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0500 FigurativeLanguage TP
0500 FigurativeLanguage TP
Figurative Language
Cambridge IGCSE™ / IGCSE (9–1)
First Language English
Version 2
Copyright © UCLES 2019
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Contents
Introduction ..................................................................................................................................... 4
Lesson resources.......................................................................................................................... 16
Lesson plan
Teacher’s notes
Lesson resources
3
Teaching Pack: Figurative language
Introduction
This Teaching Pack focuses on supporting learners to develop their understanding and application
of figurative language. The lessons will help learners to identify figurative language in writing and
understand its effects on the reader. This will enable learners to use figurative language in their own
writing.
The lessons presented here are designed for learners that have a basic knowledge of figurative
language and are familiar with the key terms: similes, metaphors, personification, alliteration,
hyperbole, and onomatopoeia. They should be able to identify these terms and will be able to analyse
the effect of these features.
It is expected that learners should already know that figurative language is language which uses
figures of speech. This is when the writer describes things through the use of unusual comparisons,
for effect, interest and to make things clearer. The result of using this technique is the creation of
interesting images.
It would be useful if your learners have been analysing literary texts such as poetry, novels or short
stories before this lesson so that they can more readily identify figurative language and the reasons
for its use.
4
Teaching Pack: Figurative language
Timings Activity
Starter / Introduction
Task: Learners each take one item from a bag and list three qualities that they share
with that object. They then create a simile sentence to compare themselves to that
object. These can be humorous as well as serious.
Remind learners to consider the effect they wish to have on the audience. You could
assign a different effect from the list below to learners to make this activity more
challenging:
• fear
• humour
• strength
• weakness
• mystery
• kindness
• sadness
• optimism
For example:
I am like a rock; solid and dependable; unbreakable. This creates an image of strength.
or
I am like a packet of seeds; full of anticipation about the future; ready to grow strong.
This creates an atmosphere of optimism.
Learners compare their sentences with their partner and should be ready to share their
ideas with the rest of the class.
5
Teaching Pack: Figurative language
Timings Activity
Development: Learners now turn the simile sentence they have created into a
metaphor.
To do this instruct learners to remove ‘like’ or ‘as’. You should be left with a metaphor.
Again, remind learners that they must consider the effect they wish to have on the
reader. You could assign effects again here so that learners have a focus for their
metaphor.
Which sentences were the most original? Which sentences may have been
clichés?
Main lesson
Task: Assign learners to groups of either three or six.
• 2–3 groups look at Worksheet 1: The Dawn’s Awakening by Otto Leland
Bohanan
• 2–3 groups look at Worksheet 2: The Road Not Taken by Robert Frost
• 2–3 groups look at Worksheet 3: Sonnet 18 by William Shakespeare
Alternatively, select poems your learners know well.
Assign roles to learners for them to analyse their assigned poem. Using different
coloured pens each learner identifies examples of metaphors, similes and alliteration.
This could also be done in pairs, where each pair is assigned a feature to find. Then
learners choose the best example of each of these features and analyse these to
explain the effect.
They should consider:
• What image or images does the language create?
• What feelings or emotions does the metaphor/simile/alliteration convey?
• What does the metaphor/simile/alliteration make you think about?
• What tone or mood does the poet create through their use of metaphor, simile
or adjective?
• What do you think is the overall message of the poem and why? Can you relate
your ideas back to one of the features you have analysed?
Distribute Worksheet 4. Learners either roll a dice and match the number against the
following word or, if time does not allow this, assign learners a number from one to six.
1. Sea
2. Mountain
3. Desert (take care with spelling – this is an arid place, not pudding!)
4. River
5. Tree
6. Star (the solar system type, not the rock star type!)
Using the word the dice number corresponds to, learners write a short poem about that
object or place. Allow time for learners to generate some vocabulary related to their
word using the Word bank. Their poem should be 8 lines long and should use the
following slow writing success criteria to direct them.
Slow writing is a writing technique that makes learners focus on how they are writing
rather than what they are writing. It directs learners into using writing techniques to
ensure that their writing is varied and interesting.
