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    Inthachalamu Begade

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    kotravai jm
    This document provides details about the Begade raga, including its defining notes, structure, and lyrics set to the raga. Some key points: 1) The raga is called Intachalamu and is in the Begade raga, which is a janya (derived) raga of the 29th mela Dhirashankarabharana. 2) It provides the basic ascending and descending notes of the raga. 3) The lyrics are set in the Pallavi, Anu Pallavi, and Charana structures typical of Carnatic music compositions.

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    Inthachalamu Begade

    Uploaded by

    kotravai jm
    32 views2 pages
    This document provides details about the Begade raga, including its defining notes, structure, and lyrics set to the raga. Some key points: 1) The raga is called Intachalamu and is in the Begade raga, which is a janya (derived) raga of the 29th mela Dhirashankarabharana. 2) It provides the basic ascending and descending notes of the raga. 3) The lyrics are set in the Pallavi, Anu Pallavi, and Charana structures typical of Carnatic music compositions.

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    INTHACHALAMU BEGADE

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    This document provides details about the Begade raga, including its defining notes, structure, and lyrics set to the raga. Some key points: 1) The raga is called Intachalamu and is in the Begade raga, which is a janya (derived) raga of the 29th mela Dhirashankarabharana. 2) It provides the basic ascending and descending notes of the raga. 3) The lyrics are set in the Pallavi, Anu Pallavi, and Charana structures typical of Carnatic music compositions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    32 views2 pages

    Inthachalamu Begade

    Uploaded by

    kotravai jm
    This document provides details about the Begade raga, including its defining notes, structure, and lyrics set to the raga. Some key points: 1) The raga is called Intachalamu and is in the Begade raga, which is a janya (derived) raga of the 29th mela Dhirashankarabharana. 2) It provides the basic ascending and descending notes of the raga. 3) The lyrics are set in the Pallavi, Anu Pallavi, and Charana structures typical of Carnatic music compositions.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 2

    INTHACHALAMU- BY VEENA KUPPAIYYAR

    Raga: Begade Tala: Adi


    th
    (janya raga of 29 mela Dhirashankarabharana)

    Aa: s g3 r2 g3 m1 p d2 n2 d2 p s Av: s n3 d2 p m1 g3 r2 s
    (Note: N2 is the anya swara and hence this is a Bashanga raga)

    ||pallavi||

    ||d p M g r S s n d p d p S | S s s g r G | M M g r g m ||
    ||In---- tha-- cha---------- la | -- mu-jae---- | si----- thae---- ||

    ||P m d d p s n d p s n d r S| p d p N2 dd p| m g m r g m P||
    ||Yeh ma--- ni---------------tha |------ lu---------| dhu----- ra-----||

    ||Anu pallavi||

    ||S d d p n2 n2 d mp d n2 d p M | g r s m g m r g | m p p d M;||
    ||An------- tha------ ran----- ----gu | da---ni-----------|--------movi ||

    ||p D d p m m P p m g r g m p |m D p s n d p | s n d r S; ||
    ||Aa na---- va---------- chi-------- | -- thae na---------| --------- tho||

    ||d n s R s g r g m g m R p m | R, r s n d p | p S n d n s r||
    ||Pan-- tha- mae--- -----la--ra-- | -----shree--------| - ve – nu------||

    ||r S n dp dM p g m r g m p | d p S p d p n2 |,d p m g r g m||


    ||Go pa--- la ------------- da-----| sa pa---------- ri |--pa---- la-------||

    ||Mukthaya Swara||

    ||D p M d p m g R G m p d| m G r s n2 r s |, r n d p d p s ||

    ||n2 R s g r p M p g r g m p d | p N2 d p m g r | g m p d P, m||
    ||g r S, g r g m p m g m p d p | S n2 R s r n | d p s n2 r s g r||

    ||m M g r s n2 N2 d p m g R s | s S r n d d p|, m g R g m p ||

    ||Charana||

    ||upa.pallavi||

    ||P d p M P; ; m p D | p d N2 D P | mp g m r g M ||
    ||Pa ga----vaa ri------- | boh------dha|na--------- vi ni ||

    ||chitte swaras||

    1. || P, M d M g R S n D | P, S n2 R | s G R G m||

    2. ||p m d P m g r s n2 r S r n d | p d p s n2 R s | g r g m P mp||

    ||d M g r s g r g m p m d p s n2| r S n p d N2 | d p m G rgm||

    3. ||m gm p d m dp mg rg mp sp |mg rp m g r s |n d p r s n2 gr||

    ||s mg r pmg dp sn drs mg| r sr n2rs pd| mdp gm rgm ||

    4. ||N2; ; d p d M p g r g m| P, m p d md | p m g r g m p d ||

    ||N2 d P mpdP mGr pm | G r S n d p | s n2 g r G; ||

    ||r s m G m g r p M p d d m g| m p m p d p S| nDp sn2 rs||

    ||g r g M g r s r N d d p s n2 | R sndp P| mgr sgr gm ||

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