Full Download Test Bank For Technical Communication Twelfth Edition PDF Full Chapter
Full Download Test Bank For Technical Communication Twelfth Edition PDF Full Chapter
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12. Under the concept of work made for hire, anything written on the job by an employee
being paid by the organization is the property of the organization—provided that the
employee agrees after the document is written to surrender his or her copyright.
A) True
B) False
13. Only professionals with management responsibilities have ethical responsibilities to the
environment.
A) True
B) False
15. Contract law affects technical communication because technical documents sometimes
contain warranty statements.
A) True
B) False
17. According to the principle of the moral minimum, it is permissible for companies to
passively reinforce patterns of discrimination in product information if the audience to
which the product is being sold practices that discrimination.
A) True
B) False
19. When warning users about the dangers of products, writers should avoid using
mandatory language such as must and shall.
A) True
B) False
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20. Fair use is best described as a set of general guidelines on ways to use small parts of
someone else's copyrighted material for purposes such as commentary, criticism, and
research.
A) True
B) False
21. Chapter 2 lists four factors governing the fair-use exemption, which allows you to use
copyrighted material without permission under certain conditions. One factor is the
nature and purpose of the copyrighted work. What is another factor?
A) the effect of the use on the potential market for the copyrighted work
B) the degree of difficulty you might encounter if you did seek permission to use the
copyrighted work
C) whether the copyrighted work was published on the Internet, in which case it can
be considered to be in the public domain
D) whether you intended to cause the copyright holder any harm—financial or
otherwise—by using the copyrighted material
22. Chapter 2 lists four ways you can help protect your client's or your employer's
trademark. One is to use the trademark symbol. Which one of the following methods is
also listed in the chapter?
A) Distinguish trademarks from other material, perhaps by setting the trademark in a
different typeface or by using boldface type for emphasis.
B) Use the trademarked item in various grammatical forms, including as an adjective
(Xerox® copiers), a noun (Xeroxes®), and a verb (Xerox® 500 copies).
C) Use the plural form (Xeroxes®) or the possessive form (Xerox's® quality) of the
term whenever possible.
D) Include a prominent warning about the civil and criminal penalties for infringing
on the protections afforded by trademark law, similar to the FBI warning about
copyright that appears at the beginning of rental movies.
23. According to Chapter 2, saying that a recently fired employee was “offered an
alternative career opportunity” would be an example of which of the following?
A) exaggeration
B) euphemism
C) legalistic construction
D) none of the above
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24. The standard of utility is concerned with which of the following?
A) the relationships we have with other individuals
B) whether the positive and negative effects of an action or a policy will be distributed
fairly among a group
C) the positive and negative effects that an action or a policy has, will have, or might
have on others
D) the basic needs and welfare of individuals
25. Chapter 2 lists four areas of law relevant to ethical issues in technical communication.
One is copyright law. What are two others?
A) trademark law and contract law
B) international law and criminal law
C) martial law and liability law
D) international law and martial law
26. What does the symbol ® indicate about a word, phrase, or symbol?
A) It has been registered for trademark protection under the Regency d'Internationale
Agreement of 1996.
B) It has been registered for trademark protection with the U.S. Patent and Trademark
Office.
C) It has been registered for trademark protection with the U.S. Patent and Trademark
Office, but with "reserved" status.
D) The company claims the design or device as a trademark but has not yet registered
the trademark.
27. According to Chapter 2, ethicists such as Manuel Velasquez (2011) argue that
whistle-blowing is justified if three conditions are satisfied. One condition is that there
is strong evidence that the organization is doing something that is hurting or will hurt
other parties. What is one other condition?
A) The employee has made a serious attempt to resolve the problem through internal
channels.
B) The employee can be reasonably certain he or she will not be penalized for
whistle-blowing.
C) The employee has suffered personal harm as a result of the wrongdoing, such as
the loss of a promotion, a substantial decrease in salary, or physical injury.
D) The wrongdoing involves members of a minority group or affects individuals
granted specific rights under the Americans with Disabilities Act.
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CHAPTER XV
Where will they take him? To the Tuileries, to the Convention, into the
very midst of the victorious National Assembly, where the dying despot is
to be exposed to the raillery of the populace, before being carried to the
scaffold. Robespierre is laid down in the courtyard of the Hôtel de Ville,
and placed with infinite care on a litter. They lift his head and bind up his
wound, for he must live long enough to receive the final retribution. The
bullet has but half robbed the scaffold of its prey.