Slow writing success criteria:
• The poem must be 5–8 lines long
• Line 1 should include a metaphor and three exciting adjectives
6
Teaching Pack: Figurative language
Timings Activity
• Line 2 should begin with alliteration
• Line 3 should include an effective simile
• Line 4 must contain an adverb
• Line 5 should have an example of onomatopoeia
• Line 6 should consist of four words
• Line 7 should start with an interesting opener
• Line 8 should include another metaphor
Plenary
In pairs, learners read each other’s work. They should pick out an effective example of
either a metaphor, simile or alliteration from their partner’s work. Learners share good
examples with the rest of the class to vote for the most effective line.
Homework
The following are options for homework:
1. Split the class in half and give one half of the class Worksheet 5 and the other half
Worksheet 3. Learners complete this for the next lesson and come prepared to
peer assess someone from the opposite group’s worksheet.
2. Ask learners to choose a different option from Worksheet 6 and create another
poem using the success criteria from today’s lesson.
3. Learners find a poem that has effective similes, metaphors and alliteration. They
write a paragraph to explain why these features are effective in this poem.
7
Teaching Pack: Figurative language
Key words / concepts you could highlight during Lesson 1, or have pre-taught before the lesson:
Metaphor – a figure of speech that states that something is something or has qualities of
something that it cannot possibly have or be. For example ‘The Sea is a hungry dog’ or ‘The moon
was a ghostly galleon’.
Simile – a comparison between two unlike things through the use of the connecting words ‘like’ or
‘as’.
Alliteration – repetition of consonant sounds at the beginning of words that are close to each other.
Cliché – an overused phrase that has lost impact. For example, ‘as brave as a lion’.
Starter
For this starter you will need to collect a range of objects that learners could write effective similes
and metaphors about. If you cannot find these objects easily, you could either ask learners to bring
in an object that is important or special to them or you could write a list of objects and have
learners select these at random. If your learners need support with this task, it may be useful for
you to model the process of writing a simile and then a metaphor on the board.
Main lesson
The pace of this lesson is quite fast so it may be more appropriate to split this lesson and analyse
the poems in one lesson before moving on to writing in another lesson.
Notes on poems:
The Dawn’s Awakening by Otto Leland Bohanan. This poem was written about the Harlem
Renaissance in the 1920s which was an intellectual, social, and artistic movement. The Harlem
Renaissance was considered to be a rebirth of African–American arts and was centred around the
neighbourhood of Harlem, New York. The poem celebrates the idea of a new beginning and a bright
future.
The Road Not Taken by Robert Frost. In this poem, the speaker stands in the woods, considering
a fork in the road. Both ways are equally worn and covered with un-trodden leaves. The speaker
chooses one, telling himself that he will take the other path another day. However, he knows it is
unlikely that he will have the opportunity to do so. And he admits that someday in the future he will
recreate the scene with a slight twist: he will claim that he took the less-travelled road.
Sonnet 18 by William Shakespeare. A Sonnet is a 14 line poem which follows a strict rhyme
scheme and structure. Sonnets are traditionally about love and often contain a volta (turning point
or shift in perspective). This poem is about eternal youth and beauty and whether the poet’s lines
will live on forever.
When learners have analysed their poem to identify and explain the effect of the metaphors,
similes and alliteration, they then need to write their own poem. You can assign a different number
to each learner or have learners roll a dice to be given a number at random. We have provided
some words to help learners get started but you may wish to spend longer on developing
vocabulary for learners to write their poem. Learners then use the slow writing technique below to
construct their own poem, using a wide range of vocabulary and features.
8
Teaching Pack: Figurative language
Slow writing
This is a writing technique that makes learners focus on how they are writing rather than what they
are writing. It directs learners into using writing techniques to ensure that their writing is varied and
interesting. When learners have mastered this technique, they can use these features in a range of
other writing styles, such as descriptive and narrative writing.
9
Teaching Pack: Figurative language
Learning
By the end of the lesson learners will be able to:
objectives
• Identify and analyse the effect of personification in a text.
