Professional Documents
Culture Documents
The Birthday Party
The Birthday Party
Party
Study Guide by Course Hero
takes place during the birthday party that Meg arranges for
What's Inside Stanley.
d In Context ..................................................................................................... 1
d In Context
a Author Biography ..................................................................................... 3
the Soviet Union. Fear of nuclear war led people to build bomb world in the late 1950s. These dramas often included a
shelters and to direct children to practice attack drills in protagonist who was an angry young man. The protagonist is
schools across the United States. the main character from the story and is facing challenges.
Stanley from The Birthday Party is such a protagonist. He is
The first military action occurred in June 1950. The North frightened, angry, and unable to work or socialize. He would be
Korean People's Army that was supported by the Soviet Union homeless if not for Meg and Petey's offer to stay at their home.
invaded South Korea. This action resulted in the Korean War Kitchen-sink dramas often include dirty pubs and working-
(1950–53). The war ended in 1953 in a stalemate with neither class characters. Social issues such as homelessness and
country achieving significant gains. By 1955 the world was split prostitution are common in kitchen-sink dramas.
into two organizations, the North Atlantic Treaty Organization
(NATO) and the Warsaw Pact. NATO was made up of 15 John Osborne's (1929–94) Look Back in Angie (1956) was a
countries including the United States and the United Kingdom. landmark piece that led to types of writing that took a stance
The Warsaw Pact was established by the Soviet Union and on social and political norms. It was produced at the English
included seven other communist countries. Stage Company. Osborne wanted the audience to understand
the characters' plight and feel their emotions. This play
inspired a new generation of writers that included Pinter. Small
British Theater in the 20th venues supported these new writers before mainstream
theaters welcomed them.
Century
The 20th century welcomed new trends in British theater. Women's Roles
Political theater made its entrance in the early part of the
century. This genre focused on social issues that addressed In the 1950s a woman's primary role was to stay at home and
controversial topics such as religion and prostitution. George be a good wife and mother. Her daily tasks included keeping
Bernard Shaw (1856–1950) was an early influencer of this type the house clean, cooking, doing laundry, and caring for the
of theater. His play Mrs. Warren's Profession (1893) was children. Some homes did not have refrigerators or freezers,
censored by the government and not performed until 1902. so daily shopping was common. Small shops run by
The play centered on a mother who was a former prostitute shopkeepers were increasingly replaced by self-service shops
and the troubles she had with her daughter. Pinter's The where women could select items from a shelf and pay for them
Birthday Party is a type of political theater. The play addresses before leaving. The character Meg in The Birthday Party runs a
controversial issues such as mental illness, corruption, and small boarding house where she attends to the needs of her
sexual misconduct. husband Petey and boarder Stanley. She enjoys running the
home but regularly looks for affirmation that she is being a
The Workers' Theater Movement added to the political theater doting wife and providing for the men. Meg's opportunities to
genre with messages that encouraged socialism. It was formed contribute outside the home are limited, and her self-worth
in 1917 in the Soviet Union and was influential from 1926 to centers on her housework.
1935. This group allied with the communists, and their goal was
to promote social change through their plays. Inequalities between women and men still existed despite
progress made by the women's suffrage movement. The
Binkie Beaumont (1908–73) promoted a different type of women's suffrage movement began in the late 1800s and
theater. Beaumont was a theater manager and producer fought for women's right to vote which was granted in 1918 and
famous for the glamorous and opulent plays he produced. In modified in 1928. The 1944 Education Act provided free
1947 Oklahoma (1947) opened in London. Other well-known secondary education to all children. However, women's studies
productions include West Side Story (1958) and My Fair Lady continued to focus on homemaking. By 1954 too many girls
(1958). He continued to produce such glitzy plays despite a were passing the 11+ exam which is a rigorous entrance exam
different type of drama that became popular in the 1950s. for secondary school. A law was then passed to restrict the
number of girls who could continue their education which
A type of drama called kitchen-sink realism entered the theater
consequently limited their access to knowledge and careers.
