”
“Not altogether a fool,” said G., “but then he's a poet, which I take to be only one remove from a fool.”
“True,” said Dupin, after a long and thoughtful whiff from his meerschaum, “although I have been guilty of
certain doggerel myself.”
“Why the fact is, we took our time, and we searched every where. I have had long experience in these affairs.
I took the entire building, room by room; devoting the nights of a whole week to each. We examined, first, the
furniture of each apartment. We opened every possible drawer; and I presume you know that, to a properly
trained police agent, such a thing as a secret drawer is impossible. Any man is a dolt who permits a ‘secret’
drawer to escape him in a search of this kind. The thing is so plain. There is a certain amount of bulk—of
space—to be accounted for in every cabinet. Then we have accurate rules. The fiftieth part of a line could not
escape us. After the cabinets we took the chairs. The cushions we probed with the fine long needles you have
seen me employ. From the tables we removed the tops.”
“Why so?”
“Sometimes the top of a table, or other similarly arranged piece of furniture, is removed by the person
wishing to conceal an article; then the leg is excavated, the article deposited within the cavity, and the top
replaced. The bottoms and tops of bedposts are employed in the same way.”
“By no means, if, when the article is deposited, a sufficient wadding of cotton be placed around it. Besides, in
our case, we were obliged to proceed without noise.”
“But you could not have removed—you could not have taken to pieces all articles of furniture in which it
would have been possible to make a deposit in the manner you mention. A letter may be compressed into a
thin spiral roll, not differing much in shape or bulk from a large knitting-needle, and in this form it might be
inserted into the rung of a chair, for example. You did not take to pieces all the chairs?”
“Certainly not; but we did better—we examined the rungs of every chair in the hotel, and, indeed, the jointings
of every description of furniture, by the aid of a most powerful microscope. Had there been any traces of
recent disturbance we should not have failed to detect it instantly. A single grain of gimlet-dust, for example,
would have been as obvious as an apple. Any disorder in the glueing—any unusual gaping in the joints—would
have sufficed to insure detection.”
“I presume you looked to the mirrors, between the boards and the plates, and you probed the beds and the
bed-clothes, as well as the curtains and carpets.”
“That of course; and when we had absolutely completed every particle of the furniture in this way, then we
examined the house itself. We divided its entire surface into compartments, which we numbered, so that none
might be missed; then we scrutinized each individual square inch throughout the premises, including the two
houses immediately adjoining, with the microscope, as before.”
“All the grounds are paved with brick. They gave us comparatively little trouble. We examined the moss
between the bricks, and found it undisturbed.”
“You looked among D—'s papers, of course, and into the books of the library?”
“Certainly; we opened every package and parcel; we not only opened every book, but we turned over every
leaf in each volume, not contenting ourselves with a mere shake, according to the fashion of some of our
police officers. We also measured the thickness of every book-cover, with the most accurate admeasurement,
and applied to each the most jealous scrutiny of the microscope. Had any of the bindings been recently
meddled with, it would have been utterly impossible that the fact should have escaped observation. Some five
or six volumes, just from the hands of the binder, we carefully probed, longitudinally, with the needles.”
“Beyond doubt. We removed every carpet, and examined the boards with the microscope.”
“Yes.
“We did.”
“Then,” I said, “you have been making a miscalculation, and the letter is not upon the premises, as you
suppose.
“I fear you are right there,” said the Prefect. “And now, Dupin, what would you advise me to do?”
“That is absolutely needless,” replied G—. “I am not more sure that I breathe than I am that the letter is not at
the Hotel.”
“I have no better advice to give you,” said Dupin. “You have, of course, an accurate description of the
letter?”
“Oh yes!”—And here the Prefect, producing a memorandum-book, proceeded to read aloud a minute account
of the internal, and especially of the external appearance of the missing document. Soon after finishing the
perusal of this description, he took his departure, more entirely depressed in spirits than I had ever known the
good gentleman before.
In about a month afterwards he paid us another visit, and found us occupied very nearly as before. He took a
pipe and a chair and entered into some ordinary conversation. At length I said,—
“Confound him, say I—yes; I made the reexamination, however, as Dupin suggested—but it was all labor lost,
as I knew it would be.”
“How much was the reward offered, did you say?” asked Dupin.
“Why, a very great deal—a very liberal reward—I don't like to say how much, precisely; but one thing I will
say, that I wouldn't mind giving my individual check for fifty thousand francs to any one who could obtain me
that letter. The fact is, it is becoming of more and more importance every day; and the reward has been lately
doubled. If it were trebled, however, I could do no more than I have done.”
“Why, yes,” said Dupin, drawlingly, between the whiffs of his meerschaum, “I really—think, G—, you have
not exerted yourself—to the utmost in this matter. You might—do a little more, I think, eh?”
