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The "Forget Me not"

Tyrolienne
Charles Haas
Paroles d'Alfred Waymark arr. Clotilde Bernard

 

   
       
Voice

              
    
             
   
Guitare classique

  
    
5

        
                     
délicatement 1.Through

     
 
    
 
Guit.

       
          
 
9

       
maed ows grenn, 'neath sum mer skies, I e ver seek one love ly

                

 
Guit.

     
       
  
12


     
spot, Where dwells the flow er maid ens prize, The

  
          
   

Guit.
  
    
2

  

      


15



ten der, blue "For get me not" La la la la la

        
          
F G7

     
Guit.

     


       
            
19 

la la la 3 Where dwells the flow er maid ens prize, The

  
          
A7

       
C /G

   
C

   
G7

   

Guit.

   
      
23

 
    
ten der, blue "For get me not".

             
   
         
  
Dm G7 C

 
Guit.

    

27

           
                     
              
 
délicatement

                 
 
   
Guit.
  
3

            
32


3

     
2.When e'er I see its heav en ly hue My


                 
 

Guit.

       
                
35

         
fan cy wan ders wild and free; I dream that eyes as soft and blue, Are

                


   

Guit.

         
            
39 


gaz ing ten der ly on me La la 3 la la 3 la

        
          
F G7

      
Guit.

       
    
 


 
  
    
43

la 3 la la 3 I dream that eyes as soft and blue, Are

  
          
A7

 
C /G

        
C

   
G7

   

Guit.

4

       
 
47

 
    
gaz ing ten der ly on me.

     
        
        
      
Dm G7 C

   
Guit.

    

51


                             
délicatement

     
                      
   
Guit.

     
             
  
56

 

        
3.Go, pret ty flow'r, with eye of blue And tell my love I'll faith ful

     
                 

 
Guit.

       
             
  
60

be, Since thou, the em blem of the true, Art cher ished fer vent ly by

      
 
       
F G7

      
 
Guit.

    
      
5


         
64 3


           
me.

                
5

   
Guit.

          
     
           
68

Since thou, the em blem of the true, Art cher ished fer vent ly by

 
         
A7

      
C /G

     
C Dm G7


G7

   
   
Guit.

   
72 


me. La

     
C

   
3 3 3

 
Guit.

      
        
      


73   3 3


3 3

  3 
3 3 3


la la la la la 3


       3  
   
3 3 3

  
3 3 3 3
3 3

   
3

   
Guit.

                
6

       
77
3


3 3


la 3 la la 3 la la 3 3

                          
3
3

      
3 3 3 3

    
3 3 3
3

    

Guit.

3
3

      
80 

 
3

    
    
  
3

     
   

Guit.

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