Early Life and wrote that Pinter was the "most original, disturbing and
arresting talent in theatrical London." The article in the Sunday
Harold Pinter was a famous playwright, poet, director, and Times appeared the day after the show was cancelled. The
actor. He was born on October 10, 1930, in Hackney, East Birthday Party (1957) later received acclaim in 1968 when it
London, England. He was the only child of Hyman Pinter who was turned into a film.
was a tailor (1902–97) and Frances Pinter (1904–92) who was
Pinter's success as a playwright was solidified with his second
a homemaker.
full-length play The Caretaker (produced 1960). His next play
Pinter was impacted significantly by events in his childhood. In The Homecoming (1964) reached Broadway in 1967 and
1940 the Germans began bombing London. Nine-year-old brought Pinter additional fame. Other major works include
Pinter and his family evacuated to the towns of Cornwall and Landscape (1968), Silence (1969), Night (1969), Old Times
Reading in the United Kingdom. Pinter was traumatized by the (1971), No Man's Land (1975), Betrayal (1978), Moonlight (1993),
bombings which resulted in a life-long aversion to war. The and Celebration (2000). Pinter wrote radio and television
trauma also sparked an interest in dramatic writing. In 1944 dramas as well as motion-picture screenplays. He also
Pinter returned to London and attended Hackney Grammar directed over 50 productions that included works of other
School. His English teacher Joseph Brearley (1909–77) had a writers. In addition, he took his talents to the stage as an actor.
tremendous influence on Pinter and cast him as Macbeth and He played Saul Abraham in Rogue Male (1976) for which he
Romeo in productions Brearley directed. While at Hackney received acclaim. He also played roles in Mojo (1997),
Pinter studied works from Fyodor Dostoyevsky (1821–81), Mansfield (1998), and The Tailor of Panama (2001). In all Pinter
Franz Kafka (1883–1924), T.S. Eliot (1888–1965), D.H. wrote 29 plays, penned 18 dramatic sketches, and co-authored
Lawrence (1885–1930), Virginia Woolf (1882–1941), and Ernest two plays.
Hemingway (1899–1961). In 1948 Pinter was accepted into the
By 1968 Pinter's style had changed from absurdism which is a
Royal Academy of Dramatic Art. That same year he was called
type of theater that portrays humans as lacking purpose and
up by the National Service, but he did not enlist. His refusal
self-control to a style that portrayed characteristics of human
resulted in a fine but not imprisonment. Pinter was accepted
memory. His plays took on a political focus in 1984. One for the
into Central School of Speech and Drama in 1951. He
Road (1984) centered on power and powerlessness under
participated in Anew McMaster's famous Irish repertory where
totalitarian rule. His political views about various causes were
he played many roles over the two years he was there.
evident in a collection of poems titled War (2003).
In 1956 Pinter married actor Vivien Merchant (1929–82) who
provided much of the financial security early in their marriage.
They had one son Daniel (b. 1958). Pinter and Merchant Recognition and Legacy
divorced in 1980, and he married author Lady Antonia Fraser
Pinter has been recognized internationally as a dramatist, poet,
(b.1932). He had known Fraser since 1975. Pinter was a
actor, and director. Pinter was first recognized in 1966 when he
stepfather to her six children from a previous marriage.
was made Commander of the Order of the British Empire. His
most notable achievement was earning the Nobel Prize for
nominee for best screenplay in 1982 for The French attends to the deck chairs early in the morning and then
Lieutenant's Woman (1981) and in 1984 for Betrayal (1983). The expects his wife to bring him breakfast. He responds to her
screenplay for The French Lieutenant's Woman (1981) was also chatter while he reads the paper. Petey is not at the party
nominated for a Golden Globe and a British Academy of Film where Stanley breaks down because he is out playing chess.
and Television Arts (BAFTA) award in 1982. He shows that he cares about Stanley when he tells Goldberg
and McCann that they cannot take Stanley away. At the end he
Pinter's legacy lives on through the PEN Printer Prize which is does not tell Meg that the men took Stanley away.
awarded each year to a writer from Britain, the Republic of
Ireland, or the Commonwealth. This award is given to a writer
who inspires truth through a body of plays, poetry, or fiction of Lulu
outstanding literary merit. On September, 7, 2011, the Royal
Comedy Theatre was renamed The Harold Pinter Theatre in Lulu comes into Meg and Petey's home to drop off a parcel.