• develop a greater range of effective vocabulary in descriptive or
narrative writing.
• use figurative language in their own writing to create a range of
effects.
Timings Activity
Starter / Introduction
Task: In pairs, learners use Worksheet 7 to match the correct halves of the sentences to
create a full set of personification sentences. Once completed, learners feed back their
responses to check they have the correct sentences. Encourage the class to come up with
a definition for personification based on what they have seen from these sentences.
In their pairs, ask learners to select the two most effective sentences. Learners could make
notes on the following questions or this could be a verbal class discussion.
• What do you notice about the sentences that you have selected? Do they have
something in common?
• What effect do these sentences have on the reader?
• What do the sentences suggest about the object or person being described?
• What makes these sentences effective? What could make them more effective?
• Why do you think writers use personification?
Learners write their own example of personification using the objects above. Once learners
have written their sentence they find someone who had the same object as them. In pairs,
they evaluate their partner’s work and discuss whether their sentences were effective.
10
Teaching Pack: Figurative language
Timings Activity
Main lesson
Task: In pairs or groups of four, learners read Worksheet 8. This could be a whole class
reading activity or learners could do this individually. Learners highlight any examples of
personification.
Encourage learners to share their answers to assess understanding and address any
areas of confusion.
Using Worksheet 9, learners then select the four most effective examples of
personification. In the first column of boxes they record the examples from the text and in
the second column of boxes they draw an image of the personification, trying to visualise
what the language is showing them. In the third box they analyse the effect of this language
on the reader, giving reasons for their answers.
You could take feedback from the class or use a visualiser to show good examples of
analysis.
Development: Now ask learners to work independently. Give each learner one of the
images and a copy of Worksheet 10. Learners use the mind-map to plan their work.
Remind them to use figurative language in their plan to consider the effect they want to
have on the reader. More than one learner will have the same image.
Plenary
Task: Learners write the first sentence of their descriptive piece. If time allows, learners
could swap this with a partner for peer assessment or some learners could read their
sentences aloud for the class.
Homework
Each learner writes a paragraph to describe their image using at least three examples of
personification. This should not be a narrative (story) but should be a description of the
place or object in the picture.
Learners could use the slow writing technique from Lesson 1 to ensure they use a range
of descriptive writing techniques.
11
Teaching Pack: Figurative language
Key words / concepts you could highlight during lesson 2, or have pre-taught before the lesson:
Personification – where the writer gives human or animal qualities to something other than a human
or animal. This can include inanimate objects or things in nature.
Personification can affect the reader in different ways depending on what is being described and
how it is being described. As a writing technique, your learners could use this mainly in narrative and
descriptive writing, although it can also be used to persuade and argue.
Starter
The matching activity on Worksheet 7 means that learners can construct sentences that contain
personification and then have a range of examples that they can return to if they wish to revise this
technique. It may be useful for your learners to do this in pencil initially so that they can easily correct
any mistakes. We have included a copy for you with the answers highlighted.
The third part of this worksheet encourages learners to evaluate and analyse the sentences.
Learners should decide which of the sentences is the most effective and then consider what the
effect is on them as a reader and why, paying attention to the language used.
Main lesson
This text describes being stuck in a traffic jam. The narrator is a driver and is going on holiday with
their family. They describe the scene and, throughout, use a range of features to create a range of
effects on the reader. It may be useful for you to read this with your learners or allow them to read
this a number of times so that they can address any misunderstandings with vocabulary.
On Worksheet 10, learners have to use the language they have selected and create an image from
the words. Learners may find this a little challenging at first but do encourage them to try this- even
if their pictures look strange! Remind learners that this task is not about their artwork but is actually
about them analysing the language to really reflect on what imagery is created. This can be a really
powerful tool to help learners understand the effect of language rather than just identifying features.
The descriptive writing mind-map is split into sections for learners to record some examples of
figurative language that they might want to use in their own writing.
You will need to provide learners with some images that they can use as inspiration for their own
piece of writing. It may be useful to ask learners to bring in some images that they like or feel able
to describe.
