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    This document provides a marking scheme for the Hindustani music vocal code-034 class 12 exam with 30 total marks. It is divided into 3 sections - Section A has short answer questions worth 1 mark each, Section B has descriptive questions worth 2 marks each, and Section C involves notation-based questions worth 6 marks each. The marking scheme tests students on various concepts in Hindustani vocal music like ragas, talas, alankars, notation skills and identifying features of prominent musicians.

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    HindustaniVocal-MS

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    This document provides a marking scheme for the Hindustani music vocal code-034 class 12 exam with 30 total marks. It is divided into 3 sections - Section A has short answer questions worth 1 mark each, Section B has descriptive questions worth 2 marks each, and Section C involves notation-based questions worth 6 marks each. The marking scheme tests students on various concepts in Hindustani vocal music like ragas, talas, alankars, notation skills and identifying features of prominent musicians.

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    © All Rights Reserved
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    15 views2 pages

    HindustaniVocal MS

    Uploaded by

    nik8rao
    This document provides a marking scheme for the Hindustani music vocal code-034 class 12 exam with 30 total marks. It is divided into 3 sections - Section A has short answer questions worth 1 mark each, Section B has descriptive questions worth 2 marks each, and Section C involves notation-based questions worth 6 marks each. The marking scheme tests students on various concepts in Hindustani vocal music like ragas, talas, alankars, notation skills and identifying features of prominent musicians.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 2

    HINDUSTANI MUSIC

    Vocal Code-034
    MARKING SCHEME
    CLASS XII (2023-24)

    One Theory Paper – 2 hrs Total Marks – 30

    S.No. SECTION-A Marks


    1. 3. 1
    2. 3. 1
    3. 1. 1
    4. 1. 1
    5. 1. 1
    6. 3. 1
    7. 1. 1
    8. 3. 1
    SECTION-B

    9. Brief explanation and types of Kan, Gamak, Murchhana, Khatka (any 2


    three).
    (OR)
    The candidate is expected to explain Thaat, Vadi, Samvadi, Swaras, Jati,
    time of singing, similar raga, aroha, avroha, pakad and other salient
    features of Raga Bageshri.

    10. Different parts of Tanpura involved in tuning it and method of tuning the 2
    strings.
    (OR)
    The candidate is expected to write Pt. Krishna Rao Shankar Pandit’s
    date and place of birth, parentage, education, style, gharana, disciples,
    achievements and contribution to music.

    11. Author’s name, time, chapters and main musical contents given in each 2
    chapter of Sangeet Ratnakar.
    (OR)
    The candidate is expected to write the special features of Tala Dhamar
    and also write its Thah and Dugun in Tala notation i.e. matra, bols and
    signs of tali and khali.
    12. A Brief description of the terms and their types with examples Aalap, Gram, 2
    Meend, Murki (any three).
    (OR)
    Sangeet Parijat’s author’s name, time and special features and musical
    concepts of the text and to be given.

    13. The candidate is expected to explain meaning, importance and historical 2


    development of Time Theory of Ragas.
    (OR)
    The candidate is expected to identify Raga Bhairav and elaborate it upto 50
    Swaras.

    SECTION-C

    14. The candidate is expected to write the notation of a Vilambit Khayal in any 6
    one prescribed Raga and two Tanas in proper format of notation system.
    (OR)
    Notation of a Dhamar in any one prescribed is to be written in proper format
    of notation system.

    15. The candidate is expected to write 6 Alankars set to three different Talas. 6
    (OR)
    The candidate is expected to write about the style, gharana, technique etc.
    of any of his/her favourite contemporary Dhrupad or Khayal singer.

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