honor of Pinter's contribution to the Comedy Theatre. Pinter's She is concerned about Stanley's appearance and tells him
work has been honored through a production called Pinter at that he needs to take better care of himself. She rejects his
the Pinter which is a series of one-act plays. Pinter died on flirtations. Lulu attends the birthday party Meg throws for
December 24, 2008, in London, England. Stanley and shows interest in Goldberg. She flirts with him and
sits on his lap. She is angry at him the next day when she sees
him for the way he treated her after the party.
h Characters
Goldberg
Stanley Goldberg selects McCann to do a job for him that involves
Stanley. Goldberg is a charmer and gives compliments to Meg
Stanley is unkempt and lazy. He has been staying with Meg
when he notices that she enjoys them. He is excited to learn
and Petey since a traumatizing event where he was locked in a
that Stanley is the man he is looking to question. Goldberg is
concert hall a year ago. Stanley depends on Meg's kindness
the one who directs the interrogation of Stanley. He thinks that
but is often cruel to her. Stanley grows increasingly agitated
McCann is too nervous and tells him to calm down. He is not
when two guests Goldberg and McCann arrive at Meg's home.
regretful when Lulu accuses him of inappropriate behavior the
He suffers an emotional breakdown at a birthday party Meg
night of the party.
throws for him.
Meg McCann
McCann works for Goldberg and is the one who is responsible
Meg enjoys caring for her husband and her guest Stanley. She
for getting the job done. He is not personable with others and
is happy to cook breakfast for them. She seeks reassurance
says very little. He purposely breaks Stanley's glasses during
from men through tending to their needs and some flirting. She
the birthday party and puts the toy drum in Stanley's path.
is afraid of not being liked. Meg organizes a birthday party for
McCann talks with Stanley early the next morning in his room
Stanley. She wants to make it a perfect celebration. She
and keeps Meg from coming in.
worries when Stanley breaks down at the party and does not
realize how disturbed Stanley is.
Character Map
Meg
Needy, nurturing
homemaker; entertainer
Friends Spouses
Caretaker
Lulu Petey
Flirtatious young woman Absent, desk-chair
Acquaintances attendant; entertainer
Host
Stanley
Unstable former pianist
Sexual
offender
Adversary
Abuser
Goldberg McCann
Smooth-talking Grim, awkward Irish man
Jewish man Co-conspirators
Main Character
Minor Character
Meg's friend Lulu enters with a parcel after Meg departs. Lulu
Lulu is a young friend of Petey and Meg's.
Lulu is appalled at Stanley's appearance and suggests that he take
She is friendly with Stanley.
better care of himself. Stanley invites Lulu to come away with
Goldberg is a smooth-talking Jewish man him which she dismisses before she leaves.
Goldberg
who enjoys talking about himself.
The two men that Petey mentioned the night before arrive at
McCann is the man Goldberg hires to do the home. McCann and Goldberg enter with baggage through
McCann
dirty work for him. the front door and discuss whether they are in the right house.
McCann is nervous. Goldberg rattles on about his Uncle
Barney.
k Plot Summary Meg returns and welcomes Golberg. Goldberg and Meg talk
about Stanley, and then she invites both men to a birthday
party that she will be having for him that night. Goldberg is
excited about the party that Stanley knows nothing about.
Act 1
After the men leave, Stanley enters. He asks about the two
The setting is the living room of a house in a seaside town in men and demands to know their names. Stanley is unnerved by
England. There is a door that leads to a hallway in addition to a their arrival and sits slowly at the table. Meg tries to cheer him
back door and small window. One wall in the living room has an up by giving him his birthday present. Stanley denies that it is
opening through which the kitchen area is visible. his birthday but opens the package to find a boy's drum. He
puts the rope around his neck and begins to march around the
A middle-aged woman named Meg serves breakfast
room drumming. The regular rhythm evolves into a frenzied
cornflakes to her husband Petey who sits at the table. Petey
banging before Stanley loses control of himself.
reads the paper and the two of them make small talk. Meg
asks if Stanley is up and talks about how she used to enjoy
watching Stanley play piano. Petey shares that he spoke with
two men the night before who asked for a room for a couple of
Act 2
nights. Stanley comes downstairs after Meg calls for him. He is
McCann tears a newspaper into five equal strips at the table.
