4th QUARTER SUMMATIVE TEST IN MUSIC 8 ( TEST A ) 3.

3. Kabuki is derived from the Japanese verb _________ which means "out of the
ordinary" or "bizarre."
I. KABUKI 4. Its history began in the early 17th century in Kyoto, where a shrine maiden
named _________ would use the city's dry Kamo Riverbed as a stage to perform
Theater Arts Yaro-kabuki unusual dances for passersby who found her daring parodies of 5. _________ both
Kabuku Buddhist prayers entertaining and mesmerizing.
Izumo no Okuni Keshou 6. By relying on makeup, or _________, facial expressions and focusing on
Kabuki Onna-kabuki historical events rather than folk tales, Kabuki set itself apart from the upper-class
Confucian philosophy Wakashu-kabuki0 dance theater form known as Noh.
7. At first, the dance was practiced only by females referred to as _________.
1. It is one of the standard traditions of the people in Asia. It mirrors or reflects life 8. A ban by the conservative Tokugawa shogunate in 1629 led to the emergence of
and conveys clarity of story, order, and wonder, which is rarely found in ordinary _________ with young boys as actors.
life. 9. But when this was also banned for similar reasons, that led to _________
2. It is a form of classical theater performance that the West may not understand performed by men.
but has evolved over 400 years to maintain influence and popularity. 10. Due to these influences, the once spontaneous, one-act dance evolved into a
3. Kabuki is derived from the Japanese verb _________ which means "out of the structured, five-act play often based on the tenets of _________.
ordinary" or "bizarre."
4. Its history began in the early 17th century in Kyoto, where a shrine maiden II. PEKING OPERA
named _________ would use the city's dry Kamo Riverbed as a stage to perform
unusual dances for passersby who found her daring parodies of 5. _________ both Beijing Opera neutral
entertaining and mesmerizing. Violence Dan
6. By relying on makeup, or _________, facial expressions and focusing on Sheng Chou
historical events rather than folk tales, Kabuki set itself apart from the upper-class Purple mask White mask
dance theater form known as Noh. Bravery Peking Opera
7. At first, the dance was practiced only by females referred to as _________.
8. A ban by the conservative Tokugawa shogunate in 1629 led to the emergence of 11. Peking Opera is a classic form of Chinese performance that combines the
_________ with young boys as actors. music of _________, singing, miming, dancing, and history.
9. But when this was also banned for similar reasons, that led to _________ 12. Peking Opera is also known as _________, and is an essential cultural tradition
performed by men. in China.
10. Due to these influences, the once spontaneous, one-act dance evolved into a 13. There are four main characters or major roles in Peking Opera: _________
structured, five-act play often based on the tenets of _________. refers to male roles, 14. _________ refers to women roles, Jing refers to characters
with painted faces, and 15. _________ which means ugly or clown face.
II. PEKING OPERA 16. Red mask is traditionally a positive color in Chinese culture, which signifies
prosperity, intelligence, and _________.
Beijing Opera neutral
17. _________ suggest justice and sophistication.
Violence Dan
18. The black mask is considered _________.
Sheng Chou
19. In contrast, the green and yellow masks represent bad characteristics. The
Purple mask White mask
green mask implies _________, and the yellow mask is cruelty.
Bravery Peking Opera
20. _________ stands for evil.
11. Peking Opera is a classic form of Chinese performance that combines the III. WAYANG KULIT
music of _________, singing, miming, dancing, and history.
12. Peking Opera is also known as _________, and is an essential cultural tradition stage gamelan
in China. right side dalang
13. There are four main characters or major roles in Peking Opera: _________ background musical cotton screen
refers to male roles, 14. _________ refers to women roles, Jing refers to characters audience puppet
with painted faces, and 15. _________ which means ugly or clown face. Hindu epics Central Java, Indonesia
16. Red mask is traditionally a positive color in Chinese culture, which signifies
prosperity, intelligence, and _________. 1. Wayang Kulit in _________ is one of the oldest continuous traditions of
17. _________ suggest justice and sophistication. storytelling in the world.
18. The black mask is considered _________. 2. It includes the use of _________ materials and 3. _________ accompaniment to
19. In contrast, the green and yellow masks represent bad characteristics. The make it interesting to the audience.
green mask implies _________, and the yellow mask is cruelty. 4. Performances of shadow puppet theaters are accompanied by a _________
20. _________ stands for evil. orchestra in Java.
5. The stories are usually drawn from the _________: Ramayana, Mahabharata,
III. WAYANG KULIT and Serat Manak (Amir Hamza)
6. Wayang Kulit performance consists of shadows cast on a _________ and an oil
stage gamelan
lamp. A halogen electric light is often used as a light source.
right side dalang
7. The _________ is the most important person in a Wayang Kulit performance.
background musical cotton screen
8. The _________ is the puppeteer who prepares all the materials used like the
audience puppet
cloth and light for the shadow.
Hindu epics Central Java, Indonesia
9. The puppet on the _________ signifies the good character and on the left-hand
side the bad.
1. Wayang Kulit in _________ is one of the oldest continuous traditions of 10. The open space between them about two meters wide represents the
storytelling in the world. _________.
2. It includes the use of _________ materials and 3. _________ accompaniment to
make it interesting to the audience. 4th QUARTER SUMMATIVE TEST IN MUSIC 8 ( TEST B )
4. Performances of shadow puppet theaters are accompanied by a _________
orchestra in Java. I. WAYANG KULIT
5. The stories are usually drawn from the _________: Ramayana, Mahabharata,