Homework
Learners should write a descriptive paragraph about their image. Take this opportunity to remind
learners that they are describing rather than narrating so although there can be some action within
their piece, the focus should be on describing what the narrator can see, hear, smell, feel/touch
and/or taste. Learners may want to use the Slow Writing technique from lesson 1 to help them use
a range of features. Learners should bring their paragraph to the next lesson to be peer assessed
as part of the starter. If you wish, learners could write their paragraph as the starter of the next lesson
and could use the mind-map planning exercise for homework.
12
Teaching Pack: Figurative language
Timings Activity
Starter / Introduction
Task: In pairs, learners use Worksheet 11 to peer or self–assess their own work and
their partner’s homework. Learners use the worksheet and then give their partner
verbal feedback on what was successful in their work and what they could do to
improve this.
Or
Task: If learners did not write a paragraph for homework then they use this time to
write a paragraph to describe their image using at least three examples of
personification. This should not be a narrative (story) but should be a description of
the place or object in the picture.
Learners could use the slow writing technique from Lesson 1 to ensure they use a
range of descriptive writing techniques.
Learners could then peer or self–assess each other’s work after they’ve written their
piece.
Main lesson
Task: Learners create a piece of writing of 400–500 words. Learners choose from one
of the following:
1) Descriptive writing: Describe an occasion when a group of people are together.
2) Descriptive writing: Describe an isolated place.
3) Narrative writing: Write a story that includes the words, ‘His hiding place had been
discovered’.
4) Narrative writing: Write a story that involves a character going on a journey.
13
Teaching Pack: Figurative language
Timings Activity
Mini plenary: Allow 5–10 minutes to write the opening paragraph. Ask learners to
exchange with their neighbours for quick verbal peer assessment.
Look for:
• strong opening
• sentence length variety
• examples of figurative language
Following this brief assessment, learners continue writing. After another 10 minutes
learners should again swap their writing with a neighbour. See if they can identify the
figures of speech used. Each learner gives their neighbour one positive aspect about
their writing and one aspect which might be improved. Learners then make any
changes or edits needed.
Plenary
Task: Distribute post-its to learners. Learners select a sentence that they’re most
proud of from their work, write this on the post-it and put this on the board. Select
some of the sentences to read aloud and discuss with the class:
• What figurative language has been used in the sentence?
• Why is this sentence effective?
This activity could also be used as a starter for the next lesson if time does not allow
in this lesson.
Homework
If learners have not completed their writing task from this lesson, then they complete
this for homework. If learners have finished then they should choose one of the other
tasks, for example, if they wrote a descriptive piece in class then they write one of the
narrative pieces.
Next steps: These pieces of writing could be used as first drafts for the Coursework
component, Assignments 2 and 3 or could be used as practice for Paper 2: Writing. If
these pieces are going to be used as coursework pieces then learners may want to
re-draft these to refine their initial ideas. The Teaching Pack: Narrative Structure may
be useful for learners undertaking the narrative writing task.
14
Teaching Pack: Figurative language
Key words / concepts you could highlight during the lesson, or have pre-taught before the lesson:
Metaphor – a rhetorical figure of speech that compares two subjects without the use of ‘like’ or ‘as’.
Simile – a comparison between two unlike things through the use of connecting words, usually ‘like’
or ‘as’.
Alliteration – repetition of consonant sounds at the beginning of words that are close to each other.
Personification – giving human qualities to inanimate objects or ideas.
Onomatopoeia – the formation of a word from a sound associated with what is named (e.g. ‘crackle’,
‘hiss’).
Some of the topics and vocabulary covered in this lesson could be used in combination with the
lessons in the Narrative Structure Teaching Pack.
Starter:
See Lesson 2 Teacher’s notes for suggestions on how to run this activity.
Main lesson
This activity requires learners to use the skills that they have developed in this pack and in the
Narrative Structure Teaching Pack to create an extended piece of writing. We have given you a
range of options for tasks that learners could undertake or you could choose your own. You should
share the learning objectives with the learners so that they know what they should cover in their
writing.