unshaven and wears glasses. He complains about the
Stanley enters and the men introduce themselves to each
cornflakes Meg serves him and his lack of sleep that night. He
other. Stanley is sure that he has met McCann before, but
is grumpy and disrespectful to Meg and demands that she
McCann denies it. The men discuss business. Stanley
describes his quiet life at the house to McCann. Stanley pleads about Stanley who has not come down for breakfast yet. Meg
with McCann for information about why he is there. Then he notices a big car and worries that there might be a
shares his love for Ireland and invites McCann out for a wheelbarrow in it. Petey reassures her and tells her that
Guinness which is a type of Irish beer. All the while McCann Goldberg owns that car.
just listens. Stanley is afraid and tries to recruit McCann away
from Goldberg. McCann does not budge. Goldberg comes down from upstairs and Meg leaves for the
store to buy food. Goldberg tells Petey that Stanley needs to
Petey enters with Goldberg and introduces him to Stanley. see a doctor for his nervous breakdown. Goldberg explains
Goldberg reminisces about a beautiful girl from his youth. that these things can happen suddenly sometimes. Petey says
Petey departs for his chess night which leaves Stanley alone that he will take Stanley to the doctor if he is not better by
with the two men. They cross-examine Stanley and ask him noon, but Goldberg tells him it has all been handled.
questions about leaving the organization and a supposed wife.
McCann accuses Stanley of betraying them. Goldberg orders McCann comes down and tells Goldberg that Stanley has been
McCann to remove Stanley's glasses and continues to fire upstairs trying to fit the eyeholes of the broken glasses into his
questions at Stanley. The questions eventually become eyes. Goldberg tells Petey that they will be gone by lunchtime.
ridiculous. By this time Stanley is sweating and moaning. He will take Stanley to the doctor.
Meg interrupts the scene and enters wearing an evening dress Neither Goldberg nor McCann want to bring Stanley
ready to begin the party. She is oblivious to what has downstairs. McCann is agitated. Lulu enters from upstairs. She
transpired among the men. Four bottles of Scotch and one is angry at Goldberg and accuses him of taking advantage of
bottle of Irish whiskey are brought out for the party. Meg her. He responds by trying to flirt with her. McCann enters and
enjoys the flirty behavior from Goldberg. They prepare to toast taunts Lulu by asking her to confess. She angrily leaves after
Stanley's birthday by turning off the light and shining a torch on telling the men that she knows what is going on.
Meg suggests playing a game called blind man's buff where is unable to speak. Petey arrives just as the men prepare to
one person is blindfolded and must find one of the others take Stanley out the door. Petey is angry and demands that
standing in the room. They take turns being blindfolded. they leave Stanley alone. He yells to Stanley to resist. The men
McCann begrudgingly takes his turn as well. McCann asks for leave with Stanley. Meg returns, and Petey tells Meg that
Stanley's glasses, and Meg secures the scarf around Stanley's Stanley is still asleep upstairs.
Act 3
The next morning Petey enters and sits down at the dining
room table. Meg does not remember much and is disappointed
that the drum was broken during the party. She is worried
Plot Diagram
Climax
7
10 Falling Action
Rising Action
6
11
5
4 12
3 Resolution
2
1
Introduction
Introduction Climax
1. Meg serves breakfast to Petey and Stanley. 9. Petey and Goldberg discuss Stanley's nervous breakdown.
2. Stanley tells Meg a wheelbarrow will take her away. 10. Stanley is helped downstairs and cannot speak.
3. Meg tells Stanley about two male guests due to arrive. 11. Goldberg and McCann leave with Stanley.
Timeline of Events
Day 1 morning
Same morning
Same morning
Same morning
Same morning
Same morning
Same morning
Same morning
Day 1 evening
Same evening
Same evening
Same evening
Same evening
Day 2 morning
Same morning
Same morning
Same morning
Same morning
Act 1 terrible. Suddenly Stanley invites Lulu to come away with him
which she dismisses before leaving. Stanley exits too.