and Serat Manak (Amir Hamza) stage gamelan
6. Wayang Kulit performance consists of shadows cast on a _________ and an oil right side dalang
lamp. A halogen electric light is often used as a light source. background musical cotton screen
7. The _________ is the most important person in a Wayang Kulit performance. audience puppet
8. The _________ is the puppeteer who prepares all the materials used like the Hindu epics Central Java, Indonesia
cloth and light for the shadow.
9. The puppet on the _________ signifies the good character and on the left-hand 1. Performances of shadow puppet theaters are accompanied by a _________
side the bad. orchestra in Java.
10. The open space between them about two meters wide represents the 2. Wayang Kulit in _________ is one of the oldest continuous traditions of
_________. storytelling in the world.
3. The stories are usually drawn from the _________: Ramayana, Mahabharata,
4th QUARTER SUMMATIVE TEST IN MUSIC 8 (TEST A ) and Serat Manak (Amir Hamza)
4. It includes the use of _________ materials and 5. _________ accompaniment to
I. KABUKI make it interesting to the audience.
6. The _________ is the puppeteer who prepares all the materials used like the
Theater Arts Yaro-kabuki cloth and light for the shadow.
Kabuku Buddhist prayers 7. Wayang Kulit performance consists of shadows cast on a _________ and an oil
Izumo no Okuni Keshou lamp. A halogen electric light is often used as a light source.
Kabuki Onna-kabuki 8. The puppet on the _________ signifies the good character and on the left-hand
Confucian philosophy Wakashu-kabuki0 side the bad.
9. The _________ is the most important person in a Wayang Kulit performance.
1. It is one of the standard traditions of the people in Asia. It mirrors or reflects life 10. The open space between them about two meters wide represents the
and conveys clarity of story, order, and wonder, which is rarely found in ordinary _________.
life.
2. It is a form of classical theater performance that the West may not understand II. KABUKI
but has evolved over 400 years to maintain influence and popularity.
 4. Its history began in the early 17th century in Kyoto, where a shrine maiden
Theater Arts Yaro-kabuki named _________ would use the city's dry Kamo Riverbed as a stage to perform
Kabuku Buddhist prayers unusual dances for passersby who found her daring parodies of 5. _________ both
Izumo no Okuni Keshou entertaining and mesmerizing.
Kabuki Onna-kabuki 6. At first, the dance was practiced only by females referred to as _________.
Confucian philosophy Wakashu-kabuki0 7. A ban by the conservative Tokugawa shogunate in 1629 led to the emergence of
_________ with young boys as actors.
1. It is a form of classical theater performance that the West may not understand 8. But when this was also banned for similar reasons, that led to _________
but has evolved over 400 years to maintain influence and popularity. performed by men.
2. By relying on makeup, or _________, facial expressions and focusing on 9. Due to these influences, the once spontaneous, one-act dance evolved into a
historical events rather than folk tales, Kabuki set itself apart from the upper-class structured, five-act play often based on the tenets of _________.
dance theater form known as Noh. 10. It is one of the standard traditions of the people in Asia. It mirrors or reflects
3. Its history began in the early 17th century in Kyoto, where a shrine maiden life and conveys clarity of story, order, and wonder, which is rarely found in
named _________ would use the city's dry Kamo Riverbed as a stage to perform ordinary life.
unusual dances for passersby who found her daring parodies of 4. _________ both
entertaining and mesmerizing. III. PEKING OPERA
5. Kabuki is derived from the Japanese verb _________ which means "out of the
ordinary" or "bizarre." Beijing Opera neutral
6. At first, the dance was practiced only by females referred to as _________. Violence Dan
7. A ban by the conservative Tokugawa shogunate in 1629 led to the emergence of Sheng Chou
_________ with young boys as actors. Purple mask White mask
8. But when this was also banned for similar reasons, that led to _________ Bravery Peking Opera
performed by men.
9. Due to these influences, the once spontaneous, one-act dance evolved into a 1. There are four main characters or major roles in Peking Opera: _________
structured, five-act play often based on the tenets of _________. refers to male roles, 2. _________ refers to women roles, Jing refers to characters
10. It is one of the standard traditions of the people in Asia. It mirrors or reflects with painted faces, and 3. _________ which means ugly or clown face.
life and conveys clarity of story, order, and wonder, which is rarely found in 4. Peking Opera is also known as _________, and is an essential cultural tradition
ordinary life. in China.
5. Peking Opera is a classic form of Chinese performance that combines the music
III. PEKING OPERA of _________, singing, miming, dancing, and history.
6. _________ stands for evil.
Beijing Opera neutral
7. _________ suggest justice and sophistication.
Violence Dan
8. The black mask is considered _________.
Sheng Chou
9. Red mask is traditionally a positive color in Chinese culture, which signifies
Purple mask White mask
prosperity, intelligence, and _________.
Bravery Peking Opera
10. In contrast, the green and yellow masks represent bad characteristics. The
green mask implies _________, and the yellow mask is cruelty.
1. There are four main characters or major roles in Peking Opera: _________
refers to male roles, 2. _________ refers to women roles, Jing refers to characters 4th QUARTER SUMMATIVE TEST IN MUSIC 8 ( TEST C )
with painted faces, and 3. _________ which means ugly or clown face.
4. Peking Opera is also known as _________, and is an essential cultural tradition I. PEKING OPERA
in China.
5. Peking Opera is a classic form of Chinese performance that combines the music Beijing Opera neutral
of _________, singing, miming, dancing, and history. Violence Dan
