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A Doll's House Notes
A Doll's House Notes
A Doll’s House
Characters:
KROGSTAD: a social outcast as a result of forgery he had done in the past that was
publically exposed
Themes:
Some of the themes found in the play are listed below. Read the text thoroughly to correlate
these themes through textual references. The themes have been discussed during the lectures
in detail:
• Institution of marriage
• Sacrificial role of women
• Quest for identity
• Self-awareness
• Family
• Parental obligations
• Gender roles
• Sexism
• Honour, reputation
• Individual versus society
• Appearance and reality
Symbols
Money (it symbolizes men’s control over women as women were not allowed to have access
to it in the same manner as men. as exemplified by Nora asking for money from Torvald in
the beginning, and her refusal to take any financial help from him when she is leaving the
house for good. During Ibsen's time, Norwegian women did not have the right to vote, own
property, or borrow money. The right to control their own wealth did not come to Norwegian
women until the 1890s).
Christmas tree (The state of the Christmas tree in the beginning of the play and later in the
second act represent the passing of time and foreshadows Nora's emotional decline in its
“dishevelled” state)
Masquerade ball (Nora is not her true self in front of Torvald. This comes to light in Act III
of the play as the self-realization takes place
TORVALD: No, stay—What are you doing there in the alcove?
NORA [from within]: Taking off my masquerade costume.)
Birds (nicknames like “skylark”, “songbird”, “dove” used by Torvald to address Nora. Her
being addressed as a bird also indicates her status as the same as a bird in a cage)
Doll’s house (Nora as a doll/plaything/puppet for her father and then for her husband)
Macaroons (Torvald has refused Nora the right to eat macaroons, but Nora still eats them
without his knowledge. Macaroons symbolise her disobedience. She rebels and is capable of
deceit which is symbolised through this act.
Tarantella (a rapid whirling dance originating in southern Italy. An Italian folk dance where
one dances with wild abandon. The dance was thought to be a cure for tarantism, the victim
dancing the tarantella until exhausted)