III.

The Roadside Fire

Songs of Travel
Ralph Vaughan Williams
Robert Louis Stevenson

     
  
poco scherzando


Allegretto
Voice

I will make you broo ches and

                          
        
 leggiero

                                  
Piano

     

           
     
5

toys for your de light, Of bird song at morn ing and star shine at

      
                             
              

                               

simile

          
 


 cresc.
   
           
 
10

  
night. I will make a pa lace fit for you and

               
               
                  
 
 legato cresc.

         
            
    
 

    
2

         
14

me, Of green days in for ests,and blue days at

                  
                               
     


                             
   
 

   

18

  
sea.

                               
    


      

           
      
 

         

 

    
      
   
22

I will make my kit chen, and you shall keep your room, Where

                               


        
      
  
         
 
        
  
     
 
 cresc.
     
3

   
  
26


white flows the ri ver and bright blows the broom; And

       
                            

                   
   
            

         

   


      
   

30

 
you shall wash your li nen, and keep your bo dy white In

       
              
            


     

 
legato

   
 


        
   
34

rain fall at morn ing and dew fall at night.

                     
                                          
     
 

                            
  
           
  

 
4

    
 
38


         
  
And

    
 




      
 
     
  en do.
rall tan




         
41 Meno mosso


this shall be for mu sic when

  
 
 
     
   

 
              
 
 
 
 

largamente

    
    
  
43 3

no one else is near, The

  
          
  

     
                  
 
       
5

   
45

fine song for sing ing, the

     
  

  

 

 
            
   
 
  
   

      
 
 
47

rare song to hear! That

        
      
cantanto

    
  

      
       
   
      
     
 

          
largamente

 
49 3

  
on ly I re mem ber, that on ly

        
                    

3

             
            
   
 
colla voce

  
  
 
6

       
51

 
you ad mire, Of the

      
  

    
 
   
  
      


   
 
      
     

     
 
tranquillo


53


broad road that

      
  
     

 


    
     
   

  

tranquillo

 

          
54


stretch


      
 
   


           
 
   
  
 
 
7

     
55


es and the road

        
        
       
    
   
          
       

   
  



         
57

side fire.

               
                                  
       





   
una corda

          
     
           
  

  

61



      
  
  
 
  
    
  
 