Brochure created by Fred/Alan, Inc. New York
www.fredalan.org
Written by Alan Goodman & Marty Pekar (Overnight Inspirations)
Designed by Richard Mantel
Produced by Jessica Wolf
Mosaic Records #123-128-134 (1988-1990)
70 LPs
344 tracks
Recorded by Milt Gabler
Original Title
Mosaic Records proudly presents The Complete Commodore Jazz Recordings
Brochure created by Fred/Alan, Inc. New York
www.fredalan.org
Written by Alan Goodman & Marty Pekar (Overnight Inspirations)
Designed by Richard Mantel
Produced by Jessica Wolf
Mosaic Records #123-128-134 (1988-1990)
70 LPs
344 tracks
Recorded by Milt Gabler
Brochure created by Fred/Alan, Inc. New York
www.fredalan.org
Written by Alan Goodman & Marty Pekar (Overnight Inspirations)
Designed by Richard Mantel
Produced by Jessica Wolf
Mosaic Records #123-128-134 (1988-1990)
70 LPs
344 tracks
Recorded by Milt Gabler
THE COMPLETE
COMMODORE JAZZ
RECORDINGS
VOLUME 1Retransferred and remastered
to Mosaic’s highly acclaimed
standards for sound quality
Including: 67 newly discovered
performances and never-before-
released alternate takes
With a lavish 64-page
booklet containing:
Extensive session-by-session notes
by Dan Morgenstern
A history of Commodore Records
as told by Milt Gabler
Rare photographs
Edition limited to 2500 sets
alternate
344 track
But here
‘this brochure
pci interest
New York t
ak up the Comme And true to the
ut the rea legacy of Commodore — now that the colletion will be rele
The underappreciated sax
first small groups consisting ofa tenortrumpet
featured Berry with
Hart, Al Casey. Al Me
organ, Harry Yeager:
1 GrappellBillie Holiday uncensored.
Her frat Commedore session included the
sia “Strange Fut” (which Columbia
refused to let her recor plus the
ther classics,
Some of the greatest jazz recordings ever
nade. Lester Young on ela
Rare performances by Lest
Young
The Kansas City Six
Edie Durham, Freddie
and Jo Jones.
as wel as enor ax wi
Featuring Buck C
Green, Walter Page
The complete Teddy Wilson School for
Pianists recordings.
Inthe vault all these years were a series of
beautiful piano solos originally recorded for
instructional purposes by Teddy Wilson. Some
af them have been boolegged
the complete se
Fine sound
Mel Powell sal.
her exciting find! Never-before-released
alist in an unusual setting
backed only by Muggy Spanier on cornet and
Jess Stacy on piano in an attempt to capture the
setting of classic Bessie Smith session,
C
label.
modore wi
rt just a record
it was the source of many
jazz legends. Now all of them are
real again—thanks to this
astonishingly comprehensive
Mosaic project”
Nat Heat
Goleman Hawkins in 1940.
‘One fll LP is ete to this important session
with Coleman Hawkins, Ray Eldridge, Benny
Jolin Kiky, and Big Sid
Calle. Particularly enligitening isthe evolation
Smack", where we have reproduced
all six takes, four of which have never been
heard before
Carey, Bernard Addison
ofthe tune
Coleman Hawkins in 1943.
An important transitional session with Oxcat
Potford, Act ‘Tatum, Eamond Hall, Coote
Williams, Al Casey, Big Sd Catlett Four tunes
pls five valuable aernats
Some of the most brilliant Commodore sides
fever recorded
face these three Edie Condon dates: M/S,
Dave Tough dosen't show, so Lionel Hampton Gills
jn on drum! On IV/A/40 Fats Waller makes rae
‘ideman appearance. And on 8/28/40 the Condon
Band records an experimental four-part
version of “A Good Man is Hard to Find,” meant
to reereate on dis the feel ofa jam session
"his ineredile photograph The dat is January 1,18
‘Commodore ery frat recrding teston Thats Mi
guar Ee Condon pe
‘On he tof i pans
opp finger busting plana Solon “Sing, Sin, Sin
‘Pho by George A Douglas fom the Ml Gabler Colleton
Morton sotos and 1
+ bought out General Records to got
413 Jelly Roll Morton
AIU13 of them, including one
his hands ona serie
cing.