“Why—puff, puff—you might—puff, puff—employ counsel in the matter, eh?—puff, puff, puff. Do you
remember the story they tell of Abernethy?”
“To be sure! hang him and welcome. But, once upon a time, a certain rich miser conceived the design of
spunging upon this Abernethy for a medical opinion. Getting up, for this purpose, an ordinary conversation in
a private company, he insinuated his case to the physician, as that of an imaginary individual.
“‘We will suppose,’ said the miser, ‘that his symptoms are such and such; now, doctor, what would you
have directed him to take?’
“But,” said the Prefect, a little discomposed, “I am perfectly willing to take advice, and to pay for it. I would
really give fifty thousand francs to any one who would aid me in the matter.”
“In that case,” replied Dupin, opening a drawer, and producing a checkbook, “you may as well fill me up a
check for the amount mentioned. When you have signed it, I will hand you the letter.”
I was astounded. The Prefect appeared absolutely thunderstricken. For some minutes he remained speechless
and motionless, less, looking incredulously at my friend with open mouth, and eyes that seemed starting from
their sockets; then, apparently in some measure, he seized a pen, and after several pauses and vacant stares,
finally filled up and signed a check for fifty thousand francs, and handed it across the table to Dupin. The
latter examined it carefully and deposited it in his pocket-book; then, unlocking an escritoire, took thence a
letter and gave it to the Prefect. This functionary grasped it in a perfect agony of joy, opened it with a
trembling hand, cast a rapid glance at its contents, and then, scrambling and struggling to the door, rushed at
length unceremoniously from the room and from the house, without having uttered a syllable since Dupin had
requested him to fill up the check.
“Yes,” said Dupin. “The measures adopted were not only the best of their kind, but carried out to absolute
perfection. Had the letter been deposited within the range of their search, these fellows would, beyond a
question, have found it.”
“The measures, then,” he continued, “were good in their kind, and well executed; their defect lay in their
being inapplicable to the case, and to the man. A certain set of highly ingenious resources are, with the
Prefect, a sort of Procrustean bed, to which he forcibly adapts his designs. But he perpetually errs by being too
deep or too shallow, for the matter in hand; and many a schoolboy is a better reasoner than he. I knew one
about eight years of age, whose success at guessing in the game of ‘even and odd’ attracted universal
admiration. This game is simple, and is played with marbles. One player holds in his hand a number of these
toys, and demands of another whether that number is even or odd. If the guess is right, the guesser wins one; if
wrong, he loses one. The boy to whom I allude won all the marbles of the school. Of course he had some
principle of guessing; and this lay in mere observation and admeasurement of the astuteness of his opponents.
For example, an arrant simpleton is his opponent, and, holding up his closed hand, asks, ‘are they even or
odd?’ Our schoolboy replies, ‘odd,’ and loses; but upon the second trial he wins, for he then says to himself,
the simpleton had them even upon the first trial, and his amount of cunning is just sufficient to make him have
them odd upon the second; I will therefore guess odd';—he guesses odd, and wins. Now, with a simpleton a
degree above the first, he would have reasoned thus: ‘This fellow finds that in the first instance I guessed
odd, and, in the second, he will propose to himself upon the first impulse, a simple variation from even to odd,
as did the first simpleton; but then a second thought will suggest that this is too simple a variation, and finally
he will decide upon putting it even as before. I will therefore guess even’ —he guesses even, and wins. Now
this mode of reasoning in the schoolboy, whom his fellows termed “lucky,”—what, in its last analysis, is it?”
“It is merely,” I said, “an identification of the reasoner's intellect with that of his opponent.”
“It is,” said Dupin;” and, upon inquiring of the boy by what means he effected the thorough identification in
which his success consisted, I received answer as follows: ‘When I wish to find out how wise, or how stupid,
or how good, or how wicked is any one, or what are his thoughts at the moment, I fashion the expression of
my face, as accurately as possible, in accordance with the expression of his, and then wait to see what
thoughts or sentiments arise in my mind or heart, as if to match or correspond with the expression.’ This
response of the schoolboy lies at the bottom of all the spurious profundity which has been attributed to
Rochefoucauld, to La Bougive, to Machiavelli, and to Campanella.”
“And the identification,” I said, “of the reasoner's intellect with that of his opponent, depends, if I understand
you aright upon the accuracy with which the opponent's intellect is admeasured.”
“For its practical value it depends upon this,” replied Dupin; and the Prefect and his cohort fall so frequently,
first, by default of this identification, and, secondly, by ill-admeasurement, or rather through
non-admeasurement, of the intellect with which they are engaged. They consider only their own ideas of
ingenuity; and, in searching for anything hidden, advert only to the modes in which they would have hidden it.