The gloomy cortège crosses the Place de la Grêve, and moves in the
direction of the quay, on its way to the Tuileries, beneath a cloudless sky
that smiles after the rain, as the stars are gradually effaced by the first
gleams of dawn. It is three o'clock. The cortège is followed by a curious
and gaping crowd. Passers-by stop and ask, "What is it?"
But at the Convention the order had been given that the "monster" was
not to be received. Even a captive and almost a corpse, they will not allow
Robespierre again to cross the threshold, once he has been banished from
their midst. The Incorruptible, as an outlaw, belongs to justice only. So the
wounded man is taken up and laid at the foot of the grand staircase leading
to the Committee of Public Safety.
There, on the very spot where, two days before, Robespierre, returning
from the Conciergerie, hurled defiance at Billaud-Varennes, he now lies on
a litter, vanquished, ruined, gasping out his life!
The litter is carried into the room. Robespierre still unconscious is lifted
out and laid on a table, and his head is pillowed on a deal box, containing
samples of munition bread. His shirt, loosened at the neck, and leaving the
throat bare, is covered with blood which still flows freely from the
mutilated jaw. The sky-blue coat is soiled and torn, the nankeen breeches,
the white stockings, washed and ironed by Cornélie Duplay, are now all
stained and disfigured.
Robespierre has opened his eyes; he raises his right hand, groping
instinctively for his handkerchief, wishing to wipe his mouth. His trembling
fingers come in contact with a white leather pistol-case, which he lifts to his
lips to staunch the blood. By an irony of fate the case bears the inscription
—"The Great Monarch; Lecourt, manufacturer to the King."
Robespierre appears to revive. He looks round, and his eyes fall on
Saint-Just and Dumas, side by side in the recess of one of the windows,
shrugging their shoulders at the rudeness of the people who pass through
the room and stare at them as if they were curiosities. The insults are now
directed against Robespierre, who turns away:—"There is fallen majesty for
you!" exclaims one.... "Majesty laid low," says another.... "With his
bandages he looks like a mummy or a nun!" ... "Yes, a nun with her head-
gear awry!" ... "He is thinking of his Supreme Being! It's just the right
moment!"
But Robespierre, under this railing clamour and abuse, does not stir.
There he lies, stretched out motionless, his eyes fixed on the ceiling, the
very embodiment of silent scorn. Slowly and without a word, he drinks the
cup of bitterness; he will drink it so, to the very dregs. A conqueror, he
would have been to them a god; vanquished, they nail him to the pillory.
Such is the constant perfidy of human nature! And yet he had been so near
success, so near! If the Convention had not proved so cowardly at the
sitting, had not succumbed directly before Tallien's attack! ... If they had but
let him speak! If they had allowed him to defend himself! But the plot had
been too well laid. Then Robespierre's thoughts wander to the other
wretches, the Communes, the cowards on whom he had counted, the vile
traitors and base deserters!
His bitter meditations are suddenly cut short by a shooting pain in the
knee, which runs through him like a knife. It is his garter, which is too
tightly drawn. He raises himself and stretches out his hand to undo it, but
his strength fails, and he falls back again. Suddenly he feels some one
gently loosening it. He lifts himself again and bends forward. Can he be
dreaming? That young man ... yes, it is Olivier! ... Olivier, himself!
"Oh, thank you, my ... thank you, my ... thank you, monsieur!" he says
hastily.
He is on the point of saying, "my son!" but has strength enough left to
recollect himself. No! Olivier must never know the secret of his birth,
never, never!
Robespierre falls back again. The emotion is too much for him, and he
faints away.
Yes, it is Olivier, who has just obtained from the Committee a passport
for his mother, his fiancée, and himself. Crossing the waiting-room he had
seen Robespierre stretched out on the table in front of him. Touched with
pity at his vain and painful attempts to undo the garter, he had come to his
assistance.
"Then let us go, and lose no time!" Clarisse answers; "let us return to
Montmorency, at once! I long to leave the city of woe and misery."
"We cannot go yet," replies Olivier. "The passport must bear the stamp
of the Committee of General Security to be of any use, and I must present
myself before the Committee at three o'clock."
"Then, what are we to do? Where shall we go?" asks Clarisse wearily.
"We can only go to the Rue du Rocher, to Leonard's landlady. She will
receive me with open arms, you will see, now she has no longer
Robespierre to fear."
It is five o'clock, and day has just dawned. The air is soft and fresh, the
sky above of sapphire blue; the trees, the streets, the very houses, seem
smiling with renewed life, after the refreshing shower.
"No!"
"Where am I?"