After Petey leaves for work Stanley taunts Meg by telling her
that she is a bad wife. An odd exchange ensues between Meg
Analysis
and Stanley. It alternates between insults and flirtation. Meg is
Most of the time Meg is a caring and cheery woman. However,
offended when Stanley uses the word "succulent" and tells him
she reveals underlying insecurities through her relationships
that he should not use that word with a married woman. He
with others. Meg seeks affirmation from Petey that she is
apologizes to her and then calls her a "succulent old washing
managing their home well. She asks Petey repeatedly if the
bag." She is initially defensive and shortly after asks him if she
food she prepares is tasty and if their home is suitable for
is indeed succulent. Meg informs Stanley that two men will be
guests. She also likes to take care of Stanley who she treats
staying with them for a bit. He is curious about the men but
almost as if he were her child. She keeps track of whether he is
eventually says that he does not think they will show up.
awake or had breakfast. She encourages Stanley to play the
Stanley announces that he has been offered a job playing piano again and cheers him on like a mother. Meg needs
piano in a nightclub in Berlin. He claims that he has played all reassurance from Petey and Stanley. She tells Stanley, "You
over the world but then clarifies that he once gave a concert. won't get any breakfast better than here." She is looking for
Stanley describes how someone played a practical joke on him confirmation that her cooking is good. She becomes very upset
one time and locked him in the hall where he was to perform. when Stanley tells her that she is a bad wife and shows her
After he was released the next morning he left for good. He sensitivity to criticism.
has been with Meg and Petey ever since. Stanley stands up
Stanley's mental issues are unveiled early in the play. His
and faces Meg to taunt her about a van with a wheelbarrow
disheveled appearance reflects his lack of personal hygiene.
He is argumentative and disrespectful. He expects Meg to Stanley's glasses. The questions eventually become ridiculous.
prepare his breakfast and then complains that the cornflakes By this time Stanley is sweating and moaning.
are terrible. Stanley enjoys upsetting Meg. He ignores her
request to not use the word "succulent" around her and Meg enters wearing an evening dress and ready to begin the
instead repeats it again and again. He tries to terrify her when party. She is oblivious to what has transpired among the men.
he suggests that someone will take her away and warns, Four bottles of Scotch and one bottle of Irish whiskey are
"They've got a wheelbarrow ... they're looking for someone." He brought out for the party. Meg enjoys a little bit of flirtation
delights in her fearful reaction. He also needs her and tells her from Goldberg. The guests prepare to toast Stanley's birthday.
in another moment that he does not know what he would do McCann turns off the light and shines a torch onto Stanley's
without her. The dynamic between Stanley and Meg resembles frightened face. Lulu walks into the room just as Meg finishes
a dysfunctional relationship between a troubled teenager and the toast. Goldberg is immediately enamored with Lulu and the
his mother. two begin flirting. Goldberg offers a toast and the festivities
begin. Stanley is quiet.
The lighthearted mood changes when Goldberg and McCann
enter the home. This shift is typical of a comedy of menace Meg suggests playing a game called blind man's buff where
which is a type of play where danger follows a moment of one person is blindfolded and must find one of the others
laughter. Stanley becomes nervous as soon as Meg mentions standing in the room. They take their turns being blindfolded.
that two men inquired about staying at the house. Goldberg When it is Stanley's turn, McCann asks for Stanley's glasses.
and McCann do not share the reason for their visit. However, Meg secures the scarf around Stanley's eyes. McCann
there are some vague references that indicate danger for suddenly snaps the frames of Stanley's glasses and breaks
Stanley. McCann asks what the job will entail. Goldberg them. He places the drum in Stanley's path. Stanley walks into
responds with "All is dependent on the attitude of our subject." the drum and falls over. He rises and approaches Meg. Stanley
This statement is embedded in a rambling explanation of what begins to strangle her just as the lights go out. Lulu stumbles
will happen which brings ridiculousness to the scene. and falls while the rest of them fumble for the torch. McCann
eventually finds the torch and shines it on the table where they
find Stanley giggling over Lulu on the table. Stanley backs up
Analysis
Summary
Stanley begins to lose composure once he is alone with
Stanley enters the dining room where McCann is tearing a Goldberg and McCann. The men begin drilling Stanley with
newspaper into five equal strips. The men introduce questions and give him little time to think between each one.