Tune, ate presented herein thee totality
ith them o
recordings led Unree LP
these enjoyable Jelly Roll performances,
faethe fist ime. Alon
Rarely heard originals by
Willie The Lion Smith
This is the original 1989 L4-song
has never appeated on LP belore. Will
Smith later rere
those are the
(They will appear in Walume IL
sion and it
The Lion
ded these songs for LP and
Te
‘The pian 10 session by Joc
BushkiedOran Hot Lips Page/Al Morgan was too
‘dd at the time even fr Milt Gable, she ied it
fvay and promptly forgot about it, Here iis, for
the fist ime. OF umieval interest is the ba
‘on “Morgans Blues". Had it been ised in 1941
it would have heen one ofthe earliest hase
Edmond Halls Swingte
This sextet sounds lke it belongs in our Blue Note
set, butt was recorded hy Commodore in 19431
With Eddie Heywood, Emmett Berry and Vi
Dickenson
Cornedcr was the world’ first
truly important independent jazz
label. It continued to be one of
e best for as long as it was activ
Leonard Rather
Goodman.
By 1942 Milt Gables Commodore label had
established itself as 8 major force in jazz and some
“big names” wanted to be pat of what was going
an. Bor this session Benny Goodman net only
showed up to play clarinet, but aid down some of
the best
were Billy Butterfield, with George Berg, Low
McGarity, AI Morgan and Kansas Fields. Includes
‘his entire career. Also featured
mate of “Mood a Twili” with a
het chorus by Goodman,
Private Jives: The rarest Commodore!
Minerva Pious & Bud Beeman’ spoof on Noo!
Goward “Private Lives” i considered the hardest-
torfind Commodore ofthe al
le Condon & His Windy City Seven set
the stage
Reewrled the day afer Benny Goodman's famed
Carnegie Hall concen. this very fist session by
Commodore included Buel Freeman, Bobby
Hackett, Poe Wee Russell, George Brunics, Jess
Stacy, Arie Shapiro, and George Wetting. all
of whom would
regulars. Mil Gabler had To wat fr three
different bands to be in New York atthe same time
to assemble this all-star
19 THE RTS, you coal fie cate innontor sack
{Wile The Law Smith inthe Village o on S2nd Ste
woholding sie ju adoro wo
loa, The it vt
seit itd 3
ppeoed nL Pho
"of Mosaic Commodore reise
rom the Mi Gabler Coltyur cents a dozen in the music business and in some departments you can g
better price than that. That’ why this markable, A great big percentage of
music it catalogues repr sincere ome of the best minds in
ansparent aoe diet these
lidn’tlike, don’t like and never ords.
and foresight of Milt Gabler tL L GBTHE COMPLETE COMMODORE
JAZZ RECORDINGS, VOLUME |
everything you can look forward to in this remarkable
cord collection.