Learners should peer assess their work throughout the writing process so that they can reflect on
their writing and make changes as they progress. If learners finish their writing then they can redraft
their work as it is important for learners to see their work as developing and evolving rather than
simply accepting their first draft. Try and encourage learners to stick to the word count as this activity
is about quality rather than quantity!
Plenary
Learners will need a post-it each or, if these are not available to you, then you can ask learners to
share their sentences verbally. Use this activity as an opportunity to celebrate where your learners
have done well and build in an opportunity for learners to praise one another whilst also identifying
successful use of figurative language and features in their classmates’ writing.
15
Teaching Pack: Figurative language
Lesson resources
16
Teaching Pack: Figurative language
Robert Frost
Worksheet 3: Sonnet 18
William Shakespeare
Use the spaces to add any of your own words that you might want to use in your poem. We have
given some suggestions for each one.
1. Sea – current, tides, white caps, white horses, thundering, smashing, ebbing, flowing,
stampeding, spume, serene, expanse, pools,
3. Desert – dry, arid, uninhabited, dust bowl, wild, dunes, sandy, wasteland, desolation,
empty, abandoned, beautiful, stark, mesmerising,
4. River – (some words can repeat from Sea and vice versa), estuary, black, transparent,
backwater, rushing, turbulent, menacing, oozing, deluge,
Read each sentence and decide whether each is a simile or metaphor. Underline or circle your
answer and explain which two things are being compared.
Read each example and decide whether each is a simile or metaphor. Underline or circle your
answer and explain which two things are being compared.
1. Use this worksheet to match the two halves of the sentences below to show how
personification can be used for different effects.
2. Highlight the word or words that show that this sentence is personification. For
example, ‘The avalanche devoured anything standing in its way’.
3. Which sentence is the most effective and why? What imagery does it create in your
mind?
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
1. Use this worksheet to match the two halves of the sentences below to show how
personification can be used for different effects.
2. Highlight the word or words that show that this sentence is personification. For
example, ‘The avalanche devoured anything standing in its way’.
(The highlighted words above indicate which part of the sentence creates the
personification. It should be noted that personification is usually expressed through the use
of a verb)
3. Which sentence is the most effective and why? What imagery does it create in your
mind?
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
…………………………………………………………………………………………………………
My hands drummed impatiently against my leg as I stared through the misted window of the taxi. We
were stuck in a seemingly endless traffic jam on our way to the airport. I could feel my anxiety levels
rising as the green numbers of the clock on the taxi’s dashboard displayed 14.05. It was two hours
to departure time and we had two miles to go. Not far in the general scheme of things, but it had
taken an hour to cover the last mile and I was beginning to think we really wouldn’t make it.
My gaze focused on the people in the car next to me. An old couple in thick woollen coats. She had
a scarf wrapped tightly round her neck and he wore a battered and worn flat cap. They seemed
resigned to the wait and had opened what looked like a flask of coffee or tea. The steam from the
little plastic cups curled slowly up in front of their faces as they sipped, masking them for a minute
until they reappeared as the steam dissipated. They didn’t look worried. In fact they looked quite
content to wait whilst they sipped their drinks and munched slowly on their mammoth sandwiches.
Lucky them! I had missed lunch in my haste to leave and my stomach growled in protest.
Looking out of the other window I observed the reason for our delay. Roadworks! Miles and miles of
them. I could see lines of luminous orange and white traffic cones snaking their way down the side
of the road ahead of us. It was as if they were keeping a careful eye on all the stationary vehicles
making sure that none dared to cross over into the sacred area of ‘carriageway under construction’.
My drumming increased as I noted how far into the distance the beady red eyes of their break lights
stretched. The green numbers in the dashboard mocked me; 14.20 – we were running out of time.
The blasting of a horn momentarily distracted me from my thoughts and I turned to see that we had
in fact moved a few hundred yards. The old couple had been replaced by a car transporter packed
to capacity with top of the range shiny new cars of varying shades of metallic grey, red and blue.