themselves to each other. McCann discourages Stanley from The tension builds and then turns humorous when Stanley
leaving the house and shares that Meg has set up a birthday refuses to sit down. The questions become more ridiculous
party for him. Stanley is sure that he has met McCann before, and the tempo of the questioning speeds up. Goldberg asks
but McCann denies it. The men discuss business. Stanley Stanley, "Why do you pick your nose?" Stanley does not
describes his quiet life at the house and emphasizes that he is respond. The men intend to rattle Stanley and are successful.
the same man he has always been. Stanley becomes agitated
and pleads with McCann for information about why he is there. The birthday party is awkward before it begins. Stanley denies
He invites McCann out for a type of Irish beer called Guinness that it is his birthday and does not want to attend. Either Meg is
and shares his love for Ireland while McCann listens. Petey and wrong about the day or Stanley does not want any
Goldberg enter from outside, and Petey introduces Goldberg unnecessary attention. McCann blocks his exit and guilts
to Stanley. Goldberg reminisces about a beautiful girl from his Stanley into staying. There is an odd assortment of guests who
youth before Petey leaves for his chess night. They cross- barely know one another. Meg is most excited, and it is as if
examine Stanley by asking him questions about leaving the the party is for her instead of Stanley. She looks for
organization and a wife. Goldberg orders McCann to remove compliments on the evening dress that she wears to the casual
party. No one seems to notice poor Stanley who is quiet and downstairs. McCann is agitated. Goldberg yells at McCann for
frightened. The drinking and celebrating continue as if he is not calling him Simey which is a childhood name and then begins a
there. rant about his life, values, and accomplishments. He ends by
asking McCann to blow into Goldberg's mouth which he does.
The game that Lulu chooses for the party is blind man's buff
which is also symbolic of the action in the play. Stanley is Lulu enters from upstairs. She is angry at Goldberg and
essentially blind without his glasses. He is also blind to what accuses him of taking advantage of her. He responds by trying
the men will do to him. The word "buff" is used to mean a small to flirt with her. McCann enters and taunts Lulu by asking her
push. Goldberg and McCann push the blind man Stanley to the to confess. She angrily leaves after telling the men that she
edge of his sanity. Additionally, the audience is blind to what knows what is going on.
the protagonist Stanley is facing. Goldberg and McCann do not
say what Stanley has done or what they will do with him. There Stanley enters with a bowler hat in one hand and his broken
are more questions than answers in the dialogue, and glasses in the other. He stares and does not talk. Goldberg and
Goldberg talks in generalities at times such as when he states, McCann take turns telling Stanley what he needs. The
"We admit possibility only after we grant necessity." Each suggestions become more ridiculous as they continue. Stanley
conversation presents questions but no answers. is unable to speak. Petey arrives just as the men prepare to
take Stanley out the door. Petey is angry and demands that
they leave Stanley alone and yells to Stanley to resist. The men
Meg returns and asks about Stanley. Petey tells Meg that
Stanley is still asleep. She is excited that Petey agrees she was
Summary the belle of the ball.
The next morning Petey enters from outside the home and sits
at the table. He and Meg discuss the events from the night Analysis
before. Meg does not remember much and is disappointed that
the drum was broken during the party. She is worried about The next morning is not a good one for many of the party
Stanley who has not come down for breakfast yet. Meg guests. The worst victim is Stanley who can no longer talk and
assumes that McCann and Stanley are old friends because tries to insert broken glasses into his eyes. He can only
McCann was with Stanley in his room earlier. Meg notices a big respond with grunts and groans. McCann is also suffering. He
car and worries that there might be a wheelbarrow in it. Petey says, "I'm not going up there again." He is uncomfortable with
reassures her and tells her that it is Goldberg's car. whatever has transpired upstairs. Goldberg is rattled also. He
tells McCann that he is unusually tired before launching into
Goldberg comes down from upstairs. Meg leaves for the store. another reminiscence from his past. Lulu adds to the drama
Petey asks if Stanley is feeling better. Goldberg tells him that when she confronts Goldberg. She accuses him of taking
Stanley needs to see a doctor for his nervous breakdown. advantage of her the night before. He tries to charm her but
Goldberg explains that these things can happen suddenly she refutes his advances and leaves.
sometimes. Petey says that he will take Stanley to the doctor if
he is not better by noon, but Goldberg tells him that it has all Stanley's threats about the wheelbarrow coming to take
been handled. someone away have come true. It is ironic that Stanley is the
victim because he thought Meg would be taken and not him.