They are right in this much—that their own ingenuity is a faithful representative of that of the mass; but when
the cunning of the individual felon is diverse in character from their own, the felon foils them, of course. This
“But is this really the poet?” I asked. “There are two brothers, I know; and both have attained reputation in
letters. The Minister I believe has written learnedly on the Differential Calculus. He is a mathematician, and
no poet.”
“You are mistaken; I know him well; he is both. As poet and mathematician, he would reason well; as mere
mathematician, he could not have reasoned at all, and thus would have been at the mercy of the Prefect.”
“You surprise me,” I said, “by these opinions, which have been contradicted by the voice of the world. You
do not mean to set at naught the well-digested idea of centuries. The mathematical reason has long been
regarded as the reason par excellence.
“‘Il y a a parier,’” replied Dupin, quoting from Chamfort, “‘que toute idee publique, toute convention
recue, est une sottise, car elle a convenu au plus grand nombre.’ The mathematicians, I grant you, have done
their best to promulgate the popular error to which you allude, and which is none the less an error for its
promulgation as truth. With an art worthy a better cause, for example, they have insinuated the term
‘analysis’ into application to algebra. The French are the originators of this particular deception; but if a term
is of any importance—if words derive any value from applicability—then ‘analysis’ conveys ‘algebra’ about
as much as, in Latin, ‘ambitus’ implies ‘ambition,’ ‘religio’ religion or ‘homines honesti,' a set of
honorable men.”
“You have a quarrel on hand, I see,” said I, “with some of the algebraists of Paris; but proceed.”
“I dispute the availability, and thus the value, of that reason which is cultivated in any especial form other
than the abstractly logical. I dispute, in particular, the reason educed by mathematical study. The mathematics
are the science of form and quantity; mathematical reasoning is merely logic applied to observation upon form
and quantity. The great error lies in supposing that even the truths of what is called pure algebra, are abstract
or general truths. And this error is so egregious that I am confounded at the universality with which it has
“I mean to say,” continued Dupin, while I merely laughed at his last observations, “that if the Minister had
been no more than a mathematician, the Prefect would have been under no necessity of giving me this check. I
knew him, however, as both mathematician and poet, and my measures were adapted to his capacity, with
reference to the circumstances by which he was surrounded. I knew him as a courtier, too, and as a bold
intriguant. Such a man, I considered, could not fail to be aware of the ordinary policial modes of action. He
could not have failed to anticipate—and events have proved that he did not fail to anticipate—the waylayings to
which he was subjected. He must have foreseen, I reflected, the secret investigations of his premises. His
frequent absences from home at night, which were hailed by the Prefect as certain aids to his success, I
regarded only as ruses, to afford opportunity for thorough search to the police, and thus the sooner to impress
them with the conviction to which G—, in fact, did finally arrive—the conviction that the letter was not upon
the premises. I felt, also, that the whole train of thought, which I was at some pains in detailing to you just
now, concerning the invariable principle of policial action in searches for articles concealed—I felt that this
whole train of thought would necessarily pass through the mind of the Minister. It would imperatively lead
him to despise all the ordinary nooks of concealment. He could not, I reflected, be so weak as not to see that
the most intricate and remote recess of his hotel would be as open as his commonest closets to the eyes, to the
probes, to the gimlets, and to the microscopes of the Prefect. I saw, in fine, that he would be driven, as a
matter of course, to simplicity, if not deliberately induced to it as a matter of choice. You will remember,
perhaps, how desperately the Prefect laughed when I suggested, upon our first interview, that it was just
possible this mystery troubled him so much on account of its being so very self-evident.”
“Yes,” said I, “I remember his merriment well. I really thought he would have fallen into convulsions.”
“The material world,” continued Dupin, “abounds with very strict analogies to the immaterial; and thus some
color of truth has been given to the rhetorical dogma, that metaphor, or simile, may be made to strengthen an
argument, as well as to embellish a description. The principle of the vis inertiae, for example, seems to be
identical in physics and metaphysics. It is not more true in the former, that a large body is with more difficulty
set in motion than a smaller one, and that its subsequent momentum is commensurate with this difficulty, than
it is, in the latter, that intellects of the vaster capacity, while more forcible, more constant, and more eventful
in their movements than those of inferior grade, are yet the less readily moved, and more embarrassed and full
of hesitation in the first few steps of their progress. Again: have you ever noticed which of the street signs,
over the shop doors, are the most attractive of attention?”
“But the more I reflected upon the daring, dashing, and discriminating ingenuity of D—; upon the fact that the
document must always have been at hand, if he intended to use it to good purpose; and upon the decisive
evidence, obtained by the Prefect, that it was not hidden within the limits of that dignitary's ordinary
search—the more satisfied I became that, to conceal this letter, the Minister had resorted to the comprehensive
and sagacious expedient of not attempting to conceal it at all.
