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7th Chord Warm Ups
7th Chord Warm Ups
Seventh Chords
1. Major Seventh
2. Minor Seventh
3. Dominant Seventh
4. Half-Diminished Seventh
5. Diminished Seventh
Major 7 (Maj7)
A major seventh is created by taking a root note (1), combining it with a major third (3), a perfect
fifth (5) and a major seventh (7)
For example, if you have the G Major Scale:
G A B C D E F# G
1 2 3 4 5 6 7 1
then you would combine every the 1, 3, 5 & 7 .Thus, the major triad would be G, B, D F#. This
rule of thumb can be applied to create other major seventh chord.
Dominant (7)
A dominant seventh is created by taking a root note (1), combining it with a major third (3), a
perfect fifth (5) and a minor seventh (b7)
For example, if you have the G Major Scale:
G A B C D E F# G
1 2 3 4 5 6 7 1
then you would combine every the 1, 3, 5, b7. Thus, the dominant seventh chord would be G,B,
D, F. This rule of thumb can be applied to create other dominant seventh chord.
Minor 7 (Min7)
A minor seventh chord is created by taking a root note (1) combining it with a minor third (b3), a
perfect fifth (5) and a minor seventh (b7)
For example, if you have the G Major Scale:
G A B C D E F# G
1 2 3 4 5 6 7 1
then you would combine every the 1, b3, 5, b7 .Thus, the minor seventh chord would be G, Bb,
D, F. This rule of thumb can be applied to create other minor seventh chord.
1 2 3 4 5 6 7 1
then you would combine every the 1, b3, b5, b7 .Thus, the half diminished seventh chord would
be G, Bb, Db, (F). This rule of thumb can be applied to create other half-diminished seventh
chord.
Diminished 7 (Dim7)
A diminished triad is created by taking a root note (1) and combining it with a minor third (b3) a
diminished fifth (b5) and a diminished seventh (bb7)
For example, if you have the G Major Scale:
G A B C D E F# G
1 2 3 4 5 6 7 1
then you would combine every the 1, b3, b5, bb7 .Thus, the diminished triad would be G, Bb, Db,
Fb(E) . This rule of thumb can be applied to create other diminished sevenths.