The last car on the top deck clung precariously to the metal ramp looking as if at any minute it would
relinquish its tight grip on the mother vehicle and fall to crush the tiny Fiat 500 waiting patiently in the
queue behind. The young occupant of that car seemed unaware of his impending doom. His head
nodded rhythmically in time to some unheard music and his lips moved to mimic the artist’s singing.
Every so often he reached down and raised a large coffee cup to his lips. Given the time we had
spent in the queue it would have been stone cold by now, but at least it gave him something to do I
supposed.
The voice of the driver and a loud cheer from the rest of my family interrupted my musings. The jam
was being cleared! The orange and white soldiers had been pushed back and the stationary traffic
had erupted into life. The once sacred area of carriage under construction was invaded by a bigger
army, an army my vehicle was part of. We were on our way at last! 14.40 – the green numbers no
longer mocked me. They told me we could do it, we were nearly there and we were on our way. My
drumming stopped, my heart rate slowed and I allowed my thoughts to turn to the sunshine and
beaches of our much needed and much anticipated holiday.
My hands drummed impatiently against my leg as I stared through the misted window of the taxi.
We were stuck in a seemingly endless traffic jam on our way to the airport. I could feel my anxiety
levels rising as the green numbers of the clock on the taxi’s dashboard displayed 14.05. It was two
hours to departure time and we had two miles to go. Not far in the general scheme of things, but it
had taken an hour to cover the last mile and I was beginning to think we really wouldn’t make it.
My gaze focused on the people in the car next to me. An old couple in thick woollen coats. She
had a scarf wrapped tightly round her neck and he wore a battered and worn flat cap. They
seemed resigned to the wait and had opened what looked like a flask of coffee or tea. The steam
from the little plastic cups curled slowly up in front of their faces as they sipped, masking them for a
minute until they reappeared as the steam dissipated. They didn’t look worried. In fact they looked
quite content to wait whilst they sipped their drinks and munched slowly on their mammoth
sandwiches. Lucky them! I had missed lunch in my haste to leave and my stomach growled in
protest.
Looking out of the other window I observed the reason for our delay. Roadworks! Miles and miles
of them. I could see lines of luminous orange and white traffic cones snaking their way down the
side of the road ahead of us. It was as if they were keeping a careful eye on all the stationary
vehicles making sure that none dared to cross over into the sacred area of ‘carriage way under
construction’. My drumming increased as I noted how far into the distance the beady red eyes of
their break lights stretched. The green numbers in the dashboard mocked me; 14.20 – we were
running out of time.
The blasting of a horn momentarily distracted me from my thoughts and I turned to see that we had
in fact moved a few hundred yards. The old couple had been replaced by a car transporter packed
to capacity with top of the range shiny new cars of varying shades of metallic grey, red and blue.
The last car on the top deck clung precariously to the metal ramp looking as if at any minute it
would relinquish its tight grip on the mother vehicle and fall to crush the tiny Fiat 500 waiting
patiently in the queue behind. The young occupant of that car seemed unaware of his impending
doom. His head nodded rhythmically in time to some unheard music and his lips moved to mimic
the artist’s singing. Every so often he reached down and raised a large coffee cup to his lips. Given
the time we had spent in the queue it would have been stone cold by now, but at least it gave him
something to do I supposed.
The voice of the driver and a loud cheer from the rest of my family interrupted my musings. The
jam was being cleared! The orange and white soldiers had been pushed back and the stationary
traffic had erupted into life. The once sacred area of carriage under construction was invaded by a
bigger army, an army my vehicle was part of. We were on our way at last! 14.40 – the green
numbers no longer mocked me. They told me we could do it, we were nearly there and we were
on our way. My drumming stopped, my heart rate slowed and I allowed my thoughts to turn to the
sunshine and beaches of our much needed and much anticipated holiday.
Use this worksheet to identify and analyse the most effective examples of personification from
Worksheet 8.
Alliteration Metaphors
Similes
Onomatopoeia
Personification
Use the first grid below to mark your own work. When you have self–assessed your work you
should swap your work with your partner and use the second grid to peer assess them or your
partner’s work.