An African Thunderstorm
An African Thunderstorm
Pregnant clouds
Ride stately on its back,
Gathering to perch on hills
Like sinister dark wings;
The wind whistles by
And trees bend to let it pass.
In the village
Screams of delighted children,
Toss and turn
In the din of the whirling wind,
Women,
Babies clinging on their backs
Dart about
In and out
Madly;
The wind whistles by
Whilst trees bend to let it pass.
David Rubadiri
Summary
The poem tells of a storm violent storm moving, this storm makes its way towards an African village
causing havoc as it moves toward and through the village having the trees themselves bending over
the strength of the winds. Clouds heavy with rain moving quickly, children laugh and shout as the
storm makes it way but the mothers take them as they try to find shelter from the storm. The duality of
the actual storm and colonization in the poem gives a hidden meaning in lines of the poem much like
those of the songs of the slaves.
The first stanza gives the reader the imagery of the storm moving across the sky and the direction in
which it is coming from, the west, this may also be a reference to the intrusion of colonizers in from
the west. The “worldwide” of them entering Africa. “From the west
Turning sharply
Whirling,
Tossing up things on its tail” locust are pests which cause huge devastation and where they go and
are feared. The storm has an ominous feeling to it, out of control, ready to cause havoc. These people
came and just like locusts sucked the contents dry of its resources, the people, etc.
“Like a madman chasing nothing ‘again showing the manic movement of the storm and sets the tone
for the rest of the poem, the violent frenzy of what could be colonialism.
Stanza 2:
Again we get more imagery of the sky, clouds heavy with rain described as being pregnant for the
emphasis of them ready to burst ready to pour rain on the land. But what is about to be unleashed?
The clouds are high in the sky thing to look up at that could be a reference to how these colonizers
see themselves or how they perceive that people see them”Pregnant clouds Ride stately on its back, ”
the word stately brings contrast as it means pristine, proper and order whereas the storm is meant to
be disorderly. The stately proper men
Like sinister dark wings;” this line again bringing the ominous feeling, like a bird of prey waiting,
looking for its target.
The mere mass and force of this storm as it travels is depicted through the last line of the stanza”The
wind whistles by And trees bend to let it pass.” As the trees bent it could be signifying that the tree is
showing that the storm is stronger from acknowledging a superior
Stanza 3:
“In the village
“Women, Babies clinging on their backs Dart about In and out”. The repetition of the last line shows
the emphasis on the strength of the storm and also to show movement. “The wind whistles by Whilst
trees bend to let it pass.”
The storm as finally settled on the village the stanza again gives the imagery of a violent storm tearing
up the village. “Clothes wave-like tattered flags
Flying off”
The emphasis of the onomatopoeia “Rumble, tremble and crack” allow the reader to get a vivid picture
of the destruction caused by the storm. But the relentless storm continues not caring about the
carnage that it has left behind “And the pelting march of the storm.”
Figurative devices
Simile:
Imagery:
Turning sharply
Onomatopoeia:
Personification:
.”Pregnant clouds,” not literal pregnant clouds but clouds filled with rain
The wind whistles
Themes
Nature
Man vs nature
Colonization/Colonialism
“An African Thunderstorm” Summary
o The poem opens with storm winds and thunderclouds blowing in from the
west, violently churning up items in their path. The storm's senseless
destruction is like that of an invading insect swarm (like a biblical "plague of
locusts"), or like an insane person running after nothing.
The speaker describes the clouds that ride the wind as "pregnant" and
"stately," implying that they're full of rain and possibly full of ominous
significance, but are grand-looking as well. These clouds hover over the
hilltops like the dark wings of some evil creature. The trees bending in the
path of the strong wind that passes by.
The poem turns to the responses of villagers in the storm's path. Children
scream with excitement, and the noise is blown around by the wind as it
churns. Women frantically scramble, rushing in and out of doors, as the
babies they're carrying fearfully cling to them. Nearby trees continue to bend
in the strong wind.
The women's clothing is ripped off by the storm, exposing their naked bodies,
and then waves in the wind like torn up flags. Lightning flashes vividly,
thunder rumbles the ground, the air smells like fire and smoke, and a violent
rain begins.
“From the west” is a loaded phrase when applied to Africa, where “the West”
is often associated with Europe, the U.S., and colonial history. Thus, as the
speaker describes the storm's arrival in biblical, almost apocalyptic terms,
readers can deduce that the speaker is also talking about upheavals in
African history (including in the poet’s native Malawi) set in motion by
colonialism.
The speaker compares the storm, for example, to a “plague of locusts,” which
might evoke the biblical Plague of Egypt in which God sends a crop-
destroying swarm to force the Egyptian pharaoh to free the Israelites from
bondage. As the clouds settle on the hills “like sinister dark wings,” the poem
might again be evoking the Angel of Death from those same Plagues—or else
a predatory or scavenging bird. These details mark the storm as an omen of
swift, destructive change. And in doing so, they imply that colonial violence
(and the struggles for independence in its wake) has the power to upend life
as people know it.
Ultimately, the storm brings violence, violation, and social disruption that
parallel colonialism’s legacy of military violence, cultural erasure, and
economic, environmental, and sexual exploitation. The wind tears off women’s
“tattered” clothes, for instance, “expos[ing]” their bodies. Symbolically, this
image suggests that colonialism is a violation and/or a stripping away of
culture. It also evokes the specific violence women faced in these
circumstances, including sexual assault.
Lines 1-33
o
The power of the storm speaks to the power of nature more broadly to disrupt
human life. The storm’s first actions in the poem (“hurrying,” “Turning sharply,”
“Whirling,” “Tossing,” “chasing”) emphasize its speed, restlessness, and
ferocity. The thunder, lightning, and rain are “blind[ing]” and “pelting”; they
“rumble,” “tremble,” and “crack.” These words highlight the storm’s
disruptiveness and violence.
The poem doesn't show the ultimate impact of the storm on the village,
instead ending just as the rain begins “pelting.” It's clear that nature has
enough power to cause human panic. At the same time, the storm seems to
do mostly superficial damage: it tears clothes, but for the moment, at least,
does not kill people. Thus, the poem illustrates nature’s power to destroy the
things humans make—and by extension, human culture—but does not show
the destruction of humanity itself. It portrays nature’s power as formidable, but
not necessarily as apocalyptic: humanity, in this poem’s vision, might be able
to endure any chaos nature can throw at it.
Lines 2-9
Lines 14-15
Lines 16-26
Lines 27-33
LITERARY DEVICES
Quotes to be Used
The following lines from the poem “An Africa Thunderstorm “are useful to
quote while talking about the disaster that occurred in the past.