wsical order:
nt FRAMBLIN" (to versions)
on & Eddie Condon & His Windy City Seven
Orchestra TNBRACEABLE WOU
DIANE (tt versions)
Quintette OF The Hot Club OF Fance
Ea
SERENADE TO A SHYLOCK (two versions)
& His Windy City Seven
ions)
All Star Jam Band
FoR HE'S 4 JOLLY Goon FELLOW
The
Bud Freeman Trio
REP SMILING AF TROUBLE: (two versions)
“eddy Wilson
NY BILE HEAVEN (three versions}
Bud Freeman And His Gang
TAPPIN' THE COMMODORE TILL (two versions)
MEMORIES OF YOU (three versions)
{Loc LOMOND (three versions) "UFE’ SPEARS A JITTERAUG
TIGER RAG (three versions) = 38? (two versions)
VILL SEE YOU IN MY DREAMS The ty Six With Lest
ALICE BLUE GOWN var DETCIN NEW ORLE
CCOQUETTE (two versions) (two versions)
Chu Berry & His Little Jazz
SITTIN" IN (ho versions)
Minerva Pious & Bud Freeman
PRIVATE IVESBLUE ROOM
EXACTLY LIKE YO
Smith-Bushkin-Stacy
‘THREE REYHOARDS (fio versions)
{THE BOY IN THE BOAT (SQUEEZE ME)
T.GOFTA RIGHT TO SING THE BLUES
(two versions)
& His Orchestra
l never pushed to make a
million dollars, or make it the
biggest store in New York. I was
satisfied with it being the most
important jazz store” vin Gabler
& His Band
1 ROLL (three versions)
STRUT MISS LIZZIE (1u0 versions)
FS RIGHT HERE FoR YOU (two versions)
Tu COMPLETE COMMODORE JAZZ RECORDINGS
IS AN IMPORTANT ACHIEVEMENT, LONG-AWAITED BY
JAZZ COLLECTORS, SCHOOLS AND LIBRARIES.
BUT TO CONTROL COSTS, MOSAIC IS FORCED TO LIMIT
THIS RELEASE TO 2500, WORLDWIDE. PLEASE ORDER
NOW SO YOU WON'T BE DISAPPOINTED.
‘THE CRAVE
THE NAKED DANCE (two versions}
MISTER JOE
Jelly Ro Hot Seven
Jelly Roll Morton’ Hot SixJelly Roll Morton’s Hot Seven
DIRTY, DIRTY, DIRTY
SWINGING THE ELS (WE ARE THE ELKS)
MY HOME 1S IN & SOUTHERN TOWN
Jack Teagard
Art Hodes
Joe Marsala & His Del
WANDERING MAN BLUES
SALTY MAMA BLUES
THREE O'CLOCK JUMP
Pde C
(Parts L through 4)
Joe Bushkin
SERENADE IN THIRDS (two versions)
His Band
CAN'T GET STARTED (tito versions)
JOBY'S BLUES
IN A LITLE SPANISH TUN (two nersions)
leman Hawkins
[SMACK (5 versions)
1 SURRENDER DEAR (four rersions)
CAN'T RELIEVE THAT YOU'RE IN LOVE WITH ME
{taco versions)
DEDICATION (three versions)
Lee Wiley
Ealdie Condon & His Band
D (three versions)
OW SISTER AIN'T THAT HT (four versions)
DANCING FOOL (three versions)
YOU'RE SOME PRETTY DOLL. (three versions)
Pee We
iG WALK
DEUCES WILD (wo versions)
issells Three
S... of this music I'd been
listening to for most of my life, so
T thought I knew my Commodores
—until I started in on this
‘monumental first installment of
the complete story. It's not just
the new takes (and even sessions|
it hearing/re-hearing all that
fine music captured by Milt Gabler.
