Dynamic Instrument

i5 DYNAMIC INSTRUMENT MICROPHONE

OVERVIEW:
Designed, assembled and tested by Audix in the USA, the i5 is a
dynamic instrument microphone used for stage, studio and broadcast
applications. The i5 is able to handle sound pressure levels in excess
of 140 dB without distortion and can be used to mic a wide variety of
musical instruments, guitar and bass cabinets, vocals and speech.

The i5 is characterized with a cardioid pickup pattern for isolation

and feedback control and is equipped with a VLM™ (Very Low Mass)
diaphragm for natural, accurate sound reproduction.

The i5 is sturdy, compact and easy to position. With a wide frequency

response of 50 Hz - 16 kHz, the i5 provides clear, accurate, natural
sound reproduction without having to rely on EQ. Roadworthy
construction includes a precision cast zinc alloy body, steel grill, black
e-coat finish, laser etched model and serial number, Switchcraft® XLR
connector and includes a heavy duty nylon mic clip.

SUPPLIED ACCESSORIES: FEATURES:

Heavy duty nylon mic clip (MC1) Clear and accurate sound reproduction
Carrying pouch (P1) Handles high SPL without distortion
Provides exceptional gain before feedback
OPTIONAL ACCESSORIES: Provides excellent isolation on stage
DFLEX - All purpose percussion clamp Precision cast zinc alloy body and grill
DVICE - Spring loaded rim mount clamp 5 year warranty
DCLAMP - Tension rod mic clamp
WS-i5 - External foam windscreen APPLICATIONS:
CBL-20 - 20’ XLR-XLR mic cable
Live stage, studio
CBL-DR25 - 25’ right angle XLR mic cable
Snare, toms, percussion
CAB GRABBER - Tension held mic holder, clamps to guitar cabinets
Guitar cabinets, electric instruments
Bass cabinets
Brass, flute, woodwinds
Acoustic instruments
Vocals, speech

i5
DCLAMP DFLEX i5 on VOCALS CAB GRABBER i5 on SAX
 i5
SPECIFICATIONS: ARCHITECTS AND ENGINEERS SPECIFICATIONS:
Transducer Type Dynamic The microphone shall be of the dynamic type operating on the moving coil principle and the polar
Frequency Response 50 Hz - 16 kHz pattern of the microphone shall be cardioid. The capsule shall be VLM Type B. The nominal out-
put impedance shall be equal to 150 ohms at 1 kHz. The microphone shall have a sensitivity of
Polar Pattern Cardioid 1.5 mV / Pa at 1 kHz and a sound pressure level ≥140 dB. The microphone body and grill shall
Output Impedance 150 ohms be of die cast zinc alloy. The overall dimensions shall be 23 mm in diameter at the base, 37.5 mm
Sensitivity at 1k 1.5 mV / Pa at the top, and 141.5 mm in length. The microphone shall be the Audix i5.
Capsule Technology VLM Type B
Off Axis Rejection > 23 dB OPERATION:
The i5 is a low impedance microphone and should be plugged into a “mic level” input on your
Maximum SPL ≥ 140 dB console, mixer, or recording device. Please note that your microphone does not require phantom
Power Requirements None power and will not be effected in any way by phantom power should it be running simultaneously
Connector Swithcraft® male when the microphone is in operation. Avoid plugging or unplugging the microphone from the
XLR connector PA system unless the channel is muted or the volume of the system turned down. Failure to do
so may result in a loud “popping” noise which could seriously damage the speakers in the PA
Polarity Positive voltage on pin system.
2 relative to pin 3 of
output XLR connector USER TIPS:
Housing / Finish Die cast Zinc Alloy / The i5 has a tight (cardioid) pick-up pattern in order to help eliminate sound from other instruments
Black E-coat on stage from “bleeding” into the microphone. For this reason, it the i5 is exceptionally effective for
drums and percussion in be able to capture the sound of each component of the kit.
Weight 183 g / 6.5 ounces Snare: Start with the i5 about 2 inches above the head and aimed towards the center of the drum.
Length 141.5 mm / 5.6 inches For more “rim” effect, the i5 can be aimed less towards the center and more towards the rim. It is
not uncommon for engineers to place the mic practically right on the drum head to achieve a very
tight, cracking sensation.
Toms, congas: Similar to snare. For tighter sound and more attack place, the mic closer to the
head. For more decay and overtones pull the mic further away from the head.
Guitar cabs: The i5 can be placed within 1-2 inches of the grill cover at a 90 degree angle pointing
directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize
the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer
towards the center of the speaker, but avoid the middle of the speaker.
Horns: Place the mic within 1-3 inches of the bell, especially when on a stage with drums, bass,
guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed
further away for a richer, fuller, sound.
Allow a distance of 2-3 feet between microphones to avoid phase cancellation issues.
*Further miking techniques may be found on our website at www.audixusa.com

FREQUENCY / POLARS: DIMENSIONS (mm):

***All specifications subject to change without notice.

SERVICE AND WARRANTY: CARE AND MAINTENANCE:

This microphone is under warranty for The i5 is manufactured to exacting specs with
a period of 5 years from any and all roadworthy construction. However, the capsule
manufacturing defects. Should your is highly sensitive and should be handled with To register your
microphone fail in any way, please con-
tact the Audix Service department at
care. Avoid extreme temperatures and be sure
to store your microphone in the pouch provided
microphone, please visit
503-682-6933. A Return Authorization
number is required before returning
when not in use. Moisture of any kind can www.audixusa.com
adversely affect the sound and performance of www.audixusa.com Call: 503-682-6933 Fax: 503-682-7114
any products. your microphone. Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070