6. _________ stands for evil. Sheng Chou
7. _________ suggest justice and sophistication. Purple mask White mask
8. The black mask is considered _________. Bravery Peking Opera
9. Red mask is traditionally a positive color in Chinese culture, which signifies
prosperity, intelligence, and _________. 1. Peking Opera is also known as _________, and is an essential cultural tradition
10. In contrast, the green and yellow masks represent bad characteristics. The in China.
green mask implies _________, and the yellow mask is cruelty. 2. Peking Opera is a classic form of Chinese performance that combines the music
of _________, singing, miming, dancing, and history.
4th QUARTER SUMMATIVE TEST IN MUSIC 8 ( TEST B ) 3. The black mask is considered _________.
4. _________ stands for evil.
I. WAYANG KULIT 5. _________ suggest justice and sophistication.
6. In contrast, the green and yellow masks represent bad characteristics. The green
stage gamelan mask implies _________, and the yellow mask is cruelty.
right side dalang 7. Red mask is traditionally a positive color in Chinese culture, which signifies
background musical cotton screen prosperity, intelligence, and _________.
audience puppet 8. There are four main characters or major roles in Peking Opera: _________
Hindu epics Central Java, Indonesia refers to male roles, 9. _________ refers to women roles, Jing refers to characters
with painted faces, and 10. _________ which means ugly or clown face.
1. Performances of shadow puppet theaters are accompanied by a _________
orchestra in Java. II. WAYANG KULIT
2. Wayang Kulit in _________ is one of the oldest continuous traditions of
storytelling in the world. stage gamelan
3. The stories are usually drawn from the _________: Ramayana, Mahabharata, right side dalang
and Serat Manak (Amir Hamza) background musical cotton screen
4. It includes the use of _________ materials and 5. _________ accompaniment to audience puppet
make it interesting to the audience. Hindu epics Central Java, Indonesia
6. The _________ is the puppeteer who prepares all the materials used like the
cloth and light for the shadow. 1. The _________ is the most important person in a Wayang Kulit performance.
7. Wayang Kulit performance consists of shadows cast on a _________ and an oil 2. The open space between them about two meters wide represents the
lamp. A halogen electric light is often used as a light source. _________.
8. The puppet on the _________ signifies the good character and on the left-hand 3. Performances of shadow puppet theaters are accompanied by a _________
side the bad. orchestra in Java.
9. The _________ is the most important person in a Wayang Kulit performance. 4. Wayang Kulit in _________ is one of the oldest continuous traditions of
10. The open space between them about two meters wide represents the storytelling in the world.
_________. 5. The stories are usually drawn from the _________: Ramayana, Mahabharata,
and Serat Manak (Amir Hamza)
II. KABUKI 6. Wayang Kulit performance consists of shadows cast on a _________ and an oil
lamp. A halogen electric light is often used as a light source.
Theater Arts Yaro-kabuki 7. It includes the use of _________ materials and 8. _________ accompaniment to
Kabuku Buddhist prayers make it interesting to the audience.
Izumo no Okuni Keshou 9. The _________ is the puppeteer who prepares all the materials used like the
Kabuki Onna-kabuki cloth and light for the shadow.
Confucian philosophy Wakashu-kabuki0 10. The puppet on the _________ signifies the good character and on the left-hand
side the bad.
1. It is a form of classical theater performance that the West may not understand
but has evolved over 400 years to maintain influence and popularity. III. KABUKI
2. Kabuki is derived from the Japanese verb _________ which means "out of the
ordinary" or "bizarre." Theater Arts Yaro-kabuki
3. By relying on makeup, or _________, facial expressions and focusing on Kabuku Buddhist prayers
historical events rather than folk tales, Kabuki set itself apart from the upper-class Izumo no Okuni Keshou
dance theater form known as Noh. Kabuki Onna-kabuki
Confucian philosophy Wakashu-kabuki0
 7. But when this was also banned for similar reasons, that led to _________
performed by men.
1. Kabuki is derived from the Japanese verb _________ which means "out of the 8. Due to these influences, the once spontaneous, one-act dance evolved into a
ordinary" or "bizarre." structured, five-act play often based on the tenets of _________.
2. Its history began in the early 17th century in Kyoto, where a shrine maiden 9. It is one of the standard traditions of the people in Asia. It mirrors or reflects life
named _________ would use the city's dry Kamo Riverbed as a stage to perform and conveys clarity of story, order, and wonder, which is rarely found in ordinary
unusual dances for passersby who found her daring parodies of 3. _________ both life.
entertaining and mesmerizing. 10. It is a form of classical theater performance that the West may not understand
4. By relying on makeup, or _________, facial expressions and focusing on but has evolved over 400 years to maintain influence and popularity.
historical events rather than folk tales, Kabuki set itself apart from the upper-class
dance theater form known as Noh.
5. At first, the dance was practiced only by females referred to as _________.
6. A ban by the conservative Tokugawa shogunate in 1629 led to the emergence of
_________ with young boys as actors.
7. But when this was also banned for similar reasons, that led to _________
performed by men.
8. Due to these influences, the once spontaneous, one-act dance evolved into a
structured, five-act play often based on the tenets of _________.
9. It is one of the standard traditions of the people in Asia. It mirrors or reflects life
and conveys clarity of story, order, and wonder, which is rarely found in ordinary
life.
10. It is a form of classical theater performance that the West may not understand
but has evolved over 400 years to maintain influence and popularity.