“Full of these ideas, I prepared myself with a pair of green spectacles, and called one fine morning, quite by
accident, at the Ministerial hotel. I found D—at home, yawning, lounging, and dawdling, as usual, and
pretending to be in the last extremity of ennui. He is, perhaps, the most really energetic human being now
alive—but that is only when nobody sees him.
“To be even with him, I complained of my weak eyes, and lamented the necessity of the spectacles, under
cover of which I cautiously and thoroughly surveyed the apartment, while seemingly intent only upon the
conversation of my host.
“I paid special attention to a large writing-table near which he sat, and upon which lay confusedly, some
miscellaneous letters and other papers, with one or two musical instruments and a few books. Here, however,
after a long and very deliberate scrutiny, I saw nothing to excite particular suspicion.
“At length my eyes, in going the circuit of the room, fell upon a trumpery filigree card-rack of pasteboard,
that hung dangling by a dirty blue ribbon, from a little brass knob just beneath the middle of the mantelpiece.
In this rack, which had three or four compartments, were five or six visiting cards and a solitary letter. This
last was much soiled and crumpled. It was torn nearly in two, across the middle—as if a design, in the first
instance, to tear it entirely up as worthless, had been altered, or stayed, in the second. It had a large black seal,
bearing the D—cipher very conspicuously, and was addressed, in a diminutive female hand, to D—, the
minister, himself. It was thrust carelessly, and even, as it seemed, contemptuously, into one of the upper
divisions of the rack.
“No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it
was, to all appearance, radically different from the one of which the Prefect had read us so minute a
description. Here the seal was large and black, with the D—cipher; there it was small and red, with the ducal
arms of the S—family. Here, the address, to the Minister, was diminutive and feminine; there the
superscription, to a certain royal personage, was markedly bold and decided; the size alone formed a point of
correspondence. But, then, the radicalness of these differences, which was excessive; the dirt; the soiled and
torn condition of the paper, so inconsistent with the true methodical habits of D—, and so suggestive of a
design to delude the beholder into an idea of the worthlessness of the document; these things, together with
the hyperobtrusive situation of this document, full in the view of every visitor, and thus exactly in accordance
with the conclusions to which I had previously arrived; these things, I say, were strongly corroborative of
suspicion, in one who came with the intention to suspect.
“The next morning I called for the snuff-box, when we resumed, quite eagerly, the conversation of the
preceding day. While thus engaged, however, a loud report, as if of a pistol, was heard immediately beneath
the windows of the hotel, and was succeeded by a series of fearful screams, and the shoutings of a mob.
D—rushed to a casement, threw it open, and looked out. In the meantime, I stepped to the card-rack, took the
letter, put it in my pocket, and replaced it by a fac-simile, (so far as regards externals,) which I had carefully
prepared at my lodgings; imitating the D—cipher, very readily, by means of a seal formed of bread.
“The disturbance in the street had been occasioned by the frantic behavior of a man with a musket. He had
fired it among a crowd of women and children. It proved, however, to have been without ball, and the fellow
was suffered to go his way as a lunatic or a drunkard. When he had gone, D-came from the window, whither I
had followed him immediately upon securing the object in view. Soon afterwards I bade him farewell. The
pretended lunatic was a man in my own pay.
“But what purpose had you,” I asked, “in replacing the letter by a facsimile? Would it not have been better, at
the first visit, to have seized it openly, and departed?”
“D—,” replied Dupin, “is a desperate man, and a man of nerve. His hotel, too, is not without attendants
devoted to his interests. Had I made the wild attempt you suggest, I might never have left the Ministerial
presence alive. The good people of Paris might have heard of me no more. But I had an object apart from
these considerations. You know my political prepossessions. In this matter, I act as a partisan of the lady
concerned. For eighteen months the Minister has had her in his power. She has now him in hers; since, being
unaware that the letter is not in his possession, he will proceed with his exactions as if it was. Thus will he
inevitably commit himself, at once, to his political destruction. His downfall, too, will not be more precipitate
than awkward. It is all very well to talk about the facilis descensus Averni; but in all kinds of climbing, as
Catalani said of singing, it is far more easy to get up than to come down. In the present instance I have no
sympathy—at least no pity—for him who descends. He is the monstrum horrendum, an unprincipled man of
genius. I confess, however, that I should like very well to know the precise character of his thoughts, when,
being defied by her whom the Prefect terms ‘a certain personage,’ he is reduced to opening the letter which I
left for him in the card-rack.”
“Why—it did not seem altogether right to leave the interior blank—that would have been insulting. D—, at
Vienna once, did me an evil turn, which I told him, quite good-humoredly, that I should remember. So, as I
knew he would feel some curiosity in regard to the identity of the person who had outwitted him, I thought it a
pity not to give him a clue. He is well acquainted with my MS., and I just copied into the middle of the blank
sheet the words—