McCann comes down and tells Goldberg that Stanley has been Goldberg and McCann are the wheelbarrow that takes a
upstairs trying to fit the eyeholes of his broken glasses into his lifeless Stanley away. Goldberg's large car that Meg asked
eyes. Goldberg announces that he is taking Stanley to the about is the ominous van that she fears. Stanley is the victim of
doctor. He tells Petey that they will be gone by lunchtime. his own threats. It is not clear where the men are taking
Petey leaves. Stanley, but it is certain that he will not be returning home.
Neither Goldberg nor McCann want to bring Stanley The comic relief centers on Meg who remembers nothing
about the night before. She tells Petey that it was a wonderful moment of kindness is brief before he insults her tea. Stanley
party, but she is sad that the drum was broken. She happily and Meg have a codependent relationship. They need each
heads to the store so that she can prepare a nice meal for the other in an unhealthy, self-serving way.
men and fulfill her role of homemaker. She believes that
Stanley is still upstairs sleeping, and Petey does not tell her
otherwise. Meg falls back into her household chores blissfully "Forget all about it. It's a false
unaware that Stanley is about to embark on an unknown path.
alarm."
Stanley does not believe that the two men Meg referred to are
"I used to like watching Stanley coming to the house. He says this statement aloud as if to calm
his worries. The use of the word "alarm" shows that he is
play the piano."
suspicious of these men. It also suggests that Stanley has a
past that he has not shared with Meg and Petey.
— Meg, Act 1
Meg refers to a time when Stanley would play the piano for "I've played all over the world ... I
her. She enjoys watching him like she would her own child.
Meg's affection for Stanley makes her blind to and more once gave a concert."
forgiving of his treatment of her.
— Stanley, Act 1
"You won't get a better breakfast Stanley talks about his concert pianist career with Meg. He
brags about an extensive career and then reveals he gave one
there than here."
concert. His piano days ended when he was locked inside a
concert hall. He realized then that he had no future in music
— Meg, Act 1
and fled in search of shelter. Stanley changed the course of his
life when he arrived at the boarding house where Meg and
Meg gives this response when Stanley threatens to find a Petey welcomed him.
different place to stay. He is angry because she refuses to fix a
hot breakfast for him. Stanley recognizes her vulnerabilities
and manipulates Meg to get what he wants. He knows that "Listen. You knew what I was
Meg thrives on compliments and is concerned about how
others view her. talking about before, didn't you?"
— Stanley, Act 2
"I don't know what I'd do without
Stanley knows why Goldberg and McCann are at the house.
you."
Stanley tells McCann that he knows him from the past, but
McCann does not agree. Stanley tries to get McCann on his
— Stanley, Act 1
side to protect himself from Goldberg.
— Meg, Act 2 Goldberg explains to Petey how Stanley could suddenly have a
nervous breakdown. Goldberg suggests a character flaw in
Stanley that predicts this type of mental illness.
Meg is so needy of Stanley that she refers to him as a
possession. She becomes jealous and possessive when he
talks of leaving. Her affections for him are distorted and
unhealthy. Meg's husband Petey is gone more than he is
"Aren't you going back to the
present. He leaves for work several times a day and plays beach?"
chess one night per week. When Petey is home he is usually
distracted and reads the newspaper.
— Goldberg, Act 3
"But you say he stays in bed too Goldberg asks Petey if he will head back to the beach. He tells
Petey that the beach will be busy and he will be needed.
much." Goldberg does not want anyone around when he and McCann
walk Stanley out of the house.
— Meg, Act 3
m Themes
Stanley is attracted to Lulu, but rather than engaging with her
he offers awkward suggestions. He rejects human contact
despite being lonely. He is unkempt and does not take care of
himself. He is rude and ungrateful. Stanley has built walls to
Fear protect himself, and loneliness is the cost he is willing to pay.
Absurdity
All material contained within this document/guide is protected by copyright law of the US and various other
jurisdictions and may not be reproduced or distributed without the express written consent. Contact Course Hero
with respect to reproduction or distribution. This document was downloaded from Coursehero.com on
01-09-2023 by 100000860084953.