Luigi

Cervi
(1868-1916)
TOTA PULCHRA Arr. by N. Alloisio

Mottetto per coro a 2 voci eguali con Organo e Flauto

    
             
Adagio molto

Flauto

      
        
 

    


Soprano

 


           
     
To ta pul chra es Ma ri a To ta pul chra es Ma ri a,

Contralto

 
 

                 
To ta pul chra es Ma ri a To ta pul chra es Ma ri a, et

            
   

                


    


  
Organo
 

   
Tast. Ped.
         
          
      


9

Fl.

 
     dim.  
          
      
  lunga  cresc.

S.
 
   cresc.

   
et ma cu la o ri gi na lis non est in te. Tu

  
                       
dim. lunga


A.

  cresc.

  
     
ma cu la et ma cu la o ri gi na lis non est in te. Tu

              
       
dim. lunga

   
               



           
Org. lunga  cresc.
dim.

Tast. Ped. 

2
         
              
17

Fl.

         
            
 

  
poco dim.

S.

 

 
  
glo ri a Je ru sa lem. Tu lae ti ti a I sra el. Tu ho no ri fi

                      
poco dim.
A.

 

        
glo ri a Je ru sa lem. Tu lae ti ti a I sra el. Tu ho no ri fi

                         
poco dim.

       

              


     


          
Org.

     
poco dim.

  

            
    
22


Fl.

             
 
 allarg.


S.

    
cen ti a po pu li no stri. Tu ad vo ca ta pec ca

            

allarg.
A.

               
 
cen ti a po pu li no stri. Tu ad vo ca ta pec ca

         
allarg.

 
    
                  


  
Org. allarg.

  

3
 
                     
 
27

Fl.

 
                     
 
 
dolcissimo
S.


 

              
to rum. OMa ri a, oMa ri a Vir go pru den tis si ma, Ma

       
dolcissimo
A.

 

                           

to rum. OMa ri a, oMa ri a Vir go pru den tis si ma, Ma

     
dolcissimo

     
          
 
Org.

 
dolcissimo

Tast.

                       
    
35

    
Fl.

            
         

 
cresc.  cresc.

S.

 
cresc.  cresc.

 
                         
ter cle men tis si ma, o ra pro no bis, o ra pro no bis. In ter ce de in ter

A.

cresc.  cresc.

             

 
       
ter cle men tis si ma, o ra pro no bis, o ra pro no bis. In ter ce de in ter

              

     

Org.  cresc.
cresc.

4
   
               
40 rall. molto

Fl.

   rall. assai 
               
  
dim. assai
S.

  


     
dim. assai

       
ce de in ter ce de pro no bis ad Do mi num Je sum Chri

       
rall.assai
A.

  

 
       
dim. assai

      
ce de in ter ce de pro no bis ad Do mi num Je sum Chri

     
          
rall. assai


            
 rall. assai 




     
Org.

      
Lento assai dim. assai

Ped.



     
46

 
Fl.

     


S.

   
   
stum.


A.

    
stum.

    
      
 
    
Org.