4th QUARTER SUMMATIVE TEST IN MUSIC 8 ( TEST C )

I. PEKING OPERA
Beijing Opera neutral
Violence Dan
Sheng Chou
Purple mask White mask
Bravery Peking Opera

1. Peking Opera is also known as _________, and is an essential cultural tradition

in China.
2. Peking Opera is a classic form of Chinese performance that combines the music
of _________, singing, miming, dancing, and history.
3. The black mask is considered _________.
4. _________ stands for evil.
5. _________ suggest justice and sophistication.
6. In contrast, the green and yellow masks represent bad characteristics. The green
mask implies _________, and the yellow mask is cruelty.
7. Red mask is traditionally a positive color in Chinese culture, which signifies
prosperity, intelligence, and _________.
8. There are four main characters or major roles in Peking Opera: _________
refers to male roles, 9. _________ refers to women roles, Jing refers to characters
with painted faces, and 10. _________ which means ugly or clown face.

II. WAYANG KULIT

stage gamelan
right side dalang
background musical cotton screen
audience puppet
Hindu epics Central Java, Indonesia

1. The _________ is the most important person in a Wayang Kulit performance.

2. The open space between them about two meters wide represents the
_________.
3. Performances of shadow puppet theaters are accompanied by a _________
orchestra in Java.
4. Wayang Kulit in _________ is one of the oldest continuous traditions of
storytelling in the world.
5. The stories are usually drawn from the _________: Ramayana, Mahabharata,
and Serat Manak (Amir Hamza)
6. Wayang Kulit performance consists of shadows cast on a _________ and an oil
lamp. A halogen electric light is often used as a light source.
7. It includes the use of _________ materials and 8. _________ accompaniment to
make it interesting to the audience.
9. The _________ is the puppeteer who prepares all the materials used like the
cloth and light for the shadow.
10. The puppet on the _________ signifies the good character and on the left-hand
side the bad.

III. KABUKI

Theater Arts Yaro-kabuki

Kabuku Buddhist prayers
Izumo no Okuni Keshou
Kabuki Onna-kabuki
Confucian philosophy Wakashu-kabuki0
1. Kabuki is derived from the Japanese verb _________ which means "out of the
ordinary" or "bizarre."
2. Its history began in the early 17th century in Kyoto, where a shrine maiden
named _________ would use the city's dry Kamo Riverbed as a stage to perform
unusual dances for passersby who found her daring parodies of 3. _________ both
entertaining and mesmerizing.
4. By relying on makeup, or _________, facial expressions and focusing on
historical events rather than folk tales, Kabuki set itself apart from the upper-class
dance theater form known as Noh.
5. At first, the dance was practiced only by females referred to as _________.
6. A ban by the conservative Tokugawa shogunate in 1629 led to the emergence of
_________ with young boys as actors.