Producing good jaz:
anartand acraft mastered by fe
producing great jazz records is a
rare gift. Milt cared, and the
nnted as it
ord
Dan Morgenstern
ae ws Ast UL His tne cord pclae Kim the
‘riina’” faz Ard while sone ete hs tide
atthe time, theres mo dapat today tha fly Ral
Mortons cern the ft great jas compote Mit
Cable hgh the whole General Reon alg get
is hand on fly Rell slo, included in The Complte
Commovre Ja: Recordings, Volume I. Pht fm the
TIE LAST TIME 1 SAW CHICAGO (to tersions)
Joe Sully
DEL MAR RAG (three versions)
SUMMERTIME (two versions)
Joe Bushkin
CALDONIN 15 GONE (140 nersions)
MORGAN'S RLUES (two versions)
Chu Berry & His Jazz Ensemble
TMLOWING UP A BREEZE (hee rersions)
(three versions) i
awnay AT MINTON'S (to versions)
FIDGETY FEET (three versions)
MAMAY O'MINE (two versions)
LONESOME, TAC BLUES
Bunk Johnson
FRANKLIN STREET BLUES (ho version)
THE THRILLER RAG
SOBBIN’ BLUES (two nersions)
WEAR BLES (three versions)
Mel Powell & His Orchestra
‘WHEN DID Vo AVEN
IE SKIES (to versions)
‘MOOD AT-TWILIGHT (two versions)
Wild Bill Davison & His
THATS 4 PLENTY (ho versions)
‘ommodores
PANAMA (two versions)
IVERHOAT SPECIAL (to versions)
MUSKRAT RAMBLE (40 versions)
George Brunies & His Jazz Band
OVAL GARDEN BLUES (tivo tersions)
UGLY CHILD (to versions)
THN ROOF BLUES (three versions)
IAT DA DA STRAIN (tao versions)
Wild Bill Davison & His Commodores
CLARINET MAR (hvo versions)
(ORIGINAL, DINIELAND (two versions)
[SO THE JXZ2Z BAND BALL
BARY WON'T YOU PLEASE COME HOME
(0 versions)
Eddie Condon & His Band
OpY KNOWS YOU WHEN YOURE
DOWN AND OUT (two versions)
OSE ROOM (two versions)
BASIN STREET BLUES (two versions)
OH KATHARINS (tea versions)
Cole
ESQUIRE BOUNCE (three nersions)
OFF ROFF (MOP MOP} (two versions)
MY IDEAL (two versions)
ESOUIRE BLUES (to versions)
an Haw
T.. years 1938 to 1943 were a
particularly rich period in jazz
‘The superb documentation by
Commodore has only become
more important with tim
tra Gitler
Eildie Condon & His Band
PRAY FOR THE LIGHTS T0.GO OXT (three versions)
TELL "EM "BOUT ME (two versions)
MANDY MAKE UP YOUR MIND (two versions)
SINGIN’ THE BLUES (three versions)
ACK IN YOUR OWN RACK YARD (three versions)
ALL THE WRONGS YOU'VE DONE TO ME
YOU CAN'T CHEAT A CHEATER (two versions)
SAVE YOUR SORRY (400 versions)
Edmond Hall Sext
{THE MAN I LINE (10 versions)
DOWNTOWN CAFE HOOGIE (tw0 versions)
coQuerm®
Mel Powell
SURILEE
WHEN A WOMAN LOVES A MAN
HALLELLIAN (200 versions)
Brochure reat by Fied/an Ine. mien by An
{Coadman Ore Inpations and designed by
Richard ManeDear Fiend,
This is special event for jae muse lovers and
special achievement for Mosaic Records, Commodore
seas the ver frat independent jaar record company
and during is 20 year history amasted legacy
‘hich wll live for as long as people listen to great
Imisic. In this series Commodore is finally being
presented in the manner befting its importance
the Mosaie was. Asis the ease with all our
collections, we are dedicated ta high standards of
‘quality in every area of our business. We promise:
+ Important Artists
+ Complete, Definitive Collections
+ Cuuranieed Pressings and Printing
+ Beautiful Packaging, Rich in Information
* Limited Eaton Pressings
* Valve (ve tll price everything ta flat $9 per LP)
Rist Service
We'd lke to all your attention to one last thing
There® a special offer on the Last volume of The
CCommedore Colleetion”when you by the fir (wo
volumes in Mossic Commodore Series, youll be
tnlited 1 « 20% discount on Volume Ti, But The
Complete Commdore Jazz Recordings, Volume Fis
a Timid edition. Pleve don' nis
We're very proud ofthis collection and we sincerely
ope you enjoy it
Cbs dui
fll
‘Orver Now!
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handy when
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1. Tell Us Where to Send Your Order,
wR By
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cul to think bat Chrisie!
‘exo 1,
Send check or money on
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Please send me —__ sets of The Complete
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