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  • Liebesleid From Wiener Tanzweisen Loves Sorrow From 3 Old Viennese Dances by Fritz Kreisler

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    Eric Artz
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    This musical piece is titled "Liebesleid" (Love's Sorrow) composed by Fritz Kreisler. The summary is: 1) The piece is a lamentation for lost love written for solo violin and piano in a tempo of "Ländler". 2) It expresses sorrow through melodic lines full of longing and sadness in both the violin and piano parts. 3) The composition builds in emotion throughout, reaching a climax of anguished expression before resolving at the end in resignation to the pain of lost love.

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    Liebesleid From Wiener Tanzweisen Loves Sorrow From 3 Old Viennese Dances by Fritz Kreisler

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    This musical piece is titled "Liebesleid" (Love's Sorrow) composed by Fritz Kreisler. The summary is: 1) The piece is a lamentation for lost love written for solo violin and piano in a tempo of "Ländler". 2) It expresses sorrow through melodic lines full of longing and sadness in both the violin and piano parts. 3) The composition builds in emotion throughout, reaching a climax of anguished expression before resolving at the end in resignation to the pain of lost love.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    60 views5 pages

    Liebesleid From Wiener Tanzweisen Loves Sorrow From 3 Old Viennese Dances by Fritz Kreisler

    Uploaded by

    Eric Artz
    This musical piece is titled "Liebesleid" (Love's Sorrow) composed by Fritz Kreisler. The summary is: 1) The piece is a lamentation for lost love written for solo violin and piano in a tempo of "Ländler". 2) It expresses sorrow through melodic lines full of longing and sadness in both the violin and piano parts. 3) The composition builds in emotion throughout, reaching a climax of anguished expression before resolving at the end in resignation to the pain of lost love.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 5

    Liebesleid

    Love's Sorrow
    Fritz Kreisler

       
                            
    Tempo di „Ländler”

             
     
    sul D sul A sul D
    2 3 2 1 2

    Violin

                            

                   
    con sentimento

        
     
                     
       

     
    Piano

           

           
                         
                       
      
    10
    2

                 
               

           
             
                     
        
        

        
                            
          
    20 sul D sul D
    2 1 2

                             
    express.

                 
              
           
                                       
               
        
              
                          
    sul A sul A
    29
    3
    0 1 2 1 2 3

        
                         
              
       
    espress.

       

                   
              
                 


                           
        
    39


    2 2 3

              
                                            

               
    grazioso

       

     
                      
        

        
      
                  
          



             
    con passione

     
    sul A grazioso
    48 2 3
    2 3
    0 2

             
       
     
                   
    2

                 
    dim.

           
    poco rit.

      
         
               

                  
    poco rit.


       

          
                      
    poco meno mosso

        
      
    59

          
    2 3 2 1 1

    
                          
                
       
             
                      
              
     
    2

                  
            

         
      
     

     

    

    sul D


    69
    2 1 2 1 3

    
            
            
               
        
      
                                
          
               
           
                                 
                
     
       
    78

     
    1 4 1 2 1 1 2 1

      3
                     
       

     
       
    
     
    3

       
                                     
    

          

         
                  
      
                       
       
    88 sul D tempo I
    2 1 1 3 1 4 2

       
                         
    poco rit.

               
      
                        
           
      
        
                           
             
    98 sul D sul A sul D

           
    3 2 2

                              
                        
     
       
          
            
    

    3
                    
                              
     
    107 2
    0

                       
          
             
    con passione

     
    express.

     
                  
        
         
    cresc.

       
      
                                 
      
    grazioso

      
    117 sul A
    2 2 2 3

            
                                   
    2

       
    dim.

               
    poco rit.

                 
       

                   
    poco rit.

     
              
       
                      

       
    poco meno mosso

          
    sul D

     
    127
    2 1 1 2 1 2

      
                      
          
    

              
    3 3

                                   
              
    

     
         
                 
     
           

                     
     
    0

       
    138

       
    1 1 3 1 4 1 2 0

        
           
    3

     
                   
    
     
       
       
          
                                   
             
    4
          
                        
     

          
           
      
    148 sul D

     
    1 1 2 2

         
           
               
    2

                 
                     
          
                                
            


    

      
                         
      
    157


       
        
            
    perdendosi

     
      



         
       
                                 
    

      
    perdendosi

        
                    
           
    
      
             
    165 sul D
    0

    
      
      
          
           
        
        
         
     violinworker 05/2019

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