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University of Basra 29/10/2022

College of Arts

Lawrence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman

As anti- novel

By: Sara Ammar Abdulhussain

Supervisor: Prof.Dr. Jinan A.B Al-Hajaj

Laurence Sterne is believed to be an unusual writer that attracted both readers and literary critics

through his style of writing, his most known novel is The Life and Opinions of Tristram Shandy,

Gentleman, and published between1759-1769 consisted of nine books that were published over

ten years. The book is criticized for its boring structure, immoral tales, and ridiculous dialogue,

at the same time it is appreciated for its wit and satire, also Twentieth-century critics have added

appraisals for its musical structure, digressive art, and subversive post-modernist techniques.

Even though Tristram Shandy had its place in the English novel, it is hard to call it a novel. It

came as a reaction against the conventional novel that is a story with a beginning middle and an

end such as Richardson, Fielding, and Smollett. However, Smollett’s writings were not

completely related to each other and hardly there is a connection between the events, yet still,

there is a story. Sterne did not tell an ordinary story with a sequence of events, even the title of
the novel is misleading because Tristram did not appear in the story until the middle and he was

a baby, so how can a baby have life and opinions very early in his childhood?

Sterne did not stick to novel writing rules and started with media res and about the middle of the

book he wrote a preface, the events also are not chronologically arranged thus leading to an

irrational and absurd novel. Sterne wrote his novel as a parody of the novels of the eighteenth

century which started with the hero’s childhood until his death. So it is against the rationalism of

the Enlightenment, he also believed that human feelings and records of man’s inner life are of

high priority.

Although Sterne is criticized on moral and literary grounds by some critics for deliberate

incoherence and its sexual humor, this novel was an example and an amazing success that made

Sterne a literary celebrity and a notable forerunner of the Modern English novel. Despite the fact

that Sterne was influenced by older satirists such as Rabelais, Cervantes and Swift, Tristram

Shandy is loosely based on John Locke’s theory of the association of ideas. Characters are thus

presented by means of their emotions and impressions rather than through external incidents, and

because no two characters have the same associations, comic confusions abound when

communication is attempted.

An essay by D.W Jefferson stated that “The tendency among critics has been to comment on its

structural oddities without first discovering to what literary kind it belongs and what its author

was trying to do”. The novel can be considered as an anti-novel: “the overlapping between the

author, narrator, and main character […] creates confusion as to the identity of the author.” The

protagonist of the story is talking about his family as if they were fictional characters depending

on the narrator’s point of view, we also during the course of the story mix between Shandy and

Sterne as he goes inside the character’s mind and feelings. This novel is considered anti-novel
for multiple reasons: the dislocation of time, numerous digressions, and semantic experiments

including puns, ambiguities, compound, and foreign words. A long list of items, the telling of a

known story, an unexpected point of view, and the shift from one mode to another and from one

language to another (Ivan, 2010).

Furthermore, Sterne appeared as a misogynist in his novel Tristram Shandy, as this is indicated

clearly in different places: when he referred to the voice Sterne Utilizes in narrating his story and

the kind of his readers, he has a tendency to male readers telling explicit indirect stories with

sexual connotations. Also, female characters had less importance in Sterne’s novel in comparison

to male characters and their capabilities. Sterne’s reference to the nature of his relationship with

women in real life also shows his misogynist point of view.

Reading Sterne's novel, Tristram Shandy, one can conclude that he is a misogynist whose hatred

towards women makes him either ignore them, give them no roles in his novel, or present them

in a very immoral way. Considering women, and widows, as carnal beings or animals, he shows

the reader how Mrs. Wadman, a representative of all her gender, is responsible for the fall of her

counterpart, Uncle Toby. In Tristram Shandy, Sterne emphasized himself to be so extremist in

his view about women in the sense that he does not make of her the animal that has such hunger

for the body, but also as a victimizer of the male. Thus, one can see that all of his male characters

are unhappy and frustrated because of the presence of a woman in their lives as with Walter

Shandy whose cold relationship with his wife reflects Sterne's psyche and frigid conjugal relation

with his wife, or with Uncle Toby who, like Sterne, is fooled by the sentimental Mrs. Wadman.

By these two examples, Sterne wants to show "the sexually subversive possibilities in the

responsiveness of sensitive nerves and the aggrandizement of feelings" Such possibilities make
Sterne and his male characters in the novel helpless, paradoxically creative, and objects of

foolery (Hatif, 2013)

References

Hatif, H. (2013). Laurence Sterne's Tristram Shandy: A Study of Sterne's Character as a

Misogynist. file:///C:/Users/hp/Downloads/a83863b37f864e01.pdf

Ivan, O. (2010). Tristram Shandy: An Original and Profound English Novel of the Eighteenth

Century.

http://theroundtable.partium.ro/Current/Literary/Oana_Ivan_Tristram_Shandy_An_Original_and

_Profound_English_Novel_of_the_Eighteenth_Century.pdf

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