His eyes flash for a second. He looks round uneasily and repeats—"At
the Conciergerie! In what part of the Conciergerie?"
His mind is flooded with ideas.... He is, dreaming vaguely, his dim eyes
fixed on the low ceiling of his cell.... His youth smiles at him through the
mist of years, every detail of the past comes back to him in clear and lucid
vision.
Robespierre is now in sight. This is the signal for the wildest uproar. He
is seated on a bench in the first tumbril, and fastened against the bars of the
cart to keep him from falling. The fresh air has revived him; he allows them
to do as they please, looking on in silent scorn. Others of the condemned
are placed in the same tumbril: Augustin Robespierre, Saint-Just, Dumas
the president, Hauriot, and Couthon. The two last are seated right and left of
Robespierre. Four other carts follow, equally loaded. The condemned
number twenty-two in all.
"Monster!" she cries, "vile monster! in the name of all mothers, I curse
you to hell!"
Robespierre continues his dreadful way, his eyes fixed and glassy, his
face wrapped in the bandage which holds his jaw together, and partly hides
it like some ghastly mask. By his side sits Hauriot, livid and terrified,
covered with the mud and filth of the sewer into which he had fallen.
Couthon and Augustin Robespierre, pitifully mutilated, are lying at the
bottom of the cart. Saint-Just alone stands erect, his hands bound, and
retains his scornful air.
The tumbrils enter the Rue Saint-Honoré near the Jacobin Club, where
two days before the Incorruptible reigned supreme. The martyrdom is not
over. They are before the house of the Duplays.
"Ha! Robespierre, here is your cavern branded with the blood of your
victims!" cries a voice.
A plaintive howl is heard from behind the blood-smeared door. It is
Blount, who has scented his master. Robespierre shuts his eyes but it is
useless, for he can hear!
People question each other in the crowd. Where are the Duplays? In
prison! The father at Plessis, the mother at Sainte-Pilagie with her young
son. Lebas has killed himself! His body is there in one of the carts. As to
the daughters, they have fled, most probably.
The cortège continues its way, while the heart-rending moans of Blount
can still be heard in the distance. That cry of the faithful dog, recognising
his master and calling to him, is the last adieu to Robespierre from his
recent home.
The first tumbril is already at the top of the Rue Saint-Florentin. A man
turns out of the street and runs in the direction of the Rue de la Révolution.
"Hallo, there! will you not see the Incorruptible's head cut off? Stop!
stop! Don't be so chicken-hearted!"
But the man is already far away. It is Olivier, returning from the
Committee of General Security, where he had at last succeeded in having
his passport countersigned, after endless trouble. He tries to cross the Rue
Saint-Honoré, but the crowd fills the street; so he retraces his steps,
followed the Jardin des Tuileries, and reaches the Rue Saint-Florentin, at
the very moment when the tumbrils are at hand.
Away from them he hurries, towards the Rue de Rocher, where Clarisse
and Thérèse are impatiently awaiting him in their room. The landlady,
anxious to be taken back to favour, has been worrying them with officious
attention since the morning.
"Then you have decided to go? Will you not wait until to-morrow? I
have such a nice supper prepared!"
"It's all right! Everything is arranged," says the landlady. "The carriage
has been ordered, and is just two steps from here."
She hastens downstairs, followed by Olivier and the two women, who
wait outside. The street is deserted. The day melts in a soft twilight. Stars
already twinkle in the cloudless sky. Light, happy laughter comes from a
balcony opposite, the echo of childish merriment, which soon ceases with
the closing of a door.
The carriage has arrived, an open char-à-banc with four seats. Olivier
helps his mother and his fiancée in, then climbs up on the box beside the
driver.
The carriage rolls away amidst the farewells and good wishes of the
widow Beaugrand. However, at the end of the Rue du Rocher it stops
suddenly and draws up to the side of the road. Two carts are coming at full
gallop, driven by men in red nightcaps. Olivier asks impatiently—
"It's the dead bodies of the condemned, citoyen; they are taking them to
the Cemetery des Errancy. Ah! now, the Incorruptible can kill no more!"
Clarisse and Thérèse fall on their knees, their hands clapped, and their
eyes lifted in prayer. Olivier bares his head. The carts are passing. Clarisse
and Thérèse make the sign of the cross. Olivier, pale with emotion, follows
their example, turning towards Thérèse and his mother, whose eyes dwell
with strange emotion on his face. Her tear-dimmed gaze is full of mute
thanksgiving, the secret of which Olivier will never know.
*** END OF THE PROJECT GUTENBERG EBOOK ROBESPIERRE
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